Monthly Archives For February 2010

MAP February 2010

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This month’s whothehell.net’s entry for the MAP has been selected by Matt Hickey

ARGENTINA: Zonaindie
Eloisa LopezEspiral
This is one of Zonaindie’s favorite tracks from 2009. It was taken from Eloisa’s third album, Por Un Paisaje. Maybe we like her so much because she manages to elegantly combine acoustic textures with native South American percussions and digital sounds. Espiral is a great example of this, and yet an unbelievably catchy tune that has Leo García as a guest vocalist. What else could you ask for?

AUSTRALIA: Who The Bloody Hell Are They?
Kite ClubRoyal Gums
Royal Gums is one of those tracks that grabs you straight away and drags you along for three minutes thanks to its chanting hooks and penchant for large-scale production. It opens with a beat lifted from Psychocandy and an explosion of layered vocals but then settles into a calming, meditative refrain, just letting the melody and harmonies carry the song. Kite Club (aka Nicholas Futcher) marries the laptop trickery to the tune without letting it control the song nor detract from its melodic core.

BRAZIL: Meio Desligado
BarulhistaIndieota
When it comes to avant-garde music in Brazil, Barulhista (which means something like “noise follower”) is certainly an artist to keep an eye on. His electro-acoustic sounds encompass experimental electronica and more concrete music both in his solo songs and in the soundtracks he composes. Indiota (a mix of “indie” and “idiot” in Portuguese) is as close to pop as he has ever been.

CANADA: I(Heart)Music
NovelsNo Hard Feelings
A supergroup of sorts featuring members of Born Ruffians, Tokyo Police Club and Will Currie & The Country French among others, Novels quietly released their self-titled debut EP into the world around Christmas. As No Hard Feelings (not to mention the other four tracks) demonstrates, it totally lives up to its pedigree. The album is full of catchy, 70s-inspired pop and it makes the EP well worth a (free!) download.

CHILE: Super 45
MorenoPica
Moreno is the new darling of Chilean indie-rock. With a powerful and psychedelic sound, Giancarlo Landini’s project – he plays every instrument on record and has a backing band for live shows – is inspired by lo-fi legends such as Lou Barlow (Sebadoh), J Mascis (Dinosaur Jr) and Robert Pollard (Guided By Voices), with a classic flavor.

CHINA: Wooozy
MosaicSunshine Train
Mosaic are one of the new generation of bands from Chengdu. They were called GT6 before they changed their name in 2008. At the end of last year they successfully completed a tour of China through 10 cities. Although they haven’t released a full-length album, they are definitely worth a listen.

COLOMBIA: Colombia Urbana
Rayo y TobyManitas Mágicas
After trying with different partners, Rayo and Toby finally realized they themselves were the perfect combination. The duo mix good urban music with a shot of melody and their approach is both fresh and unsettling.

DENMARK: All Scandinavian
Before The ShowGabriel
Before The Show was originally a solo project by multi-instrumentalist Laurids Smedegaard, who often worked on his own songs just hours before he went on stage with any one of the numerous other bands he’s involved in (hence the band name). Now a quintet, Before The Show are working on getting their debut released and until that happens we can all enjoy this excellent taste of what’s to come.

ENGLAND: The Daily Growl
Jose VandersFor Now
Jose Vanders is a piano-playing chanteuse who is less eccentric than Regina Spektor and smarter than Kate Nash, but with even more doe-eyed, curly-haired cuteness. For Now shows off her gift for melody and picture-book lyrics, albeit on a ukulele instead of her usual piano. Jose has released three exquisite EPs in each of the past three years, aged 17, 18 and 19. Surely fame beckons at 20.

ESTONIA: Popop
Barthol Lo MejorWindshield Pfeiffer
Barthol Lo Mejor makes popdada music – experiments with electro rhythms and unconventional sounds including pieces of conversations, cliches, old movies and anime cartoons. His music is considered effective for recovering from hard drug addiction. Windshield Pfeiffer is part of the K8 MOSH EP, available for free download here

FINLAND: Glue
Kiki PauAn Old Song
After their well-receive debut Let’s Rock, Kiki Pau return with a fantastic sophomore album to be released in early March. A MAP exclusive, An Old Song is the opening track of White Mountain and shows a more guitar-driven band with uplifting spirits. Those following the Nordic indie scene will hear about this band quite a lot this year because the whole album is a keeper that channels the classic sound of T.Rex, The Velvet Underground and left-field US guitar gods such as Pavement and Guide By Voices without forgetting a twist of Finnish pop.

