When you work in retail and get to play your own music, you’re always looking for the holy grail: stuff that won’t piss of customers but also won’t make you want to attempt in vain to suffocate yourself with a paper gift bag. I thought this record from Leafy Suburbs was gonna be something like this – interesting enough but ambient enough to fade into the background. It isn’t really that. It’s a strange, surreal thing that I’m sure is making me a little weird to customers for the forty or so minutes of it’s run time.
There’s elements of a ‘nice’ kind of ambient jazziness, but it always gives in to it’s electro heart. Like the way the stuttering piano of (my favourite) ‘Useless Loop’ makes way rhythms that start muted but soon take center stage, or the clattering, droning build of ‘Trumpet Interchange’ (…yeah, I don’t know why I thought this was gonna be easy-listening).
A current of sweetness and optimism runs through this record – starting a couple of tracks in with more opening pop track ‘Complete’. This feeling sets Leafy Suburbs apart from a lot of what’s happening in local electronic music lately. Maybe it’s cuz they’re originally from Perth – who knows what the hell is going on over there. A few years ago we could have happily plonked it into the ‘glitchy’ category to waste away with all the other bedroom producers. But there’s definitely more dancefloor influence here – you get the feeling it was made by someone who’s been out of their house in the last few months. The jazz elements are central to the sound and never gimmicky; saxophone provides a melancholy wondering kind of melody behind the sharp drum machine of ‘Battery Acid’ – the album’s danciest track.
Honda Jazz is out now with a limited run of tapes through Moontown Records. Moontown is a label that releases music they like infrequently, and without to much shallow self-promotion. That’s a vibe we can get behind, especially when it gives us odd little gems like this one