Posts By Melissa Tan

PREMIERE: Hayden Calnin – ‘Coward’

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hayden_calnin

 

Whaaaat a dreamboat. Here’s the new video for ‘Coward’, the new single from wunderkind Hayden Calnin. The video is just Calnin alone in his home studio with his Akai. If you’re familiar with his EP or other live sessions, you’ll know the prominent drawcard in Calnin’s previous material has been his simple approach to the whole layered indie electronica thing. ‘Coward’ is pared back, but it’s no wallflower of a tune. Calnin’s amazing vocal refrain pulls this through. Sure, a home studio ain’t a cabin in the woods – but here’s the point where you leave any grievances you might have for Justin Vernon at the door. It’s really nice to hear a track that would have otherwise been buried in reverb in an acoustic context. LET’S TALK ABOUT FEELINGS, OKAY.

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‘Coward’ is available for purchase here.

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MAP November 2013

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map

While we only post stuff from this small corner of the world, For those new to MAP (Music Alliance Pact), it’s that time once a month where our hormones go rioting for month new music from around the globe. Us and a whole selection of fun blog-ly types get to assert our supposed internet authority by picking the best tracks each month. It’s a compact version of Eurovision without the spandex, violence and soviet subtitles.

MAP is also available in podcast form curated each month by our very own Robbie Ingrisano. Listen to the latest edition of MAPCAST over at our Soundcloud account here.

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the full 27-track compilation through Ge.tt here.

ARGENTINA: Zonaindie
Onda VagaTataralí

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Since their inception in 2008, Onda Vaga have avoided the steps that independent artists usually take in order to be a part of the music industry. It was a wise call. Thanks to word of mouth from a public that follows them whenever they perform, this folk-rock band have become a huge success, both locally and internationally (they made quite an impression at last year’s Fuji Rock Festival in Japan). Tataralí is the first single from their recently released third album, Magma Elemental.

AUSTRALIA: Who The Bloody Hell Are They?
La Mancha NegraBelango Twist

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It’s easy to imagine that Belango Twist might have been found inside a dusty shoebox containing a mix of rhythm and blues cassettes somewhere in the Deep South. Surprisingly that’s far from the case. Sydney swamp-rockers La Mancha Negra (which loosely translates from Spanish to “The Black Stain”) recently delivered their second album. Packed with blues ooze and reverberated hollers, Belango Twist is a tune that’s ideal for cruising… and smashing out a few letterboxes on the way.

AUSTRIA: Walzerkönig
RobotraMorninglight 2

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Don’t let the noisy, distorted lo-fi shell of Robotra songs trick you. This three-piece band from Graz and their pop melodies will catch your attention and make you want to sing along immediately. Morninglight 2 is taken from their full-length debut Tinker, which was mixed and mastered by Wolfgang Möstl (Mile Me Deaf, Sex Jams, Killed By 9V Batteries).

BRAZIL: Meio Desligado
Marcelo JeneciDe Graça

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In Marcelo Jeneci’s new psychedelic/pop-influenced album, the single De Graça is one of the weirdest and greatest songs. Strong influences of the earliest works of Caetano Veloso and Arnaldo Antunes (with whom Jeneci still plays keyboard) can be easily heard, as well as Jeneci’s talent for making catchy melodies that create the kind of feeling when everything is just fine and you don’t worry about anything.

Click after the jump to for a full list of tracks…

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PREMIERE: Foreign/National – ‘Paris’

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Foreign/National seem like a bunch of dudes who enjoy irony. I’ve never been to Paris, but I hear they’re all assholes anyway.

‘Paris’ is the newest track from the Melbourne five-piece, taken from their debut EP set for release in 2014. Previous demos (‘Life Tourist’, ‘She Told Me A Story’) are scattered with jazzy hooks and cooool percussion plucked directly from the EASY-LISTENING section of the Qantas in-flight entertainment brochure. Not holding that against anyone, I could use a holiday. ‘Paris’ on all terms, is a leisurely gem of a pop tune – cascading twin-riffs, killer drumming and some cruisy mellotron harping down the chorus line. Sounds like Born Ruffians and Air floating on a raft down the Sienne. Is that even ironic? I don’t even know. Vincent Gallo eating a breadstick.

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GUEST: Oisima

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oisima

Leading up to his stint at Paradise, we asked our favourite bearded beat brother Oisima to pick his top 5 Australian electronic producers across this wide, brown, digitally enhanced land for us.

