All our Collective PEG contributors last month were all dudes. Nothing wrong with that, but hey – I’m all for gender balance in music and beyond.

So here’s Collective PEG #3 – slightly more femme themed, but still with the usual helping of new and interesting Aussie tunes to get you through your month.

Big thanks to our lady-pals who curated this month: Isabella Manfredi, Jenny Valentish, Courtney Barnett, Holly Friedlander Liddicoat & Paris Martine.

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ISABELLA MANFREDI

Isabella Manfredi fronts Sydney Goth Soul band The Preatures. She is currently undertaking the Tracy Anderson workout DVD challenge in the privacy of her own home, and likes listening to Harry Nilsson and Randy Newman back to back.

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Seekae – ‘Gnor’

Sometimes you have that catastrophic moment when you realise somebody you’ve assumed is just a nice, normal guy is actually a genius, or in a really, really good band. This happens to me a lot. It happened last month when I saw Seekae live and my brain caved in (a definite improvement). The Preatures have shared a studio with Seekae for almost a year now, and by tunnel vision and ignorance we had no idea who we were living with. To me they were just handsome John, handsome Alex, and George. George doesn’t need an adjective. But last month they invited us to see them play the first of 3 sold out nights at The Basement in Sydney. I expected it to be loud and overwhelming, but stepping up to the stage among the people, I started to part with my anxious body. The music whitewashed my mind clean as a cold tile, and everything around us moved with the same purpose like the release and tension in a kaleidoscope. It was artistic, and extremely beautiful. But more than that, it was the epitome of beauty; like the synchronicity of particles, the meaning of the universe, the purity of math. It was a complete relief from my own way of making music. That’s why, after one live show, they’re my favourite Australian band.

www.seekae.com

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HOLLY FRIEDLANDER LIDDICOAT

Holly Friedlander Liddicoat is the sole writer/owner at East to West, a blog which focuses 100% on Australian electronic sounds. She also writes for Portals and No Fear of Pop, but at the moment is taking some time off to get reacquainted with nature and the world outside of the internet. You’ll occasionally catch her on the Allnighter on FBi Radio, so if she digs your tunes that is where they’ll end up.

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kharkovweb.com

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PARIS MARTINE

Paris Martine is a band booker best known for bringing the good stuff to venues around Melbourne. She’s done stints for Roxanne Parlour and Billboard The Venue and has booked everyone from Vanilla Ice to Peaches, and Beach House to Roland S Howard.  Paris was the first booker at The Workers Club and put the venue on the map by programming bands on the verge of big things, as well as heritage acts who she persuaded to play on the small stage. She’s also known for starting up Melbourne venue Phoenix Public House.

And to add to her long resume, she’s chalked up the coordinating arm too – running events for myriad of businesses including Lifelounge, Three Thousand, MTV, Laneway Festival, Future Entertainment to name a few. More recently, she’s assisted in booking acts for Melbourne Music Week and delegates for Face The Music conference. Paris is also band manager to Francolin.

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No Zu – ‘Fa Foma Fi’

Maybe my love of lyrics is why I never completely connected with jazz or funk and although I dig beat-based music, it’s rare for it to stick to me.  I make all of these observations to magnify how rare I find Nicolaas Oogjes’s project – No Zu. No Zu combine genres of music that haven’t had a lasting effect on me and they distort language with nonsensical lyrics and yet the result is music that I LOVE.  I know this track is not spankin’ new and I really should try harder.. But hell, I don’t get asked what I like often enough to waste this opportunity.

Here’s a sack of stolen words that describe No Zu’s life; delayed trumpets, obsession with the ideas of ‘exotica’ and ‘Australiana’, tribal beats, psychedelic texturing, the avant-garde 80‘s, and endless David Byrne references that come from the use of interpretive vocals.  The album is classy. Nao has done a sublime job with the recording.  My only bone is Daphne’s vocals should be up in ‘Fa Foma Fi’.  Daphne can’t help but stand out in any project. She is like a cat amongst the pigeons. I once asked her to make me a mix tape and it was studded with trashy, questionable 90s dance anthems.  She is also responsible for introducing me to the brilliance that is Mark Ronson’s ‘Somebody To Love Me’ ft. Boy George. Guilty pleasures.

