Tagged By Sydney

INTRODUCING: Porsches

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Sydney duo Porsches have the whole Australian summer electro pop thing down with their debut single ‘Horses’. In fact they nailed the brief so perfectly that Sweat It Out! Music took notice, signing the boys off the back of the single.

Carl Fox and Jesse Sewell produce taut, bouncing beats that bubble underneath spaced out, synth-washed vocals. The track is sprinkled with a calypso/steel drum-type effect to boot.

It’s your classic Sweat It Out! recipe for a smooth, sophisticated electronic act that’s more than just trite triple j fodder. Although it’s already pricked the ears of a few major commercial TV stations, ‘Horses’ doesn’t rely on those banger clichés that make summer pop so damn annoying.

With this much attention for their debut, Porsches are setting themselves up for a bright 2015 indeed.

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PREMIERE: Gordi – ‘Taken Blame’

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Gordi

Gordi’s new track ‘Taken Blame’ does its best ‘keep calm’ impression (without the bad spin-offs and aggressive font). Her debut track ‘Nothing’s As It Seems’ made its first appearance here late last year, and her latest single ‘Taken Blame’ is just as gossamer as the first.

It could be nonchalance or just restraint, but Gordi’s delivery treads along in a way that lets in light to an otherwise insular space. Lyrically, the subject matter is a little grim, but she maintains a transformative outlook. ‘Taken Blame’ adopts a beautiful arrangement, with Gordi’s nuances interrupted by the occasional off-beat or elevated vocal harmonies that bookmark the verse.

Whirling production/echo FX in the mixing department are all nice aesthetic flourishes. It sounds like listening to a live performance in a small room with massive ceilings. You get the feeling that without all of it, Gordi’s pastoral vocal would still lend this track the same weight. In this way, she tends to the same patch as Felicity Groom and even Sharon Van Etten, who’ve groomed their alto to the tune of honest post-love songs. There’s many years to go before Gordi could pass with the chutzpah that SVE reveals when she sings about errands and bathroom habits, but she might get there.

I’ve never seen Gordi perform, but I feel like I have many times.

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Gordi is playing Mordialloc Festival on the 28th and touring with Winterbourne throughout March. See below for details.

 

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MAP January 2015

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The first MAP of 2015 is here, featuring tracks selected by 18 blogs from around the world. Sydney’s AFXJIM is representing Australia this month with ‘Distant’, the lead single from his second LP, out now through Feral Media.

All 18 tracks are available below, to stream or download at your leisure.

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the full 18-track compilation through Dropbox here.

ARGENTINA: Zonaindie
Mariana Päraway – Sirena

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Somewhere between Mendoza and the Andes, Mariana Päraway becomes a mountain siren who sings about entangled fates in her latest album, Hilario. Mariana’s music navigates through pop, folk and electronic landscapes resulting in a deep, refined sound exploration.

AUSTRALIA: Who The Bloody Hell Are They?
AFXJIM – Distant

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Sydneysider Travis Baird is a multi-instrumentalist who earns a living scoring video installations, playing as a session musician and performing on tour with the likes of Melodie Nelson and Sounds Like Sunset. AFXJIM is Baird’s solo project, which consists of home recordings pieced together from loops, drum machines and field recordings of everything from kindergarten classroom chatter to police radio transmissions. It’s a subtle fusion of experimental electronica and acoustic songwriting, falling somewhere between Tortoise-inspired post-rock and the folktronica of early Four Tet. Distant is the title track off AFXJIM’s second LP. Carried on a bed of slide guitar and rumbling percussion, the track’s centrepiece sample features singing “recorded to MiniDisc in a bus-top karaoke bar in the Costa Rican backwoods”.

BRAZIL: Meio Desligado
Duani – Aproveita

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Aproveita is the first single from Duani’s debut solo album, which will be released this year. He became famous in Brazil in the 90s, playing forró (a very danceable rhythm strongly related to the Northeast culture of the country) with the band Forroçacana. In this single, he plays all instruments and sings. The lyrics are a manifest about comprehension in love and its different ways of desire, packaged with black music and soul.

