Posts By Melissa Tan

COLLECTIVE PEG #1.

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People of the internet!

SO MANY BLOGS, SO LITTLE TIME.

We’re introducing a new section here called Collective PEG.

On the 1st of each month, we’ll be profiling five bloggers and/or other important people in the musicsphere who’ll be curating their favourite Australian tune of the month.

For the first edition of Collective PEG, our pals Tommy Faith, Jarred Beeler, Sam Wright, Sabrina Robertson and Thomas Lukaitis have handed in their choice picks for your listening pleasure. Oi oi oi.

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TOMMY FAITH

Tommy Faith is the founder and sole contributor to the music blog Sound Doctrine. Notable for featuring absurdist commentary on mostly unsigned Australian artists, Sound Doctrine was named best Australian music blog for 2012 in Pedestrian.tv’s Blogster Awards. Tommy has also written for Cool Accidents and The Spit Press and contributes to various other online publications. When not writing he works in sales at Warner Music Australia.


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Phobiac – ‘Triangle Song’

Here’s a quivering mess of an EP with more pent up energy than little Johnny Ritalin, bane of teachers, curse of parents, ruiner of educational outcomes. The group is Phobiac and this isn’t the first release they’ve put out, but it’s the first I’ve had the pleasure of hearing. Vocal styling that maybe makes me think of the Medics, or even Royal Headache (it’s a stretch), is the most understated element of the noisy shamozzle. Delayed guitar clangs around itself like the earlier mentioned child in a caravan kitchenette and the whole thing is recorded, as the youth keep saying, ‘lo-fi’.

The drums sound like machine gun bursts in ‘Triangle Song’ (probably my favourite from the six-tracker), a tune which spends the last twenty seconds pulsing with what might be the richest moments of the EP. Phobiac seem to be at their strongest when they build up a head of steam but their slowest songs have a poppier, shoegazing sensibility that will better lend themselves to radio play (which they will have when awareness of this EP comes). Some of the best “indie rock” I’ve heard this year. It’s a free download or $5 for a physical copy so whichever you choose, just choose.


phobiac.bandcamp.com

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JARRED BEELER

Jareed Beeler is the founder of Life Aquatic, a two year old music blog that’s ‘slowly trying to find a sound to focus on’. Currently it’s been focusing on minimal electronic sounds with Chicago footwork inspiration. Life Aquatic Records is a rare 7″ vinyl label that runs out of the blog.


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Charles Murdoch – ‘Ravel’

Brisbane’s Charles Murdoch has been hammering out cool, calculated rhythms for the past few months, the uniqueness has taken a spike with his latest piece, Ravel. Using the deeply sexual 808 kick drum as a building block, he creates a cold Evian Christ like sound by having very little else to distract you from those deep bass dives besides light reverb drenched chords and little clicks and sidesticks. All thats missing is a sliced up rap acapella.


soundcloud.com/charlesmurdoch

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SAM WRIGHT



Sam Wright is the director of A High Note and director/producer of 6 On The St, a full length documentary featuring the best bits of Adelaide’s burgeoning music scene. Sam is also the founder of Moving Music, an innovative Adelaide based project which serves the purpose of activating various spaces in the city by injecting them with temporary architecture, interactive/public art, and live music.


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Menagerie – ‘Cut Off Your Hands’ (mp3)

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I always love a song that instantly transports to me to a moment in time. ‘Cut Off Your Hands’ does that for me. It was our main track for a feature length documentary I completed during October 2011, called ‘6 on the St’. The documentary featured 12 incredible Adelaide bands performing amongst our urban fabric as well as people doing good things for Adelaide music. Simple. Menagerie were not one of those 12 bands, however, they did graciously provide me with about 12 songs for the backing soundtrack to the whole film, so I figure that makes things even. Frontman of Menagerie, Maximillian Hardy, recently was granted attendance at Australia’s Song Summit Competition to workshop his songwriting with Gotye and Adalita. Listening to songs like Cut Off Your Hands, you can truly understand why.

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SABI ROBERTSON



Sabrina Robertson is the maven behind Sabi’s Aus Music Blog. When she’s not posting the best local tunes, she runs local based management/publicity company Maths & Magic.

