New Music

INTRODUCING: New Lovers

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new lovers

Tone. Mate. Life’s tough. You just got kicked out of your own house by your mates. Hey, I know how it feels – one time, the boys and I were having a cheeky kebab, and mine was taking a bit longer than usual because I got a mixed one, and so the boys started eating before I received mine, and when I turned to pay, they all bounced. Brutal. Trust me, we’re on the same page here.

What are you gonna do now? It’s nearly midnight. No one’s going drinking with you, no one’s going to drop any pingers. Chris Pyne might be up, but that guy is loose as. Forget about him. Focus. Breathe deeply. Why don’t you get it together and chuck on some New Lovers?

Look, I’ll be straight up – New Lovers are a bunch of bloody hippies. Nuisances, the lot. Probably work at art galleries or on Q&A. But these guys will make you dance, Tone. They’ll make you groove. I know you’re in doubt, mate; I was too. But you gotta give it to ’em, Tone – the lefties know how to play.

You’re feeling low, but this post-punk stuff is good – real good. Put down the drinks, mate, pick up ‘Fatal Shore’. Or chuck on ‘I Wanna Be You Tonight’. Oh – ah, shit, sorry mate… didn’t mean that.

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A Local’s Guide to BIGSOUND: Morning Harvey

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Morning Harvey

It’s BIGSOUND season again, and my humble home of Brisbane is ready to prove that we can do urban pretentiousness as well as the other east coast heavy hitters. We have a gluten-free brownie shop, those fucking donut milkshakes and even a cat cafe – because, shut up. More relevant to the swarm of music journos and broke-as artists about to descend on our fair city is that Fortitude Valley, home of the BIGSOUND conference, has a tobacco shop three doors down from Maccas – and at least two pubs where you won’t be the first person to order a drink at 9am.

Our relative smallness certainly hasn’t restricted our output when it comes to musical talent, it just makes the scene…well, a little incestuous. This has more of a talent incubating effect than birthing bands with mutant third limbs. Although there are plenty of great venues spread across the city and its suburbs, there’s no denying the few seedy blocks of the ‘Valley’ contain the city’s most well-loved live music institutions.

We gathered some Brisbane bands on this year’s BIGSOUND bill to share some stories. Here’s what Morning Harvey frontman Spencer White (far left) had to say:

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Spencer: I was actually thinking about this the other day, comparing Brisbane’s nightlife precinct to Sydney or Melbourne’s. We don’t venture out to ‘The Valley’ (where all the BIGSOUND magic happens) anymore unless one of our bands, a friend’s band or a touring act is playing.  Nonetheless, I personally feel more comfortable going out in Brisbane to Sydney. It’s pretty mental on a Saturday night but it’s fairly controlled chaos. All the bars are in one place so you have so many kinds of people in a four block radius. I don’t really know what the difference is between the cities, maybe I’m just a sook.

The fondest memories were usually around events like Bigsound or Valley Fiesta when a couple of our bands would be playing. The atmosphere is usually pretty happy and hectic so everyone’s usually on their ‘worst’ behaviour. Lewis and Jimmy (of The Belligerents) used to live right above McDonald’s in Brunswick street mall. So for a few years there it was host to many after parties and spur of the moment late night shenanigans.
Our favourite places to go were usually Woodland (now Woolly Mammoth) and Black Bear Lodge for late night boogies. They have vinyl DJs and you usually run into someone you know so it’s a great place to find some fun. I reckon The Foundry now has the potential to be the common choice for a Friday and Saturday night, it’s a great sounding mid-sized venue and has heaps of places to drink outside and smoke which seems to be the drawing card for the average Joe.
Mostly, ‘The Valley’ is a big maze of different people from different backgrounds (and on different levels of drunk) going from bar to bar. But we’re all in it together, and usually this ends up making a really great night out.
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Catch Morning Harvey’s BIGSOUND show at The Foundry on Thursday, September 10th at 8PM.

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PREMIERE: Tam Vantage – ‘High Definition’

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tam vantage

Tam Vantage opens his debut LP forcefully, with the snarling guitar and dramatic synth riff of ‘High Definition’. Bolstered by a chorus of female backing vocalists, he places a hand on his hip and, in an arch sing-song, spits: ‘You don’t know what it’s like to break / to take and take and take / to take the dive then hesitate / to just break free when it’s too late’.

