Monthly Archives For November 2013

LISTEN: DZ Deathrays – ‘Northern Lights’

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DZ Deathrays - Car  - BNW - Low Res

DZ Deathrays’ brand new single ‘Northern Lights’ plopped overnight. It’s the first smell of the band’s forthcoming sophomore LP due in the first half of 2014. These guys are doing pretty amazeballs. They knocked out an ARIA award winning debut LP ‘Bloodstreams’ in 2012, then owned the world by touring relentlessly for over a year.

Most recently the band entered the studio with producer Andy Savours (My Bloody Valentine, The Horrors, Sigur Ros) while in the UK to headline NME Magazine’s party at The Great Escape Festival in May, and banged out this single track titled ‘Northern Lights’.

It’s a moody number. Lots of layered guitar and vocals building to climatic bursts of fever. A really great sound from a couple of guys that last time I saw play, were kinda bangin it out pretty wildly. This one is a lot more considered. Let’s call it their ‘sweet disposition’. Can’t wait for the new record.

 

 

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INTRODUCING: B_U_O_Y

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B_U_O_Y

The term ‘electronic artist’ is a vague label these days; it does little to separate the diligent sound artist from the guy recycling song samples to a sea full of early twenty-somethings doing beanies and cheap tabs on the regular.

On the outset, Sydney’s B_U_O_Y seems to qualify for the broader term. I have my own naggings against electronic artists with grammatically challenged titles and symmetrical cover art, but B_U_O_Y’s first track ‘Close/Open’ is one I’ve welcomed with open ears – and at least half of the Soundcloud plays on this track.

B_U_O_Y is Charmian Kingston, who was previously a vocalist for Sydney four-piece Hello Vera. Kingston was to Hello Vera what a sole femme vocalist is to any all male, pop-jazz-hybrid band: necessary. She may have added reasonable levels of twee (including starring in the band’s own Scottish sitcom) but I think her work with B_U_O_Y makes it clear that some ladies do stuff better on their own.

On paper, ‘Close/Open’ sounds like a producer’s picnic – skittered percussion, vivid synth work, with big-expanse vocals somewhere in the mix. However, instead of being tethered to the production of the track – the crux of B_U_O_Y’s sound is owed to the instrument-like quality of her vocals. Since most young electronic producers are prefixed by the need to partion off vocals, then butcher the whole thing in Audacity to vaguely resemble a beat, hearing the clarity in this track is really neat.

Kingston’s vocal meandering obviously echoes her heroes; Bjork, Bjork, BJORK (and all the other female vocalists united by an x chromosome and the word ‘eccentric’). More apparent in my ears anyway, are the similarities between B_U_O_Y and Cameron Mesirow from Glasser. Both might both be drawn to worldly drumming and the heady glow of Eastern vocal influence, but they do share something across their scattered song ambition.

Like Mesirow, it’s Kingston’s disconnect that has most impact here. For what the song pilfers over lyrically, it makes up for with its space-of-sound intent (and killer vocals). You can imagine she’s the type to trail off mid-sentence in conversation, but the one to leave a fine impression at that. Whatever you make of this, it is a nice exercise in sound.

‘Close/Open’ is only B_U_O_Y’s first track. I like her ambition, can’t wait to hear more of this.

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INTRODUCING: Chunyin

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rainbowchanpressnew

 

 

Rainbow Chan, the Sydney-based songstress who’s responsible for one of Australia’s more notable pop releases this year, has come out with a side project, Chunyin.

Chan’s Long Vacation EP (out through Silo Arts & Records) set indie scensters alight with her brand of delectable pop, but this latest project sees a break in that trajectory.

Often associated with Sui Zhen (hopefully not because of inadvertent racism), Chan’s melodies inhabit a space that could be considered whimsical—no doubt fostered by a love of vintage toys.

However, Chunyin’s a whole new ball game.

The first, and only track posted on Soundcloud, ‘Monochrome’, is reminiscent of Collarbones circa Iconography. It’s an abstract work that probably won’t be as blissful to the ears as say ‘Fool’s Gold’. The vocals that underpinned that release aren’t present here. Tagged as ‘Stonewashed’ on Soundcloud, ‘Monochrome’ distorts the the ‘vintage toy’ aesthetic into that of chopped up samples, loops, and general electronic goods.

What propelled Chan to break open this side-project is anyone’s guess, but it’s going to be interesting to see Chunyin develop as a counterpoint to the stylings of Rainbow Chan.

It’s hard not to read over this track with the multitude of sampled influences that could’ve been referenced in the making of ‘Monochrome’. From Four Tet’s ‘Rounds’ to Mount Kimbie’s back catalogue, the creation of Chunyin taps into a scene which places the musical ‘figurehead’ in the backseat. And, considering all the attention Chan’s received for Haircut, can Chunyin be seen as an antagonist to the pop idolarity fostered by the Long Vacation EP? 

Probably not, but I’d love to find out.

 

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LISTEN: Angie – ‘Turning’

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angie

You might know Angie Garrick (or ‘Angie Bermuda’ as she’s better known) for her screen work or her various guises in bands like Circle Pit, Ruined Fortune and Straight Arrows. Angie released her first solo EP Turning recently, where she’s swapped scrappy garage for a moodier sound.

Turning is a record for people who aren’t scared of music that’s a little ‘harsh’. (I’ve been playing it all day and my housemates have never been less chill.)

The highlight of this EP for me was closing track ‘A Certain Friend’. This track is total drowned-out desperation – the percussion here could synch up with the rhythm of a body being dragged down the stairs with Angie’s unrelenting vocals at the fore. There’s a lot to like here though – the heavier ‘Do Yourself Right’ delivers the first of the record’s many soul crunching riffs right out of the gate, while lead single ‘Parallels’ sparks familiar pointers to Angela’s previous ventures.

Turning is a record of pleasure and pain. IT RULES.

Turning is out now via Rice is Nice, and up for purchase here.

 

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