Monthly Archives For August 2011

Dune Rats – 'Pogo' (Exclusive)

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Dune Rats – ‘Pogo’

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Proudly presenting the sweet new track from DUNE RATS before it gets shipped off to radio. Vacation vibes all ’round, ‘Pogo’ is the first single off the band’s second EP Social Atoms, which is set for release this month.

To co-incide with the release of Social Atoms, the Brissie duo will be cutting loose on the East Coast for a select number of dates in Newcastle, Sydney, Melbourne, Adelaide, Goldcoast, Toowoomba, Brisbane and Byron Bay.

Hit it up!

Dune Rats FB





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Meredith 2011 Line-up

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The Meredith lineup came out today and in addition to the imported goods on the bill (Unknown Mortal Orchestra, Kurt Vile, Exposions in the Sky, Black Joe Lewis etc) there’s some decent local acts that have been added. I got trampled by  middle aged corporates when Icehouse played at a gala ball earlier this year, so I’ll probably refrain from going in for a second helping of Electric Blue. Rounding off the veteran sector of the lineup is former Moodists frontman Dave Graney. Adalita, Oscar & Martin, Matt Sonic & The High Times and Graveyard Train have also been annouced, as well as festival regulars Cut Copy and Eagle & The Worm. Geelong’s King Gizzard & the Lizard Wizard will be opening the proceedings which should be a treat.

Not many 21st’s rearrange the solar system and let you BYO anyway.

The ballot closes on the 23rd of August.


GRINDERMAN  *  CUT/COPY  *  KURT VILE & THE VIOLATORS  *  MUDHONEY  *  ICEHOUSE  *  GANG GANG DANCE  *  EXPLOSIONS IN THE SKY  *  LADYHAWKE  *  BLACK JOE LEWIS & THE HONEYBEARS  *  OFF!  *  ADALITA  *  FUTURE OF THE LEFT  *  FRANK FAIRFIELD  *  HARMONIC 313 (DJ SET)  *  JOELISTICS  *  BIG FREEDIA  *  UNKNOWN MORTAL ORCHESTRA  *  GRAVEYARD TRAIN  *  TIM SWEENEY  *  OSCAR + MARTIN  *  CASH SAVAGE & THE LAST DRINKS  *  ANGUS SAMPSON  *  BARBARION  *  KING GIZZARD & THE LIZARD WIZARD  *  JUICEBOXXX  *  VIRGO FOUR  *  EAGLE & THE WORM  *  THE RECHORDS  *  DAVE GRANEY & THE LURID YELLOW MIST  *  MATT SONIC & THE HIGH TIMES  *  THE TOWN BIKES  *  CITY OF BALLARAT MUNICIPAL BRASS BAND  *  MASTER SONG TAI CHI  *  SILENCE WEDGE  *  A TOTAL LUNAR ECLIPSE

www.mmf.com.au


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Chet Faker – 'House Atriedes'

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‘House Atriedes’ (mp3)

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‘Jeans & Wallet’ (mp3)

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You may recall Chet Faker (aka. Nick Murphy) who went all kinds of crazy on the interwebs (above James Blake in Hypem’s #10) after we MAP-ed his cover of Blackstreet’s ‘No Diggity’ back in May.  The bearded juggernaut is back with a nice platter of downloads for y’all.

Overdoses of electronica usually have a sluggish effect on me, but Chet keeps his cool without inducing a yawn. House Atriedes’ iridescent intro stretches out onto a vast expanse of synth, while those liquid harmonies keep on with the smooth restraint of ‘No Diggity’. This track is my fave out of the Chet Faker pool so far, with ‘Jeans and Wallet’ trawling closely after.

Serious aural elixir. The guy can do no wrong.

www.chetfaker.com

Chet Faker FB

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sleepmakeswaves – '(hello) cloud mountain' (video)

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Let’s get one thing straight – post rock isn’t elevator music. Sure, some of it’s a little winding & pretentious and there are usually far too many words in post-rock band names (as well as grammatical confusion), but as a style it’s enthralling, interesting and often confronting – when done well.

