A few weeks ago Melbourne venue the Tote played host to the launch of Geoffrey O’Connor’s ’Her Name on Every Tongue’. The track is the second single from his sophomore solo album, Fan Fiction - ‘eleven adult contemporary disco hits’, out now on digital, CD and ‘deluxe gold vinyl’ via Chapter Music.
Supporting him were White Hex, a handsome duo whose latest album Gold Nights melds Italo-disco with proto-punk; Terrible Truths, a Melbourne-via-Adelaide post-punk three-piece, who will release an album via Bedroom Suck later this year; and newcomers Gold Class, doing their finest Ian Curtis impersonations.
Terrible Truths’ own Stacey Wilson (Rites Wild, Regional Curse), who also heads underground label Heavy Lows, took some photos for us on 35mm film. Check out Terrible Truths’ new single below, and eyeball more of Stacey’s work on her website.
Many Things are a London-based group led by a familiar Aussie face. If you, like me, got caught up in the whirlwind surrounding Yves Klein Blue a few years back, then you will instantly recognise Many Things’ vocalist, Michael Tomlinson. Now living in London, Michael has spread his wings not just geographically but musically, too.
‘Chains’ is the new single from Many Things. It’s a heartbreaking take on obsession and an inability to let go of past loves. This tune is a proper rollercoaster, starting slowly but swelling to a bombast that parallels Tomlinson’s passion. He’s angry, he’s miserable, and it feels like he’s trying to pour every molecule into this song in the hope that he can contain it all there.
Take note, this isn’t a solo outing. Many Things is a group of talented musicians who create a strong foundation for Tomlinson’s voice. The small details are the most interesting. Listen close for the odd voicemail snippet – they add a level of personal sadness to the picture of obsession already being conveyed.
The newly released video for ‘Chains’ is a warped, VHS-style clip that features a bare-chested Tomlinson, his image distorting every time he begins to break apart.
Many Things will be releasing an EP, What We Are, on 22nd August through Dew Process.
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Newly formed Sydney garage-surf-slackers Main Beach have been hard at work in their short existence, releasing no less than half a dozen singles since February. Their Bandcamp reveals a band driven by nostalgia for simpler times and endless summers, with music that walks the line between sugar-coated and bittersweet.
‘Down By The Wall’ features a lazily strummed guitar, bright and snappy drums and a healthy measure of distant ‘oohweeoohs’. The song’s sleepy, jangle-y vibe will make you long for the sea and won’t leave your head all day. The vocal hook is frankly heartbreaking, and the wash of reverb reflects the glare of the summer sun or the haze of sea spray at your favourite secret surf spot.
Main Beach will release a video for ‘Down By the Wall’ early next month. If the band’s first six tracks don’t satisfy the need in your life for garage surf jams, their debut album is due out on 12 September.
Main Beach will play a series of shows in their hometown over the next few weeks. Here are the dates:
21 August – Captain Cook Hotel, Surry HIlls
24 August – Valve Bar, CBD
12 September – FBi Social, Kings Cross
13 September – Brighton Up Bar, Darlinghurst
20 September – Tokyo Sing Song, Newtown
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Dean McGrath’s Rolls Bayce continue on their path of psych-pop exploration with the release of their new track ‘Don’t Get Me Wrong’. The production has been polished up since the release of prior track ‘Arrows’. The song sounds quirky yet familiar, and it’s catchy as hell.
With a tight and dry rhythm section chugging along throughout, McGrath lays down sweet falsetto over raw, warped guitar lines. The track moves at a driving pace, leaving little time to notice how much detail this band can pack into less than four minutes. All that’s missing is a soaring, fuzzed-out guitar solo – but maybe that’s not their thing. Perhaps they’re saving it for the live show.
Bouncy, to the point and just a little psychedelic, ‘Don’t Get Me Wrong’ is one for the summer festival-goers and spaceheads alike.
You can catch Rolls Bayce live over the next couple of weeks on the tail end of their three-week Saturday night residency at Black Bear Lodge, and in September at BIGSOUND.
Brisbane’s MKO sent this song to us a few days ago, describing it as a “sub-aquatic, other-wordly plea”. I don’t know what that means, but it’s probably no coincidence that all your wild ideas and short moments of genius come to fruition when you’re mid shower.
Lathering aside. The arrangement begins sparse. It’s the same way MKO (Hannah Macklin) makes her foray into previous songs – lulling your ears along with that coy vocal, backlit by giddy tryptich beats. Soft R&B twists and turns hold this track by the shoulders, but it’s MKO’s subtle delivery that wins here.
‘Puddles’ is available to purchase via MKO’s Bandcamp from tomorrow.
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‘Walk Don’t Run’ is the brand new single from Melbourne four-piece Singing For Humans. The group has been gathering momentum for a little while now over a bunch of new releases, and we are happy to offer you the first taste of their upcoming album.
The song is a rousing track of simple yet elegant pop with the volume turned up to 11. Crystal clear vocals, pristine musicianship – Singing For Humans know how to write a tune. ‘Walk Don’t Run’ has a distinct UK indie-rock feel, channelling bands from the ’90s and early 2000s, combining the sonic qualities of acts like The Big Pink and The Verve.
After a few opening bars of acoustic strumming an electric guitar is introduced that sounds like an air-raid siren (if it were powered by failing Duracell batteries) and lyrics that provide a warning: walk, don’t run; simple but sound advice.
Singing For Humans will be releasing their self-titled EP on the 30th of August via Shock Records.
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