Tagged By northcote social club

INTRODUCING: Pepa Knight

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Not being much of a swashbuckler myself, I have found myself only rarely drawn to Jinja Safari-like adventure music. But despite the fact that Pepa Knight has not strayed far from this artistic direction, his new single ‘Clams’ has a guileless quality about it that is (on third listen) increasingly appealing to me. Why is this? Who can say. It’s a sunny day and pop music is temporal. Regardless, there are some reasonably objective things that we can say about this tune.

Following from his recent (very successful) single ‘Rahh!’, it looks like we are getting a clear idea of the sonic space Pepa Knight’s solo project will inhabit: utilising myriad instruments (mandolins, tabla, flutes) and layered harmonies to create atmospheric, major key pop tunes. I also need to include here that, personally, I will always be in favour of a mandolin solo. And whether the line ‘God only knows where I’d be/Wilson said to me’ is a reference to Tom Hanks’ soccer ball in Castaway or Brian Wilson’s 1960’s Beach Boys classic ‘God Only Knows’ is irrelevant – both meanings fit comfortably with this tune, which is equally nautical and nostalgic.

One thing that makes Knight’s music ambitious is his constant insistence on creating positive vibes. To write a happy song that doesn’t sound twee or jar the listener is a much harder task than writing a muted Thom Yorke emotional divebomb. Whether or not he has achieved his goal is up to the listener, but to even attempt it is a brave move. Or maybe he’s just legitimately this happy, all of the time. That’s a scary thought, but if you like what you hear, stream away:

Pepa Knight will be launching ‘Clams’ on these dates:

Friday, 1 August – Goodgod Small Club, Sydney (RSVP on Facebook)

Thursday, 7 August – Northcote Social Club, Melbourne (RSVP on Facebook)

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EXCLUSIVE: Aldous Harding

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New Zealand’s Aldous Harding has quite the origin tale. Busking on the pavements of South Island town Geraldine, trying to earn enough for a ticket to see Maori roots artist Anika Moa, Harding was overheard by Moa herself – and ended up not only catching the show, but performing in the opening slot.

The full story, however, goes back a little further. Harding, whose mother is a folk singer and whose father plays the blues, got her start in Lyttelton, a port town on the outskirts of Christchurch (and, incidentally, the setting for Peter Jackson’s ’96 schlock horror film, The Frighteners). There she was discovered by Kiwi country stalwarts Ben Edwards and Delaney Davidson playing under her own name, Hanna Harding, alongside band The Easterns.

Harding’s self-titled debut, co-produced by Edwards, was released locally in April, on Lyttelton Records. Today we can announce that the album will get an Australian release through Spunk on 25 July. To celebrate, Harding will showcase her music on a string of dates along the east coast. The tour, in support of fellow New Zealander and Spunk signee Tiny Ruins, will include two free solo shows – one at Melbourne’s Public Bar, the other at the Midnight Special in Sydney.

Streaming below, Aldous Harding lead single, ‘Hunter’, has been characterised by Harding as a ‘gothic fairytale’. This is folk music, simple and bleak (not unlike Melbourne’s own gothic country band, Jimmy Tait), with Harding’s fragile coo reminiscent of retiring, 60s-era folk singers Vashti Bunyan and Linda Perhacs. ‘Hunter’ seems to occupy a place outside of time, opening with the refrain, ‘He’s a hunter, he’s a good man/Be brave when he brings you nothing home’ and closing with a vision of blood streaming down a river.

You can catch Aldous Harding on these dates:

Tuesday, 1 July – Black Bear Lodge, Brisbane w/ Tiny Ruins

Wednesday, 2 July – Newtown Social Club, Sydney w/ Tiny Ruins

Thursday, 3 July – The Midnight Special, Sydney (free)

Sunday, 6 July – Public Bar, Melbourne (free)

Tuesday, 8 July – Northcote Social Club, Melbourne w/ Tiny Ruins

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WATCH: Straight Arrows – ‘Petrified’

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It’s been a long time since Straight Arrows released an LP. Wait, let me rephrase that. It’s been a torturous, stupefyingly long time since Straight Arrows released an LP. We posted their psych-swamp rocker ‘Never Enough’ last August, and now – a band that needs no introduction, Sydney’s favourite rock ‘n’ roll group, the very incarnation of danger and an inspiration to scrappy guitar punks everywhere – Straight Arrows are back again with *a whole album* of new material.

The band has also released what is, for them, a rare treat: a video for latest single, ‘Petrified’. Sounding like modern Australia’s answer to The Soft Boys, ‘Petrified’ features paranoid guitar notes that ring out after the titular line, ‘I’m petrified’, signalling the kind of relationship horror that hasn’t been felt since Norman Bates’ mummy issues.

The video is typical of Straight Arrows’ penchant for the old school, frontman Owen Penglis having compiled some trippy and glazed footage depicting a story of band practice and casual murder.

Rising was released last Friday (the thirteenth) on Rice Is Nice. To celebrate, Straight Arrows are currently on tour, with Canberra legends TV Colours supporting at all shows. You can still catch them on these dates:

Friday, 20 June – The Brightside, Brisbane (tickets available here)

Saturday, 28 June – The Fishbowl, Newcastle (tickets on the door)

Saturday, 12 July – Northcote Social Club, Melbourne (tickets here)

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violent soho at the northcote social club, melbourne.

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If you meet me and ask me about violent soho, I might bang on for a while about all the reasons I think these guys are great. For now, I will ask that if you get the chance, see them live. They are on at 1pm on friday at splendour in the grass, according to this timetable. I hope all punters heading to SITG have an incredible festival, it will obviously be huge so look after each other.

There are a couple of other shows listed here – http://www.myspace.com/violentsoho

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