St. Jerome’s Laneway Festival 2012

DZ Deathrays

Review and pictures by Melissa Tan with additional photography by David Payne.

St Jerome’s Laneway Festival returned to the gates of Footscray Community Centre on Saturday. Walking through the gates at 11, it felt more like a small gathering on a residential road rather the large franchise patron St Jerome would have intended. The crowd dribbled in small droves as the morning went on, but the sun did not. As the afternoon went on, the raging celsius turned the pale, insipid skin of punters down to the colour of their maroon pants, but that probably was no excuse for the widespread feeling of ‘MEH’ from the crowd for the day. It was probably the first time at a festival that I prayed to the gods for someone to smack a bottle or a potato spiral at a security guard, or forbid, even make a small fleck of noise when asked to do so. Claps to #MANINTREE who managed to get his own yellow-taped off viewing spot for Girls/Twin Shadow/AnnaCalvi/Drums, stage a 20-strong police circle, summon more applause than most bands on the day, stage a riot between supporters and police and manage to even score a free lift home in the back of a van. Although this years lineup seemed to be hanging in the shadow of bigger headliners from previous years, there was no shortage of decent acts.

Locals Drunk Mums kicked off the morning. Stage props usually make their cameos past 6pm, but Drunk Mums’ prop/vibe guy made a premature entrance – staggering around in polka dot shorts doing backflips, back-handstands and other tricks for applause. While I’m trying to divide my attention between bad haircuts, Russell from Stillwater who’s singing on lead and their backup dancer fist pumping the air in regular inkrements and occasionally wandering off stage to have a seizure, I remember that their music is actually pretty good.

Fresh off their stadium support slot opening for the Foo Fighters, no surprise DZ drew a pretty big crowd. Being one of the more upbeat bands on the bill, I expected a bit more action from everybody. No strobes, no one getting wet and nobody expressing themselves by wildly flailing their arms in the air or throwing a spin kick or two in the front as per usual DZ shows. Would have been more likely to get a Wall of Death happening at a Seekae gig than in Saturday’s midday crowd. Fuck you crowd participation. I was still content in my three-strong dance battalion at the back. Suddenly a breeze picks up, and things start to get heavy during ‘Cops/Capacity’ and ‘Teeth’. Shane’s hair is flying and Simon’s little arms are making the cymbals hang by a tether. What’s a bassist? \m/ \m/

I sauntered off along to the Windish Agency stage to catch the end of Total Control’s set. It takes a few moments to adjust to watching these guys play on a stage overlooking the Maribyrnong with people sprawled out on the lawn all the way up the hill – rather than the dark, sticky carpeted habitats they’re used to. The heat is making me giddy, and while I think I could have heard a bit of ‘One More Tonight’, I could be mistaken. Still, it’s not just the ‘supergroup’ plug that’s getting these guys by (ft. members of Eddy Current Supression Ring/UV Race) Daniel Stewart’s deadpan stance has all the errs and graces of Anton Newcombe and all five members of Devo. It’s good.

Hailing all the way from Louisiana, Givers’ feel good tunes inject some much needed energy into the crowd. Frontman Taylor Guarisco’s facial expressions shift quicker than the band’s time changes. I almost get knocked over by several punters and a barefoot pregnant chick who’s left her heschen bag/goon sack in the middle of the groove pit when ‘Up Up Up’ drops.

Laura Marling walks into the bar. Her platinum locks are radiating in the sun. I walk up to her and we start talking about Joni Mitchell’s dulcimer, Steinbeck, and other sad shit. We drink cider and I bask in the glory of being within 1m of her intellectual radius. I then tell her that she should probably make everyone feel better about their existence and go do other things normal 22 year olds do, like be untalented, drop out of an arts degree and smoke crack on Thursdays. She spits in my face. But it’s okay, it’s Laura Marling. This should have occurred, but instead I sit around sipping my de-fizzed Fanta being sad, watching her sit around at the bar, being wise and sad.

Remember those Topshop kids pushing around those bikes? After pinning me to a wall to get a crappy photo of my shirt in return for what I thought was a free disposable camera that worked, the guys remind me that there’s a secret party at 5. I’ve almost forgotten until I’m rudely interrupted halfway through scoffing my Beatbox fries and bundled through a side door along the hill. It’s a cool set up. There’s purple lighting that’s a little too Roxy music, algae and hedges growing out of the walls, and weird stuff pegged to the roof. That doesn’t make it feel any less like walking into an 80’s prom. A prom with Chaz (Toro Y Moi) and Ernest Greene (Washed Out) in his trademark navy yobwave singlet chugging away behind the decks. I sit down on a wooden crate and observe the young ones congregate in corners of the room with their shitty flower headpieces and tractor shoes (WHY ARE CREEPERS BACK?!) and decide it’s best to usher myself back into the open.

The sun’s almost hovering behind the hill as Cults take to the stage. Feel free to bypass my trolling because ‘Oh My God’ and ‘Go Outside’ are catchy tracks. Madeline Folin’s vocals sit between cute and mildly annoying. If you run to the the back of the hill, it sounds like Scarlett Johansson attempting Japanese karaoke. And if you go right up to the back of the hill next to the sound booth, block your ears and squint a little, it’s almost like watching 3x Kurt Vile.

16 year old me is still reeling from Cajun Dance Party days, but I’m quite curious to see Yuck live. Daniel Blumberg steps onto stage in a double denim ensemble and I quietly beg the gods of Mascis and Moore for this to be good. ‘Holed Out’ kicks it off, while mellower ‘Shook Down’ sets the pace for the middle half of the set. ‘Georgia’ is clearly their best song, but everyone is yelling out for ‘Get Away’. Max Bloom’s comments make everyone cringe (“We’re Yuck. Yeah. That’s our band name”), but band banter on the whole is sparse today, so I’ll take anything as endearing.

We wander to M83, and standing beneath the screen halfway down the road is the closest we can get. Oldies like ‘Graveyard Girl’ get a spin, while everyone goes nuts when the hook for ‘Midnight City’ hits. Whether M83 is your thing or not, you can’t really go past frontman Anthony Gonzalez morphing into a raging Phil Collins during ‘Reunion’ AKA. ‘EASY LOVER’

The Melbourne leg of Laneway this year went relatively without trouble, but was there really any main slot really worth kicking down bins or climbing steel barricades for? Good planning and a choice venue has made the last three years at Laneway’s new home accommodating, although installing some form of light in portaloos after 8pm should probably be on next year’s agenda. If you’re from Western parts, you’ll know Footscrayzy is good for ethnic food and not much else. It’s no solace for skinny white kids. However, once a year it turns into a great spot to down cider with the city skyline, palm trees and slew of local and international tunes in view. And for the unengaging minors in the crowd who kept their happy festival feelings tucked into their loafers, you’re the sort of folk that we’ll all have to accept as a part of Melbourne’s ‘landscape’ as much as Laneway Festival. Chill though, I’ve got the whole thing on tape.

The Laneway Festival continues this weekend in Radelaide and Perth, details here – http://whothehell.net/7ct

Full set of festival photography after the jump … Continue Reading

Meredith Music Festival 2011

(photo: Kristy Milliken)

Last weekend marked the 21st anniversary of Meredith Music Festival and the start of another summer festival run. Headliner Total Lunar Eclipse did a no-show due to a cloud cover, but the cosmos aligned in other ways; Barbarion threw some flames, Grinderman bid us adieu and Big Freedia… brought the ass (everywhere). Meredith organisers have been good to the people for over two decades and the weekend delivered.

Good on yr Aunty M.

DAY 1.

With Mike Larkin’s grim prediction of torrential rain forecasted for the weekend, Aussie Disposals survived a mass pillage on Thursday as punters prepared for a rerun of Meredith Mudbath ‘08. Contrary to the shitty forecast, Friday was all sun. Apart from having our windscreen smeared with some 40+ orange butterflies we hit somewhere past Geelong, it was a cruisy traipse down the Princes Hwy until we poked the line. A large mass of punters seem to have bypassed the ‘no dickhead policy’. Fools who overtook the long line of fair queuers, got bad karma and runs from the Hare Krishna tent on the weekend. Eco tyrants who also scampered past the queue on fixie bikes also provided comedic entertainment, after said fixies encountered punctured wheels on gravelly terrain.

Meredith minions parading around with yellow tees were strategically placed around our welcome path as ushers, but all were useless at giving directions. One of my mates wrangled a free ticket for three hours of handing out ‘snakes and redbull’. Order seems unnecessary when you have vibemen.

On the topic of vibemen, the main stage was packed to see King Gizzard and The Wizard Lizard open the proceedings. Perched on the edge of the stage, the rowdy 7 piece wasted no time on introductions. The driving beat of ‘Lunch Meat’, anthemic ‘Willoughby’s Beach’ and the rest of those whooops, theremin and fezzy swamp stuff caused a minor dust storm in the front left of stage. A cover of the … Continue Reading

MAP December 2011

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a .zip file of the whole 36-track compilation via MediaFire.

ARGENTINA: Zonaindie
The Empire Of The Moon – Transition
The Empire Of The Moon is the new project of Juan Sábato, a former member of Brian Storming, a band that was featured in the first edition of MAP (and, by the way, the grandson of writer Ernesto Sábato). Transition is the first single from The Empire Of The Moon’s just-released debut EP, Saturday Children, for which he wrote all the music, lyrics and beautiful pop arrangements.

AUSTRALIA: Who The Bloody Hell Are They?
Tim Fitz – The Line
Tim Fitz is a 21-year-old producer/instrumentalist/singer from Sydney. He put out his first EP, Infinite Space, in March but his latest release, Beforetime, is definitely a rich picking. Some might hear genre spanning and others will hear indecisiveness, but there’s a great feel to this collection of tracks. The Line is a good example of Fitz’s kaleido-instrumentals. Just as the flouncy percussion gets into the proper swing of things, we get bombarded by drive-high fuzz around the one-minute mark. Fitz’s sound is original, but the way he has put his sounds together is still familiar enough to catch on to.

BRAZIL: Meio Desligado
Nana Rizinni – Nice Figure, Dangerous Heart
It’s almost 2012, but listening to this song from singer/drummer Nana Rizinni can take you back to the 90s with an awesome “sounds like The Breeders feeling”. Nice Figure, Dangerous Heart is from her first album, I Said, which is available to download from her website.

CANADA: I(Heart)Music
Fevers – Passion Is Dead (Long Live Fashion)
Fevers’ debut full-length (which is currently free via Bandcamp) is a wonderful blend of disco-pop and ambient Stars/Young Galaxy-style space-rock. This song, the title track from the album, falls firmly into the former category. It’s five and a half minutes of a glorious, life-affirming, wave-your-arms-in-the-air anthem, and it sets the stage for one of the best albums of the year.

CHILE: Super 45
Tio Lucho – Ilusión Rebelde
Even though Tio Lucho had an aggressive, non-conformist punk sound when they started, it has developed into a more danceable and, clearly, more passive format. Produced by Chalo González, their new album Innombrable, released through Cazador, has a strong new wave influence. Ilusión Rebelde is its first single.

CHINA: Wooozy
Mini Train Heart – Just This Feeling
Formed in 2009, Mini Train Heart is a peculiar band based in Wuhan. The band is noted for their unpredictable drumbeats and manic vocals. Also, you can’t easily tell who their influences are. We recommend you just drown in the lo-fi atmosphere and enjoy their uniquely dry humor in how they see this generation.

