Paper Planes

Paper Planes - ‘Do It For The Kids’

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Paper Planes - ‘Uh Huh’

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January is when everyone likes to reflect on the previous year, so it seems timely that I put up something on these guys. Paper Planes‘ self-titled debut was one of my favourite Australian albums of 2008 and is a great example of modern guitar rock with spunk and a whole lot of moodiness.

‘Do It For The Kids’ is an incredible slow-burner. The song isn’t purely reliant on shifting dynamics to create tension though it does effectively employ this device throughout, with the slinking lead guitar line of the intro turning into a mammoth, striking barb when the chorus finally hits. This song has attitude and style plus the substance to back them up. It continues along at walking pace, confident enough in its stride that it need not speed up to create intensity. This is the stuff that can give you shivers.

‘Uh Huh’ is one of those songs that kinda has two choruses, and you already think the first one is pretty good so you get a pleasant surprise when the still-better second one eventually enters in behind it. This is power-chord rock in its purest form and singer Claire Birchall’s husky growl is vampy and surly enough to make her anger both palpable and entertaining.

It’s been a out for a while but seems to have flown under the radar. Check these guys out - they’re worth your time.

The Middle East - ‘Blood’

The Middle East - ‘Blood’

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I feel like Arcade Fire comparisons have been overused in music reviews over the past whenever, so I’m going to do my best to not compare The Middle East to Montreal’s finest.

It’s tough though, because this Townsville (QLD) collective do fit the criteria, at least initially - a large collection of musicians (at least 6, possibly 7) who create dramatic and climactic folk-ish anthems. Plus, if the Arcade Fire released this song, it would’ve got a whole lot more attention than it has so far, because it’s really fucking amazing.

‘Blood’ was released as part of Spunk Records’ ‘Singles Club’, a succession of ten seven inches from unsigned bands released weekly from November to January. They’ve all been pretty great, and should be available together on a compilation sometime in Feb.

www.myspace.com/visitthemiddleeast

Spod - ‘Dead’ video

For years I’ve heard people rave about Spod and I just haven’t gotten it, but now thanks to this helpful music video I finally understand. Thanks Spod, you’re the raddest!

Grand Atlantic

Grand Atlantic - ‘Tripwires’

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Grand Atlantic’s last album was an exploration of classic rock sounds and structures with a contemporary pop inflection. I’ve seen this Brisbane four piece several times and they never fail to impress during a live show.

Their latest song is a thick slice of power pop/rock and sees them inject their sound with a surprising but welcome lead synthesiser. Backed by some solid power chords and chorus full of classic staccato ‘ooo-ing’, Tripwires will surely make those indie kids get their hands out of their skinny-legged pockets their fists pumping.

Their new album is out in March and the new ideas they’ve injected into their palette here are cause for excitement in my books. Keep an ear out for these guys in a few months.

Kate Bradley

Kate Bradley - ‘Gold Body’

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Hey guys! Do you remember back in ‘07 when US Billboard Magazine named Brisbane as one of the top five unlikely hotspots for new, original music? Do ya?  Well, they did and they also picked singer-songwriter Kate Bradley as an up-and-coming artist to watch.

Her songs are strong, her live performances are great, but both Bradley’s music and personal appearance strongly resemble “Stories From The City, Stories From The Sea” era PJ Harvey. That’s not a bad thing, I really like PJ Harvey, but if you’re one of those music snobs who won’t listen to anything even slightly derivative consider yourself both warned and deprived.

Bradley and her band The Goodbye Horses are the winners of the most recent Toohey’s UncharTED competition, scoring a slot on the 2009 Big Day Out tour.

www.myspace.com/katebradley

Brown Bear

Brown Bear - ‘Was That It?’

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Brown Bear are from Brisbane and write good, solid songs. Sometimes they try to get all clever with glitchy programming, but for that we should cut them a bit of slack - after all, they did meet whilst studying a tertiary music course.