A Melbourne musician, Tam Vantage (Tam Matlakowski) once did time with inspired eccentrics the Stevens and as lead singer of Pop Singles (now defunct), whose only album sounded something like the Field Mice by way of Flying Nun. His new solo record picks up where the ‘Setting Sun’ EP left off, summoning a gothic jangle reminiscent of the Triffids and the Church, held together by a spiky, post-punk rhythm section. In a local landscape dominated by the jangle obsessed, Tam Vantage has staked his own ground.

Tam’s a talented lyricist, and ‘High Definition’ stylishly evokes the 80’s preoccupation with ‘plastic eyes and magazines’, and the masters of TV. Skew the references a little bit and he could be referring to the fantastical Instagram culture of Gen Y. ‘Well, you’re living in somebody else’s dream,’ he sings, ‘and I know how cold that can be’.

‘High Definition’ is out now through Lost and Lonesome and Beko Disques, with the album Life in High Definition to follow on 16 October.

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A Local’s Guide to BIGSOUND: Babaganouj

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It’s BIGSOUND season again, and my humble home of Brisbane is ready to prove that we can do urban pretentiousness as well as the other east coast heavy hitters. We have a gluten-free brownie shop, those fucking donut milkshakes and even a cat cafe – because, shut up. More relevant to the swarm of music journos and broke-as artists about to descend on our fair city is that Fortitude Valley, home of the BIGSOUND conference, has a tobacco shop three doors down from Maccas – and at least two pubs where you won’t be the first person to order a drink at 9am.

Our relative smallness certainly hasn’t restricted our output when it comes to musical talent, it just makes the scene…well, a little incestuous. This has more of a talent incubating effect than birthing bands with mutant third limbs. Although there are plenty of great venues spread across the city and its suburbs, there’s no denying the few seedy blocks of the ‘Valley’ contain the city’s most well-loved live music institutions.

We gathered some Brisbane bands on this year’s BIGSOUND bill to share some stories – the first from Babaganouj drummer Jack Gleeson.

 

Jack: I used to be in a band which for anonymities sake, we will call ‘Inland Twee’.

We had been offered a coveted spot on the Big Sound 2011 Lineup, which featured legends like Big Scary, DZ Deathrays, and Ball Park Music. I was pretty pumped, because our manager at the time told us this was a pretty important opportunity for like, the band and whateverblahblahblah. I guess she was right because we ended up touring the UK soon after, but eh who is keeping score anyway?

To keep it short and sweet (I lie, this is a longwinded piece of shit), I don’t fully remember the show, but we played a gig hotter and sweatier than the dreadlocked armpit hair of a JBT roadie. Playing Brisbane in summer can be a test of endurance, akin to the Bridge To Brisbane or listening to the Veronicas discography. Thankfully it was mid-September. I’m sure the gig went well regardless.

During the course of the next three days of debauchery/networking, 7 of the 10 people in our ridiculous band, proceeded to drink so heavily that guitarist Beau, our resident ‘wild man’ had to be sat down and told to “rein that shit in” cause he was just “grabbin’ chicks”. Claire fell over in front of Cloudland resulting in an amount of bruises usually exhibited by the entirety of a roller-derby team post grand-final. A few of the Inland Twee-team even managed to seriously jeopardize long-term relationships! Severe bruising, a troubled gait and relationship turmoil – as history attests – continue to be the hallmarks of a good time. It was truly, freaking wonderful.

To fellow fans and musicians:

BIGSOUND is like being tossed into a churning sea of beer, basic spirits, and some exotic shot of liqueur you didn’t ask for. You’re swimming for your life among the drunk musicians, drunk fans, and drunk industry types and the regular Valley locals we know and love (shout out to the guy outside the old Westpac building who just constantly shreds). You’ve just gotta catch the party-wave back home in time to get a reasonable enough sleep to get to work on Friday. Which of course never happens,  and the next three days post-BIGSOUND are a total write-off.

_____

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Babaganouj will kick off BIGSOUND debauchery at The Elephant Hotel’s outdoor stage on Wednesday, September 9th.