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Thema Plum – ‘Father Said’ (mp3)

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17 year old Thelma Plum has penned a simple yet delicate folk song, ‘Father Said’. A gentle fingerpicked lick is accompanied by Plum’s sweet and at times mesmerising vocals. As quickly as the song has drawn you in, it comes to an end. Despite finishing at 1.48, Father Said is a fitting introduction to Thelma Plum, it’s short and sweet and leaves you wanting to hear more. A recent winner of triple j Unearthed’s National Indigenous Music Awards, the Brisbane singer-songwriter is set to release her debut EP later this year.

www.facebook.com/thelmaplum

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THOMAS LUKAITIS

I’m a 23 year old who is passionate about the sounds my fellow Australians make. I started my blog as a vehicle to share music with my friends, now keeping track of Aussie music is a serious hobby.

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D.D Dumbo – ‘Tropical Oceans’ (mp3)

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It’s not too often I listen to a track that immediately makes a lasting impression on me. It’s even more of a surprise when it turns out the artist and I are from the same small town in central Victoria. Oliver Perry, under the pseudonym of D.D Dumbo, creates intricate, experimental and vocally dazzling sounds. Case in point, ‘Tropical Oceans’ is a track that is lifted from D.D Dumbo’s debut self-titled release. Take a seat, play this track loud and soak it all up. I personally think it’s one of the best examples of the incredible music we as a nation have been producing of late.

dddumbo.bandcamp.com

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Mining Boom – 'PDA'

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Mining Boom – ‘PDA’ (mp3)

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Mining Boom are a three piece from Perth who’ve been making music in Melbourne recently. ‘PDA’ has a real loose, ramshackle sound going on. Those riffs sound like they were plucked straight from Room On Fire…but wahey, what do I care! Makes gravitating to this tune as easy as the big guy above.

‘PDA’ is the first track off Mining Boom’s Dining Room EP. (And while you’re stopping by, do have a listen to ‘Craigie’ – which in my mind sounds like a good (fictional) account of Gareth Liddiard as a 9 year old bully.)

Mining Boom Facebook

miningboom.bandcamp.com

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The Smallest Gig – Tim Fitz

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Tim Fitz put out a phenomenal EP called Beforetime which we plugged late last year. This begins as a standard jam, but just keep watching. Don’t even let his smug “here’s a little beatsy kind of thing….yeah” intro fool you either.

The 1.30 mark is mania. No words. Maybe prodigy. I’ve probably said the same for Chet Faker, but this guy is getting marginally close to singeing off that beard.

Props to the talented guys at The Smallest Gig for this video. Strongly advised you head over to their vimeo.

timfitz.bandcamp.com

vimeo.com/thesmallestgig

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Pond – 'Moth Wings' video

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Not quite sure if I just saw God, Gandalf, or Danny Devito dressed as a cherokee woman, but quite certain Nick Allbrook just sounded out the meaning of life through Ben Cousin’s intestinal tract and I can now die satisfied.

Pond play Splendour In The Grass next Friday.

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Cogel – 'Felusine'

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Cogel – ‘Felusine’ (mp3)

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So impressed with the new track from Cogel, a five piece out of Sydney (featuring Ed Prescott aka Edward Deer who we plugged a few weeks ago).

‘Felusine’ has its share of lofty atmospherics, with that grand intro alone sounding like it was pulled from Win Butler’s collective memory. There’s a quick spur of verse, before those big instrumentals melt away into some kind of mellow retrospective with vocalist Nick Cogels seemingly weeping over a species of small bird. But for all the pomp of the chorus and small glimmers of Snow Patrol strumming, lord, what a brilliant tune.

That violin, right through to the cascading treble guitars which duck and weave in and out of the last few choruses resolve the atmospheric grounds the track opens with. Rather than being an abrupt way to fill the void, the variations between Cogels’ quieter moments and the band’s Arcade Fire stylings mesh together so well. It’s almost a guarantee that tidy string sections and strategically placed pulsating drums will typically heighten melodramatic feelings of bad love and melancholy, and will more often that not, be followed by video clips of the band trudging through thick forestation. But in all, a real cohesive sound happening here – hopefully an aerial view over more great things to follow from these guys.

www.cogelband.com

www.facebook.com/Cogelband

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MAP July 2012

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MAP is back for July. Our pick for the month is ‘Flaws’ by Runner, but make sure you scroll on down and check out the rest of the great tunes happening around the globe.