‘Was That It’ is a little guilty of this whole ‘glitches=clever music’ thing, but is saved by the simple but effective piano part and Col Hockey’s lyrics and vocal melodies. Excellent arrangements and production don’t hurt it either - every band attempting this sort of music should have a film composer as a guitarist.

With Hockey having returned from a year in London, Brown Bear is currently raising funds and writing songs for their debut album.

www.myspace.com/brownbearblog

The Jezabels: ‘Disco Biscuit Love (official)’

The Jezabels - ‘Disco Biscuit Love (official)’

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Jerry blogged the demo of this song in January, but the official release of The Jezabels’ ‘Disco Biscuit Love’ deserves a post of its own, as it’s now the shiniest, loveliest, poppiest thing you’ll hear all Summer (maybe), and holy shit I’m in love. This song makes we feel what I think English people feel when they hear ‘Mr Brightside’.

thejezabels.net

Ouch My Face

Ouch My Face - Firehead

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Wow, this is such an aggressive song. Even without the lyrics - which threaten to beat you - this stuff could probably make your nose bleed.

Fittingly, the band responsible for this punk/funk gem is called Ouch My Face. Hailing from Melbourne, the three-piece distill rhythm and hostility into an energetic cocktail with the same reckless abandon that typified early Yeah Yeah Yeahs and Blood Brothers music. With the untamed shrill of vocalist Celeste Porter augmenting the fierce conviction of the bass groove and drums, Firehead is ferocious but accessible - a perfect slice of contemporary post-punk.

What’s most exciting is that they’ve managed to capture the near incomparable energy of their live shows on record. It’s definitely worth getting along to see these guys if you get the chance - they make it more than worth your while.

Firehead is lifted from their forthcoming EP, which should be a highlight of the new year if this song is any indication.

(As a side note, Porter also provided the impressive cover art for An Horse’s equally impressive debut album. What a talented girl).

www.myspace.com/ouchmyfaceband

Micky Green - Shoulda (Bloody Beetroots Remix)

Micky Green - Shoulda (Bloody Beetroots Remix)

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Remember Micky Green? That Australian singer/model who relocated to Paris and randomly had a top ten hit or two in her adopted country?

Perhaps you never heard of her in the first place. Fair enough, since her coverage back home has been marginal at best.

Apparently she’s recently been getting mileage across Europe with the remix of her track ‘Shoulda’ by Italian electro duo Bloody Beetroots. It’s not hard to see why, since this couldn’t sound more ‘2008′ if it tried (which I mean in a good way). Combining the best parts of Italo-Disco (a la Italians Do It Better) and French House (a la Justice), this remix takes Ms Green’s pop song and makes it a chopped up and pumping dancefloor stomp.

Micky Green is gearing up for a local release soon and the previously covered ‘Oh!’ is also undergoing some high profile remixing. Keep an ear out for those soon. Until then, just jump around to this one and pretend you’re in Europe - where they apparently recognise some good Australian music before Australians even get around to it.

www.myspace.com/mickygreenmusic

The Verses

The Verses - ‘Running Away’

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If the people in this promo photo for Melbourne band The Verses look familiar, it’s because they are. Almost ten years on from the major label debut of their previous band Killing Heidi (yes, it has been that long!), Jesse and Ella Hooper are back.

I saw The Verses perform during their first residency at The Toff in Melbourne back in the middle of the year. They played for two hours and I was captivated the entire time. Ella Hooper is arguably the best front woman in Australia and brings some much needed strength and sex appeal to the often limp genre of alt-country.

‘Running Away’ features guest vocals from Melbourne singer-songwriter Dan Sultan. More a sparring match than a duet, Sultan and Hooper belt out a song about love not so much lost as outright rejected.