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PREMIERE: Windy Grins – ‘Drop Out’

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windy grins

Windy Grins – a songwriter from Sydney’s Soft Tigers gone solo – is about to trump the 90s VHS resurgence with the clip for his debut track, ‘Drop Out’: a montage of actual footage recorded on an actual 90s camcorder in the actual 90s. For real. It’s even dated ’97 with iPhones noticeably absent from all scenes, which 1) confuses me because why would people hang out with each other IRL if not to increase internet popularity and 2) is the reason I had to watch this a few times before I could put my finger on the fact that everyone appears to be genuinely having fun without peeking at their phones every 12 seconds to check if something better is happening somewhere else.

The track itself is equally refreshing in its authenticity, simple in its delivery and matches the sentiment of the clip pretty well. The frontman’s defiance and assuredness is bloody comforting as he reels off a list of your garden variety anxieties, like rent, where did these drugs come from, why aren’t I at uni and has everything always been this hard or … ? The vocals haven’t been pored over or produced to perfection, fuelling the track’s ‘chill the fuck out everything will be ok’ thrust. They plod along over steady drums and a couple of synth and guitar licks that build into an air-punching-ly uplifting climax, with a Scottish (?) guy rounding out the track, appropriately growling “I’m not goin’ down”.

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Windy Grins will be releasing an EP later this year. For now, though, the curing powers of ‘Drop Out’ for the insecurities of 20-somethings everywhere will have to do.

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WATCH: Crepes – ‘Size of Your Town’

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crepes

Melbourne five-piece Crepes have released the clip to ‘Size of Your Town’, the downer-pop slow burner that closes out their debut EP Cold Summers. The clip is an ode to the boys’ central Victoria hometown, Ballarat, splicing VHS footage of Crepes with a 1994 performance from fellow countrymen the Teddyboys, an 80s band covering 60s swing. For an extra layer of WTF the boys have helpfully added Japanese subtitles for full karaoke absurdist effect.

The clip’s nostalgia is the initial drawcard, but it also serves as a great reminder to go back and listen through Crepes’ debut EP again – because damn, it’s a lovely slacker-psych kaleidoscope.

Fun fact: after seeing the clip I watched about 20 minutes of pancake tutorials. Thank you, Crepes, for not only being a delicious breakfast food but for producing equally delectable tunes.

Crepes are headed north with shows in Melbourne and Sydney before ending up in Brisbane next week for their BIGSOUND spot.

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PREMIERE: Mihra – ‘I Wonder’

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I Wonder - Mihra

Mihra are the latest outfit from new Melbourne label Wigwam. Recently launched in July, the small label houses a diverse selection of bands; psychedelic act My Elephant Ride (who Mihra’s lead Chevaunne Keleher also sings in) – to crash course in experimental pop, Ministry of Plenty. Label owner Nathan Abbey also yarns self-deprecating poetry in the key of Peter Bibby – and throwing Mihra into the mix, it’s a colourful lot. ‘I Wonder’ is the newest track from the jazzy six piece, set to appear on their debut out later this year.

‘I Wonder’ saunters in with a breezy piano hook, the Bossa Nova type that holds in-flight soundtracks and wine grazing tours together. Mihra are aware of the periphery of jazz-pop twee, and tip-toe carefully around it. The band are devoted to their own sincereness and bask in it at times. Vocalist Keleher sings about feigned hope after the end of a relationship, while the bass line politely coaxes a muzak sample as harmonies cross fire in-between. Lyrically, the track is light on the ‘poetic’ side. It’s more of a casual late afternoon muse compared to some of the new ‘future soul’ crowd who divulge in more sonic landscapes, but it’s sweet listening overall. With Keleher’s lead in a different context – I’m not ruling out a quasi shimmy into a JAALA riff/scat-off at some point in the future. 

If you tripped this track over in the street, it’d probably recite you a psalm and cradle your face in its hands, as easy listening does. Politeness is a comfy place for music to be, but Mihra have the foundations to turn up the goods. Looking forward to hearing more – and perhaps watching these guys throw some (syncopative) shade.

Mihra launch ‘I Wonder’ at the Workers Club in Melbourne on the 30th of August, with fellow newcomers Nafasi and Tetrahedra.

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