CANADA: Ride The Tempo
Morning Show – I’m Listening

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Alt-folk trio Morning Show features members of Bed Of Stars and The Archers. The multi-instrumentalists show a pallet that is heavily influenced by Canadian peers such as Dan Mangan, Hey Rosetta! and Wintersleep. I’m Listening is a beautiful, balanced single you will have on repeat.

CHILE: Super 45
Tus Amigos Nuevos – Paraná

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If we have to blame someone for why Chilean rock has been overshadowed by the pop scene, all darts would point to the extreme seriousness with which most of bands go on stage. Luckily, Tus Amigos Nuevos have been refreshing the idea that rock can be cathartic, danceable and, above all, very funny. This year they promise to be even more so thanks to their second album, from which Paraná is the first single.

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INTRODUCING: Le Pie

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Le Pie

Who doesn’t love pie? Whether it be the home-cooked apple variety that spawned an infatuation with Sean William Scott, or the meat pie grub catcher that you can buy for $9 at the SCG, pie has thoroughly wormed its way into the collective conscience. Now, with the introduction of Le Pie, the world is about to get even friendlier with everyone’s favourite pastry delight.

Wrung from Newtown, Le Pie has only one single to her name, the heart-fluttering ‘Secrets’. But a few seconds in, you can already see that she’s going to be a star. She’s built on the same teen-crush pop panache that Go Violets, Meg Mac and Airling do so well. ‘Secrets’ is a surefire tearjerker, with an ability to evoke emotions we all didn’t even know that we had.

Maybe this is all a bit too flowery, but Le Pie makes a connection that most pop songwriters find unattainable. The fact she’s been able to do so on her first single is remarkable. Le Pie is sure gonna break hearts this year.

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STUFF WE LIKED IN 2014

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2014_02

2014 has been another great year for Australian music, cementing the perception both here and abroad that there’s something very special going on down under. Courtney Barnett continued her project of total world domination, touring the globe, selling out show after show back home and putting out a lovely little mixer on her label, Milk Records.

We heard stunning new albums from Total Control and Blank Realm, which were utterly deserving of the international acclaim. Cut Copy gave the Melbourne dance scene a critical shot in the arm, bringing some terrific acts together on the Oceans Apart compilation. The managers behind Pond and Tame Impala launched their own imprint, Spinning Top Records, bringing the charming Peter Bibby into our lives, with his drunken burble and shifty grin. Sydney label Plastic World expanded its catalogue of stylish retro club music, curating EPs from the likes of Retiree, Savoir and GL. The local hip hop scene did what had hitherto seemed impossible and produced a number of very promising MCs and producers. And, in one of the biggest surprises of my year, old mate Chet Faker put out a track that didn’t make me feel nauseous (though it did sound quite a lot like James Murphy).

Faced with such an embarrassment of riches, we figured it would be unfair – not to mention too difficult – to fashion a definitive list of the year’s best releases. Instead, our contributors have come up with their personal top three moments of the year in Australian music. If you’re a real stickler for lists you can always check out our newest Spotify playlist, featuring 100 of our favourite tracks from 2014.

Read the team’s contributions below.

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INTRODUCING: Claire & the Cops

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c&thecs

Claire & the Cops have an interesting story behind their name, one that every garage band has surely (and sorely) experienced – that of the piece-of-shit neighbour. In this case the neighbour is Claire, who called the cops on this Sydney trio for playing loud rock’n’roll music in their garage. It feels like Claire’s the kind of person who would call up the Free TV Australia hotline after hearing someone say ‘Damn!’ on a program before 6.30.

Fun-hating sticklers aside, Claire & the Cops brandish a bratty, loud brand of garage music that’ll probably blow out some eardrums along the way. They lean very closely to Ty Segall and other lo-fi idols such as White Fence and Straight Arrows (whose frontman Owen Penglis mastered Claire & the Cops’ debut EP). While their vocals sit low, deep and more chilled than Matthew McConaughey in Surfer, Dude,at an instrumental level the songs bellow with a forthright fuzz that sets them alight. Basing your band name on a prudish neighbour may seem slightly passive aggressive, but at least there’s history there – and these guys make the kind of balls-out garage that forces you to pay attention. Check out their latest single, ‘Need Ya’, below.

Catch ’em playing Jitterfest alongside the Girl Fridas, Piss Factory and the Nuclear Family on Sunday, 7 December at Sydney’s Captain Cook Hotel.

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