The Verses play A Day on The Green with Jimmy Barnes and Kasey Chambers on the 31st of January before supporting Kate Miller-Heidke at the Melbourne Zoo on the 5th of February.

www.myspace.com/theverses

MAP December

AMERICAI Guess I’m Floating
Dent May & His Magnificent Ukulele26 Miles
Mississippi-based Dent May has been recording in various southern states since his formative years in high school. After going to college and refining his sound, he emerged with a new act that made use of his self-proclaimed magnificent ukulele. His pleasant pop arrangements, strong vocals and doo-wop-like vocal harmonies will appeal to anyone hoping to hear some happy music. His debut album is due out in February via Animal Collective’s Paw Tracks label. Never underestimate the ukulele.

ARGENTINAZonaindie
Banda de TuristasTodo Mío El Otoño
Mágico Corazón Radiofónico is the first album by Banda de Turistas and it turned out to be one of the biggest surprises of the year. With Mario Caldato Jr. (Beastie Boys) in charge of the mixing, this song reprises the beat sound of ancient Argentine rock bands like Los Gatos.


AUSTRALIAWho The Bloody Hell Are They?
The Philadelphia Grand Jury Going To The Casino (Tomorrow Night)
Three long-time Sydney musicians start the funnest band to come out of the city in the past year. You might have known them in previous lives as one part Berkfinger, two parts The Sweats. Combined, they channel an updated retro rock style that somehow manages to both pay homage to Elvis and sound incredibly cool. Not an easy feat, so respect where it is due.

BRAZILMeio Desligado
Macaco BongBananas For You All
Macaco Bong is an instrumental trio from Cuiabá, considered one of the best live acts in the country. They sound like an original mix of post-rock, alternative metal and free jazz. Their guitarist doesn’t use any pedals or effects, playing his Fender online with overdrive from the amps he uses. The band is part of Espaço Cubo, a collective that works with culture and its social aspects, starting a revolution from the underground.


CANADA
I(Heart)Music
Black Hat BrigadeSwords
Their hiccupped vocals and apocalyptic-sounding music makes bringing up Wolf Parade almost inevitable, but Black Hat Brigade make a pretty convincing argument with their self-titled EP – and particularly with Swords – that they don’t necessarily come off any the worse in the comparison.


CHILESuper 45
Fredi MichelEnganamí (Comeme Remix II)
One of the weirdest and most original bands from Santiago, Fredi Michel are a mix between cumbia, dub and avant pop (via Broadcast). Even though they’ve been playing for years they have only recorded a few songs and some of their friends have made some remixes, such as the one featured here. Fredi Michel have announced they will finally release their debut album next year.


DENMARKPastries, Peppers And Canals…
Oliver North Boy ChoirTonight
Oliver North Boy Choir are the kind of band that Denmark does spectacularly well. Signed to Danish uber-indie label Crunchy Frog, Camilla Florentz, Mikkel Max Hansen and Ivan Petersen release pieces of ethereal beauty via download only. Oh, and they don’t play live either.


ENGLANDThe Daily Growl
Jay Jay PistoletGolden Age
You may not call it a ‘scene’, but there’s only one degree of separation between many of London’s young bands and artists. Jay Jay Pistolet, friend of Mumford & Sons, Derek Meins and no doubt plenty others, is no exception. Not that this is important. Let JJP, who often comes across as a young English version of M Ward, be judged for himself.


GERMANYBlogpartei
Mio MyoSwitch
Switch is the latest single of the Nuremberg-based quad Mio Myo. It can be seen as a description of their sound – a bit ghosty and spheric, a diversity of electronic and analog instruments, and a voice reminiscent of Thom Yorke. Their songs always deserve a second hearing.

ICELANDI Love Icelandic Music
VickyAlien
Vicky, previously called Vicky Pollard (named after the Little Britain character), is one of the coolest new Icelandic rock bands. The band started in November 2006 when they accidentally got together and started jamming in their hometown Hafnarfjörður. They produce a sort of poppy metal or heavy pop. In 2008, these four girls and male drummer recorded their debut album Pull Hard, which was released on the Töfrahellirinn label in October.

