New Music

INTRODUCING: Tempura Nights

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tempura nights

Tempura Nights are a Brisbane three-piece made up of the power combo of members of Go Violets (who bummed us all out a couple of weeks ago by breaking up), Major Leagues and The Good Sports. They’ve been pretty quiet since the release of first single ‘Cocky’ early last year, but this song shows that they mean srs bsns for 2014.

‘R.I.P. Chix’ is kinda getting pushed under the category of dream pop, but that label doesn’t quite do justice to how likeably tough singer/guitarist Alice Rezende comes across in the verses. Her lyrics about those romantic, over-privileged girls in their own own perfect worlds that we love to hate (and sometimes straight-up hate), are delivered in a downbeat monotone which is nicely dark and understated.

There’s stuff in here that you’ve heard before, from influences like Speedy Ortiz and Joanna Gruesome, but Tempura Nights are approaching the style in a different way, messing with form and structure to make a super cool sound that never seems derivative.

‘R.I.P. Chix’ is the first taste of Tempura Nights’ White Whine EP which will be out in the middle of the year. It’s also available for free download. Woop!

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MAP April 2014

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Looks like the Eurovision panel felt a little sorry for our tiny, insignificant island in the middle of the Pacific by choosing to ‘include’ us in Eurovision this year. Who needs Jess Mauboy? If we had it our way, we’d have sent off Dianas to Copenhagen instead.

Scroll down to hear our track by the Perth trio, and more tracks compiled by our bro/sis blogs around the world.

Speaking of global roaming, Robbie our MAPcast podcast host is out travelling in Thailand for Songkran – the country’s best water festival or biggest wet t-shirt competition. Before he returns with the photos, he’s taking a break from the usual podcast this month and will be back soon.


Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the full 27-track compilation through here.

ARGENTINA: Zonaindie
The PlasticosMarfil

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This band from La Plata usually cites British rock acts such as The Kinks, Blur and The Stone Roses as their main influences. However, this track from The Plasticos’ new album, Kilómetros, is one of our favorites because of its grungy sound that reminds us of the new Argentine rock movement from the late 90s. You can listen to the album on Bandcamp.

AUSTRALIA: Who The Bloody Hell Are They?

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There are moments when all you want to do is kiss the guy who invented the internet. Such is the case when one Bandcamp tag after the other, we stumbled upon Dianas, a trio from the distant city of Perth. Dix is a dreamy drone-pop tune with all those floral notes typical of Scottish indie; kind of like what Camera Obscura might have sounded like on a hot summer’s night in Western Australia.

BRAZIL: Meio Desligado
IsaarTudo Em Volta De Mim Vira Um Vão

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Sort of a sad waltz, Tudo Em Volta De Mim Vira Um Vão is taken from Isaar’s new album, Todo Calor (roughly translated as “All The Heat”). Originally from Recife, one of Brazil’s most prolific cities, Isaar shows her strong influences of local culture such as frevo, maracatu and manguebeat, but also flirts with pop music and other contemporary artists like Siba and Orquestra Contemporânea De Olinda.

CANADA: Quick Before It Melts
Zoo LegacyCRWD

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Hybrid hip-hop rockers Zoo Legacy are from Ottawa but have a world-conquering sound. Blending indie-rock, R&B, hip-hop and pop, it’s impossible to pinpoint which element is the band’s focus, and that’s exactly what they’ve intended. Lines blur and genres blend, but Zoo Legacy’s gift will always be musical alchemy.

Listen to the full list below.


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WATCH: Tape/Off – ‘Pedestal Fan’

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Tape Off

Tape/Off are a Brisbane band who’ve been around for quite a few years making consistently rad, dingy rock music. Maybe part of the reason these guys are so good is that they’ve all got other ‘projects’ and shit to do. Recording, producing, radio announcing and, of course, plenty of other bands keep the members busy enough that they’re free to make music that’s unpretentious and loose. Tape/Off always sound like a mostly fun and recreational band, though they’re still serious as hell about making great songs.

Their latest single ‘Pedestal Fan’ was released ages ago, but the video has just been put out so if you haven’t checked it out yet now’s your chance. The clip is shot in black and white and features a relaxed approach to road rules; band members shredding and singing and smashing drums in an old van (which apparently was put out of its misery by a medium sized hill not long after this shoot). Usually clips that just rely on one idea like this get boring halfway through, but this one is fast and frantic and totally watchable until the last second.

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Tape/Off’s first full length record Chipper comes out in June, but you can check out their two previous EP’s (and also get ‘Pedestal Fan’ as a pay-what-you-like download!) on Bandcamp.

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LISTEN: Bad//Dreems – ‘Dumb Ideas’

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bad dreems

Is it just me or does everyone wish they were in a band after a breakup so you could write a song like this? ‘Dumb Ideas’ from Adelaide’s Bad//Dreems is packed with barbs that are filed to a point by grinding rhythm guitar, accented with that trademark caustically catchy lead. “Thought that you were somethin’ but you’re just another dumb idea” Ben Marwe sneers, voice scratching at the edges in a way that lets you know that at least part of this cruel kind of bravado is a front.

