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Naked Tour Diary (Part 1)

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Hobart three-piece Naked turn grim irony about the general hopelessness of everything into short, strangled shouts of songs, dredging up all the bad feelings with jagged driving guitar and smartly pointed lyrics.

They’re also extremely funny. There’s something about the crisp air/high unemployment in Tasmania that makes that kind of acidic self-depreciation come as second nature maybe, cuz Hobart tends to bat way above average in likeable ratbag population. So you know a tour diary by the band’s good mate Alex Romano is gonna be worth reading. Alex tagged along for most of the shows on their album tour earlier in the year (following the release of the scathingly wonderful Pink Quartz), to sample the rockdog lifestyle and small-town vegan food.

Naked’s recently released video for the catchy but uncomfortable ‘Blepharitis’, showcases some of the beauty of Australia’s landscape – deep brown earth and rocky bushland, soft winter sun hitting dew-sprinkled leaves. This tour diary does the same – Juicy vans, Grinspoon on the radio, crystal shops, vita wheats.

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Alex reckons Naked deserve a Pitchfork review. I’m sorry this isn’t that site, but here goes!

[Long opening paragraph of mostly irrelevant biographical details] [speculation about the band member’s mental state while writing the song/record] [made up genre] [word no one knows, possibly accurate possibly not, who cares?] [backhanded compliment] [7.7 stars].

Naked is a band from Hobart and they deserve a review on Pitchfork

By Alex Romano

On 12 February 2016, Kanye West released his 7th studio album, the Life of Pablo. This will be just a minor footnote in history compared to the fact that the Hobart band, Naked landed in Brisbane to begin a series of dates that rocked the east coast of Australia. Naked is Kieran, Rob and Jordy and I was lucky enough to see most of their shows on tour so I prepared a record of what is probably the greatest Aussie victory since Shane ‘Warnie’ Warne won took a world record breaking 709 Test wickets.

I will be rating each important tour event according to the Rockdog-o-meter. 5 Rockdogs is roughly the equivalent of snorting cocaine off Phil Jamieson’s tummy while Mick Jagger claps gently underneath a blue light, 0 rockdogs is giving a 6 second handshake to Andrew Bolt at a Polo match.

Day 1 – Feb 13 – Brisbane – we met a Go-Between (almost)!!!

4ZZZ Car Park Show

Wandering down the street on an overcast Brisbane day, the whirring of a PA pushed to the limits in the 4ZZZ carpark brings visions of a humid and beer soaked Brisbane that more people should be familiar with. It’s my home and I’m fully stoked there’s a real top notch brizzy welcome for the Naked boys on arrival. When I rock in to the carpark the kings of the Hobart experimental punk scene are already here having a great time, throwing a few fists in the air and crushing some XXXX (beersies) like they were reared up on the banks of the mighty Brisbane River. I hi-five Rob and give a solid embrace to Jordy and Kieran. The band on before them is expressly punk, and called Clever. They live up to their name by starting one of their songs to the tune of the Black Eyed Peas ‘Don’t Funk with My Heart’ but they replaced funk with fuck and heart with shard. Very clever boys. I think what they were saying is that when smoking meth it’s not great to fuck with one’s crystal so it was pretty funny coz also it’s like the crystal is my heart and don’t funk with my heart. They exhibit a force like Cadel Evans on his maiden Tour de France victory and whirlwind their way through a set that basically sends everyone’s jaws to the concrete carpark floor.

Kieran’s pretty visibly shaken. I’m trying to calm him down and soothe his worries that Naked will not be appreciated.

“You’ll be right champion!”

The other guys get in on the act and pretty soon we are all pumping his tyres up. Jordy takes a quick break from pumping Kieran’s tyres to be a self-appointed sound engineer and starts inspecting some wires and shifting the location of the monitors. Kieran’s still a bundle of nerves but before I can blink he’s burned down an interview (at 4:20pm!) and then come out and obliterated the eardrums of all before him. The set was relatively light on jokes, but the crowd was still treated to a stirring rendition of Violent Soho’s Bernard Fanning Stole my Girlfriend. It was a real highlight and almost certainly better than the Violent Soho’s original, everyone around me seems to enjoy it, maybe these Hobart kids have got a future in the alternative mainstream of Australian music!