Thankfully for the Australian post-rock scene, sleepmakeswaves do it well (and in less than 140 characters). (hello) cloud mountain is off their new album, and comes pre-packaged in a beautiful film clip, laden with tidy visual metaphors. It was directed/filmed/edited by Frederick Lloyd, a 20 year old Brit doing amazing things with a camera.  The track itself manages to pull off the epic feel of post-rock without the epic lengths – at just over three minutes, it’s a long step from some other opus’. If I was going to dive into clichés, I’d use words like “sweeping sound-scapes”, “delicate” and “multi-instrumental aural experience, filled with dreams of home and lost love” – but since it’s Tuesday, I’m not going to do that. Instead you get one of the best pieces of post-rock that I’ve ever heard come out of Australia.

If you haven’t listened to much (or any) post-rock, sleepmakeswaves are a great starting point. If you listen to a lot, their new album …and so we destroyed everything is available right now on bandcamp, and well worth the $12-something.

Check out their FB for more details on their (very fast approaching) shows. I know I’ll be there.

Oh and also, if you haven’t already – make the video huge, crank your speakers, and chill. It’s worth it.

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The Delta Riggs – 'Time' (video)

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How much ‘Fitzroy’ can you pack into a garage? Self explanatory salute from Melbourne (via GC) collective The Delta Riggs. FT: large fixie parade, several cute pets, customised denim, one party time hobo + a cameo from a former WTH contributor.

‘Time’ is the first single off Talupo Mountain Music Vol. 1. The band are in the process of laying down ‘Vol. 2’, which is expected to be released late September.

Produced & Edited by Petty Thieves.

www.thedeltariggs.com

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Founds, Tin Sparrow & Tigertown @ FBi Social

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Founds (sans Jamie)

Last night I went down to the Kings Cross Hotel for FBi social and caught Tigertown, Tin Sparrow and Founds – or more should I say, they caught me. Fanboy Alex is on the prowl, again…

Openers Tigertown were totally harmless, rolling out some of the smoothest indie-folk around. The seven piece bask in a couple of  indie cliches – mandolin, extraneous floor toms, pan-pipey keys – but executed them with class & aplomb.  At points I felt like I was floating in and out of an indie dream, nursed by these sweet, rolling tunes. Therein lies the fault of Tigertown – instead of occasionally challenging the audience, they stay firmly within a (albiet, very comfortable) formula. The set seemed to melt into itself at points and lacked discernable climax as a whole. While each song was a catchy piece of indie-folk sweetness, there was no release, and very little development of emotional tone.

Maybe I’m just afraid of things that are pretty, but I don’t want this to happen again. Watch the space, either way.

Tin Sparrow were up next. They’re one of Sydney’s best folk-acts and are really in their prime right now, playing an exceptionally tight, dynamically gorgeous set. Spinning in off the back of their latest EP (and tour), they delivered a whirlwind set. Their performance is laced with emotion and energy, pushing out a sound much bigger than the shape of the band. They also prove that, contrary to popuar belief, drummers can write AND sing songs, following Mark Piccles (the drummer) belting out an amazingly powerful track. Great band, great set.

Now to Founds. They were recently announced triple j unearthed winners of the Bigsound opening spot – and their set proved they deserve it. They’re unique in the Australian music scene, combining indie-folk with soaring Scando-ambiance and subtle post-rock, merging many styles into something unbelievably solid. In some ways, they remind me of Melbournians Alpine – but with balls, and a better drummer. That said, they resist classification so strongly that I’m loathe to compare them to anyone.

Combine all that mystery with a fantastic live show and you’ve got something special. Their opener was a brief and chaotic instrumental piece, really setting the “epic” tone that permeates their set. Their latest single, Holograms, is an absolute killer live – it’s not pop or folk or rock – it’s just a sparkling piece of music, absorbable no matter how you cut your cloth. There wasn’t a single track they played I didn’t love.

Founds are amazing for what they’ve done in such a short time. After twelve months together they’re producing and performing music that is unmatched – and perhaps unmatchable – in Australian music. I’d love to see what happens as they grow as a band and as performers. This is a space that I’m watching, so you should as well.

More photos after the break.

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