DENMARK: All Scandinavian
Anchorless – A Step Too Steep
Comprising members of bands such as Lack, The River Phoenix and The Fashion, indie-rock six-piece Anchorless are currently finishing their debut album, which I assume will be released early-ish next year. Until then dive in, dig and download A Step Too Steep from their six-song eponymous 2010 debut EP, which you can in fact download in full through this link.

ENGLAND: The Guardian Music Blog
Citizens! – True Romance (Populette remix)
This is an exclusive remix of the debut single, True Romance, by a London-based five-piece who have just signed to French electronic/indie label Kitsuné. Their debut album, due early next year, has been produced by Alex Kapranos of Franz Ferdinand. The video to the single was directed by LA’s High5Collective, the team behind shorts for The Weeknd and Odd Future. And they believe that “pop is not a dirty word. It’s a holy one”. For Citizens!, pop is something David Bowie did in the 70s – they conflate glam-era Bowie and Bowie in Berlin with some of the tart arrogance of Suede and louche energy of Franz.

ESTONIA: Popop
Shelton San – Well-Behaved
Noise-rock band Shelton San started rocking the small Estonian indie scene in 2002 and, almost 10 years later, they are stronger than ever, creating massive, raw, hypnotic atmospheres, always polished, but never sterile. In 2006, they received the Estonian Music Award for the best punk/metal artist. Shelton San’s second LP was released on December 12.

FINLAND: Glue
Zebra And Snake – Burden
Matti and Tapio, best known as Zebra And Snake, positioned themselves as the next big thing in Finnish electro-pop in 2010 and since then, the duo has been carefully crafting their debut album while playing anywhere from Iceland to Indonesia. Burden, the first single off Healing Music (out in spring 2012), is an epic pop song with a Blood On The Dance Floor beat, analogue electronic hooks and powerful Bowie-esque vocals.

FRANCE: Yet You’re Fired
Marauders – Galley-Slave
Marauders formed in the late 80s in Strasbourg, and have been making garage rock ever since, before it was cool and re-popularized by The Black Keys. The quartet, who have released two LPs and appeared in various compilations, play short, edgy songs and are pretty awesome live. Galley-Slave is a sweet, soft-rock ballad that deserves some attention.

GERMANY: Blogpartei
Kraków Loves Adana – Silver Screen
The Black Forest, a myth. Since Kraków Loves Adana come from Freiburg, we can all speculate whether the forest has its influence or not. Hence, the sound of this duo is outstanding. The voice of Deniz Cicek is remarkably dark and complex, the use of the instruments is deliberate, creating deep and slightly ominous songs. Silver Screen is a MAP exclusive from their upcoming second album, which will be released in early 2012.

GREECE: Mouxlaloulouda
2L8 – Let It Go
A collective led by K the Clown and comprised of talented Greek musicians, 2L8 is a bold and electrifying project that has come to be categorized by their radical stylistic shifts between albums. New Battles, Without Honor And Humanity is packed with feverous instrumental intensity and florid arrangements based on bursting guitars, pounding drums, subtle and luminous climaxes, dramatic strings and brass, hypnotically simple melodies, inner monologues and trembling, frantically passionate vocals, desperate and bleak lyrics about resistance, equity, freedom, love and equality coupled with a sense of hope.

ICELAND: Rjóminn
Low Roar – Friends Make Garbage, Good Friends Take It Out
Low Roar is the personal project of Ryan Karazija who, almost two years ago, moved from San Francisco to Reykjavík to follow the love of his life. His self-titled debut chronicles the challenges of starting anew in a foreign land and the struggles to acclimatize, find work and support his family in the Icelandic winter. Friends Make Garbage, Good Friends Take It Out, one of the highlights of the album, is a haunting, emotive and slightly melancholic song with a melody that will undoubtedly keep playing in your head long after the song is over.

INDONESIA: Deathrockstar
Stars And Rabbit – Worth It
Stars And Rabbit are probably one of this country’s most promising indie acts. The duo mix some soul from Joan Baez, the cuteness of Lisa Mitchell and the playful touch of Björk to produce catchy, beautiful pop songs.

IRELAND: Nialler9
Come On Live Long – Elephants And Time
Formed last year, Come On Live Long have picked up a steady pace in no time as evident on the release of their latest EP entitled Mender. They make far-reaching alternative songs with considerable melodies, synths and a strong singular sound. Production by Nouveaunoise electronic maestro Conor Gaffney helps too. Ones to watch.

ITALY: Polaroid
Distanti – Astronomie
Distanti sing in Italian, but even if you don’t speak our old and praiseworthy language, I’m sure you’ll understand – in fact, you will totally feel the way Distanti tear up their post-punk sound. Visceral. Urgent. Clever. They just released a new EP, Mamba Nero, which you can get at To Lose La Track. And try to catch Distanti live, they’re amazing.

JAPAN: Make Believe Melodies
Love And Hates – Party Trash
Love And Hates is a collaboration between Yuppa and Moe, two of the best indie artists in Japan today, from HNC and Miila And The Geeks respectively. Love And Hates finds them teaming up to make rap music with indie-pop touches, or kindergarten hip-hop as they dubbed it. Party Trash, with its cutesy chopped-and-screwed intro and solid structure, is not a lame dorm-room joke but rather a fun, appreciative stab at the genre. UGK they are not, but they still feel like a blast.

MALTA: Stagedive Malta
nosnow/noalps – Far Into The Night (Without You)
nosnow/noalps began its journey over mountainous terrain in early 2007 with their poppy indie-rock seasoned with punk, reggae and ska. Soon after, the quartet hit the live circuit with an energy and force comparable to an avalanche at a Swiss ski resort. The band’s first EP, Just Rock, came out in 2008 and they released their debut album, Romantikpolitik, this August.

MEXICO: Red Bull Panamérika
3Ball MTY – Ritmo Alterado
The city of Monterrey, in northern Mexico, is struggling in a war against drug-mafias: despite the violent context, a new musical genre is rising thanks to 3Ball MTY. Led by veteran electro-cumbia DJ Toy Selectah and a crew of skillful producers in their early 20s, the collective have created a new sound by merging polka, reggaeton and acid-tribal-techno. But the most peculiar thing about this trend is the style of dancing – like dodging bullets – while wearing ultra-long pointy boots. Curious? Just google ‘Pointy Mexican Boots’.

NETHERLANDS: Unfold Amsterdam
Spoelstra – Pallets
An alternative to the schmaltz of typical Christmas sounds, enjoy a dose of Spoelstra. He’s a collaborator with Dutch experimental label Narrominded, which specialises in all sorts of fantastic non-profitable sounds, from full-on noise rock to electronic warbles. And Spoelstra is a perfect fit, as he’s proven capable of both. His latest album Pallets was released earlier in the year. Packaged as a cassette and a book about everything you can imagine about pallets, it showcases a full rack of effects and a wonky mind. Part chip tune, part drunken country improv, part toy noise, this uneasiness is how Santa feels come Boxing Day.

NEW ZEALAND: Einstein Music Journal
The Eversons – I’m A Conservative
Fronted by Mark Turner (ex-Little Pictures) and with Chris Young (Insurgents, No Aloha), Tim Shann and Blair Everson, The Eversons have a crisp, clear garage-rock vibe that strongly recalls Art Brut and American college rock with its undeniable catchiness and the immediate satisfaction this brings. With classic guitar riffs and day-in-the-life-style lyrics, their debut five-song EP is instantly likeable. This is one of those bands that doesn’t muck around, delivering a top-class release very early in their career, which makes us excited about future things to come from them.

NORWAY: Birds Sometimes Dance
Sunturns – Hallelujah (Christmas Is Here!)
Sunturns can perhaps be labeled an indie supergroup – or not just an indie super group, but a Christmas indie supergroup. It’s something as rare as a full-time Christmas band and is comprised of some of the best musicians from the Oslo indie scene, with members from bands such as mylittlepony, Monzano and The Little Hands of Asphalt. They sing about both the nice and the more melancholic sides of Christmas. Their debut album, cleverly titled Christmas, is out now.

PERU: SoTB
Gris Volta – You Go Behind The Truth
Formed at the beginning of 2008, Gris Volta have too many influences to place the band into one genre – you can find anything from indie-rock to jazz themes and experimental music in their songs. Their debut record Monochrome is without doubt one of the best Peruvian albums released this year.

PORTUGAL: Posso Ouvir Um Disco?
Julie & The Carjackers – Mr Williams
One year ago, Julie & The Carjackers released their debut EP. Now the first album by João Correia (vocals, guitar, percussion) and Bruno Pernadas (guitar), with the help of some friends (none of them called Julie), is available. Parasol has been warmly welcomed by Portuguese press and blogs as a surprising and refreshing debut in the local indie scene.

ROMANIA: Babylon Noise
Absurdcus – Puppy Slippers
Absurdcus is the solo project of Transylvanian bass player/multi-instrumentalist Laszlo Demeter. His music has been a continuous work in progress since 2003, when he first started recording bits and pieces under this pseudonym. His music stylistically ranges from alternative rock and funk to electronica and even metal. You can download his debut album here.

RUSSIA: Big Echo
Arktor – Pier ft. Didjelirium
Just like the original story by Philip K. Dick, Arktor’s album Retreat Syndrome recreates the atmosphere of madness and insanity, combining truth and despair with the skills of his mate, jazz pianist Ilz. Pier is recorded with a special guest, Shanghai rapper Didjelirium.

SCOTLAND: The Pop Cop
Café Disco – Terra Nova
I’ll never forget the first time I heard Terra Nova by Glasgow-based newcomers Café Disco. It was on a shaky YouTube clip filmed in June 2011 during one of the band’s earliest gigs. “Contains the peachiest guitar riff I’ve heard in ages” is how I described the song on my blog back then – and that verdict hasn’t changed with this studio recording, which was funded by The Pop Cop for the sole purpose of giving it away through the Music Alliance Pact, together with this rather fun promo video.

SINGAPORE: I’m Waking Up To…
Sonicbrat – Bed Of Forty Winks
Sonicbrat is the enduring moniker of sound artist Darren Ng, whose work is characterised by an intricate tapestry of field recordings and found sounds, strung together by subtly processed acoustic instrumentation with a classical bent. Gentle, stirring and complex, Ng’s music is the sort that invites itself into and comfortably inhabits one’s imagination. His latest release, Hana, is his musing on the life of a flowering plant and is available as a free download on the Totokoko label.

SOUTH AFRICA: Musical Mover & Shaker!
The Frown – The National (Yesterday’s Pupil remix)
The Frown makes a curious mixture of folk and electronica. With their song The National, Yesterday’s Pupil’s remix adds a special touch to it, with a heady mix of soaring strings and orchestration, low tempo colliding beats, dark and menacing basslines and the fragile yet commanding vocals of Eve Rakow. Ethereal and enigmatic, it’s one of the year’s most exciting songs.

SOUTH KOREA: Indieful ROK
Kim Mok In – Scene
Kim Mok In started out as the guitarist of playful lo-fi folk quartet Cabinet Singalongs over a decade ago. This month he released his first solo album, Song Of Musician’s-self, with an updated sound and better production that still shouldn’t leave any old fan disappointed. Scene is a song about the Korean music scene which finds Kim Mok In’s voice and guitar accompanied by a sturdy piano.