Around I go dancin’ bout architecture… wearing a bulletproof expression made for people who are not great at music journalism.  The song I am dancin’ to is ‘Fa Foma Fi’. It’s in the background. Drown me out & turn it up up up up!

nozu.bandcamp.com
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COURTNEY BARNETT

Courtney Barnett plays guitar and writes songs. She put out her first EP I’ve Got A Friend Called Emily Ferris this year. She also plays with Immigrant Union and Jen Cloher.

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The Merri Creek Pickers – ‘Starlight Dreammaker’

The Merri Creek Pickers wrote this 11 minute opus in the bungalow at my place. Over the few months it took them to finish their epic journey I saw them spiral into an obsessive musical hole fueled by tea and the dead. A Guernica abyss. However, where Picasso’s masterpiece was born from war and torment, ‘ Starlight Dreammaker’ was born from a label on a mattress.

merricreekpickers.bandcamp.com

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JENNY VALENTISH

Jenny Valentish is the editor of Time Out Melbourne and former editor of Triple J Magazine.

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Dune – ‘Shoestring’

When Jade MacRae found herself in the unenviable position of relaunching her career – having taken time off to support husband Phrase and rethink her public persona –  she had to acknowledge that her name was no longer considered current currency by some sectors of the industry.

The role she’d fallen into, as the sunny soul singer invited to guest on TV shows, didn’t feel authentic to her any more. Lately, the former Sydney Conservatorium student had been composing strange, stark new tracks with a futuristic bent on the vintage synths of her father – a musician who had been embroiled in the 1970s experimental electronica scene of the UK. In order to pursue this, she was willing to go it alone, label-free, as Dune.

At her debut Melbourne show in August, I felt like I was at the beginning of something big. I heard glints of The Belle Stars, Bow Wow Wow, The Go-Gos, Santigold and Warpaint in the steel drums and tribal rhythms, while Jade has referenced Gary Numan and Brian Eno as production influences. She utilised a live rhythm section and projections of initiation ceremonies, Egyptian dances and wild animal footage that emphasised the lone wolf feel. Above all that were her famous vocal chops, still evident even in this new incarnation.

Lyrically, first single ‘Shoestring’ encompasses her willingness to sacrifice everything she’s worked for, both for love and for integrity.

thisisdune.tumblr.com

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People of the internet!

SO MANY BLOGS, SO LITTLE TIME.

We’re introducing a new section here called Collective PEG.

On the 1st of each month, we’ll be profiling five bloggers and/or other important people in the musicsphere who’ll be curating their favourite Australian tune of the month.

For the first edition of Collective PEG, our pals Tommy Faith, Jarred Beeler, Sam Wright, Sabrina Robertson and Thomas Lukaitis have handed in their choice picks for your listening pleasure. Oi oi oi.

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TOMMY FAITH

Tommy Faith is the founder and sole contributor to the music blog Sound Doctrine. Notable for featuring absurdist commentary on mostly unsigned Australian artists, Sound Doctrine was named best Australian music blog for 2012 in Pedestrian.tv’s Blogster Awards. Tommy has also written for Cool Accidents and The Spit Press and contributes to various other online publications. When not writing he works in sales at Warner Music Australia.

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Phobiac - ‘Triangle Song’

Here’s a quivering mess of an EP with more pent up energy than little Johnny Ritalin, bane of teachers, curse of parents, ruiner of educational outcomes. The group is Phobiac and this isn’t the first release they’ve put out, but it’s the first I’ve had the pleasure of hearing. Vocal styling that maybe makes me think of the Medics, or even Royal Headache (it’s a stretch), is the most understated element of the noisy shamozzle. Delayed guitar clangs around itself like the earlier mentioned child in a caravan kitchenette and the whole thing is recorded, as the youth keep saying, ‘lo-fi’.

