Geryon has The Touch. The secret recipe to balancing drum loops, pitch-shifted vocals and other modulations in a way that can translate complex feelings without many actual words at all. ‘Somehow’, the opening track off the Melbourne electronic artist’s debut EP ‘We Don’t Talk About the Ghost’ came out mid-2016, and now there’s a video to boot. If you have done yourself the disservice of waiting until now to listen to the EP in full, take this as a timely reminder to rectify immediately. The whole output is meticulously constructed, each song a delicate but sure-footed step into the light from stormy beginnings on ‘Somehow’, through the twisted slow dance of ‘Moulding Golden’ before arriving at the subdued pop of the closer ‘1 of U’, featuring fellow warped internet-pop pioneer kt spit.
‘Somehow’ has a benignly sinister beginning, the violin of Sienna Thornton (also of Two Steps on the Water) and some deep sea monster-sounding effects stalk you in a hovering way that makes it hard to tell whether a real threat is present, or if the fear is all in your head. Honestly if Geryon stalked me through a haunted forest I’d be totally cool with it because in the end you’re rewarded with this really great revelatory climax: “Somehow you see / everything i want to be”. Turns out the fear was worth pushing past this time.
After I wrote this, Geryon told me that the track is about intimacy, how when you can find it with someone it’s almost as if another world opens up. The track’s icy, sparse beginning takes on new meaning as the synths swell up, enveloping the tension with warmth. The clip brings this world to life; an eerie storm inhabited by dancing figures, conceptualised and executed by Geryon and multimedia artist Vaxx with help from fellow musicians and artists Wahe (of Kandere), Brooke Powers, Callan, Hiro Mcl and Astrid&, whose figures dance across the storm loop. It almost looks as if the storm clouds and lightening is being projected onto someone’s living room wall, and each dancer is taking their turn asserting their place in a world they’re all working to create.
Geryon’s song-crafting ability is on full display in this track. It’s haunting, it’s beautiful, and it’s a godsend to be able to listen to a track about intimacy/relationships and not have to listen to some dickhead cry into his guitar about being friendzoned.