SPAIN: Musikorner
Doble Pletina – Cruzo Los Dedos
Doble Pletina, a five-piece from Barcelona, were born from the ashes of Abrevadero (a one-of-a-kind cover band that would play songs of almost any genre). Thanks to their simple yet carefully crafted melodies and everyday life-inspired emotional lyrics – as in their latest single Cruzo Los Dedos – they have broken into the city’s local independent scene. They are, basically, what we would expect from a good indie-pop band.

SWEDEN: Swedesplease
Let’s Say We Did – Galaxies
If your idea of Swedish music is something exotic like Lykki Li, First Aid Kit, Little Dragon and/or Jens Lekman, the music of Let’s Say We Did might surprise you. On the whole, the new record hews closer to Big Star meets Wilco dad-rock than the drum and bass electronica music coming out of Sweden of late. Sebastian Fors is one of the main men behind the band. He has been contributing to the Swedish music scene for a few years in multiple projects. Let’s Say We Did’s new self-titled album, though, is some of the best stuff I’ve heard from him.

SWITZERLAND: 78s
Alejandro Jiménez – Die Fragestellung In Frage Stellen
Alejandro Jiménez is actually more poetry slam than singer-songwriting. He also had the honour of playing in the most famous theater in Switzerland for cabaret artists. On his second record, Nabelschau, he recorded 11 songs which have one thing in common: they’re raw and personal.

TURKEY: WEARTBEAT
Toz Ve Toz – Kara Mamba
Founded in November 2007, Toz Ve Toz make experimental songs that combine elements of jazz, surf, punk and Turkish classical music. The trio use guitar, synthesizer, drums, harmonica and bağlama – a Turkish instrument with three double strings. They have released two albums – the first featured music for a theatre play called Sahici İnsanlar Plastik Ölümler (“Real People Plastic Deaths”) in 2009; the second is a home recording called Ev/Home. Their third album will be released from their own record label soon.

UNITED STATES: I Guess I’m Floating
Gracie – Sisters
Philadelphia’s Gracie is an intriguing project to say the least. There is bedroom pop and garage rock, but the vibes coming from Gracie match more of a bomb shelter banger sound. Haunting, effervescent, glitchy, mesmerizing echoes, and driving beats that propel your ears forward straight through tangles of sonic cobwebs. Can’t wait to snag this unique release via Small Plates soon.

MAP November 2011

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a .zip file of the whole 35-track compilation via MediaFire.

ARGENTINA: Zonaindie
Fútbol – El Asedio De River
El Eternauta is an amazing science fiction comic created by Argentine comic strip writer Héctor Germán Oesterheld with artwork by Francisco Solano López. It was first published from 1957 to 1959. Los Ellos is a tribute compilation to this work and its author, one of 30,000 people who disappeared during the dictatorship that ruled the country between 1976 and 1983. The album contains 18 original tracks written by independent bands from La Plata and Buenos Aires. El Asedio De River is one of them, an instrumental track from alternative rock trio Fútbol.

AUSTRALIA: Who The Bloody Hell Are They?
Feathers – Cat Burgler
Cat Burgler is a sweet new jam from Brisbane’s Feathers, taken from their forthcoming 12″ Hunter’s Moon, out through Bon Voyage. The song showcases this all-female four-piece’s ability to intertwine whimsy and hooks into irresistible tunes suited for both Saturday nights and Sunday mornings.

BRAZIL: Meio Desligado
Kassin – Calça De Ginástica
Kassin is a producer who has worked with some of the most creative artists in Brazilian contemporary music. He has also played in some bands and projects and this year he released his first solo album, from which Calça De Ginástica is taken. The electronic pop is combined with funny lyrics in which a man tells of his desires with a girl he knows (such as having sex with her in a paraplegic’s bathroom while wearing his gym clothes).

CANADA: I(Heart)Music
First Rate People – Someone Else Can Make A Work Of Art
Someone Else Can Make A Work Of Art is a dance song, but only in the way that, say, All My Friends is a dance song. It’s got incredibly catchy beats and a wonderful vocal performance, but it’s held together by a genuine emotional core. It, and the album it comes from, are currently free for download from Bandcamp, so there’s really no reason not to go get it right now.

CHILE: Super 45
Fernando Milagros – Carnaval (feat. Christina Rosenvinge)
San Sebastián, the third album from singer-songwriter Fernando Milagros, is, in simple terms, a masterpiece. Although in his early days as a musician Milagros pointed towards a more contemplative kind of folk (a big reference here would be Nick Drake or the calmer moments of Devendra Banhart), in his newest album he explores South American music, creating denser pieces, darker yet more powerful. Carnaval, the first single from the album, features guest Spanish musician Christina Rosenvinge.

CHINA: Wooozy
Tong Dang – Don’t Let Me Cry
Tong Dang formed in 2001 in Chengdu. Their name is derived from the Chinese word meaning “Young Gang”. They started off as a melodic nu-metal band and gradually added elements of pop-punk and emo. Tong Dang are known for their explosive performances which features catchy hooks and melodies. Don’t Let Me Cry is taken from their album Far Away, released in 2007.

DENMARK: All Scandinavian
Echo Me – Darkest Hour
It’s alternative pop-rock with a folksy touch. It’s Echo Me aka Jesper Madsen. It’s an eponymous debut album. And it’s great.

ENGLAND: The Guardian Music Blog
WooWoos – Fizzy Lettuce
WooWoos are Nicky, Tasie and Jess, three London girls shaping up to be the new Sugababes – only the Sugababes when they were good, when Keisha, Mutya and Siobhan were in the group, not the three ciphers they’ve got in now. They’re funny, they’re sassy, and their debut single, Fizzy Lettuce, is 90s trip-hop revisited with a solid chorus that suggests there in a substantial musical base below the fizz and pop. We still don’t know what is a Woo Woo, or indeed what is fizzy lettuce, but at least they’re getting us thinking, these sugar-babes with subversive intent.

ESTONIA: Popop
Ewert And The Two Dragons – Jolene
Ewert And The Two Dragons, consisting of Evert Sundja, Erki Pärnoja, Ivo Etti and Kristjan Kallas, sky-rocketed into the Estonian music scene in autumn 2009 with their debut album The Hills Behind The Hills. 2010 was a busy year for the Dragons: they performed in Estonia, Latvia and Lithuania, including noted festivals such as Tallinn Music Week and Positivus. Their smooth sounds and melodies have been praised both at home and abroad. Their second album, Good Man Down, came out in April and has enjoyed tremendous success.

FINLAND: Glue
The Saturnettes – Girl Named Sue
The Saturnettes, from Tampere, blend in a refreshing way the 70s glam rock sounds of David Bowie and T. Rex with a touch of new wave and synth-pop. Girl Named Sue is the very catchy first single off their debut album.

FRANCE: Yet You’re Fired
1995 – La Source
Ask someone from France if they like French rap and they will most likely answer ‘no’, but ask if they likes old-school rap and the answer is most likely to be ‘yes’. And that’s what this month’s band is all about: old-school rap, with modern lyrics. 1995 (or “un-double-neuf-cinq”/”un-neuf-neuf-cinq”) is a young rap collective (five MCs, one DJ) hailing from Paris who released an extraordinary, well-received EP, La Source, last June. The EP is a work of art for people disappointed and bored by gangsta-like music, and is almost a miracle for the purists as well, thanks to the return to basics, the flow and the instrumentals. You can buy La Source on Amazon or iTunes.

GERMANY: Blogpartei
Jolly Goods – If I Were A Woman
When you listen to Jolly Goods’ second album Walrus, released recently on Staatsakt, you should be prepared for some serious disarray. Their songs, especially their lyrics, bear testament to a deep doubt in the world as it appears to these two sisters; they capture emotions like anger, trepidation and a little bit of hope in an extraordinary way.

GREECE: Mouxlaloulouda
Sugar Factory – 440
Sugar Factory have unleashed their luminous, lilting, lovely debut single, the double A-side 440 / Explosions. It’s an insular instrumental experience, casting intrigue in the minute details, an immersive and inevitably cinematic gem rich in fuzzy memories, nostalgia, melody and atmosphere, with woozy accordion that accentuates the underlying emotions, guitars and samples with an otherworldly quality that lingers with you. Listen to 440, a perfect mood piece as the night begins to draw in.

INDONESIA: Deathrockstar
Polka Wars – Horse Hooves
Horse Hooves is an echoey, spacey song made by a collective of young boys influenced by the current fuzzed and mopey music scene. You’ll love their simple interpretation of what we call humble music.

IRELAND: Nialler9
We Cut Corners – Go Easy
Go Easy is a fine example of what to expect from Today I Realised I Could Go Backwards, the debut album from Dublin duo We Cut Corners. Restricting themselves to drums, guitar and voice doesn’t hamper John Duignan and Conall O’Breachain in the construction of their direct songs. Rather, they find new ways to create unique songs from a limited palette. They might Go Easy but they will go far.

ITALY: Polaroid
Horrible Present – Cloudy Talks
Nicola Donà used to sing in the band Calorifero, now he lives in London and writes music under the moniker Horrible Present. His new songs are more lo-fi, bedroom pop-oriented, ranging from synth-driven experimental tunes to romantic acoustic guitar ballads, but always with a big shining love for melodies. And the love is returned. Expect a debut album in early 2012.

JAPAN: Make Believe Melodies
Avec Avec – Kuzuha No Sunday
Avec Avec is one of the most promising young artists to emerge in a burgeoning electronic scene based in the Kansai region. Kuzuha No Sunday stands as one of the best tracks from this fledgling movement, a stuttering beat-driven song reminiscent of Bibio or Cornelius that sounds like a perfect sunny Sunday. The sweetest part comes via that glitchy vocal sample, one of the most joyous sounds to come out of Japan this year.

MALTA: Stagedive Malta
Cable 35 – Cow Head
Formed in 2006, Cable 35 have become known for their highly energetic performances and are arguably Malta’s tightest band. The three-piece is made up of singer and guitarist Jeffrey Zerafa, bassist Kriz Zahra and drummer Chris Mallia. Following a couple of EPs, the band released their aptly-titled debut album Louder three months ago and are currently touring Europe to promote it. Louder brings back Bleach-era Nirvana to your ears.

MEXICO: Red Bull Panamérika
Antoine Reverb – You As A Fish
The tradition states that Guadalajara is the quintessential land for Machos and Mariachi in Mexico. But Antoine Reverb (actually a quintet, not a person) doesn’t belong to their time and place. On their splendid second album Everything Is A Foreign Language To Me, the band sets their inner clocks backwards on a swirly Victorian time-travel in a quest to reach the land of the Pet Sounds, rabbit-holing on a twee-gaze mood (reminiscent of Broadcast in the 90s), finally sliding on a spiral that leads to confusing atmospheres that resemble the soundtrack for the Czech vampire film Valerie And Her Week Of Wonders. Antoine Reverb are not only strangers in their own land, but in their own dreams.

NETHERLANDS: Unfold Amsterdam
Moon & Sun – Hunt (Gavin Russom remix)
Although based in Amsterdam, Moon & Sun is very much an international concept. At its core is artist/musician Monica Tormell, who’s originally from Sweden but who wrote and recorded her debut album, The Wild Things, in Curaçao, the Swedish woods and also back in Amsterdam. That original collection emerged last November, offering bouts of atmospheric and tribal folk. One year on, a number of its tracks have been reworked by a host of international collaborators. This remix by DFA artist and LCD Soundsystem collaborator Gavin Russom draws on the heavily percussive elements to create electronic patterns reminiscent of Swedish peers The Knife and jj.