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the whole 37-track compilation through Ge.tt here.


ARGENTINA: Zonaindie
Los Coming SoonNo Way
This is one of our favorite releases from 2012. We Are Family is Los Coming Soon’s first album, in which they deploy 10 great songs filled with electronic textures and a soft, minimalist funky-disco base, all played with real instruments (no programming whatsoever). It was hard to pick one song for MAP, but we think No Way is representative of the whole record (you can buy it here).

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AUSTRALIA: Who The Bloody Hell Are They?
RunnerFlaws
Flaws is an understated instrumental track that drives the emotive dream-pop at the heart of Runner. These guys originate from the west coast of Australia but their sound would sit perfectly with any shoegaze stoner melody coming out of 90s Melbourne. Flaws builds beautifully to a crescendo layered with harmony and a wall of hazy guitars.

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AUSTRIA: Walzerkönig
Ogris DebrisSexy Chair
This electronic duo is best known for their onomatopoetic track Miezekatze, a club and radio hit in 2010. Mixing such diverse genres as house, funk and soul, the tongue-in-cheek track Sexy Chair is taken from the Affine Records compilation What A Fine Mess We Made. The most recent Ogris Debris release, The Way feat. Ken Hayakawa (listen on Soundcloud), has a more Arabesque vibe to it.

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BRAZIL: Meio Desligado
BNegão & Seletores de FrequênciaEssa é Pra Tocar No Baile
It took almost 10 years for BNegão & Seletores de Frequência to release their second album, but now their music is even more influenced by black music and rhythms such as Afrobeat, soul and samba rock. Essa é Pra Tocar No Baile is one of the breakthrough tracks of the record.

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CANADA: Quick Before It Melts
DigitsWhere Do You Belong?
My heart melts every time I hear Alt Altman – the one-man techno R&B band known as Digits – purr: “It’s just a broken heart/but you ain’t had a broken heart/like this,” on Where Do You Belong? A song this catchy and infectious should come with warning labels: “May induce repeated listens and become lodged in your head for weeks at a time.”

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CHILE: Super 45
La Big RabiaNos Gusta Que Sea Así
Music abounds during times of crisis, and La Big Rabia is one of the symptoms of this social unrest we are living with in Chile. Their EP, La Bestia, and their shows begin with a disruptive speech made through a loudspeaker by singer Sebastián Orellana, a sort of tired and furious crooner. After this, a retro rock disposition is unleashed on songs like Para Todos Los Hijos De Puta, with its chorus: “Todos contra los poderosos / Todos contra los que tengan sed de poder” (“Everybody against the powerful ones / Everybody against those thirsty for power”).

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CHINA: Wooozy
Glow CurveBrain Washer
Glow Curve formed in Beijing in 2011 and are influenced by post-rock and electronic music. The quartet absorb and explore new elements to blend complex instrumental sounds from contrasting emotions – manic or quiet, warm or cold.

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COLOMBIA: El Parlante Amarillo
Zalama CrewNo Hay Marcha Atrás
Zalama Crew is a collective based in Cali, a city very close to the Colombian Pacific coast. An excellent example of what is happening in these lands, their project mixes hip-hop, urban and world music. No Hay Marcha Atrás (“There’s No Turning Back”) is taken from their first album Zalama Lekum, which fuses African rhythm with electronic sounds.

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DENMARK: All Scandinavian
KúraAnchor
With the amazing vocal of Fanney Ósk Þórisdóttir as a general highlight, Danish/Icelandic trio Kúra’s debut Halfway To The Moon is a dark, melancholic and rather enticing affair mixing electronica, trip hop, dub and (indie) rock. Here’s single Anchor, co-produced by acclaimed DJ and producer Buda (Lulu Rouge) and accompanied by this beautiful video by Kristian Touborg and Jesper Dalgaard.