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1. Slamagotchi

Slamagotchi has always been, and always will be one of my favourite Australian producers. He’s always two steps ahead in his visions and his message through music. When his debut album drops it’ll create a serious stir…

 

2. Mei Saraswati

Mei Saraswati’s music is the purest form of expression. It’s so free & so goddamn funky, I seriously cannot get enough. Hands down, she’s my favourite vocalist in Australian music. Here’s hoping we one day get a chance to create music together.

 

3. Silent Jay

No one’s drums smack as hard as the brother Silent Jay! His production is so clean, although seems effortless in such an incredible way. Every time I see him perform live I leave with a sore neck from getting down so hard.

 

4. Nakagin

Nakagin has this beautiful way of creating the most encapsulating wall of luscious soundYou feel like you’re wandering through a rainforest just after a sun shower with the light peering through the leavesSuch amazing music from such an incredible person I’m fortunate enough to know.

5. How Green

How Green is undeniably one of the most underrated producers in the country. Adelaide based, he’s going to cause a serious stir once his music blesses more & more eardrums in the coming months & years.


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Catch Oisima performing at alpine best-fest Paradise Music Festival on the 29th Nov – 1st Dec.

The organisers of the festival are also throwing a pre-party TONIGHT at the Liberty Social Club, details here.

 

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WATCH: Young Hysteria – ‘This Is Not A Love Song’

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young_hysteria

Young Hysteria is the new project for Jimmy Hawk and Thomas Van Der Vliet.

Hawk is well versed around these parts for creating lithe, hook ‘n’ sling indie pop through his previous work with Jimmy Hawk & The Endless Party. Hawk’s buttery chords make their cameo here, while this track rolls by at a more leisurely pace.

Here’s the premiere for the band’s new video for their debut single, ‘This Is Not A Love Song’. There’s some cool shots in the video of neon, flora/fauna and Parliament station off-cuts in the background too.

It’s not a ‘love song’, but all those loitering treble guitars are making me feel like less of an asshole today, especially when it’s Friday and I’m knee deep in spreadsheets. PAY IT FORWARD JIMMY H.

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‘This Is Not A Love Song’ is available for purchase via
iTunes here.

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INTRODUCING: B_U_O_Y

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B_U_O_Y

The term ‘electronic artist’ is a vague label these days; it does little to separate the diligent sound artist from the guy recycling song samples to a sea full of early twenty-somethings doing beanies and cheap tabs on the regular.

On the outset, Sydney’s B_U_O_Y seems to qualify for the broader term. I have my own naggings against electronic artists with grammatically challenged titles and symmetrical cover art, but B_U_O_Y’s first track ‘Close/Open’ is one I’ve welcomed with open ears – and at least half of the Soundcloud plays on this track.

B_U_O_Y is Charmian Kingston, who was previously a vocalist for Sydney four-piece Hello Vera. Kingston was to Hello Vera what a sole femme vocalist is to any all male, pop-jazz-hybrid band: necessary. She may have added reasonable levels of twee (including starring in the band’s own Scottish sitcom) but I think her work with B_U_O_Y makes it clear that some ladies do stuff better on their own.

On paper, ‘Close/Open’ sounds like a producer’s picnic – skittered percussion, vivid synth work, with big-expanse vocals somewhere in the mix. However, instead of being tethered to the production of the track – the crux of B_U_O_Y’s sound is owed to the instrument-like quality of her vocals. Since most young electronic producers are prefixed by the need to partion off vocals, then butcher the whole thing in Audacity to vaguely resemble a beat, hearing the clarity in this track is really neat.

Kingston’s vocal meandering obviously echoes her heroes; Bjork, Bjork, BJORK (and all the other female vocalists united by an x chromosome and the word ‘eccentric’). More apparent in my ears anyway, are the similarities between B_U_O_Y and Cameron Mesirow from Glasser. Both might both be drawn to worldly drumming and the heady glow of Eastern vocal influence, but they do share something across their scattered song ambition.

Like Mesirow, it’s Kingston’s disconnect that has most impact here. For what the song pilfers over lyrically, it makes up for with its space-of-sound intent (and killer vocals). You can imagine she’s the type to trail off mid-sentence in conversation, but the one to leave a fine impression at that. Whatever you make of this, it is a nice exercise in sound.

‘Close/Open’ is only B_U_O_Y’s first track. I like her ambition, can’t wait to hear more of this.

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