NEW ZEALAND: Einstein Music Journal
Fabulous/Arabia – The Ballad Of State Highway 1
James Milne (Lawrence Arabia) and Mike Fabulous (The Black Seeds) unveiled their collaboration last month and surprised many fans by presenting an album of nu jazz songs – combining elements of funk, soul and jazz, while quite obviously retaining Lawrence Arabia’s indie-pop influence. Their debut album is a mixed bag, each song exploring a different path. The most obvious reference is British downtempo DJ Mr Scruff, courtesy of Fabulous’ wonderfully unusual instrumental experimentation. Their debut album Unlimited Buffet can be downloaded from Bandcamp.

NORWAY: Birds Sometimes Dance
Bendik – Igjen
Bendik is a lush, ambient electro-pop band signed to the great Trondheim-based label Riot Factory alongside the likes of Scarlet Chives, Dråpe, Angelica’s Elegy and Pelbo. It started as Silje Halstensen’s solo project but has now grown into a trio. They have played at some of the biggest festivals throughout Norway, such as Øyafestivalen, Pstereo and Slottsfjell, and their debut album will be released next year.

PERU: SoTB
Division Mayday – Lugar Seguro
Division Mayday formed in 2008 and their sound ranges from post-punk to electro-pop. A mix of electronic guitars, intimate lyrics, an intense rhythmic base and electronic sequences are the raw materials of their musical proposal.

PORTUGAL: Posso Ouvir Um Disco?
Rose Blanket – Feel My Way Around
Nothing Ahead Nothing Behind is the third album from Miguel Dias’ project Rose Blanket, recorded between 2008 and 2011. For this double album, he collaborated with several Portuguese musicians and two American vocalists, Jennifer Charles (Elysian Fields) and Dana Schechter (Bee And Flower). Feel My Way Around features Jennifer Charles.

ROMANIA: Babylon Noise
East Roots – S.O.S.
East Roots is not a conventional dub/reggae band. As the cardinal points, each member comes with a new direction: drum ‘n’ bass, reggae, ska, dancehall and even trip-hop, you will find it all in their music.

RUSSIA: Big Echo
Valotihkuu – Two Shadows
Valotihkuu’s Flutter EP is made up of 15 tracks which collect memories and emotions of a full year, filled up with nostalgia, old vibes, cassette tapes, weird samples and a unique feel that might remind you of Madlib and Monster Rally.

SCOTLAND: The Pop Cop
King Creosote & Jon Hopkins – Bats In The Attic (Unravelled)
Rarely has the word “timeless” been more appropriate for a record. It took seven years for King Creosote and Jon Hopkins to make their first collaborative album, the Mercury Prize-nominated Diamond Mine, and it handsomely captures delicate snapshots of unhurried, everyday life in rural Fife – literally, with the sound of coffee shop chatter, running streams and chirping seagulls. Here’s an exclusive free MAP download of their reworking of album track Bats In The Attic, taken from their Honest Words EP.

SINGAPORE: I’m Waking Up To…
Magus – Riders On Psychedelics
Magus is a new collaboration between Mark Dolmont and Leslie Low, the latter best known for his work with Humpback Oak and The Observatory. Their debut effort is fittingly the first release by Ujikaji Records, a new independent label and distro focusing on experimental music in the region. The album, titled Sun Worshipper, presents a dark and spiritual brew of kraut-inspired psychedelia which makes for an addictively harrowing pilgrimage through the deepest of valleys.

SOUTH AFRICA: Musical Mover & Shaker!
Laurie Levine – Six Winters
Six Winters is the lovely first single and title track of the third album by acclaimed Johannesburg singer-songwriter Laurie Levine. Piano and acoustic-driven, twinkling and atmospheric with an electric tinge, it all makes Laurie’s heady blend of folk coupled with her captivating vocals one that has earned her critical acclaim and a growing audience.

SOUTH KOREA: Indieful ROK
Coedwig – Let Her Go
Street folk artist Neofolk has gotten himself a band member and formed the unit Coedwig. Let Her Go is one of the indie rock numbers on the recently self-released first EP, which also contains a couple of acoustic tracks – a sound that is very popular in Korea at the moment.

SPAIN: Musikorner
Lasers – Solar System
Lasers are a cosmic pop three-piece from Barcelona. Influenced by acts such as Animal Collective, Fuck Buttons, locals Delorean and label mates The Suicide Of Western Culture (featured in September’s MAP), Lasers have learnt to create extraterrestrial atmospheres using “samples, tireless cyclic sounds, breeze melodies” in their music, which can be both obscure and optimistic at a time or, as they call it, “noise and poetry”. Lasers will release their first album Juno through Irregular in December, from which Solar System is taken.

SWEDEN: Swedesplease
Halina Larsson – Puget Sounds
Halina Larsson is an expat from Sweden who has lived in LA and now resides in Brooklyn. She has a diverse sound and a variety of influences including Janis Joplin, Nina Simone, Erykah Badu, Feist and Elliott Smith. Halina is a trained jazz vocalist who, on her latest Fires & French Horns EP, falls somewhere between indie folk songstress and new soul chanteuse. It’s an odd combination but on certain songs and in certain styles she can pull it off.

SWITZERLAND: 78s
laFayette – Heavy Rain (feat. Lena Fennel)
Since their launch in 2009, Basel boys Jascha Dormann and Simon Hauswirth have found their place in the Swiss electronica scene. Musically, laFayette boldly go into the deep end of a pool filled with electronica, hip hop and techno music. Their debut EP Sputnik was released in September.

UNITED STATES: I Guess I’m Floating
Saskatchewan – Skinny Dipping
Orlando, Florida’s Saskatchewan are masters of slow-built dream pop, lush vocal harmonies and melodies that are damn near impossible to ignore. Skinny Dipping is their latest single, available for free on Bandcamp. Look out for an album sometime in early 2012.

VENEZUELA: Música y Más
Carlos Angola – Hasta Mañana
I first saw Carlos Angola at a festival called VirgenFest which was being held in a public square. The atmosphere was magical, it felt like Woodstock. On stage there was this boy with glasses, an acoustic guitar and a great voice. Carlos Angola used to be part of a ska band called Skabiosis, but now he is displaying his talents as a solo artist with his album Rompecabezas which guarantees total relaxation no matter when you listen to it.

MAP April 2011

To download all 36 songs in one file click here

ARGENTINA: Zonaindie
Violeta Castillo – La Batalla Del Movimiento
Violeta is a young and promising singer-songwriter from Buenos Aires who just released her first recordings in the form of two EPs, Uno and Otro. La Batalla Del Movimiento is a sweet pop ballad with great arrangements, thanks to her collaboration with a great band called Monoambiente. You can listen to both EPs and buy the MP3s from her Bandcamp page.

AUSTRALIA: Who The Bloody Hell Are They?
Khancoban – Until It Takes You Over
Sure there are big drums and meandering atmospherics that do tab out a few pages of Neon Bible, but Khancoban manage to verge on ‘epic’ without coming out too overtly pomp. For what it lacks in lyrical diversity, it makes up for in delivery – a steady build that abruptly cuts off after only three minutes. New album Arches Over The Sun drops in July. Until then, this one will be a good excuse to wake up early and mull over my cereal to.

BRAZIL: Meio Desligado
LuÌsa Maita – Lero-Lero
Lero-Lero is the minimalist samba that opens the debut album from singer LuÌsa Maita. It’s a song that calmly grows, almost without you noticing – her soft voice takes you to a special place in your head and suddenly you’re just dancing and singing along with her. This track is also available for free download on Bandcamp.

CANADA: I(Heart)Music
Dora Alexander – Travelers
Yes, Dora Alexander sound just like a version of Radiohead that ceased to exist somewhere between The Bends and OK Computer. But you know what? It’s been about a decade and a half since then, so it’s probably safe for someone else to claim that sound. And, as Travelers – both this song and their debut EP of the same name – demonstrates, Dora Alexander are ready to pick up that mantle. Here’s hoping they stick with it a little longer than the originators.

CHILE: Super 45
DeMentira – Post-Tbc
Ariel Altamirano, the DJ and producer better known as DeMentira, is the founder of Chilean netlabel Discos Pegaos, specializing in electronic music and abstract beats. The label was responsible for debut albums by Vaskular and Motivado as well the release of ChinpancÈ EP, first solo effort from DeMentira since his introduction as producer and rapper for the trio Iris in 2006. Post-Tbc is the first single from ChinpancÈ EP where we find mysterious beats, not dissimilar to dubstep, as well the experimental nature of the wonky sound.

CHINA: Wooozy
Friend Or Foe – Snorting Clorox
Friend Or Foe are a secretive, occasionally masked rock trio who have been tearing up the Shanghai scene lately with their brand of fun-filled, balls-out rock. Preferring to keep their identities a secret, the band promulgate the myth that they are in fact three illegitimate demons, raised in Heaven: guitarist and vocalist Rabshakeh and often topless drummer Mahanehdan are joined by bassist Bill.

COLOMBIA: Colombia Urbana
Jiggy Drama – Me Vale
Jiggy Drama is a musical phenomenon in Latin America. His ‘Nerdside’ style has the total attention of radio stations and nightclubs, generating an internet boom with his urban alternative music. His most recent single, Me Vale, is a Cumbia fusion with some Caribbean sounds.

DENMARK: All Scandinavian
Frederik Teige – You Always Tried To Pull Us Down
Heís been touring with Efterklang since 2007, but thankfully singer, songwriter and guitarist Frederik Teige has also found time to write and record material of his own. The climax so far is his self-released full-length debut Body God – nine songs worth of awesome alternative pop – which you can get for as much as you feel like paying (free is even an option) on Bandcamp.

ENGLAND: The Guardian Music Blog
Holy Other – Touch
A nameless character who works variously in Berlin, Gothenburg and Manchester, Holy Other is a British musician who, like his US counterpart How To Dress Well, has a penchant for taking contemporary R&B and draining it of all passion and all its sexual signifiers. What you’re left with is music like Touch: slow, drifting electronica, marked by glitches, with an almost church-like atmosphere that has led some to describe it as “ambient goth”, an affecting mix of spectral sonics and ghostly vocals, as un-earthy as it is unearthly.

ESTONIA: Popop
Mimicry – Godspeed
Aggressive and arrogant, otherworldly and expressive, Mimicry fuses electroclash with psychedelic techno, ethnic beats and garage rock. Their aim: to produce perfectly mindblowing party music and provoke emotions never felt before.

FINLAND: Glue
NT’s White Trash – Whistle
The most recognizable Brit in Finnish indie, Nick Triani, put together NT’s White Trash with the aim of making some noise, which is captured in the band’s debut Mourning Becomes Electric due in May. Whistle is a catchy two-and-a-half minute guitar-pop song, with an upliftingÖ well, whistling. It is a smooth exception on an album that promises some edgier sounds.

FRANCE: Yet You’re Fired
Thomas Kieffer – Summertime
Thomas Kieffer is a talented songwriter, offspring of the Strasbourg rock scene. At 15 years old, he was hugely impressed by bands such as Black Sabbath, Led Zeppelin and Deep Purple and started playing in different bands. Today, at 35, his resumÈ is very impressive: he has opened for legendary artists such as Canned Heat, Jerry Lee Lewis, Chuck Berry, Gary Moore, NOFX and Scorpions. He started a solo career two years ago, giving up on hard rock and metal, and should succeed with it and his album Beautiful Hands.