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ENGLAND: The Guardian Music Blog
JosephinePray That I Move
Manchester’s Josephine Oniyama is not another soul girl, even though some early breathless accounts of her work and voice are of the “you won’t believe this isn’t a classic lost R&B or blues recording” variety. Actually, as Pray That I Move shows, Josephine’s vocal delivery and idiosyncratic lyrical vision have more in common with Morrissey than Mahalia Jackson. She’s already made a big stir on the regional scene with Elbow’s Guy Garvey and singer-songwriter Ed Harcourt among her champions. Her debut album, Portrait, is out on October 8.

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FINLAND: Glue
Minttu & OlliCorduroy Boy
Minttu & Olli are a graceful couple homebrewing sweet pop songs. With great vocal harmonies, a gentle folky spirit and smooth melodica sounds, the duo is a Nordic version of She & Him that could have easily been featured in the soundtrack of (500) Days of Summer.

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FRANCE: Yet You’re Fired
The Lemon QueenSailing In A Wild Love
The Lemon Queen hails from Angers, east of France, where the music scene is flourishing at the moment, with everyone trying to play their cards right. The band makes a difference with their psychedelic pop-rock sound, reminiscent of Klaxons, a comparison particularly true on Sailing In A Wild Love. With catchy melodies and an undeniable energy, this quartet should be followed very closely.

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GERMANY: Blogpartei
Sandy BirdRevoke
Little is known about this band from Berlin which formed in 2008 and have already experienced some member changes. Revoke is taken from their Bambaloo EP. Expect to hear more of this promising post-rock act soon.

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GREECE: Mouxlaloulouda
Electric LitanySad Part
Bleak and broody music has never been quite so thrilling. Sad Part is an elaborately orchestrated, inherently dark, minimalist, piano dirge, like a sad dream scented with rain, with searingly compelling lyrical imagery, eerie vocals full of intuitive swells and fades, pauses that embrace some of the pious silence of a prayer and tremolo guitars that do an excellent job of creating a beguiling atmosphere. Electric Litany’s highly anticipated sophomore album is set to be released later this year.

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ICELAND: Rjóminn
ÚtidúrGrasping For Air
This latest track from the ambitious chamber-pop 10-piece sees them entering almost disco-like realms. A new album should see the light of day in the coming months but those who want to get to know this joyous collective better should check out the band’s 2010 debut album This Mess We’ve Made.

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INDONESIA: Deathrockstar
Marcel TheeEndless Heart
After more than 10 years channeling his creativity with the indie-rock band Sajama Cut, Marcel Thee is now the only original member left. Here he pursues his passion for lo-fi, layered sounds, gospel music and poetry. If you love W.B. Yeats, the album is a tribute to him.

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IRELAND: Nialler9
No Spill BloodGood Company
Formed from members of Adebisi Shank, Elk, Magic Pockets and Hands Up Who Wants To Die, No Spill Blood’s first EP is released this month on Sargent House, home to Fang Island, Omar Rodriguez Lopez and Les Butcherettes. If you’re familiar with any of the bands mentioned then it won’t surprise you to hear that No Spill Blood play it fast and furious, running on the noxious interplay between drums, effect-laden synth, low-end bass fuzz and bellowed vocals.

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ITALY: Polaroid
CosmeticLa Fine Del Giorno
Cosmetic may sing in Italian but I’m sure their songs will speak to you anyway. Their rough and nervous shoegaze sound often drifts towards more muscular music as it makes way for an explosion of guitars. When I saw them live the first name that came to my mind was Dinosaur Jr. The motto on their Facebook page – “Noise and melodies that fight to get the better of each other” – pretty much sums up Cosmetic.

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JAPAN: Make Believe Melodies
CuusheI Dreamt About Silence
Tokyo artist Cuushe last brought out an album three years ago, and it turns out she spent the stretch of time after it was released building her own world. I Dreamt About Silence sees her stretched-out vocals covered in hazy synths, every sound wrapping around one another to create a glowing track you want to be enveloped by. Cuushe shows the best way to escape the rush of the modern world is to construct your own dreamy universe.

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