Posts By Melissa Tan

LISTEN: Them Swoops – ‘Work Around It’

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Even if you’re not easily led astray by tropical aesthetics, still worth getting your ears around this new track by Melbourne’s Them Swoops. Precisely the pleasant seasonal antidote for warm summer days ahead. If you’ve spent most of the year enjoying jangly bands bitch and moan about work and chix and shitty sharehouse suburbia in lo-fi like I have, then this track is a nice cruisy fizzer for yr ginger beer. The two (sometimes four) piece have just wrapped up recording their debut EP Glimmers with LA based mixpert Mark Needham (Cake, The Killers, Chris Isaak [!], Shakira [!!!]) on sound duties. The guys are rounding up their ‘Triple Treat’ tour with pals  Argentina and Tokyo Denmark Sweden at the Workers Club in Melbourne this Friday 26th Oct. Get along. If you’re drunk enough, they might even play Liztomania.

www.themswoops.com

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Tim Fitz – Brainwater

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After listening to his first EP last year, I was hoping that real-life Tim Fitz was going to be the knob pulling, button pushing, schizo I had in mind. An impulsive, indecisive, tortured art-hog soul to match the precocious talent and fuzzy lunacy of his work. Still haven’t met the guy, but too bad Fitz seems like a perfectly normal/humble dude in his live videos (righteous jazz improv excluded). Last week, Fitz dropped his surprise EP Brainwater. Anything spawned forth from Fitzy’s magical digits is usually good news, so I was reasonably excited for this one.

His first release Infinite Space was marked by erratic percussion shapes, timely handclaps and the same resting temperament of a hyper-talent like Jono Boulet. The follow up – Beforetime, delivered way more more punch than the first. While the best bits of Beforetime were made up of melodic dive bombs interchanging from one track to the next, it was proof that Fitz is still the king of chaos. Still ever the maniac on his new EP Brainwater, although he seems to have found some comfort treading on more pop-ish ground. The guy takes us from guitar acoustica wafting from the window of a suburban loungeroom one minute (‘Windsor Rd, August ’11’), down to a twee Andy Bull type piano jam with ‘Mr Streetwise’, before ‘Kleptokraniac’ bids adieu with a comforting slather of treacly fuzz. My fave tune on this release has to be ‘Up Much Higher’ (attached for your listening pleasure above). Any mention of tabla drum jams/hand clapping usually accompanies a PR release with a shit band cartwheeling around slow-mo with feathered head-dresses in low-saturation. Then again this is Fitz, so I guess tabla jamming is more than okay.

Those with a poor sense of spontaneity won’t get this at all. Don’t think I did either. It’s far from anything ‘cohesive’ in relative terms. Whether you hear this as an EP clouded on feeling or a collection of Tim’s best tinkling, it’s clear that he’s quite good at pulling magic out of the mess. Fitz’s releases have always been a total genre-bending earfck, but after listening to this EP, you realise that it was probably always in his best intentions anyway.

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Tim Fitz‘Up Much Higher’

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LISTEN: Amanita – ‘Adwaita’

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Like everyone else, I stayed up late on Sunday to watch Felix Baumgartner attempt some heavily branded backflips from space. Someone should have thought about adding some mood music during the live stream though. Would have made the whole affair a lot more compelling and a little less awkward in case his innards did blow out into oblivion in front of his mum. If I did get to push the power button for a few tunes, this astral track by Melbourne’s Amanita would have definitely been my choice to soundtrack freefallin’ over the stratosphere.

On first listen, ‘Adwaita’ easily assigns itself to the category of other-realm bedroom chill. ‘Adwaita’ begins slowly, creeping in with a metronome-like noise gradually edging on in the distance. While the first minute kinda reminds me of the built-up/dreamy unease cooped up in any Waters/Gilmour intro, I do admit all the spacial pacing back and forth makes me a bit anxious. It’s within good measure, since the track spends the other six turbulent minutes casting a hallucinatory smog over your headspace and making you think you should probably spend more time in the great outdoors.

Phenomenal stuff from this four piece, real curious to see how this would translate live.

