Bands and artists are expected to borrow their schtick from a variety of sources. Often, the back story is just as interesting as the output itself. We’re kicking off a new series where we ask artists to make a mixtape based on a genre they’re into, but not necessarily associated with. Sometimes harmony, sometimes hardcore Jonathan Boulet gives us some insight into his ‘doom rock’ brain-chasms below. HTML hi-fives to Lucy Roleff (for illustrating our new national emblem above) and Greg Stone from Feral Media for putting this together.
Greg Stone: I first became aware of Jonathan Boulet as the drummer/vocalist in the now defunct Sydney band Parades, an indie pop/rock group who seemed poised to take on the world, albeit for a brief moment. So it came as no surprise when Jono’s solo project stole the spotlight with its irrepressible pop hooks and sing along choruses. A talent that caught the ear of indie powerhouse Modular, who quickly released his self titled debut album.
Fast-forward to 2014 and Boulet’s most recent album Gubba (released via Popfrenzy), finds him indulging heavier rock moments revealing yet another side to his musical oeuvre, a side previously hinted at through his side-project Snakeface. Considering this, it is certainly fitting that his mixtape is on the heavy side of things. A cathartic journey through sludge rock, post punk, hardcore and other distorted sub genres best enjoyed at maximum volume.
1. Sleep – ‘Jerusalem’
Never actually listened to this front to back. We did it the other day while we were on tour driving between Sydney and Brisbane. The heavens opened up as they always do right as you go past Byron Bay. It was getting dark, we were speeding through a typhoon – zero visibility, moments from our imminent doom……with the perfect soundtrack.
‘Stoner’, ‘Doom’, ‘Sludge’ – whatever it’s called, it just doesn’t seem to ever lose its appeal to me. You can get sick of anything, but this is something I come back to most weeks.
2. Swans – ‘Oxygen’
Michael Gira’s vocals are just straight out funny. I like his sense of humour. I just want a copy of the acapella for this one. Once again, Swans punish their audience with their unrelenting barrage of hits, slides, bends topped off with that undeniable groove.
3. Destruction Unit – ‘Slow Death Sounds’
When that guitar comes in it just tears through the speakers like a chainsaw hitting a bloated stomach. That kind of reckless sonic annihilation would make many recording engineers queasy. That’s exactly why it’s perfect.
4. The Men – ‘LADOCH’
I love how this song feels like it’s over but somehow they get a second wind and it’s back on. This band moves on so quickly from album to album but I’m glad they took the time to blow some steam and indulge in some righteous sonic violence before continuing on to safer territory.
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