IRELANDNialler9
Sunken FoalOn Platinum Rays
The brilliantly titled Sunken Foal (think about it…) is also known as Dunk Murphy of Ambulance. After an appearance on BBC Radio 1’s Mary Ann Hobbs, his debut Fallen Arches has just been released on Planet Mu. The album is a textural, ambient, electronic-acoustic and, most of all, beguiling release of leftfield sounds.


ITALY
Polaroid
ScarletsEvery Waterloo
Young, talented and stylish, Scarlets play nervous and tight songs heavily influenced by new wave. They’ve just released an EP on Angle Records full of love for The Smiths, The Jam and the sharpest Brit sound. They’re definitely a name to keep an eye on in the coming months.


NEW ZEALAND
Counting The Beat
BearcatRed Panda Blues
Bearcat are one of a bunch of new New Zealand bands dabbling in folk influenced indie-pop. Apparently Bearcat is a literal translation of the Latin word for panda, and as well as naming themselves after the endangered mammal, the band have chosen to make pandas the subject of many of their songs too. Bearcat avoid the danger of this resulting in one-line-joke novelty songs by writing catchy and memorable tunes that have every chance of survival.


NORWAYEardrums
The Little Hands Of AsphaltThe Future
The Little Hands Of Asphalt is the solo project of Sjur Lyseid, the singer in the Norwegian indie-pop band Monzano. As TLHOA, he makes warm, sensitive folk-inspired songs, often performed with an acoustic guitar as the main instrument. Sjur Lyseid is a great storyteller and his lyrics are always worth listening to. The song we have for you is a Music Alliance Pact exclusive, taken from his forthcoming debut album Leap Years which will be released in March 2009.

PERUSoTB
Pelo MadueñoEs Hora
After his successful debut album, Ciudad Naufragio, Pelo Madueño returned this year with No Te Salves, an intimate album full of emotions. Based in Spain, Pelo shines as a songwriter and gives us a real insight into the independent scene.


PORTUGALPosso Ouvir Um Disco?
Nuno RanchoNot For Sale
Unready Demo is Nuno Rancho’s first solo work and you can download the other tracks on the EP for free via a link on his MySpace. In 2002, he started playing music in a band called Wheelchair and two years later he formed Kyoto. Today, besides Kyoto, Nuno Rancho still finds time to play and write for TiMaria, an electro-pop trio which has a completely different sound from his other work.


SCOTLANDThe Pop Cop
DotjrMore Than You Know
The Pop Cop only ‘discovered’ Dotjr last week and we were so bowled over there was no choice but to fast-track him into this month’s Music Alliance Pact. Dotjr (pronounced dot-jay-are) is the solo project of James Reeves, a 21-year-old native of the Isle of Lewis, and his joyous, soaring music has the kind of ambitious pop sound that radio DJs fall over themselves to play. More Than You Know is epic, swooning and Christmassy. Pretty much perfect then.


SINGAPOREI’m Waking Up To…
LeesonSome Girls
Leeson are a five-piece indie-pop band from Singapore who play a revelling cocktail of poppy, dancey tunes that will have your feet tapping and singing along to their infectious melodies.


SOUTH KOREAIndieful ROK
The Black SkirtsDog
The Black Skirts is the name used by Castel Prayon and his live band when climbing the digital music charts of Korea. In November the band’s first album, 201, was released. The first song up for promotion was Like Me and people soon heeded the title’s request. For somebody who usually isn’t too keen on being poppy, Castel Prayon sure knew what he was doing when making those songs, and Dog is an excellent example of that.


SPAINEl Blog De La Nadadora
ElurretanMomo Alper Bat Da
Richar and Mikel are from Euskadi and sing in Euskera, their own language. Their songs are inspired by The Beach Boys, Burt Bacharach, Jonathan Richman, Mikel Laboa and C86. You can download their last album, Momo Eta Beste Izaki Batzu, from their website (http://www.elurretan.com). Elurretan love music and want to share their songs with everyone who likes them. Is it possible? I think so.