GERMANY: Blogpartei
Joasihno – Von
Joasihno’s songs benefit a lot from his percussionist skills and his open-mindedness for playful but cautious arrangements. His wanderlust is almost tangible as he sings, although he is deeply rooted in Bavaria. Von is taken from his forthcoming debut We Say: Oh Well which is being released on Kyr Records.

GREECE: Mouxlaloulouda
2L8 – Don’t Follow Me
2L8’s music lurches deftly between emotional intimacy, ambition and experimentation. Their two well-received previous releases (download them for free here) proved they are one of the most creative and compelling acts in the musical underground. They are running a campaign on Pledge Music to help them unleash their forthcoming double album, New Battles, Without Honor And Humanity. The magnificent Don’t Follow Me, a Music Alliance Pact exclusive, drips with melancholy. It blends warmth and brooding, existential contemplation with a repetitive but mesmerizing acoustic guitar melody full of subtlety and distinct sonic accents, and swims in gorgeous sheets of trembling, passionate vocals.

ICELAND: Icelandic Music Maffia
Sk·lmˆld – Kvaning
Sk·lmˆld is a metal band formed in August 2009. The six members had been formerly active in other bands, not all metal. Their music can be described as powerful, melodic and epic Viking metal, along with various folk influences. The lyrics follow the strict rules of traditional Icelandic poetry. Kvaning is featured on last year’s debut record Baldur, a concept album telling the epic and dramatic tale of the viking Baldur.

INDIA: Indiecision
Pentagram – Tomorrow’s Decided
Pentagram is one of India’s biggest acts. The band has been around for the better part of the past two decades, creating music that’s always been a contemporary, cutting edge reflection of the generation it is part of. The band recently released its fourth studio album Bloodywood, arguably its most evolved work yet. Tomorrow’s Decided uses a traditional, folk-based drum beat and surrounds it with quintessential, soaring Pentagram electro-rock goodness to create four of the most intensely exciting minutes you’re going to have today.

INDONESIA: Deathrockstar
Gugun Blues Shelter – White Dog
Gugun Blues Shelter is probably one of Indonesia’s best exports, with recognition from the blues community in Europe, USA, Asia and Australia. The band have played at international events such as the Belfast Big River Blues and Jazz Festival and Great British R&B Festival. And no big festival in Indonesia would be complete without them.

IRELAND: Nialler9
SertOne – Past Present Future
Reminscent of RJD2, J Dilla and all those fine beat maestros that no doubt inspired him, Liverpool via Portadown’s SertOne aka 21-year-old Gareth McAlinden is certainly a producer to watch. This tune contains a unique Belfast sample, twisted brass and a head-nodding beat that makes you sit up and take notice. You can find it on the recent seven-track The View From Above EP through Melted Music.

ISRAEL: Metal Israel
Gevolt – Bay Mir Bistu Sheyn
Yiddish metal pioneers Gevolt took this 1932 Yiddish musical track (that incidentally was a big hit in Nazi Germany until they figured out it was Yiddish) and made glorious metal out of it. Their sound resembles a happy-go-lucky Rammstein/Linkin Park hybrid with violins. But since a lot of their songs are versions of the old ones my grandmothers sing, they have an unmatched nostalgic beauty. Download their second album Alef Base for free while you still can at their site.

ITALY: Polaroid
Love Boat – You Know I Really Want You
These guys from Sardinia are probably more known around Europe than in Italy. That’s how bad this country has gotten. Anyway, they have a new album on the German label Alien Snatch and a 7″ EP on Shit Music For Shit People. This song comes from the latter’s B-side. Grab everything and start to dance a wild garage party – this is good rock ‘n’ roll.

MEXICO: Red Bull PanameriKa
Toy Selectah – No Pasma feat. Isa GT
In the last decade, Cumbia has become the ‘lingua franca’ to fill Latin-oriented dancefloors worldwide. Its saucy rhythms and nasty grooves easily adapt to many other musical forms: from techno to reggae, passing through favela-funk or dubstep. With a career spanning 15 years (and dreadlocks nearly that long), Toy Selectah has earned respect as a Cumbia-lord, trading the genre and cross-pollinating it with his constant travels and after-hours gigs. His Mex Machine EP out on Diplo’s Mad Decent label is an infectious state of affairs. On No Pasma, the Colombia-born, London-dwelling singer Isa GT throws some cocksure chants on a perfect groundshaking Cumbia.

NETHERLANDS: Unfold Amsterdam
Death Letters – Your Heart Is Upside Down
It’s nice to see a bit of international buzz building for a young Dutch band. This duo aren’t even legal to enjoy a good piss-up in Texas, which is where they headed last year to record an album with Chris ‘Frenchie’ Smith (Jet, The Dandy Warhols, Smog) and where they returned to for SXSW last month. The resulting album, Post-Historic, isn’t the band’s first effort but it’s markedly different from their self-titled debut. Here they leave behind their original blues-rock trappings and fire through Glassjaw post-hardcore, Biffy Clyro post-grunge and …Trail Of Dead post-rock ‘n’ roll. That may be a lot of ‘posts’ but they make an incredibly energetic yet refined racket on stage.

NEW ZEALAND: Einstein Music Journal
Ghost Wave – Sunsetter
Ghost Wave hits you like a motorik wall of noise, with its hypnotic waves of reverb guitar, mechanical drums and atmospherics. Matt Paul’s project started after his solo electronic act Street Beat gave way to this united front, with drummer Eammon Logan, guitarist Rikki Sutton and bassist Alex Grant. Live they’re enigmatic with tightly wound, ravaged Clean-style hooks and perfectly warped pop songs. Their debut EP was released earlier this month on Arch Hill.

NORWAY: Birds Sometimes Dance
Beatbully – B¯lleboogie
Beatbully is an offspring of the Norwegian skweee label D¯dpop. Skweee is a genre of Nordic heritage, based on classic hip hop beats with heavy influence of modern electronica. Although mainly composed for a live audience, Beatbully invites skweee to your living room as well. This winter, he released Kosmisk Regn (“Cosmic Rain”), the first solo album in D¯dpop’s history. B¯lleboogie has an irresistible beat that leaves no one behind on the dancefloor, and the juicy melody won’t release you till its over. It’s a three-minute piece of bliss that will make even your grandmother dance.

PERU: SoTB
Kuraka – Fuego Negro
Kuraka is a rock group that spawned from the collaboration of renowned musicians of local bands such as Emergency Blanket, Zen, M.A.S.A.C.R.E. and Inyectores. The diversity of styles seemed an obstacle to assemble their ideas, but the bonds of friendship led to them making something interesting. In 2009, they released a few singles that whetted the appetite for their debut album Fuego Negro, which came out in August 2010 on Mundane Records. Take a listen to the great song that gives the album its name.

PORTUGAL: Posso Ouvir Um Disco?
They’re Heading West – My Case Is A Different One
They’re Heading West are three singers/composers (Jo„o Correia, Francisca Cortes„o, Mariana Ricardo) and a drummer (SÈrgio Nascimento) who decided to get together and play songs from their bands and solo projects. They only have one set of songs, recorded live at a national radio station, which is not yet available commercially. The song featured this month is, therefore, a MAP exclusive as a free download.

ROMANIA: Babylon Noise
Parachute Pulse – Hopscptch
Parachute Pulse is the brand new project of Ana Roman. Her debut album, Kingdom, is a collection of cinematic sounds, moods and emotions. The album is available for free download on her label’s page, Asiluum. Hopscptch is a collaboration with Res Es of Semiosis, who were featured in the Music Alliance Pact back in May 2009.

SCOTLAND: The Pop Cop
Sebastian Dangerfield – You Played Your Part, Singer!
Sebastian Dangerfield are a four-piece from Edinburgh who are little-known even in their home city. But that shouldn’t be the case for much longer if the band continue to show such an accomplished grasp of Americana-tinged folk-rock amplified with a healthy dose of scuzzy-pop zest and various stringed instruments. The wonderfully-named You Played Your Part, Singer! is taken from their new EP, The Sound Of The Old Machines, which you can find on Bandcamp.

SINGAPORE: I’m Waking Up To…
DJ Koflow – Make Your Hands Clap, Toes Clap
DJ Koflow is one of Singapore’s most celebrated DJs. His claim to fame started when he won the national DMC Championship in 2003, and he continued to skyrocket by receiving many honourable mentions in local and international media. He dropped his debut album The Turntable Instrumentalist despite a heavy production and performance schedule, with the record speaking volumes of his myriad influences. Jazz, hip hop, funk and soul all seamlessly flow together in the hands of one of the country’s brightest mix masters.

SOUTH AFRICA: Musical Mover & Shaker!
Battle Beyond The Stars – The Desert
Philip Kramer, aka Battle Beyond The Stars, is a Cape Town-based DJ and producer. He is best known for his unique blend of electro, French house and unusual tracks that no DJ in their right mind would play in public. He recently released an EP entitled Memory which gave his awaiting fans a concrete collection of songs. With his new offering The Desert, he injects his signature sound to create a shimmering, synth-infused song that shows off his immense talent with its subtly.

SOUTH KOREA: Indieful ROK
Neon Bunny – Long-D
Yoojin Lim is the sole member of Neon Bunny, who debuted with an album called Seoulight in late March. Having been a session keyboardist for successful power-pop act The Black Skirts – the very first South Korean MAP contribution – her own sound is on the electro side, influenced by Ladyhawke and Phoenix. Long-D is a semi-catchy track with something of a retro sound.

SPAIN: Musikorner
Disco Las Palmeras! – La Casa Cuartel
Disco Las Palmeras! are a three-piece band from Galicia, hometown of related acts such as Franc3s, Mequetrefe or Tri·ngulo de Amor Bizarro and cradle of the new Spanish noise wave. La Casa Cuartel opens their debut album, Nihil Obstat, released earlier this year. The song is about a terrorist strike on a police station and features hypnotic drums and suffocating guitar riffs that recall exactly the same feelings the lyrics talk about: fear and anxiety.

SWEDEN: Swedesplease
Summer Heart – Please Stay
It’s almost spring which means summer is still a while away. But we can dream, can’t we? That’s where this song from Malmˆ-based band Summer Heart comes in. It’s called Please Stay, but with its Beach Boys harmonies, groovy beat and summer feeling, it may as well be the band’s coup d’Ètat.

SWITZERLAND: 78s
Pamela MÈndez – Bubble Bubble
Bubble Bubble is the first single from Pamela MÈnedez’s critically-acclaimed debut album I Will Be Loved, released in February. The Bern resident, whose father is Mexican, belongs to a new breed of female singer-songwriters popping up in nearly every Swiss town. Heidi Happy, Sophie Hunger, Lena Fennell and Lea Lu are others to check out.

UNITED STATES: I Guess I’m Floating
Supreme Cuts – Amnesia
Chicago’s Supreme Cuts describe their sound as “future R&B” – a perfect name for the sample and bass-heavy slow grooves they weave into their songs. Amnesia is perhaps their most supreme cut, a ridiculously addictive head trip that could soundtrack a nightclub as easily as it could an R Kelly video from the 90s.

VENEZUELA: M˙sica y M·s
Unos Infames – Pagando Es Que Se Puede
You could say that Unos Infames is just another rock band. But no. To hear and see them live you will realize that their strength on stage belongs to a mega band. Unos Infames, who formed in Barcelona, Anzo·tegui, is made up of experienced musicians who fuse some blues influences with controversial lyrics. They are currently recording their debut album.

