Monthly Archives For January 2013

PREMIERE: PVT – ‘Evolution’

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PVT have spent the last two years working on their new record, Homosapien. Starting today, one track from their new album will be released through 9 different blogs around the world. We’re super excited to be the first blog chosen to premiere the first taste of their new track, ‘Evolution’.

Church With No Magic (2010) was the last we heard from the experimental Sydney/London trio. The first track off the new record begins where the last track of the last album left off. Listening to ‘Only The Wind Can Hear You’, the final track on their last record, it seems that PVT never fully ‘resolved’ the album. Like most PVT tracks, this last track on Church With No Magic ended in one giant comma, a slight refrain and a soaring fleck of noise that strays out into the ether.

PVT seem to front questions rather than solve them. As for new track ‘Evolution’, it’s as the name suggests. While it’s not a radical change that’s happened between albums, there’s been a slight shift in their sound – a kind of spatial awareness if you like. This track was written early on, and encompasses some of the themes Richard Pike was exploring at the time.

He notes:

“I watched a documentary called ‘All Watched Over By Machines Of Loving Grace’ by this guy Adam Curtis. It talks a lot about the development of the internet, Ayn Rand, Silicon Valley, JFK and the cult of celebrity – you name it, it’s all in there. The ebb and flow of influence, cause and effect in society, and what makes us who we are. As individuals and as humanity on the whole. Big ideas.

‘Evolution’ explores all these “big ideas”. From the burgeoning warble of Roland synth in the intro, to Laurence Pike’s steady drum hand feeding the machine, the track is playful galactica one moment, subtle catharsis the next. These elements have always crafted the bulk of PVT’s work, but listening to the new track and comparing it to the band’s older material (2008’s O Soundtrack My Heart), the previous atmospheric tweaks-for-the-hell-of-it have been traded in for a sense of greater clarity.

I’ve always found PVT’s work interesting. But if this track is anything to go by, it seems PVT have again proved that they don’t revel in resolving ideas, but creating them.

Homosapien is out Feb 8th through Create/Control

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Listen to the rest of the album over the next 9 days on these blogs:

‘Electric’ premiering on One A Day on Thursday, January 31
‘Cold Romance’ premiering on Pigeons And Planes on Friday, February 1
‘Love & Defeat’ premiering on Your Music Radar on Saturday, February 2
“Homosapien” premiering on The Line Of Best Fit on Sunday, February 3
‘Vertigo’ premiering on Indie Shuffle on Monday, February 4
‘New Morning’ premiering on Music From Go To Woah on Tuesday, February 5
‘Casual Success’ premiering on Circle.Square.Triangle on Wednesday, February 6
‘Ziggurat’ premiering on IS050 on Thursday, February 7

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WATCH: ‘Mind Mischief’

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It’s nice to see some corporate dollars get behind an Australian band’s music video. Hawt production value. Directed by David Wilson and based around his (and every other boys) English school-boy fantasy. It’s an amazing video that peaks with mind blowing drawings, complementing a track off what we should now start calling, one of the great Australian records, Lonerism. For Tame Impala, it’s just another day making crazy shit happen. Check the money blog for interviews and BTS fluff.

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WATCH: Strange Talk – ‘Falling In Love’

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This new track from Strange Talk was directed, produced and edited by Costa VakasYeah he goes alright… he’s a ‘doing what you never dreamed possible’ kinda guy. And for this ‘banga’, he has taken us into a Faithless (circa 98) type club vibe, complete with glow sticks, lasers, and leo’s. I. Think. I’m. Falling. In. Love.

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LISTEN: Cull – ‘Good People Disappear’

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Alex Watts wrote for our blog back in 2011. He’s good at a lot of things not limited to banjo and the internet, including siting in various musical positions for Brendan McClean and Chance Waters.

Cull is Alex’s new side project. He plays guitars in Cull with his pal Chumpy Ly (Polar Knights) on vocals. (I hope Chumpy is his real name).

The first few bars of ‘Good People Disappear’ does have an obvious Tame Impala tweak (watch the kids go cray). But apparently so does every other song made in history with a sturdy melodic minor guitar chord progression and phased out vocals. While everyone is still aroused by anything that sounds remotely like it was touched by the hand of Kevin Parker, this first tune from Cull is still a great psych-pop gem in its own jamtastic right (refer 2:00 onwards). Ride the wave Chumpy, ride the wave.

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WATCH: Ainslie Wills – ‘Weighing The Promises’

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It’s no secret that I’m dazzled by Ainslie Wills. What a soul-devouring voice. Have you heard her do that Radiohead cover – so sweet… anyho, gushing aside. This is the lead-in (as industry folk call it) for her debut LP You go your way, I’lll go mine, out 4th of March 2013. It’s the first single from the new record which is already well down the production line. I hope to bring you more on that soon. For now, queue up this video and let it play whilst you check your facebook or retweet our Funrays post.

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LOOK: XMAS FUNRAYS ft. Them Swoops, Harts, House of Laurence + Two Bright Lakes DJS

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Us internet folk try to do some nice things sometimes. We spend our spare time trudging through all your submissions so we can say some nice stuff about your band in return for no money, minor thanks and getting expired cider at label parties. That being said, the joys of the internet are alright – ie: receiving things like this remix of ‘Absolutely Everybody’ in our inbox yesterday…

Last Christmas we decided to be good blog folk and raise some funds to help The Song Room. These guys spend their time implementing music programs and sending teachers out to disadvantaged schools in non-English speaking and indigenous areas. Good stuff.

We thought this was a worthy cause, so we gathered our fave bands, hung a shitload of Christmas trees from the roof of the Workers Club and turned and threw a damn good Xmas festivus to help raise funds for these guys.

House of Laurence bestowed some shoegaze goodness and their generous haircuts on all. Harts and his band, all dressed in white, did well at  doing the best live Prince hologram anyone could have asked for. There’s no lingering doubt that Them Swoops sound like Phoenix…but that’s never a bad thing, especially when your crowd wants to party like it’s 2009, or 1901, or whatever ya know. Eliza from Oh Mercy joined the guys on stage to shake some maracas for a cover song at the end of the night which I forget the name of because I was too wrapped up in warm fuzzy Xmas vibes/free Sailor Jerrys. And then Marty + Zoe +Tig from Two Bright Lakes turned up, played the best tunes and errybody spent the rest of the night prancing around to R&B jams and kicking around fake ‘snow’.

It was a damn festive FUNRAYS. Big thanks to the bands, dudes from Two Bright Lakes, Triple R, Sailor Jerry’s, Workers + everyone who helped us raise profits for The Song Room.

Real snow. Next year.

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WATCH: Forces – ‘Overland (In My Mind)’

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Forces have their self- titled EP out now on limited edition 12″ vinyl through Midnight Juggernauts’ label, Siberia Records and digitally via technodissidents.bandcamp.com.

Tour dates for promo:

Feb 8th, Sydney @ Club 77 w/ Silk Rd Band, DJs Kirin J Callinan, DS (Siberia Records) and Angelo Cruzman
Feb 22nd, Melbourne @ The Liberty Social w/ Kangaroo Skull, Nun, White Hex and HTRK DJs

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