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Amanita – ‘Adwaita’

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MAP October 2012

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Your October dose of world music has landed. Mansion Alaska are reppin’ Aus for this month. Also, a big ¡bienvenido! to our new MAP pals from Ecuador blog Plan Arteria. Thanking your country for temporarily housing all our Aus-born hacker-activists and providing some good tunes in advance.

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the whole 39-track compilation through Ge.tt here.

ARGENTINA: Zonaindie
TrebianModernidad
Trebian is a folk trio from Buenos Aires. Their songs are acoustic-driven with wood percussion and, above it all, the beautiful voice of lead singer Sofía Galarce. Modernidad is a preview from their upcoming second album, which will be released later this year.

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AUSTRALIA: Who The Bloody Hell Are They?
Mansion, AlaskaSteps
If a ‘best of’ compilation was made featuring the top American indie tunes of the last four years or so, this track would probably sum them all up. Mansion, Alaska may be channelling a sound similar to Local Natives, Grizzly Bear or even Volcano Choir’s debut at times, but comparisons aside – what an impressive track from this young Melbourne band. Steps is seamless: beautiful harmonies, flowing piano arpeggios, sharp percussion and some dreamy guitar work gravitating around stratosphere level.

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AUSTRIA: Walzerkönig
B. FleischmannI’m Not Ready For The Grave Yet
Working in a bookshop and on various musical projects as well as composing scores for TV series, electronica veteran Bernhard Fleischmann is a busy bee. On his new album I’m Not Ready For The Grave Yet, he uses his own voice for the first time instead of inviting guest singers. Occasionally he also adds film snippets, such as in the album’s title track.

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BRAZIL: Meio Desligado
Abayomy Afrobeat OrquestraAfrodisíaco
Afrobeat is the sound of the moment in Brazil. Bands such as Bixiga70 and Iconili are presenting the genre to a new generation and in Rio de Janeiro the main representative of this trend is the Abayomy Afrobeat Orquestra. Afrodisíaco is an example of the band’s trippy music.

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CANADA: Quick Before It Melts
The Wilderness Of ManitobaWhite Woods
Like their namesake, The Wilderness Of Manitoba is a Canadian national treasure, and one of our best kept secrets. Their lush harmonies, delicate melodies and sparkling arrangements seem to always be attuned to their environment, creating music that sounds like it’s sprung from fertile patches in the Canadian Shield, blooming against all odds. White Woods is taken from their new album, Island Of Echoes, which introduces electric guitars to give their music a whole new pulse and feel.

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CHILE: Super 45
ShogúnUnciónextrema
Cristián Heyne, a producer whose output ranges from mainstream (Enrique Iglesias, La Ley) to indie (Javiera Mena, Gepe), has always kept his own musical project, Shogún, under a discrete, hermetic cover. With only a few limited edition records and a handful of shows, he has attained a faithful cult following that has endured the last 15 years. His complete recordings were recently released via iTunes, giving a new life to his previously hard-to-find and unavailable works. Unciónextrema is El Brujo’s opening track.

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CHINA: Wooozy
The GarLove Will Lost Your Love
One of China’s most beloved cult indie bands, The Gar is without equal in both substance and acclaim. Wholly unconcerned with the trappings of stardom, they arrive, play their hearts out and exit stage left, blending seamlessly back into the crowds. On stage, however, the band transports audience members to a sonic wonderland coloured with soaring harmonies and unforgettable lyrics. The Gar just released their new EP, The City Of Burning Identities.

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COLOMBIA: El Parlante Amarillo
Ondatrópica3 Reyes De La Terapia
This is what we call a supergroup. The union between Colombian musician Mario Galeano, from Frente Cumbiero, and English producer Will Holland, aka Quantic, resulted in Ondatrópica – a musical research project through Colombian tropical sounds. Both Galeano and Quantic, scholars of Colombian and electronic rhythms, were given the task of recreating traditional sounds with vintage equipment and old recording techniques, but searching for its contemporaneity. Proof of this is 3 Reyes de la Terapia (“3 Kings Of Therapy”), featuring Juan Carlos Puello, which was made using a marimba, accordion and beatbox.