The drums sound like machine gun bursts in ‘Triangle Song’ (probably my favourite from the six-tracker), a tune which spends the last twenty seconds pulsing with what might be the richest moments of the EP. Phobiac seem to be at their strongest when they build up a head of steam but their slowest songs have a poppier, shoegazing sensibility that will better lend themselves to radio play (which they will have when awareness of this EP comes). Some of the best “indie rock” I’ve heard this year. It’s a free download or $5 for a physical copy so whichever you choose, just choose.

phobiac.bandcamp.com

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JARRED BEELER

Jareed Beeler is the founder of Life Aquatic, a two year old music blog that’s ‘slowly trying to find a sound to focus on’. Currently it’s been focusing on minimal electronic sounds with Chicago footwork inspiration. Life Aquatic Records is a rare 7″ vinyl label that runs out of the blog.

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Charles Murdoch – ‘Ravel’

Brisbane’s Charles Murdoch has been hammering out cool, calculated rhythms for the past few months, the uniqueness has taken a spike with his latest piece, Ravel. Using the deeply sexual 808 kick drum as a building block, he creates a cold Evian Christ like sound by having very little else to distract you from those deep bass dives besides light reverb drenched chords and little clicks and sidesticks. All thats missing is a sliced up rap acapella.

soundcloud.com/charlesmurdoch

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SAM WRIGHT

Sam Wright is the director of A High Note and director/producer of 6 On The St, a full length documentary featuring the best bits of Adelaide’s burgeoning music scene. Sam is also the founder of Moving Music, an innovative Adelaide based project which serves the purpose of activating various spaces in the city by injecting them with temporary architecture, interactive/public art, and live music.

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Menagerie – ‘Cut Off Your Hands’ (mp3)

I always love a song that instantly transports to me to a moment in time. ‘Cut Off Your Hands’ does that for me. It was our main track for a feature length documentary I completed during October 2011, called ’6 on the St’. The documentary featured 12 incredible Adelaide bands performing amongst our urban fabric as well as people doing good things for Adelaide music. Simple. Menagerie were not one of those 12 bands, however, they did graciously provide me with about 12 songs for the backing soundtrack to the whole film, so I figure that makes things even. Frontman of Menagerie, Maximillian Hardy, recently was granted attendance at Australia’s Song Summit Competition to workshop his songwriting with Gotye and Adalita. Listening to songs like Cut Off Your Hands, you can truly understand why.

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SABI ROBERTSON

Sabrina Robertson is the maven behind Sabi’s Aus Music Blog. When she’s not posting the best local tunes, she runs local based management/publicity company Maths & Magic.

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Thema Plum – ‘Father Said’ (mp3)

17 year old Thelma Plum has penned a simple yet delicate folk song, ‘Father Said’. A gentle fingerpicked lick is accompanied by Plum’s sweet and at times mesmerising vocals. As quickly as the song has drawn you in, it comes to an end. Despite finishing at 1.48, Father Said is a fitting introduction to Thelma Plum, it’s short and sweet and leaves you wanting to hear more. A recent winner of triple j Unearthed’s National Indigenous Music Awards, the Brisbane singer-songwriter is set to release her debut EP later this year.

www.facebook.com/thelmaplum

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THOMAS LUKAITIS

I’m a 23 year old who is passionate about the sounds my fellow Australians make. I started my blog as a vehicle to share music with my friends, now keeping track of Aussie music is a serious hobby.

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D.D Dumbo – ‘Tropical Oceans’ (mp3)

It’s not too often I listen to a track that immediately makes a lasting impression on me. It’s even more of a surprise when it turns out the artist and I are from the same small town in central Victoria. Oliver Perry, under the pseudonym of D.D Dumbo, creates intricate, experimental and vocally dazzling sounds. Case in point, ‘Tropical Oceans’ is a track that is lifted from D.D Dumbo’s debut self-titled release. Take a seat, play this track loud and soak it all up. I personally think it’s one of the best examples of the incredible music we as a nation have been producing of late.

dddumbo.bandcamp.com

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