Cut Off Your Hands  – ‘Shark Attack’

All the way from the UK where they’re working with producer extraordinaire Bernard Butler (he’s worked with Duffy, Manic Street Preachers, Roy Orbison, the Libertines, Aimee Mann… this guy knows his shit), Kiwi lads Cut Off Your Hands have given us a very hot exclusive – it’s something new from their eagerly-awaited debut album. This one’s called ‘Shark Attack’ and if it sounds slightly familiar, that’s because it’s a Split Enz cover. No word on when the album will be out, so enjoy this one for now.

http://www.myspace.com/cutoffyourhands

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They’ve got a great knack for pop melodies, but Sparkadia almost seem too nice for their own good. Oh well, I guess it worked for Something for Kate, and as long as Sparkadia keep writing catchy tunes like this, they should be fine.

While you’re in a video-watching mood, head over to Ocker Zeal to watch a video interview I did with Monica Tan. It’s always fun being on the other end of interviews.

http://www.myspace.com/sparkadia

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From the trainwreck that was the abominable MTV Australia Awards 2008 – perhaps the most irrelevant awards ceremony ever to be held on these shores – comes The Vines with a woeful performance of their dreary new tune, ‘He’s A Rocker’.

In a light show that would arouse Tiesto and bring down epileptics everywhere, The Vines limp through this weak post-grunge number with lukewarm stage presence and off-key backing vocals. Perhaps the Vines are the new Jet – a band who the industry thinks is “hip” and “cool”, but in reality no one really gives a crap about them.

But that was indicative of the entire MTVAA, held at the awesome but ill-fitting CarriageWorks in Sydney, with a cold VIP area and a cattle-pen for the rest of the punters. Does anyone care about acts like Eve and Wyclef Jean? They haven’t had a hit in, what… 8 years or something?

I also received an email from an irate attendee who is furious at MTV and General Pants (who you had to purchase expensive jeans from in order to secure a ticket) for being promised a 50 Cent performance, but the man (with entourage in tow) failed to say more than a few introductory words on the night. I’m sure he’s not the only one.

Sorry to hark on about it, but I seriously can’t get over the lasers in the chorus! What the hell were they thinking? Makes me laugh every time I watch it… and I’m sure that’s not the desired response.

P.S. I don’t mean to MTV-bash, because the 2007 awards was one of the best nights of my life! Nicole Richie… priceless. It’s just they just got it horribly, horribly wrong this year.

http://www.myspace.com/thevines

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Michael Peter – ‘Paper Planes’ (mp3)

Built around a simple, circular 6/8 acoustic riff, Michael Peter has constructed a serene folk/pop song, ornamenting it with beautiful backing vocals from Sarah Humphreys and electric guitar licks.

A song about questioning the path you’re taking, the bare instrumentation brings Michael’s voice to the fore and the lyrics become the focus of attention during the song. The lulling vocals and rolling guitars gives this song a tidal, ebb-and-flow nature which rocks you to placidity, but consequently means there’s nothing overly exciting about ‘Paper Planes’, no electric spark. Having said that, Michael evidently knows melody, and ‘Paper Planes’ is a great example of his ability to weave a charming acoustic tune.

http://www.myspace.com/michaelpetermusic

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CHAINGANG– ‘Cut Here’

CHAINGANG (written as loud as their music, suitable really) have kindly offered us something new from their demo sessions. ‘Cut Here’ is less acerbic than their debut offering, ‘Get Off My Stage’, and focuses more on melody and a post-punk rhythmic aesthetic. The thick, dirty bass is still there, rumbling along and driving ‘Cut Here’ forward. It’s more instantly catchy than ‘Get Off My Stage’ and harbours a more overt upbeat exterior. If you’re in Sydney this Friday, you can go nuts to this song when CHAINGANG support two Who the Hell faves, Catcall and Lions at your Door, at Q Bar.

http://www.myspace.com/chaingangpower

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Gabriella Cilmi  – ‘Einstein’

I greatly underestimated the boom in popularity Melbourne youngster Gabriella Cilmi would have. If I had the gift of foresight, or a really sweet crystal ball, I wouldn’t have written such a rambling, droll post on her song ‘Sweet About Me’. The tune is now commercial radio fodder, an earworm if there ever was one. It’s undeniably catchy, but I fear it’s one of those songs that may grate on you the more you hear it. The chorus has a smooth, buttery vocal melody, where the song really opens up, but the verses meander along with a Ronettes-style shuffle that feels withdrawn and hesitant.

Thanks to a Lauren St John piece for the Times in the UK, our (to adopt an Aussie media fave whenever a homegrown hero gets some international attention) Gabriella is now being compared to the similarly husky toned Amy Winehouse. I mentioned it too in my original blog, and you can hear the similarities in the voice, but the comparisons should probably end there. Gabriella leans far more to the contemporary pop side of songwriting, with songs like ‘Don’t Go To Bed Now’ taking on an almost ABBA-style vocal melody and ‘Save the Lies’ sounding something like a Stevie Wonder, Tina Turner and The Veronicas threesome. Hmmm, the imagery is disturbing.

Plus, Gab’s far more attractive than coke-edged Winehouse. So she’s 16. whatever. She’s a hottie. Strike me down.

It’s a shame that her debut record Lessons to be Learned had to venture into some bland pop territory, because she’s evidently more comfortable singing music rooted in the jazz aesthetic. ‘Sanctuary’ is one such tune, a downbeat song where Gabriella can let her voice ride the sampled shaker and chorused keys, and ‘Einstein’ injects some deep emotion into her music, featuring Morcheeba-esque guitar lines. To me, this song is the best thing Gabriella has recorded. Her debut is such a mixed affair, presumably because the label’s not 100% sure which market to push Gabriella towards, so it’ll be interesting to see how Australian audiences and critics react to it when it’s dropped May 10.

http://www.gabriellacilmi.com
http://www.myspace.com/gabriellacilmi

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Where’s Jerome – ‘Rescue’

Finally, it’s back! Last year we discovered a little-known Sydney outfit, Where’s Jerome, the project of Jeremy Smith, one-time frontman for indie outfit Altona. Soon after we posted about them, they were picked up by a small indie digital label called Rish Records and we were kindly asked to remove the MP3 (which was a demo of a song called ‘Rescue’), but promised that when the EP was released, we could post it again.

And true to their word, ‘Rescue’ returns to Whothehell.net! I had the whole band – Jeremy, Alex and Todd – on my radio show on Wednesday night, and they’re truly insane. But truckloads of fun. Their EP Dreamboat is a wonderful collection of electroacoustic pop tunes, refusing to stay put in one definable genre throughout the disc. They’re launching it this Saturday at Sydney’s Spectrum on Oxford St. If they’re anything like they are in a radio interview, it should be one crazy gig.

http://www.myspace.com/wheresjerome

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