Photo Essays

SEQUENCE: Klo

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Klo, a fresh electronic duo out of Melbourne, are kinda a big deal. They’ve had a litany of press, been shot by the right photographers and contacted by major labels the world over. Their debut single, ‘Make Me Wonder’, set the ball rolling, even drawing them attention from BBC Radio One’s Zane Lowe.

This is no small feat for cousins Simon Lam and Chloe Kaul, who recently released their EP, Cusp—and it’s largely thanks to the mothers who brought them together in the first place. For this electronic duo, playdates have given way to rehearsals in Simon’s home studio, which we were lucky enough to be invited to.

Located in Melbourne’s sandbelt, Simon’s shack, tucked behind his parents’ house, is something of an enigma in a region renowned for Alex Perry-laden housewives, Liz Hurley cameos and lads.

Kaul’s voice is also an enigma of sorts, sharing a lineage with the likes of Yukimi Nagano (Little Dragon) and Martha Brown (Banoffee)—artists who have demonstrably shifted R&B vocals into new contexts.

One of the most striking things about Klo is Kaul’s vibrato. It really does hit you like a train. Klo’s minimalist electronic palate aids this to a degree, but even on less vocally oriented tracks like ‘False Calls’ Kaul deploys an understated range with precision.

Their influences are more or less a melange, spanning Fantasia and James Blake to early cuts by the Streets.

Lam’s studies in audio engineering are readily apparent in the EP’s production. The intricacy of Kaul’s layered vocal parts is in no small part thanks to Lam’s experimentation, which you may have previously heard in his work with I’lls.

Next time you chuck on the velveteen textures of ‘Make Me Wonder’, please pay your respects to Mama Lam and Mama Kaul.

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LOOK: Paradise Music Festival 2014

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Photography by Bec Capp & Ed Gorwell

A friend described Paradise to me as a combination of his three favourite things: Lake Mountain, clubbing, hot chicks. That aside, shooting Paradise Music Festival was a photographer’s wet dream. The best aspect of the festival was the landscape, and the local bands and artists who filled the giant mountain clearing with some great tunes. The toboggan run turned amphitheatre is surrounded by dead white snow gums from the 2009 bush fires. Despite the stark reminder, it’s a dramatically beautiful setting. Compared to larger local festivals, the humbler crowd numbers meant for ample lounging during the day, and elbow space in the crowd at night. Festival creature comforts were all there; flushing toilets, hot showers (!), good coffee, lentils for dinner and a three level indoor ‘club’ inside a ski lodge.

Femi, Klo and Rat and Co played leisurely daytime sets, while Young Franco and Oscar Key Sung were first night standouts. I think most who attended would agree that arranging I’lls, Kirin J Callinan, Total Giovanni and Kirkis‘ back-to-back sets on Saturday night was curation goodness. Retreating indoors after midnight for an eight hour dance was fun and was a great way to beat the cold temperatures at night. Otologic and Harold closing Clubland to the backdrop of the sun rising over the mountains was more of a good thing that any dank city basement could afford. It may only be in it’s second year, but Paradise did live up to its name.

 

 

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ON SET: Teen Sensations – ‘Monster Beach Party’ video

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Maddie and Froz were invited along to take some snaps at Teen Sensations‘ ‘Monster Beach Party’ video shoot a couple of weeks ago in Brisbane. Jeremy Neale’s new band of heart-throbs (Georgie Sensation, Corky Sensation, Your Sensation and Jerry Sensation) are launching their debut 7″ on an east coast tour beginning tomorrow night in Brisbane. Dates and more pics after the jump.

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SEQUENCE: Boats

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Photos by Henry Johnson

Boats is a music project by Melbourne’s Blake Paterson. ‘Spider’s Soul’ – a supine slice of acoustic electronica emerged earlier this year, but Paterson had been making music for a long time prior. After a few years of travel, some “bad stuff”, and a creative slump, an old friend spurred him on to pick up his musical schtick. Since then, Paterson’s been busy recording his EP with production champs Josh Delaney (Rat & Co) and Andrei Eremin. Folksters lock themselves in log cabins, derp-wave starts in crack dens in Redfern, so for this leisurely output it was easy to see why Boats kicked off in a bright blue poolside shack.

Photographer Henry Johnson went out to visit. Lamingtons, cliff scaling and roof bombs followed. Keep posted on Boat’s new stuff over here. Henry Johnson’s bloody handy with a film cam, you can check out more of his photography over at his Tumblr.

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SEQUENCE: Lower Spectrum

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Photos by James Whineray

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When sound artists aren’t soundtracking the future / pulling knobs they’re busy doing other normcore shit like walking their dogs and putting dried fruit into plastic bags at Kalula’sLower Spectrum (Ned Beckley) went for a walk with photographer James Whineray around Fremantle the other week. Special appearances from Comida Do Sol, Benny, James, Lucy, Pesto the dog and Booyeembara Park.

Lower Spectrum is Triple J Unearthed’s Feature Artist all this week. Listen to more of Ned’s spectral work here, or order the latest EP, ‘Traces’ on vinyl or CD over at his Bandcamp profile.

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