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DENMARK: All Scandinavian
Kjartan BueRosen And Danny
Half Norwegian, half Danish and raised in Denmark, Kjartan Bue debuts his five-track alt-country EP Man Riding Backwards on November 15 (I’ve heard it and it’s great). Here’s Rosen And Danny as a MAP exclusive download, and do make sure you also check out the title track and closing ballad Old Woman here – the latter is also up for free download.

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DOMINICAN REPUBLIC: La Casetera
El Gran Poder De DiosaMoriviví
A Moriviví is a minuscule tropical plant that has an unusual reaction when touched: it folds up and “dies” then “comes back to life” after several minutes. This song by reggae/Caribbean-influenced band El Gran Poder De Diosa reflects that internal debate between life and death, good and evil, through soothing tunes and clever wordplay.

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ECUADOR: Plan Arteria
Clo SismicoCassette Pirata
Clo Sismico is a renowned musician, producer and MC. He is founder of two important bands in the local independent music scene, 38 Que No Juega (hip hop) and Punto De Encaje (hardcore). This year Clo Sismico released his second album, Cassette Pirata, which blends rap, funk and Latin music with explosive, direct lyrics.

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ENGLAND: The Guardian Music Blog
Nadine ShahAching Bones
Straight out of Whitburn comes this singer and pianist-guitarist of Norwegian and Pakistani parentage who actually sounds more like the love child of Nick Cave and Polly Harvey. Shah’s tales of lust and loss, revenge and regret are female takes on Trent Reznor’s industrial blues, her voice redolent of the battle-worn Marianne Faithfull circa Broken English. The title track of her EP is vengefully dark business as usual for Shah as she roars over an insistent clang that provides the rhythm for the song. Her debut album Love Your Dumb And Mad, due early next year, should be a fiery, passionate hoot.

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FINLAND: Glue
PaperfangsEveryday
Paperfangs is a dream-pop trio that draws inspiration from old movies, visual arts, geometric shapes, late-night biking trips, vintage girl groups, chamber pop and shoegaze as well as the latest indie gems. A debut album will not be ready until next year, but in the meantime we can enjoy the band’s take on one of the greatest melody makers ever as the trio covers Buddy Holly’s Everyday.

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FRANCE: Yet You’re Fired
Total Warrxxx Hate xxx
Total Warr are not complete unknowns in the blogosphere, having been widely praised for their sweet electro-pop. Stereogum premiered xxx HATE xxx back in May and now that the Corbay EP is out, you don’t have any more excuses not to listen to it.

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GERMANY: Blogpartei
VIMESUpStairs
It’s getting cold really fast these days so let’s turn to some music which may give us comfort. Cologne newcomers VIMES is a duo with a penchant for vibrant electronic music. The voice of Azhar Syed gives the electronics of Julian Stetter a melancholic and yearning touch, thereby making VIMES recognisable. Live they are accompanied by VJ Till Beutling for a complete audiovisual experience. They are currently recording their debut album.

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GREECE: Mouxlaloulouda
CircassianEastern Patterns
Circassian is a quartet formed in Athens in 2008. Their music demonstrates their traditions and habits, while their philosophy is based on bringing together experimental, neo-psychedelic patterns and forms of atonality along with ethnic melodies drawn from parts of Asia and Northern Africa. They create an eerie yet intimate atmosphere with a distinctive sound. Their second EP, Procrastinational, is available on Bandcamp.

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ICELAND: Rjóminn
BorkoBorn To Be Free
Born To Be Free is Borko’s first single from his long-awaited sophomore album, also named Born To Be Free, released in Iceland this month through Kimi Records and on November 2 through Sound Of A Handshake for the rest of the world. Borko’s first LP, Celebrating Life, was released to rave reviews.

