Photos by Ed Gorwell
Photos by Ed Gorwell
Whaaaat a dreamboat. Here’s the new video for ‘Coward’, the new single from wunderkind Hayden Calnin. The video is just Calnin alone in his home studio with his Akai. If you’re familiar with his EP or other live sessions, you’ll know the prominent drawcard in Calnin’s previous material has been his simple approach to the whole layered indie electronica thing. ‘Coward’ is pared back, but it’s no wallflower of a tune. Calnin’s amazing vocal refrain pulls this through. Sure, a home studio ain’t a cabin in the woods – but here’s the point where you leave any grievances you might have for Justin Vernon at the door. It’s really nice to hear a track that would have otherwise been buried in reverb in an acoustic context. LET’S TALK ABOUT FEELINGS, OKAY.
‘Coward’ is available for purchase here.
While we only post stuff from this small corner of the world, For those new to MAP (Music Alliance Pact), it’s that time once a month where our hormones go rioting for month new music from around the globe. Us and a whole selection of fun blog-ly types get to assert our supposed internet authority by picking the best tracks each month. It’s a compact version of Eurovision without the spandex, violence and soviet subtitles.
MAP is also available in podcast form curated each month by our very own Robbie Ingrisano. Listen to the latest edition of MAPCAST over at our Soundcloud account here.
Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the full 27-track compilation through Ge.tt here.
ARGENTINA: Zonaindie
Onda Vaga – Tataralí
AUSTRALIA: Who The Bloody Hell Are They?
La Mancha Negra – Belango Twist
AUSTRIA: Walzerkönig
Robotra – Morninglight 2
BRAZIL: Meio Desligado
Marcelo Jeneci – De Graça
Click after the jump to for a full list of tracks…
Foreign/National seem like a bunch of dudes who enjoy irony. I’ve never been to Paris, but I hear they’re all assholes anyway.
‘Paris’ is the newest track from the Melbourne five-piece, taken from their debut EP set for release in 2014. Previous demos (‘Life Tourist’, ‘She Told Me A Story’) are scattered with jazzy hooks and cooool percussion plucked directly from the EASY-LISTENING section of the Qantas in-flight entertainment brochure. Not holding that against anyone, I could use a holiday. ‘Paris’ on all terms, is a leisurely gem of a pop tune – cascading twin-riffs, killer drumming and some cruisy mellotron harping down the chorus line. Sounds like Born Ruffians and Air floating on a raft down the Sienne. Is that even ironic? I don’t even know. Vincent Gallo eating a breadstick.
Leading up to his stint at Paradise, we asked our favourite bearded beat brother Oisima to pick his top 5 Australian electronic producers across this wide, brown, digitally enhanced land for us.
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1. Slamagotchi
Slamagotchi has always been, and always will be one of my favourite Australian producers. He’s always two steps ahead in his visions and his message through music. When his debut album drops it’ll create a serious stir…
Mei Saraswati’s music is the purest form of expression. It’s so free & so goddamn funky, I seriously cannot get enough. Hands down, she’s my favourite vocalist in Australian music. Here’s hoping we one day get a chance to create music together.
3. Silent Jay
No one’s drums smack as hard as the brother Silent Jay! His production is so clean, although seems effortless in such an incredible way. Every time I see him perform live I leave with a sore neck from getting down so hard.
4. Nakagin
Nakagin has this beautiful way of creating the most encapsulating wall of luscious sound. You feel like you’re wandering through a rainforest just after a sun shower with the light peering through the leaves. Such amazing music from such an incredible person I’m fortunate enough to know.
5. How Green
How Green is undeniably one of the most underrated producers in the country. Adelaide based, he’s going to cause a serious stir once his music blesses more & more eardrums in the coming months & years.
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Catch Oisima performing at alpine best-fest Paradise Music Festival on the 29th Nov – 1st Dec.
The organisers of the festival are also throwing a pre-party TONIGHT at the Liberty Social Club, details here.
Facebook / Soundcloud / Bandcamp
Young Hysteria is the new project for Jimmy Hawk and Thomas Van Der Vliet.
Hawk is well versed around these parts for creating lithe, hook ‘n’ sling indie pop through his previous work with Jimmy Hawk & The Endless Party. Hawk’s buttery chords make their cameo here, while this track rolls by at a more leisurely pace.
Here’s the premiere for the band’s new video for their debut single, ‘This Is Not A Love Song’. There’s some cool shots in the video of neon, flora/fauna and Parliament station off-cuts in the background too.
It’s not a ‘love song’, but all those loitering treble guitars are making me feel like less of an asshole today, especially when it’s Friday and I’m knee deep in spreadsheets. PAY IT FORWARD JIMMY H.
‘This Is Not A Love Song’ is available for purchase via
iTunes here.
The term ‘electronic artist’ is a vague label these days; it does little to separate the diligent sound artist from the guy recycling song samples to a sea full of early twenty-somethings doing beanies and cheap tabs on the regular.
On the outset, Sydney’s B_U_O_Y seems to qualify for the broader term. I have my own naggings against electronic artists with grammatically challenged titles and symmetrical cover art, but B_U_O_Y’s first track ‘Close/Open’ is one I’ve welcomed with open ears – and at least half of the Soundcloud plays on this track.
B_U_O_Y is Charmian Kingston, who was previously a vocalist for Sydney four-piece Hello Vera. Kingston was to Hello Vera what a sole femme vocalist is to any all male, pop-jazz-hybrid band: necessary. She may have added reasonable levels of twee (including starring in the band’s own Scottish sitcom) but I think her work with B_U_O_Y makes it clear that some ladies do stuff better on their own.
On paper, ‘Close/Open’ sounds like a producer’s picnic – skittered percussion, vivid synth work, with big-expanse vocals somewhere in the mix. However, instead of being tethered to the production of the track – the crux of B_U_O_Y’s sound is owed to the instrument-like quality of her vocals. Since most young electronic producers are prefixed by the need to partion off vocals, then butcher the whole thing in Audacity to vaguely resemble a beat, hearing the clarity in this track is really neat.
Kingston’s vocal meandering obviously echoes her heroes; Bjork, Bjork, BJORK (and all the other female vocalists united by an x chromosome and the word ‘eccentric’). More apparent in my ears anyway, are the similarities between B_U_O_Y and Cameron Mesirow from Glasser. Both might both be drawn to worldly drumming and the heady glow of Eastern vocal influence, but they do share something across their scattered song ambition.
Like Mesirow, it’s Kingston’s disconnect that has most impact here. For what the song pilfers over lyrically, it makes up for with its space-of-sound intent (and killer vocals). You can imagine she’s the type to trail off mid-sentence in conversation, but the one to leave a fine impression at that. Whatever you make of this, it is a nice exercise in sound.
‘Close/Open’ is only B_U_O_Y’s first track. I like her ambition, can’t wait to hear more of this.
Latest Comments
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Still trying to purchase!!!ANTHONY J LANGFORD
Cool track. Congrats Joshua. Hope the release is a success.Tristan
Man I love these guys. I can't believe they are not releasing any new music. I've been to so many…sophie
^^ I love Grimes! Banoffee is one of my new favorite music artists! :) I love With Her, Reign Down,…Ace
Read your review then listened to the EP. Fantastic ! Different to most hardcore punk I listen to. Somewhat more…