MAP: July 2010

ARGENTINA: Zonaindie
The Kyoto Connection – H.E.A.T.
The eighties are back! At least, that’s what we felt after listening to No Headphones Required, the cc-licensed brand new album by The Kyoto Connection. This amazing band delivers sweet electronic music mixed with Japanese juice and Flashdance-like synth sounds. If you like it, you can download the whole record from their website.

AUSTRALIA: Who The Bloody Hell Are They?
Kimbra – Settle Down
I’ve been following Kiwi-now-Melbournite Kimbra’s work for a year now, most of it in the form of either guest performing with other bands or solo with a guitar work. Only recently I’ve heard her new stuff, produced by Franc Teta. The song Settle Down opens with cut up beat boxing vocals – a bit too close to Bertie’s style of production for my liking – but is rescued and lifted by the chorus and soared into lush harmonies, that are all part of Kimbra’s own signature sound.

BRAZIL: Meio Desligado
Dead Lover’s Twisted Heart – Where I Am
Where I Am is part of the first full length album of the Brazilian band Dead Lover’s Twisted Heart, released a few weeks ago. Far away from the indie-folk influences that are highlighted in the band’s history, it’s a great pop song which could easily be in any album from She & Him or The Ting Tings.

CANADA: I(Heart)Music
Forest City Lovers – Pocketful Of Rocks
Over the last few years, Forest City Lovers has morphed from simply being a vehicle for Kat Burns’ acoustic folk into a full band with a knack for writing catchy folk-pop. On their new album, Carriage, Burns is joined by members of The D’Urbervilles, Ohbijou and Born Ruffians, among others. As this track (on which Burns is joined by Ruffians front man Luke Lalonde) demonstrates, the results are simply magical.

CHILE: Super 45
Maifersoni – La Turbulencia Quiere Hacernos Levantar Hoy
Maifersoni is the musical adventure of young Enrique Elgueta, in which he decides to blend psychedelia and noise in a lo-fi-ish perspective, with a strong pop accent. Taller Deslizante (Gliding Loom) is his first work, released this month on Chilean net label Michita Rex. It captures Panda Bear’s contemplative spirit, Sonic Youth’s fondness for experimentation and Vashti Bunyan’s warmth, creating a resounding weave that – with the likes of El Sueno De La Casa Propia and De Janeiros (both highlighted on earlier editions of MAP) – is giving Chilean pop a new perspective.

CHINA: Wooozy
Lilysay – Last Party
The band Lilisay is a Beijing-based trip-hop band, founded by Lilisay and Shang Shao in March, 2010. At first the band started as a shoegaze duo, but as time went on they have evolved into a trip-hop band. After the first gig at D22, Lilisay met Li Wei. Sharing the same taste in music, they decided to collaborate. After several rehearsals and performances, they settled on Trip Hop/Electronica. Last Party is one of their early songs, which reminds a lot of the 80s shoegaze stuff.

DENMARK: All Scandinavian
Waking Life – Chirango
With The Flaming Lips and The Shins among their influences, Copenhagen based six-piece Waking Life work in uplifting, danceable ways. Here’s first single, Chirango – from their forthcoming debut album Fiction – an upbeat indierock song with ukulele, bells, trombone and whatnot that would make you all smiles if it hadn’t been for the rather serious lyrics.

ENGLAND: The Daily Growl
Wet Paint – Dead Night
Here’s a wee MAP exclusive. Ace east London scuzzy rock types Wet Paint are back with another album of great tunes and noisy guitars. No word yet of when the album’s going to be released, but here is a track from it. A sneak preview of what’s going to be a fantastic record.

ESTONIA: Popop
Opium Flirt – Parade In Chimes
Opium Flirt have been playing live, writing and recording music since 2004. Projects have included music for multimedia installations, films and choreographic performances.
Parade In Chimes is taken from the new album DejaVoodoo.

FINLAND: Glue
Delay Trees – Cassette 2012
Just a little bit over a year ago, MAP featured a song by a Helsinki indie band that shocked the scene with a superb self-released EP. Now signed with an important label, Delay Trees offer the first single off their debut full length, out in September. The dreamy intensity of Cassette 2012 anticipates a new round of tender pop songs that will melt your ears.

FRANCE: ZikNation
I Love My Neighbours – Swedish Babe
Everyone has neighbors. You can hate them or love them… but one thing is for sure: it’s impossible not to love these crazy Neighbours. Presented as a big step between Block Party and Nirvana, I Love My Neighbours is a very good acidulated pop/rock band. Instigated by an omnipresent battery and swaying bass riffs, the three boys swing between pop songs and true aggressiveness. A schizophrenia materialized by the guitar riffs and the melodic and tortured voice of the singer. A noted French magazine called Les Inrocks wrote about them : ” These Parisians enter by the large door of the new english scene, dance and pop, with a full bag with catapults provided by Nirvana “. Prepare yourself to apply the theory of the “Bang Bang”, because there’s gonna be rock n’roll…

GERMANY: Blogpartei
Herpes – Keine Experimente
Herpes may be the most ‘German’ band ever, posted on the MAP. Their straight-forward electropunk with pseudo-political lyrics draw the line from infamous Superpunk to the stepsons of Kraftwerk, like Trio or DAF. Hence, their label has to be Tapete Records, and yeah, of course they live in Berlin. Keine Experimente is the single from their recently released album Das Kommt Vom Kussen.

GREECE: Mouxlaloulouda
Mikael Delta – She’s A Boy
Mikael Delta began his career as a member of the band Stereo Nova. He is one of the most prolific and influential musicians in Greece in the past decade. His latest album, Tech Me Away is made of thrillingly danceable sounds and references to techno music scene, disco and electronica.This is music that hits the head, heart and hips all at once. You can dance to almost anything here. She’s A Boy demonstrates Delta’s talent for building simple, clattering dance beats and riffs into audio addictions. But what takes you by surprise is Etten’s marvellous voice, which pops up like a primary color and paints absolutely stellar pictures.

ICELAND: I Love Icelandic Music
Cosmic Call – Owls
Cosmic Call is a five-piece indie rock band from Akranes, a small town on the West Coast of Iceland. Band members are singer/guitarist Sigurmon, Fjolnir on guitar, synthesizer & backing vocals, Begga on bass and backing vocals, drummer Petur & Asa on violin & synthesizer. They are inspired by Arcade Fire, The Cure, The Pixies, Joy Division & Yeah Yeah Yeahs. They recorded one EP so far, which was released on July 24, 2009. The song Owls is a track of this limited, hand sewed edition of 1000 copies made by the band & family members.

INDONESIA: Deathrockstar
Sir Dandy – Jakarta Motor City
Sir Dandy or Dandy Ramdhani or Acong, is the vocalist of one of the most obscure garage band in Indonesia Teenage Death Star, known for their quirky style on stage. This is his latest project, recording ballads using only his guitar and sunglasses on his garage-band software. This song tells us the story about the motorcycle flood in Jakarta.

IRELAND: Nialler9
Bingo – Cold Without You
Bingo is a 21 year-old producer from Dublin who makes luscious tracks with nods to dubstep, garage and UK funky. His music recalls the likes of Mount Kimbie, James Blake and Burial. If you find yourself in Dublin on a Saturday night, be sure to check the listings to see if Float, Bingo’s new club night is taking place in either Twisted Pepper or Tripod. You’ll find the likes of the vocal-twisting Cold Without You coming out of the speakers.

ISRAEL: Metal Israel
Ghost Bike – Ghost Writer
Jerusalem, Israel’s Ghost Bike will take you on an ambient trip-hop via the vehicle of dub-influenced electronica, spinning your mind in sonic circles with aural tales of dark, intense emotion. Diverse musical elements like Middle Eastern chants and beats mix with spooky haunted house effects and everything in between to create this sonic tapestry. Some Hollywood producer in need of a soundtrack should pick this stuff up.

ITALY: Polaroid
Movie Star Junkies – The Wallnut Tree
It’s summer, a damned hot summer. I wanted to sail away on an ocean wave but it’s all covered in spilt oil. I don’t care. My beloved surfboard won’t let me down. I put the new Movie Star Junkies record on (wild guys, you should see them live) and drink last drop of rum. A toast to the Birthday Party and the Gun Club. Everything is perfect now. C’mon, let’s put out to sea. Goodbye.

JAPAN: JPOP Lover
Sputniko! – Google Song
Sputniko! (Hiromi Ozaki) is an experimental electro pop female musician based in London. Since 2007 Sputniko! has shown music, performances and films exploring intersections between technology and popular culture. In 2009 she published the DVD Parakonpe 3000, a collection of eccentric music videos talking about the quirky ways in which we engage with technology, such as google searching your crush’s name or desiring to become a cyborg to eliminate periods.

MEXICO: Red Bull PanameriKa
Orlando – Solo Dios Sabe
Orlando is a singer from Tijuana, Mexico with an organic approach to his compositions. He creates memorable pop choruses that rely on acoustic progressions and just released his first formal LP titled Capullo. This is the first single from the record, under production and arrangements from his collaborator El Poeta and additional mixing by the much respected composer Murcof (also from Tijuana). Solo Dios Sabe is a song that ideally represents Orlando’s soft acoustic sound and its blend with slight electronic details.

NETHERLANDS: Unfold Amsterdam
Bird On The Wire – Strange Days
Although formed in the harsh winter of 2010, when their first burst of song material emerged, Amsterdam trio Bird on the Wire write laid-back indie pop that’s perfect for a sweltering summer. Simple, sweet and ever so slightly melancholic, the soft, lulling vocal harmonies of Rosa, Thijs and Nina remind of Camera Obscura, balancing the folk sounds of the ’60s with contemporary lo-fi pop.

NEW ZEALAND: Counting The Beat
The Body Lyre – Pig
The Body Lyre is a multi-instrumental duo putting together an album, Escape Songs, song by song over the 12 months of 2010. Each month a new track is completed and put on-line for download at http://thebodylyre.bandcamp.com/ At the end of the year the album will be released on vinyl. The music is guitar based and reverb heavy, with a touch of surf, a pinch of country and a sprinkling of Lee Hazelwood and Nancy Sinatra.

NORWAY: Eardrums
KooKooo Kitchen – Sweet Caress
KooKooo Kitchen is one of Oslo’s more interesting new bands. In front are Eva and Marianne, constantly fighting for attention with their vocals and guitars, sometimes nice and harmonic, the next second as rough and edgy as it can get. The girls are backed by Henning and Brox on bass and drums. The combination of their sharp, ringing guitar sound, the heavy use of toms and the in-your-face attitude of the vocals reminds me of the early days of Siouxsie and The Banshees. KooKooo Kitchen has a lot of the energy of The Banshees, but the music is filled with lovely pop-harmonies. As they say themselves “Dirt under their nails, and nail polish to cover the mess.” A video is currently in the making for their song Bedsheet. Keep an eye on their myspace page for details.

PERU: SoTB
Kinder – Encuentro Inesperado
Kinder is based on experimentation to create its sound, it has only an EP titled Mini-EP, on which each song is the result of the combination of different rhythms, electronic sequences and some playful samples. These features give Kinder, in several of its songs, a curious relationship to a childlike theme; this line achieves its balance when its sound gets into the instrumental environments. It’s probably this style that predominates in its first LP, ready for release sometime this year.

PORTUGAL: Posso Ouvir Um Disco?
Madame Godard – Atlas 1977
The quintet Madame Godard have (on MySpace) one of the best covers of Clash’s Spanish Bombs that you will ever hear. They produce a sound that is a mix of world music, folk and pop but always humorous. After almost ten years of hiatus, they have released their first LP, Galapagos, this year, which has been acclaimed by the Portuguese critics and audience.

