New Music

Spit Syndicate

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Towards the Light

Spit Syndicate (feat. Sarah Corry) – Pick It Up

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Spit Syndicate (feat. Fame) – Fresh Breath Music

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I’ve been meaning to write something about Spit Syndicate ever since their incredible performance at the recent Newtown Festival (a popular fete held yearly in one of Sydney’s most over-mythologised suburbs).

Were you there? If not, you missed out on the best Oz Hip-Hop show of the year. Midday on a Sunday, to a pretty diverse crowd sitting on the grass with no plans to stand or really engage, SS (featuring their vintage NBA jersey clothed musical backbone DJ Joyride on decks, keys and (way soulful) back-up vocals) emerged onto a pretty shitty stage and proceeded to rock the festival like they were headlining the Enmore. It was insane, people didn’t really know what to do – so they began dancing like it wasn’t 12:30 on a Sunday. When the set was pulled early (due to scheduling mishaps or something) the now-animated crowd booed, chanted for “One more!”, and got moderately unruly. I just kept saying “Holy shit!” to my companions, and gushed about how endearing MC Nick Lupi’s perpetual grin is.

That night, I re-listened to their 2008 debut, ‘Towards the Light’. After witnessing their natural charisma and unquestionable stage-presence, I was finally able to believe the bravado of the record, and began getting into the above two cuts in a big way. And sure, the rest of the record is still a bit uneven, often tripping up on its own over-earnestness (surely the new crutch of Australian rappers?) – but honestly, how many dudes (that you know) can rock a show like them? Not many (if any).

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Pinky Beecroft

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Pinky Beecroft and the White Russians – ‘Fabulous Driving’

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If you think you knew Pinky Beecroft, it might be time to re-evaluate your preconceptions. For better or worse, his new material sounds nothing like Machine Gun Fellatio – free from the constraints of the ‘quirky’ pop image to which he was once forced to pander, Beecroft has moved to produce the most affecting and beautiful music of his career.

His debut album with the White Russians retains his dry sense of humour but appropriates it to more mature compositions and lyrical narratives.

‘Fabulous Driving’ is a piano-driven ballad that reminds listeners what a great voice Beecroft always had beneath the spandex and ridiculous glasses. It’ simple, fragile, and the bare arrangement is fleshed out by an understated, sombre tone.

The only thing as good as discovering an artist with this king of talent is rediscovering an artist who you never knew had it in them. (Then again, he is credited as co-writer on ‘No Aphrodisiac’ – though the merit therein is almost as subjective as his involvement with MGF).

www.myspace.com/pinkybeecroft

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Sailmaker

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Sailmaker – ‘Build A Fire’

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Sailmaker make music that would sound right at home in a mid-1990s Triple J playlist, slotted in nicely between Jebediah’s ‘Harpoon’ and Something For Kate’s ‘Captain’.

‘Build A Fire’ is the very sweet title track from their most recent EP and is all clean guitars, handclaps and plaintive vocals

The Sydney band has played supports for Operator Please, British India, Horsell Common and most recently Epicure.

www.myspace.com/sailmakermusic

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Natalie Bassingthwaighte: ‘Alive’ Video

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Former Rogue Trader Natalie Bassingthwaighte has unveiled the first taste of her solo record. In the video for her debut single ‘Alive’, she’s challenging Kylie Minogue for the queen of hot pants. And I think she just might win.

Wait… what about the song? What song? OH! There’s music here too… well, it’s pretty much your average suburban house shit.

http://www.myspace.com/nataliebassingthwaighte

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The Nation Blue

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The Nation Blue – ‘I See Colours’

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For a while there, The Nation Blue were Australia’s premiere post-hardcore / rock’n’roll band, garnering some big-name supports and trekking across the globe, making it as far as Brazil. Their 2007 disc Protest Songs built them quite a fan base and a few friends (such as Dave Grohl, which publicists LOVE to include in their press releases). And then… they kinda fell off the radar.

‘I See Colours’ is the latest release from this Melbourne trio and it comes with a pretty harrowing backstory courtesy of vocalist/guitar Tom Lyncoln.

‘I See Colours’ is about having my drink spiked on New Years 1999/2000 and falling down a flight of stairs onto a slate floor and then waking up during a CT scan and thinking I was dead… I ripped the tube outta my arm and bent the needle and destroyed my arm…took me three days to sit up in bed, four days to walk again and a week of phone calls to find out what happened to me.

“Still don’t really know but think it was a girl at party… toxicology report says I had 3 x the maximum dosage of MDMA in my system and this song is a description of what I saw when I first woke up. In contrast I wanted to write a really tweaked chord progression and pack the song full of ghost notes. Tick.”

The band are playing a couple of shows this week, and they’re on their MySpace page.

http://www.myspace.com/thenationblue

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Pivot: ‘O Soundtrack My Heart’ Live Clip

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Much-loved Who the Hell sons Pivot are back in Australia this week and playing some shows. If you’ve never seen them before, here’s what you could be potentially missing out on. The song they’re performing above is ‘O Soundtrack My Heart’ recorded in France. It’s such a crushing song live with its simultaneous infectious and annihilating rhythms.

The remaining tour dates are:

Friday 21 November
Rocket Bar, Adelaide

Saturday 22 November
The Corner, Richmond, Melbourne

Friday 28 November
The Zoo, Fortitude Valley, Brisbane

Saturday 29 November
The Gaelic Theatre, Surry Hills, Sydney

Friday 5 December
The Bakery, Northbridge, Perth

http://www.myspace.com/pivotpivot

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