Happenstance – ‘If I’m Not Mistaken’ (mp3)

We can charge the ’90s for heinous crimes against the pop genre, forever ruining its image. For some. But not for others, like Sydney’s Happenstance, who don’t care whether you like pop or not, because they sure do and aren’t afraid to show it.

But this four piece is far from derivative. Fantastic vocal hooks, smooth, melodic bass lines courtesy of David Grant and subtle attention to detail in ‘If I’m Not Mistaken’ elevates it from being just another bottom-rung, stock-standard pop-rock tune into a fine example of good songwriting. Something bright, anyway, for your Friday!

http://www.happenstance.com.au
http://www.myspace.com/happenstanceband

New Rules For Boats – ‘Skips On My Record (Part 2)’

Following in the footsteps of The Panics and The Panda Band, Perth’s New Rules For Boats create pop music with a country inflection. After releasing a couple of EPs, this quintet unleashed their debut album Thousands in September of 2007. And as you may have guessed, the jovial ‘Skips On My Record (Part 2)’, laden with rolling drums, constant acoustic guitar strumming and a bevy of vocalists, comes from said record.

http://www.newrulesforboats.com
http://www.myspace.com/newrulesforboats

Mojo Juju & The Snake Oil Merchants – ‘Transient Being’ (mp3)

We’ve got a proud history of great vaudevillian and gypsy acts in Australia: Monsieur Camembert, The Tango Saloon, Unkle Ho, Waiting For Guinness, Mikelangelo and the Black Sea Gentlemen… I could go on, but suffice to say, the enigmatic Mojo Juju & The Snake Oil Merchants can stand proudly amongst that ilk.

But who exactly Mojo Juju is is somewhat of a mystery. Much of the legend surrounding Mojo Juju has been summarised on this website. What I know for certain (well, at least I hope so) is that they’re from Newcastle and there’s a lot of Snake Oil Merchants. ‘Transient Being’ comes from their self-titled album, and aside from that I’m not sure of much else… except that this is a great tune.

http://www.myspace.com/mojojujuvoodoo

Nina May – ‘Crazy/Insane’

Nina May (or, “That band that has the Treasurer’s daughter in it”) have kindly given us the first taste of the new material that they’ve been working on, which will serve as the follow-up to their debut EP Make Love To Your Stereo. Called ‘Crazy/Insane’, it highlights a more mature Nina May, focusing on stronger hooks and tighter song structures.

http://www.myspace.com/ninamaymusic 

Sugar Army – ‘Now You’re Old Enough’ (mp3)

There’s something instantly likeable about Sugar Army, even before the beat kicks in. ‘Now You’re Old Enough’ is dance-punk played by hard rockers. Ian Berney’s dirty bass line forms the perfect bed in the verses to keep it on the forward beat, then the whole band rock the fuck out in the chorus. Seriously, what’s there not to like here? This is the first song I’ve heard from this WA four piece, and I’m really impressed.

http://www.myspace.com/sugararmybarracks

mcArtney – ‘Circles’

Having toured almost relentlessly playing in other people’s bands, mcArtney (a.k.a. Tim McArtney) sat down with his Apple Macbook and spilled out his own musical thoughts, coalesced them all together and he now presents us with his debut EP, Volume One. Taking lead from subtle folk/pop artists like Josh Pyke and Augie March, Tim’s songs are sutiably bare; sometimes garnished with a glockenspiel, or cello, or, in the case of ‘At Least I Think I Know’, some extra vocals in the form of Dead Letter Chorus’ lady wonder Gabby Huber.

‘Circles’ is the first single from the EP, and encapsulates what mcArtney is all about: narrative vocals based around sweet acoustic guitar melodies, but ornamented with a spattering of percussion and tinkling glockenspiel.

http://www.mcartneymusic.com
http://www.myspace.com/mcartney

My Disco – ‘You Came To Me Like a Cancer Lain Dormant Until it Blossomed Like a Rose’

Naming themselves after a Big Black song, it was only time before My Disco entered a studio session helmed by Steve Albini. Paradise, their second album after 2006’s Cancer, is a far more sparse and minimal affair than its predecessor. Just check out ‘You Came To Me Like a Cancer Lain Dormant Until it Blossomed Like a Rose’ (which may be the longest title of any song we’ve ever blogged about, disregarding the gigantically-titled KIM remix Jerry posted a week or so ago) which barely has any vocals and it’d be lucky if it had more than two chords.

http://www.mydisco.com.au
http://www.myspace.com/mdband