Sep 06
04
The Crayon Fields - ‘Choir of Tiny Boys’
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When I was 18, Melbourne band The Crayon Fields were a three piece who made vaguely arty indie pop (I used to compare them to Pavement, but in retrospect I think I have compared every indie band I like to Pavement at some stage). When visiting their home town for a little less than a week, I saw them play twice. I also got two copies of their first EP, Worms, Worms! and a badge bearing their name in colourful writing that adorned whatever god awful v-neck sweater I thought was sweet at the time.
That was 3 years ago. Since then I have purchased their The Good Life EP, as well as a three inch mini CD and a whole bunch of badges. I have organized poorly attended shows for the band and have spent an hour trying to find the then drunk, now ex-drummer in Surry Hills at 2am one Saturday night. I have been disappointed upon discovering that they did not make a patented Crayon Fields sweater in my size (borderline pregnant), and overjoyed when seeing them support amazing bands like The Unicorns, Deerhoof and Calvin Johnson.
Most recently I have been overjoyed while listening to their debut release, Animal Bells, out now through Trifekta/Chapter Music, two amazing Melbourne indie pop labels responsible for releasing some of the greatest indie records in my collection. And Animal Bells is possibly the greatest indie record either label has released, an incredible soup of harmonies, twangly guitars and sleigh bells.
I’m certain that every review is going to describe this record as “Melbourne’s answer to Brian Wilson, The Byrds, blah blah blah incessant comparisons”, but I think the most accurate way any writer could review Animal Bells is by simply posting a picture of their pasty mug, grinning madly as they listen to the doo’s, da’s, ooh’s and la’s heard throughout second track ‘Would it be so Strange?’, or to the handclaps that hold ‘Impossible Things’ together.
There are several songs available to listen to and download at the bands MySpace, but I thought I’d post album opener ‘Choir of Tiny Boys’. The album is full of longer, larger pop songs, yet I find myself continually coming back to this, a short, simple and perfect introduction to my favourite Australian album in years.
http://www.thecrayonfields.com
http://www.myspace.com/thecrayonfields




Yes Levins! Yes!
We’re so excited for this band and this album, and that band photo! Perfect!
Now you must ingratiate yourself with The Motifs with her equally impressive collection of tunes and wooly knits.
these guys would go great with the kite flying society, an indie act here in san diego that has been generating blog love and big local crowds.
the distinction between “indie pop” and “indie rock” is a muddled one- typically, Calvin Johnson & K Records = indie pop; Pavement/Deerhooooooof = indie rock here in the states.
good call andrew.
id been putting off this blog for months cause i was waiting for the album to come out, and its since taken Hum 2 weeks to get it in stock!
glad i didnt now tho, cause i dont think i would have done them justice like an old fan could. great pick mate.
[...] A new cut from the upcoming album Granddance, produced by Peter Walker and Jim Fairchild (ex-Grandaddy) and mixed by Jaquire King (Kings of Leon, Modest Mouse). Heard this song played live a couple times and they were of course brilliant. I was half expecting Tim Derricourt to go his usual high pitched ‘Ow!‘ in the chorus of the song, but I suppose that’s only for live shows. This is not the leading single from album, my guess is that would be ‘The Birds’ - which you can have a listen to the demo version on their MySpace. Since finishing the recording Dappled Cities Fly has been signed onto US based Dangerbird Records while in Australia the fine boys at Speak n Spell will be putting out their album. They’re on tour with Crayon Fields at the moment, and will later on in the year play at Pianos in New York as part of the CMJ Music Marathon - something like the college version of SXSW - with a lineup like a music blogger’s dream gig. [...]