SWEDENSwedesplease
FrancisBad To The Bone
Francis take the strange blues of The Tallest Man On Earth and add a cabaret atmosphere. Debut single Bad To The Bone sounds like a transgender version of Stevie Ray Vaughn if he/she worked in a travelling eastern European circus and was channelling Tom Waits.

To download all 21 songs in one file click here:
http://www.zshare.net/download/52722654820bd62c/

Rekindle

Rekindle - ‘Cold Life’

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Despite looking like a glam-rock vampire and having possibly the worst album cover of 2008, it turns out Rekindle churns out some fairly rad music.

Far from being the manufactured pop star his image might suggest, Rekindle is an independent artist who began making drum’n'bass and abstract intrumental hip hop in his Sydney bedroom during the mid 90s under the name ‘Raised By Wolves.’ His latest offering is ‘The Chandelier,’ which sees him relegate his art-rock aspirations to the margins in favour of the shameless glossy production of new wave, electro, and funk.

‘Cold Life’ is an epic, two-part new wave track from that album. Sounding like New Order covering Prince, the song is combines a funky guitar line with synth pads over an incessant rhythmic pulse and repetitive vocal turns. The falsetto-laden coda is more indicative of the rest of Rekindle’s output, which often strays too far into Justin Timberlake territory for my liking (see: ‘Ice Skating Girl,’ which appeared on a BBC Radio 2 compilation alongside LCD Soundsystem, The Rapture et al).

The album as a whole is likely to be more divisive than this one song, however, ‘Cold Life’ is a place where the lovers and haters can meet and dance together.

www.myspace.com/rekindlepurehearts

Hungry Kids of Hungary

The Dandilions

The Dandilions - ‘Three Inches’

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The Dandilions are an all-female acoustic-folk trio… WAIT! WAIT! COME BACK!
Yes, they are an all-female acoustic-folk trio, but their music is neither insipid nor angsty - what a nice change.

Mentored by drummer Geoff Green of george fame, the girls met whilst studying music at QUT in Brisbane.
I love how vocalist Vanessa Hodgins delivers quite personal and often cutting lyrics in such a fragile voice. Their song ‘The Sea’ is a perfect example of this.

The Dandilions - ‘The Sea’

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The Dandilions play around Brisbane sporadically. I wish they played more.

www.myspace.com/dandilionmusicaustralia

Yeo

Yeo - ‘Two Sides of A Door’

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Yeo (as in bust a cap in yo ass) is the solo project of Yeo Choong, member of Tragic Athletic and numerous other Brisbane bands. Seriously, it seems like every second band I see has this guy in it.

‘Two Sides of A Door’ is from his self-recorded and produced debut album, Trouble Being Yourself. It’s heavily influenced by 1980s popular culture, but the good bits, namely Super Mario and Prince.

Yeo and his live band The Fresh Goods have just finished a tour down the east coast. They will be supporting Adam Green from The Moldy Peaches at his Brisbane performance at The Zoo on December 17.

www.myspace.com/snackswithyeo

Lost Valentinos

Lost Valentinos - The Bismarck (12″ Version) (mp3)

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Their stand-out 2007 single ‘17 Deaths’ showed a move away from their indie roots to embrace a more dance-oriented aesthetic and feel. Now, Lost Valentinos have made those dancefloor aspirations even more transparent with the release of their latest single ‘The Bismarck’ as a 12″ with a handful of glorious remixes.

The song itself is a great number that shows why crossing over to dance territory doesn’t necessarily signal a dissolution of artistic integrity. Whilst still accessible, ‘The Bismarck’ has almost as much in common with Can’s krautrock digressions as it does with modern dance-pop kings The Rapture. Dark and dense, the incessant beat keeps the song progressing through the moody mire they have concocted alongside reknowned Berlin-based producer Ewan Pearson. Without a traditional verse/chorus structure, the song is directed by the tight groove of the rhythm section that weaves its way between the different segments of the song. Fantastic.