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LISTEN: Flume – ‘Sleepless’ (Paces Remix)

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Mike Perry is Paces. He’s also the other half of Gold Coast DJ duo Surecut Kids. Probably another whiteboy DJ waxing lyrical/pseudo-tropical in a Hawaiian shirt – but this remix of Flume’s ‘Sleepless’ is one of the better ones circulating around at the moment. I’m usually not a remix kinda gal, but I’m really getting into this. It’s also the only form of enlightenment that’s making typing this from the suburban arsehole of 12C Melbourne taste a little like a nice, fancy overpriced cocktail. Cheers dude.

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COLLECTIVE PEG #3

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All our Collective PEG contributors last month were all dudes. Nothing wrong with that, but hey – I’m all for gender balance in music and beyond.

So here’s Collective PEG #3 – slightly more femme themed, but still with the usual helping of new and interesting Aussie tunes to get you through your month.

Big thanks to our lady-pals who curated this month: Isabella Manfredi, Jenny Valentish, Courtney Barnett, Holly Friedlander Liddicoat & Paris Martine.


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ISABELLA MANFREDI


Isabella Manfredi fronts Sydney Goth Soul band The Preatures. She is currently undertaking the Tracy Anderson workout DVD challenge in the privacy of her own home, and likes listening to Harry Nilsson and Randy Newman back to back.

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Seekae – ‘Gnor’

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Sometimes you have that catastrophic moment when you realise somebody you’ve assumed is just a nice, normal guy is actually a genius, or in a really, really good band. This happens to me a lot. It happened last month when I saw Seekae live and my brain caved in (a definite improvement). The Preatures have shared a studio with Seekae for almost a year now, and by tunnel vision and ignorance we had no idea who we were living with. To me they were just handsome John, handsome Alex, and George. George doesn’t need an adjective. But last month they invited us to see them play the first of 3 sold out nights at The Basement in Sydney. I expected it to be loud and overwhelming, but stepping up to the stage among the people, I started to part with my anxious body. The music whitewashed my mind clean as a cold tile, and everything around us moved with the same purpose like the release and tension in a kaleidoscope. It was artistic, and extremely beautiful. But more than that, it was the epitome of beauty; like the synchronicity of particles, the meaning of the universe, the purity of math. It was a complete relief from my own way of making music. That’s why, after one live show, they’re my favourite Australian band.

www.seekae.com

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HOLLY FRIEDLANDER LIDDICOAT


Holly Friedlander Liddicoat is the sole writer/owner at East to West, a blog which focuses 100% on Australian electronic sounds. She also writes for Portals and No Fear of Pop, but at the moment is taking some time off to get reacquainted with nature and the world outside of the internet. You’ll occasionally catch her on the Allnighter on FBi Radio, so if she digs your tunes that is where they’ll end up.

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Kharkov – ‘Rise’

Based in Melbourne, Kharkov and his label Brother Sister have been great championers of all things minimal/powerful and exciting in our Asia Pacific region. With some great compatriots based in Seoul and Kuala Lumpur, the calibre of tuneage coming out of these guys is unreal. Kharkov himself is a standout, his track Rise being featured on the ‘IO’ compilation, which showcases a stack of the Brother Sister artists and is well worth the couple of bucks on Itunes. It’s dark and shimmery and energetic, and really is a great representation of the talented minds behind the young and blossoming Australian dance music scene.

kharkovweb.com

 

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PARIS MARTINE


Paris Martine is a band booker best known for bringing the good stuff to venues around Melbourne. She’s done stints for Roxanne Parlour and Billboard The Venue and has booked everyone from Vanilla Ice to Peaches, and Beach House to Roland S Howard.  Paris was the first booker at The Workers Club and put the venue on the map by programming bands on the verge of big things, as well as heritage acts who she persuaded to play on the small stage. She’s also known for starting up Melbourne venue Phoenix Public House.

And to add to her long resume, she’s chalked up the coordinating arm too – running events for myriad of businesses including Lifelounge, Three Thousand, MTV, Laneway Festival, Future Entertainment to name a few. More recently, she’s assisted in booking acts for Melbourne Music Week and delegates for Face The Music conference. Paris is also band manager to Francolin.