At the end of the set, someone lets it out of the bag that Robert Forster’s son has been milling about with a goon sack and it sends the band frantically searching for the DNA of a Go-Between. The boys begin to ask around, gradually descending into uncontainable rage when it looks as though Forster disappeared into the spring rain of the streets of our town. Please stay safe young Forster, do not lose yourself in a Darlinghurst night. Steal a few bachelor kisses with Lee Remick and Karen but just make sure you don’t end up on your arse in the cattle and the cane but I guess love goes on anyway. [ML: guys I see Louis Forster on the bus every day you gotta relax]

The promise of people and alcohol at 116 (pretty trendy little house in the Brizness) drew The Nakeds away for a quick bevy before the night show. At the 116 the boys took the best photo of the tour, unfortunately for Kieran he didn’t actually feature in the photo. Rob and Jordy are now secretly plotting to have Kieran removed from the band and replaced with Matt Kennedy of Kitchen’s Floor. I will try not to tell Kieran, it will be my cross to bear for the rest of the tour.

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[Best photo of the tour – Naked on the Kitchen Floor – not Metallica]

4ZZZ carpark gig rating: 4 out of 5 Rockdogs (the only thing stopping it from 5 rockdogs was the PA not quite coping with the iphone beats and the sound not quite being the best. Maybe the band should think about employing a drummer like the guy writing their tour diary – Kieran’s banter was also limited.)

While the guys were having a few more long island ice teas, I had a delicious burger and made my way to the scene of the next Naked gig, Trainspotters. It was mc’d by renowned food and life critic, Aaron Gocs! He made a really good joke about his daughter not loving him and generally hosted a really bonza night, the only thing it was missing was some vegan sangas and it really would have been the best night of our lives.

Also, Aaron (or Mr Gocs) if you are reading this could you please send me the text of the joke that you told on tour about your daughter, I laughed really hard and I’d like to retell it to mates as if it were my own. My favourite Aaron moment was when he leaned over and whispered in my ear that Kieran was reading out Grinspoon lyrics during Run At Me, it sent us both giddy and I had to steady myself on the bar. Phil Jamieson is a serious idol of all Australians and was robbed on season three of the X Factor even though he had serious X Factor as he is basically the face of Generation X.

I got a hi-five and a photo with Aaron after we’d calmed down and I’m really glad that he was who I thought he was and that he also liked Grinspoon, he must really have a (Chemical) heart after all.

I should probably also mention the other bands that played tonight. Pillow Pro played early on in the night but I missed them, I heard they sounded really in tune for most of the set [ML: Is this a diss? Pillow Pro are great [Confirmed: Not a diss. Alex also thinks Pillow Pro are great]]. Cannon played before Naked and I reckon they are gonna be a hard act to follow.

Woah! Hang on! Naked lost control! The show was a really big thrill! Rob banged the cymbal with enthusiasm, Kieran also sung in tune and Jordy rocked out with a beaming smile. Jordy always looks pretty happy during the sets so far which is awesome to see, good onya Jordy. Everyone had an absolute blast and I even got a compliment from a real big chiller with taking photos of the gig who was very impressed by the fact that I knew the band. His exact words were, “that’s sick!”

It sure was sick mate!

Trainspotters ratings: 5 out of 5 rockdogs – the only way this one could have been better is if Robert Forster’s son had turned up. Or if Bernard Fanning and Kieran’s ex-girlfriend had turned up.

Day 2 – Feb 14 – Leaving Home by Grinspoon (Fuck Jebediah) – personal joke fyi

I lost track of times in Brisbane sorry Mum but I’ve kept them from now on. Sorry, just be aware that now each event will have a little time stamp but it doesn’t mean that Brisbane was in some kind of time vacuum.

9:00 am [sorry I was too rocked out in Brisbane to keep track of the time and I didn’t wanna just lie and make up times for my thoughts]

The boys pick me up in a Juicy van. I am begging for the abyss to take me, what is there worth living for anymore? A little voice kicks me in the back of the head and says the Naked tour so I’m back on top. There is some significant discussion about an ABN and whether it is worthwhile for the band to acquire one. I could not want to listen to this any fucking less and neither could Kez. We politely begin to nod off as Rob insists that he is –

“not having a go Jordy”

-he just wants to get to the bottom of it. Fair enough but the bottom of what exactly Rob?

“The pros and cons, that sort of stuff of course!”

