Dew Process finally released Ernest Ellis’s debut album Hunting on Saturday! Huzzah. That’s right, you can get yr hands on this chestnut right now, and I highly recommend that you do.
I’ve been posting about EE for a couple of years now so you can do a lil search and check out a bunch of his tracks, all of which are featured on his debut (except the version of ‘Bad Blood’ is slightly different, maybe some overdubs and a new mix/master?) The clip for the latest single ‘Want For Anything’ is below, and above you can check out ‘Taking Shapes,’ which open the last third of the album and pulls it out of the singer-songwriter territory Hunting briefly wanders into and back into whatever canyon/cave/church he layers his guitar and vocals in. The fact that the back end of the album features tunes like ‘Taking Shapes’ and his original buzz-making tune ‘Bad Blood’ shows that the album has some real depth.
You can also check out the impressive ‘I Am The Beast’ over at Polaroids of Androidz (as of about two weeks ago).
Here’s the debut video for ‘Blind’ from Magnetic Heads out of Sydney. The clip was directed by Michaela Sanders, whose work includes ‘Keeping It Clean’ for Songs.
Jonathon Miller’s vocals edge on the verge of Morrissey and Ian Mc Culloch, but this track would could have been just as at home on a b-side on the Go Betweens’ iconic 16 Lovers Lane. There’s a sincerity underlying ‘Blind’ that reminds me a lot of growing up in the suburbs. Commanding percussion, staunch vocal tenor, echoing riffs; I can’t quite put my finger on what characterises that distinct ‘Australian’ sound of these sort of bands (Panics, Triffids, You Am I, Church etc.), but there’s a real touch of nostalgia here I keep drawing back to.
Magnetic Heads are on the verge of releasing their debut EP, recorded and produced by Simon Berkfinger (Philadelphia Grand Jury).
Real gem of a track, looking forward to the release.
This is the video to ‘Closer’ by Adelaide act Steering By Stars which Matt blogged last year (read more here). The clip was directed by Nick Matthews, the cinematographer for Beautiful Kate, Look Both Ways & 2:37.
Steering By Stars debut album ‘Cables’ will be released digitally via iTunes & on 12” vinyl (including a free digital download of the album) fromwww.steeringbystars.com on Thursday 8 July 2010.
Hailing from the shire of lush rolling hills and farmland greenery that is Bacchus Marsh, Benjamin Dowd, Sam Reale & Jordan Hicks aka The Boo Hoo Hoo’s, have been kicking around the Melbourne scene since 2008. It seems that a long trek into the metropol area, bagging the comp bragging rights of incompetent city bands, then returning back to school the following day with a semi-trailer sized hangover seems to be a rite of passage for most regional bands. I saw these dudes supporting DZ late last year. Children of the Sun is a charismatic feel-good pop number sweet enough to poke gorging harmonic cavities in your molars. In brief, the track is basically Little Red dubbed over the chord progression of the Strokes’ ‘Someday’. I was wondering why these dudes sounded so much like Hungry Kids of Hungary….and it’s probably because both bands have made very similar songs (see Hungary Kids of Hungary’s Let You Down’).
As much as these chirpy indie-pop numbers get everyone in the room in a mutually happy mood, they tend to plateau. If you’re in band and you want to lend yourself some hype beyond playing tunes to seditious posers battling it out for dancefloor space at streetparty digs, give us something more. There is only so much bopping around I can adhere to, before the act starts to feels reheating stale microwave dinners for the third day in a row.
Comparative nit picking aside, I’m glad the Boo Hoo Hoo’s have shown dynamics on both side of the cards.Into The Wildshows off a more subtle pace compared to the previous track, as well as the band’s proficient songwriting abilities.This one is a definite grower, and after a few listens the full extent off Dowd’s clean tones backed up by a handful of gorgeous riffs proves a maturity that a lot of young bands lack. Into the Wild evokes melancholy without the unnecessary saccharine. The song fuels a wonderful, stripped back feeling of casual remoteness. The track will feature on the band’s debut EP which will be released through Trusty Chords Music later on this year.
Don’t be weeping for the The Boo Hoo Hoos, because if they steer to the right side of the tracks, I’m sure they’ll definitely go on to do great things.
The Boo Hoo Hoos play The National in Geelong on the 24th of June, Cubby Hole in Brisbane on the 24th of July and World Bar in Sydney on the 6th of Aug.
I’ve written about New Weird Australia before, the super rad blog/podcast/radio show that features the best and latest in experimental/electronic Australian music. They’ve just put out the sixth and latest in their series of free compilation albums, and they announced that this volume (number six) will be the last of its kind. Future compilations will take on a themed/artist-curated format, but Volume Six is a great way to send off their old approach – it’s the strongest of their compilations series so far.
The above tracks by Underlapper and Isle Adore stood out as worth drawing attention to. The former, because I’m a blogger and thus like anything that sounds like Animal Collective; the latter because I’m a blogger and thus like anything that sounds like chillwave. I’m kidding (not really, send me all your Aus chillwave). What these songs show is the diverse territory that NWA cover, from the almost-pop of Isle Adore to the laptop beat of Underlapper, through to the opening doom/drone track by Ambrose Chapel. Volume Six is a wonderful compilation, and the above songs are a great place to start but not the end of your relationship with NWA Vol. Six.
Burst City is one of many “underground” venues springing up across Brisbane, possible in response to the Valley becoming overrun by football jocks and their sluzzas. It’s an RSL located directly across from the Museum in South Brisbane and pretty damn cool.
I was granted overnight leave after two weeks in hospital and was keen to check the place out. I piked before the headliners, but got some ok shots of Ironhide, Shock Values and Abraxis.
The Holidays have been kicking about for a couple of years and I really liked an old self titled ep of theirs. Lately we have had a couple of singles released in anticipation of their debut LP, due in September. I was curious how the sound would translate live and I am glad to say they did a good job. It was a fairly packed John Curtain and there was a good energy in the crowd, despite the set consisting mostly of new and unheard material. Take a look through more pictures after the continue reading jump.