The Price – Dappled Cities

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Margins – ‘Shot’

Melbourne’s Margins create music that’s both minimal and cinematic; characterised by a sparse, efficient beauty yet big enough to fill out the barren, dusty landscapes it evokes. At least, that’s what I think of when I listen to their excellent self-titles LP. This song, and several others on said album, contains an unexpected left-turn half-way through that certainly keeps things interesting. If Nick Cave and Warren Ellis get sick of soundtracking Nu-Westerns, John Hillcoat should give these guys a call.

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Lions At Your Door – ‘Turning Burning’

Lions At Your Door had one of my fav Australian tracks of last year with ‘Shake It,’ and now they’ve readied a debut EP that strangely omitts it. Oh well, there’s still their  band name-referencing track ‘LAYD’ somewhere on there. ‘Turning Burning’ isn’t quite as good as either of those, at least not straight away. Maybe it will grow on me? It’s more straight-up rock than the sexy dance-punk strut of ‘Shake It,’ but Cookie’s vocals still manage to give it enough edge to make me return for a few more spins.

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Canyons – ‘Blue Snakes’ (mp3)

Parisian producer Cosmo Vitelli has been running the label I’m A Cliche for the last five years and is celebrating this milestone via a double disc release called Moments of Crisis. The first disc contains past releases, kind of a greatest cuts selection, but the second disc contains new tracks by Simian Mobile Disco, Yuksek, and Australia’s own DFA signee Canyons. This track previews what we can expect from these producer duo form their upcoming album.

www.myspace.com/thecanyonsinfo

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Decoder Ring – ‘Let A Thousand Flowers Bloom’

Decoder Ring have put out some rad music in the past and have always had a tendency toward atmospheric and lush (hence why the were so well suited to the ‘Somersault’ soundtrack). Here, they filter that into dance-ish track that aims to surge as layers are accumulated. Things are very clean but never too slick, however, being a radio edit, the song feels stripped of a suficient build up to make the final release as euphoric as its intended. It still sounds pretty good, but hopefully the album version delivers a more moving rendition that capitalises on the song’s intial momentum. I have faith in the band, and await new LP ‘They Blind The Stars, And The Wild Team.’

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