ROMANIA: Babylon Noise
Identitate – Alone
Alone. Sleepless nights and lonely early mornings when the lights go down and the dawn breaks. The music is rising in loops, choruses that add up to this beautiful and minimal psychedelia. Identitate is a Romanian artist currently splitting his life between London and Timisoara. His third album called Who I Am and What I Want features songs originally meant to be soundtracks for short films and it can be downloaded from here

SCOTLAND: The Pop Cop
LightGuides – The Lion And The Pocketwatch
It’s the middle of festival season and nothing goes down better than a meaty power-rock anthem, which makes LightGuides the perfect alfresco band for the summer. The Lion And The Pocketwatch has a monster chorus that Biffy Clyro would raise devil horns to, while singer Mark Cowan’s vocals aren’t too dissimilar to Nate Ruess of Fun/The Format fame.

SINGAPORE: I’m Waking Up To…
Cheating Sons – The Last Queen
Look at some Singaporean cliches and you’ll be faced with an urban cityscape with sterile modern amenities. But scratch the surface and you’ll remember that we were once a humble fishing village that actually remembered how to relax. Cheating Sons sounds like a band that is in the process of retracing those roots, turning over every leaf and scribbling notes in the margins of journals. To say they’re updating a nostalgic country-rock sound would be downplaying the creativity behind the band’s songwriting. While they’re still recording their debut album, they were nice enough to share this demo with us because everyone back home is so excited about the music these boys are making.

SOUTH AFRICA: Musical Mover & Shaker!
Jack Parow – Onder Draai Die Duiwel Joints
Move over Eminem. Jack Parow has arrived. He’s white. He raps. Oh and yes, he’s Afrikaans. Jack Parow truly is original; he is in fact the “original donker dodgy Afrikaans rapper”. His lyrics are brash, brazen and funny and his song Onder Draai Die Duiwel Joints showcases his unique style. He has caused quite a stir in the music scene, locally and internationally alike. He’s set to take over the world. Watch out!

SOUTH KOREA: Indieful ROK
Glittering Blackness, Fall – 3
After playing together for a few years, post-rock act Glittering Blackness, Fall took it in their own hands to release an untitled EP – their first – at the beginning of this year. The septet counts a media graphics responsible to its members, ensuring interesting imagery to go with their captivating music. The song simply going by 3 builds up beautifully during the first half before a strong finale where the listener will wish for it never to come to an end. The whole EP is available for download from last.fm.

SWEDEN: Swedesplease
The Telepathics – 23:59
This little nugget of Italian/Swedish electro disco from The Telepathics is a certain cure for the end of summer blues. This duo is comprised of Cristiano and Isabella. The song is not quite as sunny as their sun drenched faces shown above, yet still it brightened my day considerably.

SWITZERLAND: 78s
Alvin Zealot – Bricks Over Bricks
If it comes to name a current common denominator in the Swiss rock music scene there is no getting around Alvin Zealot – four young guys from Lucerne who made a highly addictive and unpretentious rock’n'roll-record. Tears Of St. Lawrence sounds bold and experienced at the same time. Quite an effort for a debut by four teens.

VENEZUELA: Barquisimento
Tomates Fritos – Perdoname
Tomates Fritos was born in Puerto La Cruz, east of Venezuela and since the beginning, in 1997, the group has edited 4 LPs and have been part of important music festivals like Festival Nuevas Bandas (1998) and Cool Summer Music Festival (2002). Their music comes from mixing Spanish pop-rock with classic rock from the 60s and 70s, developing a unique sound, flooded with energy that has captivated tons of fans. This song, Perdoname, has been played very often in radio stations all over the country and belongs to their latest CD, Hombre Bala.

To download all 33 songs in one file click here

Midnight Juggernauts interview

Self professed control freaks when it comes to music, the Midnight Juggernauts have always done things their way. And it’s paid off.

Following the success of 2007’s Dystopia, the Juggernauts have just dropped their second album The Crystal Axis.

Who The Hell chats to Andy Szekeres about the new record, the toils of running your own label and what it’s really to have your gig ruined when John Travolta decides to throw a Scientology bash at the same venue.

What was the big idea behind The Crystal Axis?

Well, I suppose it changed over time. After we finished touring at the end of 2008, and we’d spent that whole year away from home, we just wanted to come back and start working on the album. I think the live touring really carried over into the recording process, we just wanted to work on a much rawer sounding album, and I suppose the three of us were a lot more involved…

People seemed to be fascinated by the hype of that whole indie-dance thing when you put out Dystopia in 2006. How did you keep ahead of the game when other similar acts like the Presets and Cut Copy we’re putting out records at the same time?

That whole indie-dance thing became really popular and helped push along internationally in 2007 and 2008. But for us in the way we approach music, we’ve never really thought of ourselves being tied to a scene. I think even doing interviews at the beginning of that, we always said we were in to exploring new things and that each of our albums would be really different. We still didn’t know what the second one was gonna be like back then, but we went with an idea we had at the end of 2008 and it morphed and evolved.

It’s interesting because we have a lot of fans from that more dance music scene, and it will be interesting to see how fans will take it. We’re really proud of it and it’s definitely a different album for us. I guess we’ve written so much in our time, and a lot of it has been different styles so I guess that it’s not really weird that we’ve come up with an album like this. So if you only knew Dystopia, it’s a whole different flavour to that…

But I suppose you’re expanding your audience by trying new things?

Hopefully there’s gonna be a whole lot of new people who get a chance to listen to it. Its hard to know how anythings gonna go. And for us the next six months is just touring throughout Australia and the US and Europe and the UK. We kind of go back and forth constantly. Its good just to be able to have a new set to play

How do you juggle label duties with touring?

I mean its extra work, but we’ve chosen for it to be that way. With this album and the build up for us, like organising and co-ordinating the label side of things with releases in all the different territories was a lot of work and especially when you’ve got people in different time zones. It’s okay at the moment coz we’re in that mode of just getting up the album and working on it. But when you’re touring it gets hard, which is where you need people who you’re working with that you can trust and to handle things when you’re away, so that’s what we’ve set up with the label now.

What was it like with Chris Moore in the picture?

When Chris came along, we hand’t met him before so it was really strange. But we really liked his work and we’d spoken on the phone a few times, and it was great having him here in the role engineer and in certain times when we’d need a certain sound and him being there to facilitate that. He was really easy to work with.

Maybe we’re control freaks, but we have ideas of how we want things to be. He wasn’t there to work as a producer, but as an engineer working alongside us. He was a laid back guy so it worked well.

I read somewhere that John Travolta kicked you out of one of your shows in Paris?…

… Continue Reading

MAP – April 2010

ARGENTINA: Zonaindie
Ivana Berenstein – Ahora
The songs of young singer-songwriter Ivana Berenstein follow certain traditions from Argentine folk music, bossa nova and bolero, but add modern textures and harmonies to it. Ahora is the first single from her debut album No Te Duermas and has Coiffeur (check out MAP December 2009) as a guest vocalist.

AUSTRALIA: Who The Bloody Hell Are They?
Flight Facilities featuring Giselle Roselli – Crave You (Bxentric remix)
I don’t know much about Flight Facilities, and I don’t know much about 19-year-old Giselle Roselli either, except now that I’ve heard this song, I definitely want to know more. According to her MySpace, she has contributed vocals to Flight Facilities and Seekae and recorded her own material, some of which you can listen to on the site. As if that’s not cool enough, she has had a song featured on British TV series Skins. How she does it and remains unchampioned by the blogging world, I don’t know. But I hope you keep your ears out because we are going to hear more about this girl very soon no doubt.

BRAZIL: Meio Desligado
Maquinado – SP
Maquinado is the side-project of Lucio Maia, guitarist of Nacao Zumbi (probably the most relevant band in Brazil in the ’90s that is still active). In this project he works with some artists from the country’s new music scene, especially the ones from Sao Paulo, the city where he lives and pays homage to in this song, SP. It is taken from his second album Mundialmente Anonimo – O Magnetico Sangramento Da Existencia, released last month, and features a heavy guitar sound that recalls the time when Lucio was a member of Soulfly (the band created by heavy metal singer Max Cavalera when he left Sepultura).

CANADA: I(Heart)Music
Old Crowns – Keep Calm
Old Crowns describe their sound as “stoner country”, and on this song – like the rest of their recently released debut – it’s easy to see why. Twangy vocals and folkie strumming sit comfortably alongside squalls of feedback and fuzzy guitars, with the end result being something that sounds familiar and comfortable and fresh and exciting all at once.

CHILE: Super 45
Los Mil Jinetes – Un Lugar Desconocido
Los Mil Jinetes (“A Thousand Horsemen”) is the band of Cristobal Briceno y Andres Zanetta, two guys plus some live assistance. They have released two records from which we can see a clear evolution in their talent when it comes to mixing several influences (folk, indie-rock, bolero and romantic ballads). Fortunately, they do this avoiding soulless pastiche, creating a unique style of colorful melodies and friendly lyrics. Un Lugar Desconocido is taken from their latest downloadable album, Reconoceronte.

CHINA: Wooozy
Kamutang – Whirlpool
At the beginning of 2007, a group of young kids came together through their passion for rock music and formed Kamutang. It is their idea and emotion. Their songs have been compiled into Lighting Of Tomorrow, released by Pilot Records.

COLOMBIA: Colombia Urbana
Lil’ Poeta – Nina Estupida
A rude girl from the hood is probably the best way to describe Lil’ Poeta, a songwriter from Medellin. With no fear to speak the truth in her songs, Lil’ Poeta tries to offer an alternative lyrical sound in a saturated musical world.

DENMARK: All Scandinavian
Let Me Play Your Guitar – Beauty
At the turn of the last decade, Let Me Play Your Guitar self-released their debut EP Doing Rainbows (get it on Bandcamp) with five 1960s-tinged folk-pop songs. Fronted by brothers Emil and Jeppe Davidsen, LMPYG excites with sweeping yet mellow and intimate pop arrangements from an enchanted land bordering Fleet Foxes and Simon & Garfunkel – one excellent example being the MAP exclusive Beauty.

ENGLAND: The Daily Growl
David Thomas Broughton – Walking Over You
This month’s entry is a song that’s five years old because recorded material from David Thomas Broughton is fairly hard to come by. Not that he’s lazy, it’s just that live performance is more his thing and that’s where he’s best experienced. Those of us who live in London are lucky because we get most chances to catch his unique shows, which have to be seen to be fully appreciated. My words here are not adequate. That said, he can write great songs too, as this one ably demonstrates.

ESTONIA: Popop
QueeNNaive – My Soul
QueeNNaive are a lo-fi disco duo formed in 2007 by lead vocalist Sandra Z originally as an anti-pop movement. Now, ironically, with lo-fi becoming more mainstream, QueeNNaive have ended up wrapped in the world of pop music, still remaining somewhere between stand-up comedy and Italo disco. Their ear-cracking mono ’80s sound, easygoing lyrics, glam image and crazy performances have become their unique signature.

FINLAND: Glue
Kartsy – Round The Roundabout
For more than two decades, Kartsy Hatakka has been the leader of the experimental metal band Waltari, exploring anything from death to symphonic metal. But now it is time to fly solo and Kartsy has put together a new band to record a bunch of pop metal songs for his first solo album which will be released on May 26. Heavy guitar riffs with catchy melodies and sparkling piano in a cross between Foo Fighters and HIM.