I don’t know much about business so I don’t interject, I’m also technically not in the band. Jordy raises his voice slightly, not to a level of anger, but there is clearly something I would maybe classify as “irk.” He basically stares through Rob’s soul and tells him,

“No you are wrong Robert, I am right.”

Kieran is asleep solidifying his role as the most important member of the band but also the most useless. We’re all a little bit tired I think but this glam rock lifestyle will do it to you.

11:30 am

Someone has now whacked on Grinspoon. I have a feeling this tour is going to be full of grinners…Even though I’m really hungry, I hope we stop at Dreamworld and take a photo because I haven’t been there in a long while.

11:45 am

We did not stop at Dreamworld. Or Hollywood on the Gold Coast. Instead we are now driving around looking for a carpark in Tweed Heads.

12:10pm

We’ve found a park. We all just got to piss and swim and eat a bit of a single mushroom panini with some very rustic potatoes. If you didn’t know we were on tour you do now.

2:30 pm

Lismore is pretty much how I remember it! Absolutely chocka block of Grinspoon tribute signs, tempeh burgers and people selling crystals. There were also a lot of funny looking people giving funny looks and sideways glances to Rob. I think they were surprised that a man can still wear a dress and look “sexy.” For the tour record, Rob’s floral number is very cute and I think he has definitely left an imprint on Lismore and definitely left an imprint on the bottle shop attendant who couldn’t stop having a look.

The space where the band is playing is a bit smelly and relatively empty, we all nod in approval at the suggestion that we crash anywhere else but in this room tonight. The exterior of the building reminds me of a youth detention centre cell block like the one sung about in Sprinters of the World Unite, or also a school building (woah!). There are some good vibes and a lot of brick, a real sense that not everything is lost, despite the rugged exterior. I’m sure the guys want to just play the show and move on but they will give a good one for the fans.

5:00 pm

They gave a good one. An angry guy in a Bunnings hat and T-shirt has other ideas though so I asked him for his thoughts.

An interview with “name withheld” regarding the band Naked at See Space in Lismore

Q: What do you think of See space?

I’m pretty much a regular down at See Space, it’s one of the few joints in Lismore that you can really let your hair down.

Q: Cool! What brought you to the gig?

I was a bit sweaty after having gone to Bunnings earlier in the day [points to shirt and hat with toothy grin]. I just think they have a very well curated selection of useful equipment, much more so than Masters, it’s probably why Masters went broke. Fuck Woolworths! Or Coles. I mean fuck em both but yeah especially fuck whichever one of them does Masters.

Q: What did you think about the song Massive Cock?

Yeah sure they have a song called Massive Cock but that sure as hell isn’t about a dick. It’s about some kind of male guilt. I wasn’t particularly interested.

Q: Was there any part of the gig you enjoyed?

Yeah, when I went outside about halfway through the set to finish my glass of Pinot Grigio.

Q: Anything else you’d like to add?

I think the last song they played was called Critical Arseholes. That one was ok. And so was one at the start that had a pretty punchy rhythm. It had some stupid long jokey kind of title that those guys think must be funny or ironic probably. The youth of today are lost, that’s what just kept going round in my head over and over and it was driving me mental so I had to step outside. The vocals were too out of key as well and I think the singer was trying on some kind of Smith Street Band type of thing. I don’t really know how I feel about them.

5:30 pm

As we drive out of the town there are endless signs essentially saying the same thing “coal seam gas, 96% of people in X town don’t want you.” A wave of disappointment floods over me, why didn’t Kieran make a joke about the previous Naked ep being titled Coal Seam Jazz? Should I have mentioned this connection earlier? Maybe then old mate would have liked the band more. You can’t pander to everyone though. Sorry.

Thanks for having us Lismore. We are going to Bunnings now because Jordy wants coffee in the morning. Apprently Bunnings sells gas for coffee but not sleeping bags? Go figure. I am excited for the coffee though.

6:05 pm

We need a wind down after Bunnings so it’s off to a little slice of heaven known as “Minion Falls.” The only Minions we saw were stuck to the back of a Toyota Tarago though which was a bit of a bum out! The water in the falls was very chill and we got some great piccies courtesy of a couple of lovers who were getting ready to make their own little army of minion loving monsters heh. Anyway, cheers for the photos guys, here is one of them. Strong recommend. Happy Valentines Day.