This band gets a lot of old school Aus rock comparisons, but they’re way more than just conduits for the unearned nostalgia of 20 year olds; they’re one of the strongest bands in the country right now, and a full length release can’t come soon enough.

You can hear ‘Dumb Ideas’ on Youtube right now, and there’s a digital release scheduled for April 14th.

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To support this track, and celebrate recently being snapped up by Ivy League Records, Bad//Dreems are doing a few ‘intimate’ shows in independent record stores around the country, a prospect that anyone who’s ever seen them live will find both really exciting and just a bit bloody scary. In good way.

Dates below. Tickets at

Saturday May 17 – The Exeter / Title, Adelaide
Friday May 23 – Black Wire Records, Sydney (All Ages)
Saturday May 24 –
Music Farmers, Wollongong  (All Ages)
Saturday May 31 – Record Paradise, Melbourne
Saturday June 7 –
Rocking Horse, Brisbane (All Ages)

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GUEST: Dollar Bar – Track by Track

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It’s been 10 years now since Dollar Bar released their self-titled debut LP. In 2013 the band emerged from a six-year hiatus with the excellent follow up, Paddington Workers Club, named after ‘a shitty old bar room’, long shut down, that was a focal point of Brisbane’s Spring Hill scene.

The album could have been recorded back in the 90s, when Dollar Bar first formed, its sound falling somewhere between early Pavement and GBV. The band hasn’t lost its sense of humour, but these days the tracks (e.g. ‘Hipster Mental Ward’, ‘City Pricks Sitting Pretty’) take aim at the kids inhabiting the stages and the dives that Dollar Bar long left behind.

Dollar Bar sent us a track-by-track account of Paddington Workers Club. Check it out below:


‘Diff’rent 4 Gurls’

I’d formed a new band with my brother David, along with John and Cuffy from Dick Nasty. We did this song based on White Town’s ‘Your Woman’. Dollar Bar liked it and gave it a burl. After several attempts at re-recording and overdubs, we agreed that our original take, including guide vocals, was strongest. Basically it’s the poor man’s Strokes. (Dale)

‘Hipster Mental Ward’

This song was inspired by my time working in administration at a mental hospital in Toronto. Opposite the hospital was an arty stretch of Queen Street West – one of the hippest spots in town. I wrote the lyrics on my walks through the lush park grounds to purchase caffeine hits, and there were literally always tattooed girls riding bikes outside. The part about the guy putting his $20 bill in the microwave to sterilise it is a true story too. (Patrick)


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GUEST: Morning Harvey

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Morning Harvey have a new video out today for their single ‘Girl Euphoria (Come Back To Me)’ which in true Brisbane camaraderie, packs in cameos from The Jungle Giants, The Belligerents and The Furrs (who also share a guitarist with Morning Harvey). Nic McKenzie from Deep Sea Arcade directed the video, apparently spending a few hours teaching the guys how to play their songs backwards \m/.

We’re presenting Morning Harvey’s single tour all through April. The first show kicks off in Brisbane this Saturday at Black Bear Lodge with Salvadarlings. The band have also compiled their top 5 bands from the sunny state below, check it out.

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Slug Guts - ‘Stranglin’ You Too’

‘Stranglin’ You Too’ is a beautiful song in a odd way. It’s got such a great mood to it; the melody is perfect and his voice works so well on top of it all. I have no idea if they are still going, but I’m pretty shitted off that I haven’t seen them play. I first heard this song on a 7″ that Jackson our drummer was sent from Hozac Records in the US.


The Furrs‘Get On Your Horse’

Jimmy, one of two guitarists in Morning Harvey started The Furrs around the end of last year.
I can’t wait for people to hear the rest of this EP, it’s full of extremely catchy tunes and sweet melodies.
Every time he shows me a new song I wonder why I didn’t think of that first. Bless his soul.


Salvadarlings – ‘Lemon Mirage’

I’m fairly certain these guys are only a relatively new band to come out of Brisbane.
The lead vocalist’s voice is very sweet. Looking forward to seeing them play at our single launch in Brisbane.


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INTRODUCING: The Night Terrors

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night terrors

Alongside contemporaries like NO ZU and Zanzibar Chanel, The Night Terrors incorporate all the elements of shlock horror, trance and kraut experimentalism into a weird chemical reaction of awesome. All of that is explored in The Night Terrors new record Spinal Vortex, out on Homeless Records (Bits of Shit, Sex Tape, Cuntz). 

The Night Terrors rocket through sonic territory at a break-neck pace – like the Batwing if it was piloted by Kraftwerk. Careening through walls of electronic-tinged instrumental post-punk, Spinal Vortex does this all in just under 40 minutes.

Spooky malevolence and violent synth uprisings stalking palettes of sheer theremin…this band has it all.

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