FRANCE: ZikNation
SatineIron Güm
Drawing inspiration from northern poptronica (Under Byen, Mùm, Efterklang) and electro rock bands (Radiohead, The Notwist), Satine gave birth to their first intimate yet powerful tracks in 2004. Live, the band unfolds a dreamlike visual universe with video projections and light shows that make every concert a unique experience. But it’s always deep, beautiful and organic.

GERMANY – Blogpartei
Napoli Is Not NepalPeople Call It Mantra
Napoli Is Not Nepal is the solo project of Cologne-based Hendryk Martin. What he calls ‘electro nihilism’, I’d call outstanding ambient electro with some eclectic moments. Although People Call It Mantra was released in mid-2009 as part of the album Boredom Is Always Counterrevolutionary, it’s still quite a statement for the growing influence of music that sits between ambient and indie.

GREECE: Mouxlaloulouda
EttenClockwork Skies
Etten, former lead singer of the Greek band Film, weaves her tales of hope and dreams in a warm bearskin coat of pop sensibilities. Her voice offers the moods ‘light and shade’, while production touches colorfully paint enchanting pictures. Dark, but never needlessly so, I Know You’re Behind Me But I’m Not Scared is an intoxicating, addictive debut that offers a rich, distinct world of lullabies, spacey timbres and ghostly beauty. It blends brittle, 80s-influenced electro and Knife-inspired synths with buzzing basslines, guitars and samples in a sound that’s both atmospheric and richly textured.

ICELAND: I Love Icelandic Music
MammutSvefnsykt
Mammut were formed in 2003 by two boys and three girls, aged 14-16. David Fricke of Rolling Stone magazine called them “a really good band”. They played SXSW in 2007 and toured with dEUS in Iceland and Germany. In 2008, Mammut released their second album, Karkari, through Icelandic label Record Records. Svefnsykt was its first single.

INDIA: Indiecision
Noush Like Sploosh3 Act Circus
Noush Like Sploosh is one of the most promising hopefuls of India’s growing, urban singer-songwriter scene. Armed with a dry wit and a musical sensibility falling somewhere between Regina Spektor and Imogen Heap, Noush Like Sploosh’s music is refreshing indie-pop that’s lyrical yet largely accessible. 3 Act Circus brings together myriad references, a laid-back ambient pop vibe and Ms Sploosh’s positively delectable vocals.

INDONESIA: Deathrockstar
RNRMZsa Zsa Zsu
RNRM are one of the finest electronic acts to have emerged from Indonesia’s underground and have earned praised in several music scenes, from punk-rock to high-class dance clubs. Their latest record, Outbox, was listed as one of the best albums of the last decade by Deathrockstar.

IRELAND: Nialler9
Autumn OwlsRaindrops In The River
Autumn Owls are a Dublin four-piece who have been honing their brand of nocturnal atmospheric rock songs since 2006. With two burgeoning and impressive EPs released and a debut album on the way, the band will travel to Austin this year to play the SXSW festival. Watch out for these guys in 2010.

ITALY: Polaroid
København StoreStrangers
The main quality of København Store’s music is its ability to build a layered and monumental sound with an incredibly strong emotional impact. There is something vast about the band, as if they could throw their songs for miles and miles. Strangers is taken from the forthcoming release, Hi. The new album will be the first chapter of a trilogy.

JAPAN: JPOP Lover
LITEThe Sun Sank
LITE are one of the most enthusiastic live bands in Tokyo. They are often compared to Battles and Mogwai, and combine math-rock power and precision with emotionally-charged compositions. They will be doing a U.S. west coast tour with Mike Watt & The Missingmen in March. The Sun Sank is taken from their latest EP, Turns Red.

MEXICO: Red Bull PanameriKa
FurlandQuiero Ser Un Color
Furland are famous for having a huge grass-ball on stage, this Mexico City quartet dream of tripping to a place where strawberry fields stretch forever. On their proper debut, La Historia de la Luz, they explore the eternal message of love through light, sound… and a banjo. Quiero Ser Un Color is the first single off a 360-degree work filled with lush orchestrations, majestic vibes and acidic lyrics stuffed with cotton candy – food for thought.