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8:30 pm

We’re on the road to Lennox Heads now to camp under the stars. One Love.

Lismore: 2 out of 5 rockdogs – smelly, not enough Grinspoon and too much Bunnings not enough Masters.

Alex Romano graduated from the University of Queensland with a Bachelor of Arts/Law. He lives in Sydney and works as a solicitor. He never wears a suit to work.

Part 2 Tomorrow

Pink Quartz is available now through Tenth Court

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INTERVIEW: Em Gayfer of Rock4Renewables

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If you’re out and about in Melbourne you’ve probably been touched by the ambition and grace of Em Gayfer in one sense or another; chances are you’ll recognise them foremost as the vocalist for the fearless Chelsea Bleach, but they’ve put their hand to their fair share of grassroots activism too. This brings us to Rock 4 Renewables, a micro-activism festival to push for renewable energy in Victoria. Far be it from me to explain the whole thing – instead, I spoke to Em recently about R4R’s upcoming gig at The Old Bar on 14 August.

What can you tell us about Rock 4 Renewables?

Rock 4 Renewables is a fundraiser event to raise money for Yes2Renewables – a Friends of the Earth collective. The group has been campaigning in Victoria for over four years to ensure legislation around renewable energy is fair in the state. We’ve been able to get the Daniel Andrews government to commit to repealing the worst of the state’s anti-wind farm laws, as well as commit to a Victorian Renewable Energy Target!

After some major wins, however, this grassroots organisation is running low on funds. We’re calling for Melbourne’s rock n roll community to support us in raising some much needed money so that we can keep working in Victoria to secure a 100% renewable future for the state!

The gig will feature some of Melbourne’s great musical talent, including Huntly, Elizabeth Mitchell (Totally Mild), Brat Farrar and Lalic. We’ll also have a raffle with some amazing prizes going on the night.

How did you get involved in the project?

I’ve been volunteering with Yes2Renwables for over two years. This event will be the second Rock 4 Renewables we’ve hosted – we called on the Melbourne music community to help us out a few years ago in raising some funds, so when we were having financial troubles, it was a good first place to start.

I’ve been volunteering with Yes2Renewables for over two years now and am pretty active in Melbourne’s live music scene. Combining two areas I’m really passionate about seemed like a great solution to me!

What can you tell us about the artists on the bill?

We’ve been lucky enough to secure an absolutely amazing lineup for the event, and just goes to show that Melbourne’s musos are ready to rally behind a great cause. We’ve got Huntly, who describe themselves as “doof you can cry to” and who recently released this amazing EP. Elizabeth Mitchell from Totally Mild will be playing a dreamy solo set, Brat Farrar will be bringing his fuzzy new wave style. Lalic will also be joining us with their experimental psych stylings. And we’ll have DJ Nature Girl playing tunes in between bands, so there will really be no reason to leave the dance-floor!

The event mentions the Victorian state government undertaking “ambitious renewable energy goals”, for the uninformed, can you tell us what these entail?

During Tony Abbott’s prime ministership, the renewable energy sector was dealt a harsh blow, with the national renewable energy target slashed by 20%. This meant that in Victoria, the renewable energy sector was stunted and no new projects were being built due to uncertainty over what would happen in the future.

In light of this, the Yes2Renewables campaign worked hard to ensure the Daniel Andrews government committed to renewable energy in Victoria. The main way to ensure this has been through a Victorian Renewable Energy Target. Recently, the Andrews government announced two renewable energy targets for the state: 25% by 2020 and 40% by 2030 – which is a great step towards transitioning to 100% renewables!

What kind of renewable energy mediums (or methods) is the state government supporting?

Plans for how the VRET will be implemented are still underway so we still don’t know exactly what the state’s renewable energy sources will look like. Their plans show so far that the targets will double the amount of wind energy capacity in the state by 2020 and triple it by 2025, not only increasing the amount of renewable energy but also creating 10,000 jobs which is pretty awesome.

Where to from here?

Victoria’s renewable energy targets are an important step in ensuring a clean energy future for Australia, but there are still a number of other steps to take. The VRET has set a strong baseline for Victoria, but across the country we need to see renewables growing. As well as this, across Victoria, communities have been calling for a permanent ban on unconventional gas (fracking) and are currently awaiting a decision from Resources Minister Wade Noonan, so there are still a number of other environmental threats outside of just increasing the amount of renewable energy in the state that need to be addressed.