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No Zu – ‘Fa Foma Fi’

What do I like? Lyrics. Jarrod Quarrell‘s golden lung. Kirin J Callinan’s lewd ‘Thighs’. Or Teeth and Tongue‘s ‘Unfamiliar Skirts’. There is usually an element of cynicism and playfulness to the music I like. This is why Francolin interested me, they use music and lyrics to, as David Nichols so aptly put it, “cast a critical and withering eye on their world and their part in it”. Lyrical themes about good natured slackers found in Lower Plenty, Dick Diver’s ‘New Start’ and Bitch Prefect‘s ‘Bad Decisions’ – my music taste starts to take shape.

Maybe my love of lyrics is why I never completely connected with jazz or funk and although I dig beat-based music, it’s rare for it to stick to me.  I make all of these observations to magnify how rare I find Nicolaas Oogjes’s project – No Zu. No Zu combine genres of music that haven’t had a lasting effect on me and they distort language with nonsensical lyrics and yet the result is music that I LOVE.  I know this track is not spankin’ new and I really should try harder.. But hell, I don’t get asked what I like often enough to waste this opportunity.

Here’s a sack of stolen words that describe No Zu’s life; delayed trumpets, obsession with the ideas of ‘exotica’ and ‘Australiana’, tribal beats, psychedelic texturing, the avant-garde 80‘s, and endless David Byrne references that come from the use of interpretive vocals.  The album is classy. Nao has done a sublime job with the recording.  My only bone is Daphne’s vocals should be up in ‘Fa Foma Fi’.  Daphne can’t help but stand out in any project. She is like a cat amongst the pigeons. I once asked her to make me a mix tape and it was studded with trashy, questionable 90s dance anthems.  She is also responsible for introducing me to the brilliance that is Mark Ronson’s ‘Somebody To Love Me’ ft. Boy George. Guilty pleasures.

Around I go dancin’ bout architecture… wearing a bulletproof expression made for people who are not great at music journalism.  The song I am dancin’ to is ‘Fa Foma Fi’. It’s in the background. Drown me out & turn it up up up up!

nozu.bandcamp.com
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COURTNEY BARNETT

Courtney Barnett plays guitar and writes songs. She put out her first EP I’ve Got A Friend Called Emily Ferris this year. She also plays with Immigrant Union and Jen Cloher.

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The Merri Creek Pickers – ‘Starlight Dreammaker’

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The Merri Creek Pickers wrote this 11 minute opus in the bungalow at my place. Over the few months it took them to finish their epic journey I saw them spiral into an obsessive musical hole fueled by tea and the dead. A Guernica abyss. However, where Picasso’s masterpiece was born from war and torment, ‘ Starlight Dreammaker’ was born from a label on a mattress.

merricreekpickers.bandcamp.com

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JENNY VALENTISH


Jenny Valentish is the editor of Time Out Melbourne and former editor of Triple J Magazine.

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Dune – ‘Shoestring’

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When Jade MacRae found herself in the unenviable position of relaunching her career – having taken time off to support husband Phrase and rethink her public persona –  she had to acknowledge that her name was no longer considered current currency by some sectors of the industry.

The role she’d fallen into, as the sunny soul singer invited to guest on TV shows, didn’t feel authentic to her any more. Lately, the former Sydney Conservatorium student had been composing strange, stark new tracks with a futuristic bent on the vintage synths of her father – a musician who had been embroiled in the 1970s experimental electronica scene of the UK. In order to pursue this, she was willing to go it alone, label-free, as Dune.

At her debut Melbourne show in August, I felt like I was at the beginning of something big. I heard glints of The Belle Stars, Bow Wow Wow, The Go-Gos, Santigold and Warpaint in the steel drums and tribal rhythms, while Jade has referenced Gary Numan and Brian Eno as production influences. She utilised a live rhythm section and projections of initiation ceremonies, Egyptian dances and wild animal footage that emphasised the lone wolf feel. Above all that were her famous vocal chops, still evident even in this new incarnation.

Lyrically, first single ‘Shoestring’ encompasses her willingness to sacrifice everything she’s worked for, both for love and for integrity.

thisisdune.tumblr.com

 

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