NETHERLANDS: Amsterdam Event Guide
Moon & SunAshes
To escape from the harsh winter we need some music that draws pictures of summer hazy beaches, endless days and warm nights. Enter the gorgeous Moon & Sun from Amsterdam. Their whimsical, sexy sound merges with a slightly more eerie tone of the vocal melodies and harmonies between frontlady Monica Tormell and her accompanying musicians. Playing a mix of piano, drums, guitars and steel drums, Moon & Sun have definitely got the 2010 sound down with their Caribbean sensibilities.

NEW ZEALAND: Counting The Beat
PumiceGreenock
New Zealand’s best one-man band multi-instrumentalist psych-noise outfit is Pumice, the pseudonym of Stefan Neville. One of Pumice’s best albums, 2007’s Pebbles, is about to get a vinyl release on Soft Abuse Records. Wheezing organ and guitar feedback combine in album centrepiece Greenock, named after the Scottish village Neville’s ancestors originated from.

NORWAY: Eardrums
Team MeWeathervanes And Chemicals
Team Me play warm and rich orchestrated pop music in the same vein as Sufjan Stevens, Efterklang, Hjaltalin or Sigur Rós. This used to be Marius D. Hagen’s one-man band – a recording project where he could play the songs that didn’t fit in his other bands. But Team Me has grown into a seven-strong orchestra and the fragile acoustic songs Hagen used to play have been transformed into a much larger and richer sound. Hagen is also a member of alternative rock band Jaqueline and half of semi-electronic pop duo SiN along with Tord Øverland Knudsen of English band The Wombats. SiN will release their debut album later this year and hopefully we’ll also get a release from Team Me in 2010.

PERU: SoTB
Rafo De La CubaFreak Profesional
Rafo De La Cuba has left anonymity to become an idol of Web 2.0. His home demos skip from ear to ear so it was no surprise that someone so talented could not stay hidden. Influenced by The Beatles, his songs tell simply of life – intimate stories turned into melancholic, but not sad, poetry. Hopefully we won’t have to wait too long to hear new material, with his debut LP due to be released soon.

PORTUGAL: Posso Ouvir Um Disco?
Jasmin JonesLost In Rainbows
Jasmin Jones, whose mother is Portuguese, was born in Australia and lived in different countries during her childhood. She is a surfer and nature lover. Her debut album Beyond The Clouds will be released this year, even though she didn’t find a label to represent her. Jasmin currently lives in Lisbon and besides her solo career, she is the vocalist for Triplet, a rock band.

ROMANIA: Babylon Noise
KummPop Song
Kumm started 12 years ago as an art-rock band. Much like their influences, Sonic Youth and Spritualized, they have developed a new approach to rock by constantly experimenting with various sounds and styles. Their latest album, Far From Telescopes, is a refreshing pop experience, a new episode of their music journey – far from their roots and closer to simpler things. This is a band that has grown up by getting younger.

SCOTLAND: The Pop Cop
WerdBreakdown
Even if you’re just a casual hip hop listener, you owe it to yourself to give Werd a spin. The 22-year-old’s rhymes are as cunningly creative as they are uncompromising and he executes them with such furious, stylish precision. You can (and should) download everything the Edinburgh rapper has done for free from his Bandcamp page. In the meantime, the irresistible force of sub-two-minute track Breakdown will leave you wanting more… which is the point, yes?

SINGAPORE: I’m Waking Up To…
StellariumChocolate & Strawberry
Stellarium are a shoegaze band, and that’s all you need to know. Instead of updating a familiar sound, they do something even more commendable by playing shoegaze as if it never went away. The moment the fuzz bass comes in during Chocolate & Strawberry, you’re caught in the band’s intricate web of white noise, ghostly reverb and cryptic vocals. Overall, the whole thing sounds like a long shutter exposure speeding past bright lights. Bliss.

SOUTH AFRICA: Musical Mover & Shaker!
Dans RepublicAfrikaans
Dans Republic is the coming together of two groups – Flash Republic, a band with the ability to set the dancefloors alight, and Foto Na Dans, who are breaking the boundaries of Afrikaans music with their own signature style. Their electro-tinged song Afrikaans showcases and merges the English and Afrikaans genre. It blends their unique styles seamlessly into something that is dreamy, indie, rock and electro all at once, yet never compromises each band’s sound.