Rock 4 Renewables poster

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INTERVIEW: Chasing Paradise with Lucy Roleff

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I’ve met Lucy Roleff a little way down the road from Triple R studios. She’s finished up doing an in-studio performance of her song ‘Every Time’ on The Grapevine with Kulja Coulston and Dylan Bird, and now we’re sitting over our hot beverages of choice, picking through the last couple years of writing and travel that led to the release of her new album, This Paradise.

As someone to sit down and chat to, Roleff certainly doesn’t channel the crystal fragility that comes through on a lot of her records. Lively and seemingly constantly amused, she’s honest and self-deprecating about her musical career to the point where you could be tricked into thinking she isn’t making some of the best folk music around. She carries a small notebook and pen neatly tucked into a plastic sleeve, possibly a home for the many illustrations that find their way into watercolours and drawings on her blog, but today we’re together to talk about her new record.

This Paradise is a considered and deeply rewarding album, and while Roleff is clearly a passionate musician, a life lived through records and microphones in the traditional album cycle sense isn’t something she’s interested in being defined by. This Paradise is composed of songs of varying ages; the longest and most verbose on the record, ‘Two Children’, is around five years old, having been written around the same time as songs that eventually showed up on her 2013 EP, Longbows.

‘They just kind of trickled together over time, and then when I knew I was going to record the album that’s when I had to sit down and go, “which songs am I going to use?”. I think I had eleven songs all together…one of them was really recent; I wrote it when I was learning the harp. It was kind of a mix of years of songs, going back through the back catalogue.’

Roleff says she isn’t prolific, but later tells me a story about how she came across binders lying in some disused part of her closet, holding songs from different periods of her life. Songs about boys, ditched partly in an effort to create a stronger voice for herself, but also to stop getting teased; songs about esoteric concepts, songs about Dalmatians, even. This Paradise sounds like a consolidation of these binders (without the boys and Dalmatians, though). It skips through varying phases of life and the concerns held within. Whether or not the album is going to go the way of those dusty old binders – shuffled away within a closet, to be discovered later in life as a time capsule of these past few years – Roleff isn’t sure.

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During the recording of This Paradise, Roleff and producer Tony Dupé (Holly Throsby, Jack Ladder, Sui Zhen) made use of an old hall built off a house Dupé once inhabited. Apparently it had been used as a kindergarten at one point or another, a bathroom to the side equipped with tiny basins and toilets for the little ’uns, which Roleff described as ‘really spooky’. Over the course of three days they recorded vocals and guitars, Dupé often pausing their focus so they could go for a walk to browse the local Salvos or watch YouTube videos.

Roleff says the space itself found its way onto the recording – ‘Especially on songs like ‘Haus’ and ‘This Paradise’, which are kind of meant to be lofty and enormous. We had a lot of mics set up around the room, getting the ambience.’ The use of the hall didn’t stop there; electronic guitar and bass were pumped into the room through an old amplifier and re-recorded by Dupé.

This Paradise is, in large part, carrying on the influences established on Longbows: European art and literature have a major influence here.  Roleff says, ‘[its] the idea of tradition, I suppose. Or maybe because of my classical training I’m drawn to strange intervals or whatever. I never try, I’m never like –’ putting on her best stuffy musician-academic voice for effect – ‘I’m gonna make it really interesting and weird so people think I’m cool – “it’s so Motzartian, Wagner was a big fan of this method” or whatever’.

That European influence is homegrown, too. Sandwiched between a German dad who still bursts into operatic song at the kitchen table, and who Roleff describes as being ‘pretty damn German’, and a Maltese mother, Roleff says her upbringing in Melbourne’s Ferntree Gully didn’t expose her to the Anglo culture that dominates the childhoods of many Melburnians.

‘Growing up, family was our friendship group. My parents never really had friends outside of our family. My cousins and I are basically siblings; raised in each other’s households, that whole thing. That seems to be a European thing, especially when they’re immigrants.’

I ask whether a song off the record, ‘Haus’, is inspired by her childhood home, but its genesis was more a conceptual place than a lived one – ‘kind of the sense of being trapped in [an old house]. In the verses I talk about the decaying house and the lushness of the garden, but in the chorus it talks about there being a gate, so there’s a way out.’ Roleff’s style isn’t totally owing to Europe, though. She tells me that ‘Haus’ is also inspired by the 1977 Nobuhiko Obayashi film Hausu, a psychedelic horror freak-out in which a house tries to devour a group of Japanese schoolgirls.