FRANCE: ZikNation
Smooth – Friendly Yours
When listening to Smooth’s music you get the strange impression of meeting an old friend or a road companion. Their music draws on our own imagination where it moulds itself, each day, each rainy season, with pleasure or ecstasy. The trio borrow and mix sounds and rhythms from their forefathers, which they put back together with inventiveness, jubilation and sensuality. Friendly Yours starts off Smooth’s new album The Parade at a wild pace.

GERMANY: Blogpartei
Like A Stuntman – MC Sensation
This four-piece from Hamburg is loaded with creativity. Like A Stuntman merges elements of playful ambient, psychedelia and sincere indie to a quite distinctive sound unmatched in Germany. Discreet but nethertheless catchy, MC Sensation is an outstanding song from their album Original Bedouin Culture.

GREECE: Mouxlaloulouda
Playground Noise – The Divers
Infusing melancholy with a tense, literate sense of foreboding, Playground Noise strikes the perfect balance between moody, underground noise and melody. Drama and dark dollops of synths, brass and strings swarm beautifully around the vocals, guitars soar into the stratosphere, and intense crescendos linger over delicate, breathy passages. They create a shadowy veil of sadness, shot through with hopeful transcendence. Playground Noise has crafted a statement of intent, one that hopefully suggests a continuingly bold future.

ICELAND: I Love Icelandic Music
Eliza – Hopeless Case
London-based Eliza Newman Geirsdottir was the lead singer of the all-girl band Bellatrix (Kolrassa Krokridandi) and the rock band Skandinavia. She’s a trained opera singer and also plays violin, guitar, ukulele and piano. In 2007, she released her first solo album Empire Fall on Lavaland Records. Hopeless Case is from her second solo album Pie In The Sky, released on the Smekkleysa label last year.

INDONESIA: Deathrockstar
Bottlesmoker – Free Hugs
Bottlesmoker are an electronica-pop duo with a passion for glockenspiel, keyboard toys and other funny instruments to create humble compositions of simple orchestration. And even if they have not yet released any physical release, they have a fanbase that is growing steadily while the duo keep spreading free music.

IRELAND: Nialler9
Yes Cadets – Rufio
This Belfast quartet make sweet nuggets of danceable indie-pop that worms in your ears and stays there. Rufio is taken from their self-titled debut EP and has hooks galore. By the time the cascading female vocals come in, you’ll be sold.

ISRAEL: Metal Israel
Babylon Awaits – Primal
Industrial cyber-metal from the Holy Land introduces biotechnological talons into your nervous system with infectious beats and catchy melodies reminiscent of acts from Information Society to Nine Inch Nails and everything in between.

ITALY: Polaroid
The Record’s – Rodolfo
If you agree that a perfect mixtape for the spring should include Vampire Weekend, some Britpop anthems and The Beatles then De Fauna Et Flora, the second album by The Record’s, is going to be the bright soundtrack you’ve been looking for.

JAPAN: JPOP Lover
NJ – La Sakura
Cherry blossom season is almost over here in Japan. Its beauty is too short for us. But we have one good J-pop song about it called La Sakura by Tokyo duo NJ, who consist of female singer Jun and guitarist Nori. It has an oriental melody and sound texture with a traditional Japanese flavor.

MEXICO: Red Bull PanameriKa
Liber Teran – Lola
Even if Mexican ska gang Los de Abajo were heralded by BBC Radio 3 as the best artist of the Americas, back in 2003, frontman Liber Teran knew it was time to start his own path. With a fistful of pesos, the self-proclaimed gypsy-cowboy recorded his first solo album, Gitano Western, in 2008, clearly following Joe Strummer, David Byrne and Manu Chao’s steps with songs that evoked a rootsy and dusty atmosphere. This year, he decided to look for the origins of his own genealogical tree, hiring the horn section of a Sinaloa schoolband trained in polka and teaching them to play Mediterranean, Turkish and Slavic rhythms. Tambora Sound System is a dark collection of nine unza-unza vignettes.

NETHERLANDS: Amsterdam Event Guide
Tree House – Water And Pyramid
Delightfully experimental and blissfully tuneful at the same time, this Amsterdam-based act is just one of numerous Dutch groups that have drawn inspiration from the world around them, added electronic beats and tropical rhythms, rolled them about together, included a freaky live element to the performance and truly made musical art. If Holland needs a new musical direction, let it be this. Watch out for similar music on Cottage Industry Records.

NEW ZEALAND: Counting The Beat
The Renderers – Deep Deep Sea
For two decades the husband and wife duo of Brian and Maryrose Crook have been creating music that brings together a country fragility like that of Bonnie Prince Billy (who they have have played backing band for) with an alternative guitar feedback maelstrom. From their latest album Monsters And Miasmas, the song Deep Deep Sea showcases both elements and is a return to the ocean theme the harbourside-residing band have visited throughout their career.

NORWAY: Eardrums
Youth Pictures of Florence Henderson – To Sit Down Or To Follow, So I Follow
Youth Pictures of Florence Henderson released their self-titled second album earlier this year on How Is Annie Records. It’s probably easiest to place them in the post-rock or dream-pop category – long, beautiful and atmospheric tracks with a strong focus on the melodies. On the new album, YPoFH have been working with producer Sjur Lyseid (Little Hands of Asphalt, Monzano), and if you know his own work, it’s easy to hear his influence. YPoFH is one of those rare bands who have been around for a long time but still manage to develop their sound.

PERU: SoTB
Theremyn_4 – Milnueve84
Theremyn_4 are considered by the public and the critics as one of the most important electronic live acts from Peru in recent times, even with their 10-year career. Based in Lima, their style combines experimental textures, urban life, science fiction and the spectacular visual effects that accompany their concerts. Last year they released their sixth album, Inflamable, which recycles beats of previous works, making something completely new. It is made for the dancefloor so grab your partner and move.

PORTUGAL: Posso Ouvir Um Disco?
Youthless – Golden Age
Youthless are Sebastiano Ferranti (vocals, bass) and Alex Klimovitsky (vocals, synths and drums), an American and a Brit who made Lisbon their homes. They have played in another band but it is with Youthless and its electro-garage rock sound that they have gathered more media attention and a faithful legion of fans. Telemachy is their debut EP and can be downloaded for free here.

ROMANIA: Babylon Noise
Mono Jacks – Maria
Mono Jacks are an alternative rock band based in Bucharest. The vocals and the lyrics remind me of Snow Patrol or Placebo, and the strong bass lines have something of Interpol’s angst. Their roots are clearly in the last decade of indie-rock. Their frontman is a former member of AB4, a great Romanian alternative act in the 90s.

SCOTLAND: The Pop Cop
Washington Irving – The Magician
Named after the American author who wrote The Legend of Sleepy Hollow and Rip Van Winkle, the music of this Glasgow-based group isn’t as bookish as their moniker might suggest. Instead, they deliver irrepressibly wild, rambunctious folk-rock that taps into the raw energy of The Pogues, which explains why Washington Irving’s live shows never fail to win them new fans. The band have just finished recording a new EP which will be released this summer.

SINGAPORE: I’m Waking Up To…
B-Quartet – A Dull Taste On My Tongue
B-Quartet’s music is a graceful concoction of progressive rock and whimsical poetry. Homaging rock greats Radiohead with the odd influence or two, the sextet hold their own in a sea of soundalikes. Fresh out of the oven, A Dull Taste On My Tongue is a cascading spiral of polyrhythms laced with beautiful guitar work and Bani Haykal’s ever fleeting vocals until it comes crashing into a momentous clash of instruments before switching back effortlessly into a state of zen. With B-Quartet, there are no compartments, no defined roles of what should or shouldn’t be done in music, only what they choose to say, and what we choose to make as simple truth.

SOUTH AFRICA: Musical Mover & Shaker!
Wrestlerish – Bad News
Wrestlerish are a four-piece that blend rock, country and folk as if these genres should have always been one. Bad News, taken from their first full-length album The Rude Mechanical, is a sincere serenade that shows off their creativity. They have the ability to capture the listener after just one listen and are a band that is going to go far. Mark my words.

SOUTH KOREA: Indieful ROK
National Pigeon Unity – Whan
National Pigeon Unity don’t just have a fantastic name, they have a fantastic sound to go with it. Mixing post-rock with emo, modern rock with hardcore, pop-punk with grunge – usually all at the same time – their first full-length album Empathy, released in March, has proven strong enough to withstand weeks of repeated listening. Whan is a wonderfully moving, primarily instrumental song on the post-rock side.

SWEDEN: Swedesplease
The Eyeshades – In The Basement
I don’t know how I stumbled upon The Eyeshades from but I’m glad I did. The band is an odd combination of pop and rock with a little electronica added to the mix. They play a wide assortment of instruments and it’s this diversity of sound as well as the (at times) unusual compositional structure that make the band interesting.

SWITZERLAND: 78s
My Heart Belongs To Cecilia Winter – Eighteen
In the past two years, this Zurich-based trio gained the reputation of an irresistible live band and stepped up from being a local phenomenon to an international insider tip. The band’s catchy yet erratic indie-folk songwriting with a rock ‘n’ roll heart, combined with their intuition for atmosphere and glamour, soon led to comparisons with Arcade Fire and earned them an ever-growing fanbase. Scott Matthew and Rufus Wainwright like them, concert-goers sway in euphoria and their debut record Our Love Will Cut Through Everything is a masterpiece.

UNITED STATES: I Guess I’m Floating
Avi Buffalo – What’s In It For?
Having recently watched Avi Buffalo perform for the first time at SXSW, I’ve since been unable to avoid spinning their material. The young group from the coastlines of California have an eclectic sound and a self-titled debut LP coming out at the end of April. All indications point toward it being quite the treat.

VENEZUELA: Barquisimento
Karma Coma – Si Te Digo
Karma Coma is a musical concept that fuses electronic trends with instruments such as acoustic and electric guitars, bass, keyboards, cello and violin. The musical genres explored by the band go from downtempo and electro, passing through breakbeat and big beat, to jungle and drum and bass. And it is all spiced with a big dose of rock ‘n’ roll, some bossa, Venezuelan folklore and Far and Middle-Eastern sounds.

To download all 35 songs in one file click here

Big Day Out 2010

(photo: Daniel Boudist)

In just a merry quarter of an hour in the queue, being smacked on the face with Australian flag paraphernalia, beer breath on the back of my neck and the distinct waft of other…organic substances, I’m given a true blue, cordial welcoming to the Sydney Big Day Out.

Still yet to pinpoint what it is exactly that attracts so many to this annual festival of beer, bogans and breasts. If you are aching to read about the unskilled offspring of Keith Allen, Matt Bellamy’s vibrato or any of the other international acts on the bill, you should stop reading now.

… Continue Reading

Children Collide – ‘Skeleton Dance’ (Ladytron remix)

Children Collide – ‘Skeleton Dance’ (Ladytron remix) (stream only)

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I’m quite a fan of the FIFA soccer series. I’ve been playing FIFA ‘95 (or was it 96) when the opening song for the game was Blur’s Song 2. The thing with these games is that you end up spending hundreds of hours playing them, and the playlist becomes your favourite radio station. That’s why there so much value in getting a song in because the exposure is just enormous, even if its a localised version of the soundtrack. EA Games have been very active in putting the latest music in their games and this year’s is another great soundtrack. There’s a few notable artists that we support that’s on the game this year, including Cut Off Your Hands and Children Collide.

www.myspace.com/childrencollide