Lost Valentinos - The Bismarck (Knife Machine Remix) (mp3)

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Knife Machine is actually Jono and Pat from Lost Valentinos in their electronic side-project mode. Their version introduces a straight up house beat, distorted synth bass and filtered break-downs that move ‘The Bismarck’ firmly into the realm of dance music. I’ll avoid making any solid comparisons to in-style French house remixes, though they do make for a good point of reference.

Lost Valentinos - The Bismarck (Canyons Remix) (mp3)

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The Canyons remix makes the original sound like something lifted off Swedish duo The Knife’s last album by adding an even more sinister electronic vibe to proceedings. A quality remix that genuinely adds to the original.

www.myspace.com/lostvalentinos

www.myspace.com/theknifemachine

www.myspace.com/thecanyonsinfo

Lions At Your Door: ‘Shake It’

Lions At Your Door - ‘Shake It’ (mp3)

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Sydney’s Lions At Your Door have constructed possibly the catchiest verse of the year with just a handful of words, some aggressive organ and a driving, hypnotic hi-hat. ‘Shake It’ echoes the naivety and simplicity of early pop but is updated for the modern indie dancefloor with a rhythm section to rival early Liars recordings and some subtle guitar work that adds a hint of darkness to this gem of a song.

The pro-dance sentiment of the lyrics is only heightened through the relentless beat and energy that bleeds through the speakers. This song does nothing if not make you want to jump around.

This is not meant to sound reductive - ‘Shake It’ is a quality composition that refuses to rely just on its dancefloor potential. Though its lyrics are simple and straightforward, they intentionally obscure the intelligence and precision of arrangement and performance that underscores them.

I’m so keen on this song. Definitely looking forward to hearing more from these guys.

www.myspace.com/lionsatyourdoor

Seekae

Seekae

Seekae - ‘Snax’

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Sydney three piece Seekae (pronounced C.K.) are a tough band to pigeonhole musically. Using a variety of sounds - including synthesizers, glockenspiels and spoons - they create simple, experimetal(ish) and oft-gorgeous downbeat instrumental hip-hop.

The above track is taken from their (self funded and produced) debut record, The Sound of Trees Falling on People.

http://www.myspace.com/seekaemusic

Major Major

Major Major - ‘The Beast’

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This song’s been doing the rounds on music blogs lately - and rightly so. It’s a great slice of indie pop from a band who, when I saw them only twelve months ago, seemed incapable of producing something so professionally bold and catchy (which is a glowing appraisal of their progression and not a back-handed compliment).

‘The Beast’ combines a strong, stuttering back beat, stereo guitars and the odd ‘group chanted’ vocal to elevate its modest melody into near-anthemic territory. In addition to their penchant for effective embellishments, the band are fortunately also adept at knowing when to drop the bells and whistles. At various times throughout ‘The Beast,’ both dynamics are on display and work well when played off against each other. Adrian Slattery’s smooth and consistent voice contrasts nicely with the distorted guitars but is also, in itself, rough and emotive enough to avoid transgressing into dull competency. Perhaps the coolest thing about this song, and the best indicator of its success, is that it would sound equally at home in both small clubs and large stadiums.

Chances are that you’ve seen this song floating about already. Even if you have, you should listen to it again - it keeps getting better. I swear.

http://www.myspace.com/thisismajormajor

Crayon Fields - ‘Mirror Ball’

Crayon Fields - ‘Mirror Ball’

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Here’s something new from Crayon Fields – their first 7”, and our first taste of their second record (due 2009).

‘Mirrorball’ is delicate do-wop from one of Melbourne’s most revered guitar pop ensembles. Try not to feel giddy when Geoff O’Connor (songwriter and shyest man in Australian music) sings, “I look at you and suddenly I’m a virgin” (who are these people that have love songs written about them anyway?)

www.myspace.com/thecrayonfields