Unlike her father, who still performs in choirs at the age of 82, Roleff doesn’t find herself inevitably drawn to the stage as a performer. ‘I just…don’t. I don’t wake up in the morning and need to go play a show. The music is the end goal for me. I like [performing], I definitely get a kick out of it, but I need to be pushed to do it. Maybe because I’d been doing it since I was a kid I got fatigued…When I think about that road-dog, rock-show kind of lifestyle, I get deeply despondent.’

This Paradise has roots in those burnt out and anxious feelings. On the title of the record itself, Roleff explains, ‘I went through a lot of anxiety, and when I was going through that I got confused about what “real happiness” was. The word “paradise” would get thrown around, and I would just think, “what does that even mean, I never feel that”. I think it was about touching on that and getting an idea of what it was, or a reflection of it. It’s elusive.’

 

Lucy is launching her new album This Paradise at The Gasometer Hotel on July 28th.

This Paradise is out on Lost and Lonesome Records.

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MAP – January 2016

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Here’s another round of new tunes from our blog friends around the globe. White Lodge is our Australian submission this month, serving up some loose vibes with their track ‘Bleach Coma’.

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the full 15-track compilation through Dropbox here.

 

ARGENTINA: Zonaindie
Sebasti·n KramerAbsolutos Principiantes

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2016 started with sad news about the passing of rock legend David Bowie, so we thought it would be a good time to share this cover of Absolute Beginners. It was recorded 10 years ago by Sebasti·n Kramer, former member of Jaime Sin Tierra, for a Bowie tribute album by independent netlabel Licor de Mono. Long live the Thin White Duke!

AUSTRALIA: Who The Bloody Hell Are They?
White LodgeBleach Coma

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Brisbane four-piece White Lodge have been busy the last few years, touring Taiwan with acclaimed Taipei-based band Forests, and supporting the likes of The Growlers and Thee Oh Sees on tour. Their latest single, Bleach Coma, serves up equal parts Brylcreem, surf scuzz and a dose of relentless psych-garage peddling. When artful balladry or an experimental noise opus just doesn’t cut it, White Lodge proves you don’t need to reinvent the wheel to have a good time.

BRAZIL: Meio Desligado
Elza SoaresMaria Da Vila Matilde

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Maria Da Vila Matilde is one of the strongest tracks on A Mulher Do Fim Do Mundo, the acclaimed album released by Elza Soares in 2015. At 78 years old, this is her 34th album. This song has an experimental approach of samba, rock and jazz, and lyrics about a woman rising against domestic violence.

CANADA: Ride The Tempo
MerivalA Better Deal

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First Rate People’s Anna Horvath is releasing solo music under the moniker Merival. You may recognize her voice from Swim Good’s song Since U Asked, which was featured in Ryan Hemsworth’s label Secret Songs and remixed by Star Slinger a while back. Now swing back with the gorgeous folk tune A Better Deal.

CHILE: Super 45
Oso El RotoOrdenacion

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To define Oso El Roto in a musical genre may be problematic. At the same time, it’s one of the best indications that we have something interesting on our hands. In Ekeko, his most recent record, Oso El Roto aka David Loayza is loyal to his own lo-fi style, developed during the 90s, which is characterized by absurdity, madness and childishness, and all amplified in his bizarre live shows. Ordenacion (featuring Dadal˙) is brand new for 2016.

(Listen to the full playlist below). 

 

(more…)

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MAP: December 2015

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JAALA_2_Jess Gleeson

2015 is done, and it’s been an excellent half-decade for tunes from all our MAP friends around the world. Our final submission for the year comes from the delightful Cosima Jaala who’s almost left Mangelwurzel in shadow with the debut record from her solo project, JAALA
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On the subject of solo projects, if you’re wondering where Operator Please fizzled out to since temporarily insulting everyone’s musical memory with that song ten years ago, lead singer Amanda Wilkinson has has relocated to Glasgow and popped up as Scotland’s MAP pick this month – teaming up with Dananananaykroyd drummer John Baillie Jnr for a Christmas cover.

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Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the full 17-track compilation through Dropbox here.