SOUTH KOREA: Indieful ROK
The PonyDisturbance
Four-member indie-rock band The Pony released their first full-length album, Pony, last year. Full of well-produced tracks, it offers plenty of variety. Disturbance is a catchy, energetic song with great hooks to keep the listener coming back for more.

SPAIN: Oscuro Magazine
EstereotypoThe Big Fake
Estereotypo are one of those pop-rock bands with which you can’t remain indifferent. It’s best to see them live, where their power and presence are reminiscent of bands like Franz Ferdinand, The Faint, Foals or Delorean. Based in Santander, their second album, Love Your City, is out this month and The Big Fake embodies the powerful sound of this great indie band.

SWEDEN: Swedesplease
Staphan O’BellOn The Rooftop
This song is great example of romantic swirling pop à la Rufus Wainwright. It’s one of three songs that are available from Stockholm resident Staphan O’Bell’s forthcoming album. If On The Rooftop is any indication then that album will be one to keep an eye out for.

UNITED STATES: I Guess I’m Floating
Toro Y MoiThanks Vision
Toro Y Moi is the solo work of South Carolinian Chaz Bundick. Hailing from the college town of Columbia, Bundick creates distorted lo-fi pop music that warmly floats between your ears like something beautiful you’d stumble across while sifting through static radio waves.

VENEZUELA: Barquisimento
AtkinsonPais Tropical
Wincho Schäfer, Erik Aldrey and Rafael Cadavieco are musicians from famous Venezuelan bands Desorden Publico, Zapato 3 and Amigos Invisibles who decided to join talents in this interesting project called Atkinson. They launched their first production last March and since then they’ve been touring the country amazing new fans with smart lyrics and clean but catchy pop-rock. Pais Tropical is a musical explanation of the socio-political particularities of Venezuela.

To download all 35 songs in one file click here

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‘Boy & Bear’ support Laura Marling at The Corner Hotel

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I caught these guys briefly at Homebake last year and was quite impressed by their sweet sound.
It would seem I am not alone, the gig was packed when I got there and I actually had trouble getting pictures.
B&B performed a great version of ‘Mexican Mavis’ with Laura Marling using beautiful harmonies.
The mostly young and female crowd, were left in a daze, probably good for Marling.
I’m sure they can expect another strong turnout for the Hungry Kids of Hungary support later this month.
Dates for that tour and a dodgy vid of ‘Mexican Mavis’ with Laura Marling here.

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Fushia – ‘The Easy Cure’

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Fushia – ‘The Easy Cure’

Listen to

Fushia have finally released their debut EP after almost four years of being a (very young) band.  It kicks off with ‘The Easy Cure’, based around a keyboard hook cribbed from that little tune played by doorbells all around the world. They’re fun and have tonnes of potential, even if it is a little easy to pick their influences at this early stage of the game.

If you want a low-risk excuse to check them out, they’re playing in the Queen Street Mall in Brisbane tonight.

www.myspace.com/wearefushia

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The Swiss

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The Swiss – ‘Bubble Bath’ live in Big Day Out Adelaide

Hot new band from Adelaide of all places, The Swiss are a disco jam band trio who are also Empire Of The Sun’s backing band. Whiz kid producer Donnie Sloan, who is involved with Empire Of The Sun, Sneaky Sound System as well as a host of other stuff as well as production under his own name, have lent his knob twirling skills to this trio’s debut recording. These guys have been rocking parties around their hometown before Modular decided to sign then and up up and away they go. I saw them recently at the Adelaide stop of Big Day Out touring party machine. They’re really good live. Go see them.

www.myspace.com/theswisspage

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Bridezilla – ‘Western Front’ film clip

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Part of me knows this clip trades on that same kitsch DIY-ness that a lot of videos are exploiting at the moment, but I still really like it. It benefits from the cutaways to their soporific audiences as well as the decent camera and lighting, plus they band themselves are insanely attractive and show good commitment to the clip’s vision. Suits the song well too. Bridezilla have a shitload of dates, which you can check after the jump. (more…)

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St Jerome’s Laneway Festival 2010 reviews

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Review by David Payne, Melbourne:

I really like St Jerome’s Laneway Festival, actually I love it. So to those that bitched about a blow out last year – well, nothing. There were only a small number of basement dwelling noisy dickwads and nobody actually cares about them. This year’s festival sold out of course and it was once again – awesome!

