Much like Madeleine, I’ve been somewhat caught in the throes of the debut record from Dag outta Melbourne [ml: … Brisbane first]. I know it’s strange to start off a post about one artist by talking about another, but the shambling melancholic cloud of a record like Dag’s Benefits of Solitude hangs over you with a tenacity that can only be dissipated by something as shining and delicate as Hannah Kate‘s debut EP, Late Brunch.
As something that exists solely in vibrations, music has an incredible ability to make humans want to ascribe it emotional weight and meaning. But, to me, Kate’s collection of six songs has a grounded intimacy that seems undeniable. Warbling guitar chords that float on deep inside your ears with Kate’s youthful yet retrospective lyricism and loose drums.
These songs live and die in spaces that can only ever be inhabited by one or two people at a time, the production of the EP holding everything very close together. The only thing that’s allowed to float away is Kate’s voice, twirling off within some reverb up above.
It’s a strong first effort, a nice dose of singer-songwriter focus within a wash of bedroom guitar recordings.
If you’re in Melbouren, get down to the EP Launch on Thursday March 23, with Culte and Weatherboards