Photo Essays

SEQUENCE: Naysayer & Gilsun

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                                                                IMG_0051 IMG_0096 IMG_0117                                                                        N&G                                                                                                                                                naysayer & gilsun _ whothehell 2

 

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 Photos by Alan Weedon

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EXPAT: Splashh

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SPLASHH

It’s been ages since I’ve seen a scuzzy international band that haven’t severely bored me. That’s more out of bias more than anything, but it still holds some minor truth. Splashh are excluded though. I caught one of their shows at Ding Dong in Melbourne a few weeks ago and it was so great. It was the first time in months I’ve seen a Melbourne crowd look remotely enthusiastic about anything…(god forbid, jump around to shoegaze bands).

Splashh are based in London, but that doesn’t really count since half of the band are from these parts anyway. The band’s guitarist Toto Vivian is from Byron Bay, while frontman Sasha Coleman (Brain Slaves) and drummer Jacob Moore (The Checks) are from New Zealand. Partial patriotism and the nabbing them as ‘one-of-our-own’ thing is totally fine when you’re from Byron and named Toto anyway. 

The band were recently picked to support The Rolling Stones at Hyde Park last week too. Splashh only formed last year, so things have travelled really fast. After constant gigging and a number of single releases in the UK, including a casette-only release on Jen Long’s excellent Kissability label, the guys released their debut record Comfort a few weeks ago. It’s a super rad record – essential for light listening, and more so if you’re predisposed to the whole league of Queensland bands who worship Wavves by default.

Splashh took liberty of sending us a photo set of their best ‘in-transit’ faces on their recent Aus tour which you can view below…

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Photos by SPLASHH

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Comfort is out now through Breakaway Recordings.

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WHO THE HELL PRESENTS: ‘130 Bullets’

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Any reason to hold a casual gathering down a dark enclave with a steel board as an excuse for stairs is anyone’s concept of a decent Friday night out in Melbs. We bandied together with the kids from Bonny & Clyde recently and somehow put together a warehouse party in around two weeks. If severely bruised feet, a string of free Sailor Jerry’s and a warehouse filled with our favourite people + favourite local garage/psych bands count, then we had a rad time.

Thanks to Bonny & Clyde, bands (The Living Eyes, Strangers From Now OnThe Laughing LeavesThe Grand RapidsPronto), party folk and the general enthusiasm for the giant participatory art wall we had going. All those tattoos, misc. poetry and versions of genitalia were appreciated, but as for the guy who ripped the eyes out of the installation – we think you just need a hug. 

Biggest props to The Living Eyes for playing their last show (for a while) and spurring on a communal jive pit. But mostly, for dedicating their set to “everyone on Centrelink”.

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 Photos by Alan Weedon

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