The immediate feeling of the Laneway Festival is that it’s put on by music lovers for people that actually dig music. This is not a festival to get trashed and throw cans at Lilly Allen before pushing smaller people out of the way to get a glimpse of some inflated rock opera. It is a diverse, well considered and quite manageable day of quality Australian and lesser known International Artists.

Dirty three were an obvious highlight for me, Oh Mercy were solid and the Philly Jay’s have well confirmed themselves as one of the most exciting live bands in the country. Bridezilla showed confidence on the larger stage but really need an evening slot to help the atmosphere of their sound. Sarah Blasko has played every festival I have been to over summer, so it’s fair to say I saw nothing new but it’ll take a while to tire of hearing her perform tracks from ‘As Day Follows Night’. Finally, a quick mention of XX as the most incredible international band of the day and definitely the sexiest bass player to grace our shores.

Review by Matt Hickey, Brisbane

I’ve been to a fair few music festivals. Which isn’t to say that I’m any more ‘hip’ than anyone – as if going to summer music festivals is any sort of exclusive activity these days. But I mention this because I’m all too well acquainted with dancing to filler line-ups while being pressed up against sweaty, shirtless ‘bro-gans’ and ‘sluzbots’ that decided bikinis were adequate clothing. It’s not an indictment on the quality of Laneway’s program in the slightest when I suggest that my favourite thing about the festival wasn’t the bands but the atmosphere. Held in a small, nifty seciton of the RNA Showround’s, Brisbane’s Laneway Fest 2010 was undoubtedly a success. There were trees, lot’s of cover from rain and/or sun, an indoor bar, bands that have good records AND can bring the shit live – and I only saw two southern cross tattoos all day. I know it’s an easy shot to target the universal emblem for bogan nationalism and one that will probably spark accusations of pretension and a sense of misplaced superiority. But hey, there was a definitely a civilised air about proceedings that is missing from, say, BDO’s Boiler Room; an appreciative atmosphere that allowed The Dirty Three’s long-from instrumental workouts to play second last on the main stage to an attentive, sizable crowd.

With that out of the way, Laneway – musically – was in fine form. While I thought the program did kind of lacked a big headliner this year, the high quality of acts from the outset alleviated any potential disappointment at the end of the night. Kid Sam were the first band that I caught proper and they were simply great. They were somehow left off my ‘best of 09’ list and also, I realised, have been criminally uncovered on whothehell.net. If anyone involved with Kid Sam reads this, you should send me everything that you put out from this point on. Their songs are moving with an anthemic quality to them, and the instrumentation is a perfect mix of technical flair and DIY sloppiness. If you’ve not seen them live, don’t hesitate when next they play your fair city.

Philly Jays were great and uber-energetic as usual. Sharing a slot with Mumford and Sons (the “poor man’s Frightened Rabbit” as my Twitter peep @albertinho calls them) meant that there was a small crowd at the start. But after those British nu-folksters ill-advisedly played ‘Little Lion Man’ about third song in, the crowd grew to an impressive size in time for a rousing rendition of ‘I Don’t Want to Party (Party)’ that devolved into a weirdly hypnotic drum freakout as per usual before leading into set-closer and Hottest 100-charting ‘The Good News.’

Highlight of the day probably went to Wild Beasts. That any band should have one singer with a falsetto like that is near unfathomable, let alone two singers! That’s just obscene. The moment when that second, almost bland looking bald singer stepped up to the mic only to shriek out the opening “watch me, watch me” from ‘All The Kinds Men’ was literally my favourite moment of the day. And there’s just something far more offputting but alluring about a booty call invitation being sung in that high, warbly male voice that kinda gives me the goosebumps. I thought these guys would be good, but I didn’t know how good.

I won’t ramble. The xx brought enough charisma (well, bass player Oliver Sims/Chuck Bass did anyway) to overcome the lull in energy that can result from not having a live drummer; The Dirty Three did as The Dirty Three do, which is generally quite enchanting; and Florence was mildly underwhelming just as she was when I saw her in Belgium last August. I was really kicking myself for not seeing ECRS again but thank fuck they’ve announced that album tour. I shan’t be missing that. Nor shall I be missing Laneway 2011.

I don’t think I spoke to anyone that didn’t enjoy the day. Although it’s grown in size, Laneway has managed to retain its boutique charm, curating line-ups of quality acts over big names for a crowd hungry to soak up every last note.

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