Supporting community radio is one of those things you gotta do, you know. Today’s the last day of the annual PBS Drive Live campaign, so once you’ve done your good deed for the week and signed up for membership – head along to PBS HQ at 6 to catch Primitive Calculators, Table of Dreams and Habits. It’s a free show, just RSVP.For more information on how to become a member, just head here.
Klo, a fresh electronic duo out of Melbourne, are kinda a big deal. They’ve had a litany of press, been shot by the right photographers and contacted by major labels the world over. Their debut single, ‘Make Me Wonder’, set the ball rolling, even drawing them attention from BBC Radio One’s Zane Lowe.
This is no small feat for cousins Simon Lam and Chloe Kaul, who recently released their EP, Cusp—and it’s largely thanks to the mothers who brought them together in the first place. For this electronic duo, playdates have given way to rehearsals in Simon’s home studio, which we were lucky enough to be invited to.
Kaul’s voice is also an enigma of sorts, sharing a lineage with the likes of Yukimi Nagano (Little Dragon) and Martha Brown (Banoffee)—artists who have demonstrably shifted R&B vocals into new contexts.
One of the most striking things about Klo is Kaul’s vibrato. It really does hit you like a train. Klo’s minimalist electronic palate aids this to a degree, but even on less vocally oriented tracks like ‘False Calls’ Kaul deploys an understated range with precision.
Their influences are more or less a melange, spanning Fantasia and James Blake to early cuts by the Streets.
Lam’s studies in audio engineering are readily apparent in the EP’s production. The intricacy of Kaul’s layered vocal parts is in no small part thanks to Lam’s experimentation, which you may have previously heard in his work with I’lls.
Next time you chuck on the velveteen textures of ‘Make Me Wonder’, please pay your respects to Mama Lam and Mama Kaul.
A friend described Paradise to me as a combination of his three favourite things: Lake Mountain, clubbing, hot chicks. That aside, shooting Paradise Music Festival was a photographer’s wet dream. The best aspect of the festival was the landscape, and the local bands and artists who filled the giant mountain clearing with some great tunes. The toboggan run turned amphitheatre is surrounded by dead white snow gums from the 2009 bush fires. Despite the stark reminder, it’s a dramatically beautiful setting. Compared to larger local festivals, the humbler crowd numbers meant for ample lounging during the day, and elbow space in the crowd at night. Festival creature comforts were all there; flushing toilets, hot showers (!), good coffee, lentils for dinner and a three level indoor ‘club’ inside a ski lodge.
More photos below —>
Maddie and Froz were invited along to take some snaps at Teen Sensations‘ ‘Monster Beach Party’ video shoot a couple of weeks ago in Brisbane. Jeremy Neale’s new band of heart-throbs (Georgie Sensation, Corky Sensation, Your Sensation and Jerry Sensation) are launching their debut 7″ on an east coast tour beginning tomorrow night in Brisbane. Dates and more pics after the jump.
Photos by Henry Johnson
Boats is a music project by Melbourne’s Blake Paterson. ‘Spider’s Soul’ – a supine slice of acoustic electronica emerged earlier this year, but Paterson had been making music for a long time prior. After a few years of travel, some “bad stuff”, and a creative slump, an old friend spurred him on to pick up his musical schtick. Since then, Paterson’s been busy recording his EP with production champs Josh Delaney (Rat & Co) and Andrei Eremin. Folksters lock themselves in log cabins, derp-wave starts in crack dens in Redfern, so for this leisurely output it was easy to see why Boats kicked off in a bright blue poolside shack.
Photographer Henry Johnson went out to visit. Lamingtons, cliff scaling and roof bombs followed. Keep posted on Boat’s new stuff over here. Henry Johnson’s bloody handy with a film cam, you can check out more of his photography over at his Tumblr.
(full photo set after the jump…)