ARGENTINA: Zonaindie
Rubin y Los SubtituladosAdiós, Torino

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This year marked Zonaindie’s 10th birthday, so for this last MAP of 2015 we wanted to share a track from Rubin y Los Subtitulados’s first album, Esperando El Fin Del Mundo, which was released during our first year as a music blog. Adios, Torino is a beautiful ballad and one of our favorite songs by this great songwriter from Buenos Aires. We recommend all of his discography, which is avaliable on Bandcamp.

AUSTRALIA: Who The Bloody Hell Are They?
JaalaSalt Shaker

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Salt Shaker is the second single from Melbourne art-punk Cosima Jaala’s debut album, Hard Hold. It tracks the troubles Jaala has coming to grips with her upbringing in a far-flung suburb on Brisbane’s coastal fringe. The lyricism of this track is emblematic of the raw earnestness you hear across the entire album, with Jaala seemingly pulling melody out of thin air. The unpredictable spikes and troughs keep you engaged throughout, as if you needed any more reason other than her finely executed vocal gymnastics. The track is a refreshingly honest account of a troubled time that avoids indie tropes and turns complex emotions into a beautiful song.

BRAZIL: Meio Desligado
Alice CaymmiComo Vês

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Como Vês is the opening track of Alice Caymmi’s 2014 album Rainha Dos Raios. Born into a family of famous musicians, Alice is surrounded by some of the most prominent artists in Rio de Janeiro and contributes to Brazilian pop music (known as MPB) with contemporary electronics and experimentation.

 

(Listen to more songs below)

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LOOK: Meredith Music Festival 2015

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Words by Meredith Music Festival punters, compiled by ALLEE RICHARDS

Photos by BEC CAPP

* * *

Friday, 9AM.

“Where are you camped?”

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9:30AM

“How have you been?”

“Where are you camped?”

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10AM

“Hey, how are you?”

“Good, but I just saw someone I went on a Tinder date with, and I’m trying to ignore them. Where are you camped?”

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10:30AM

“Hey, where are you camped?”

“It’s a good spot, and we’re next to this guy I have on Tinder. I hope he doesn’t recognise me, but still finds me hot in person.”

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11AM

“Where are you camped?”

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12PM

“Is it time for lunch yet?”

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12:30PM

“Ah, so fresh.”

“I love oysters.”

“Smoked trout, what a delight!”

“Crostinis, cute!”

“Where’s the Prosecco?”

“I love your fur.”

“That’s not Prosseco, that’s sparkling shiraz!”

*Lol*

“Are we ready for the pork?”

“Why are we playing the second movement? It has to be Spring!”

 

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4PM

POWER

“I’m so full I can’t stand.”

“Beer is going down very badly.”

“I don’t think a four course meal was a good idea after all.”

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LOOK: Paradise Music Festival 2015

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Photographs by Nelson Armstrong and Bec Capp

 

If you thought the barrage of FOMO-inducing photos on of picturesque Lake Mountain was over – then shame on you. Good things take time. You should have known that we’d post our Paradise Festival photos a week later than everyone else with these film photos capturing moments of bliss, tinies and 90s latex cameos.

Film takes time to process, and so does the brain to process memories. The week after a festival, (especially one with a club) can be a rough one. Congrats to those who did attend. You made it. Thursday was a particularly shit one for me. Now that I feel good again the memories feel even better.

For those of you who did attend, maybe you will find your face in the crowd, maybe not. Either way you will look back with nostalgic warmth on the weekend that was. Maybe you are traumatised from lugging heaps of unnecessary crap up a mountain. Perhaps you only remember watching hippies making bubbles and wondering why club kids wear white at a festival.

Or maybe you don’t latch on to the negatives. I remember watching an unbelievable sunrise on Saturday morning that I wasn’t able to photograph with justice – and don’t have a big enough vocabulary to describe. Maybe it was dancing in the afternoon sun to Totally Mild and The Harpoons and thinking that everything in the world was alright. Whatever it was, this three-year-old baby of a festival is located in the most picturesque setting.

Paradise Festival is truly unique and will continue to do great things for local music. For those who missed out this year, the feeling that you could/should/would have attended will only intensify as Paradise grows older.

 

See you in 2016.

 

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Check out our previous Paradise photo essays, here and here.

 

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See full photo set below.

 

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