Tagged By bjenny montero

GUEST: Ben Montero

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Yeah, yeah. Ben Montero’s good with his hands. You might already know him as one half of Early Woman or from eponymous pop outfit Montero, the TM Band or the forever excellent Treetops (RIP).

Outside of music, Montero’s an artist. His work has appeared in the Huffington Post, VICE, Desktop Magazine and the Australian Book Review among others. Ariel Pink, Beaches and Pond have even recruited his stuff to sell their wares. Well, he’s just opened his first solo exhibition, ‘SKETCHES’ – featuring over 148 posters, sketches and various lampoonings of the local music scene which Montero’s been a part of for twenty years.

Montero recently worked up a comic for us which covers all the hard hitting issues like free beer, Fred Negro and ‘normcore’ – which should be enough of an incentive for you to get along to the show.

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SKETCHBOOK is showing at Lamington Drive, Collingwood until the 30th of August.

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INTRODUCING: Early Woman

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Early Woman is a collaboration between writer and documentary maker Hannah Brooks (St Helens, Spider Vomit, Young Professionals) and artist/cartoonist Ben Montero (Treetops, the Brutals, Montero). The group started popping up on bills around Melbourne about a year ago, performing nicotine-stained love songs in the style established on first demo, ‘Brothers’.

 

Early Woman’s sound is the perfect meeting point between the decadent, knowing schmaltz of Montero and St Helens’ gritty heroin chic, with Brooks’ serrated vocal and guitar tone complementing Ben Montero’s breathy croon and organ figures. They somehow manage to seem both earnest and sleazy at once, regularly rolling out lines like ‘I love my brothers like a real lover should’.

 

The band’s first official release, ‘I’m a Peach’ b/w ‘Feathers’, came out on vinyl and digital just over a week ago. As with the earlier ‘Brothers’, the tracks’ pop structure is straight to the point – there’s a bridge for every chorus, and both pack a punch. The best moment here has to be the billowing first hook of ‘Feathers’, Montero’s lyrics an exercise in surrealist romance: ‘Feathers flying all around / when she opens up her gown / I can hardly feel the world around me’.

 

When you see Early Woman play live – a terrific, tinsel and tie-dye affair – Bobby Brave’s ornate bass playing really comes to the fore, providing much of the songs’ melodic backbone. That element is oddly low in the mix on these recordings, but it can still be enjoyed with a pair of headphones.

‘I’m a Peach’ b/w ‘Feathers’ is out through Mistletone and Inertia. You can purchase it on iTunes or order the vinyl here. The band is at work on a debut album right now and will play a Mess + Noise Lunchbox show on 22 November as part of Melbourne Music Week.

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LISTEN: Montero – ‘Passions’

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‘Passions’ is the first single off the debut record by Melbourne MOR evangelists Montero. Led by Ben ‘Bjenny’ Montero, whose album art, posters and video clips are by now a fixture of the local music scene — and whose voice has an eerie similarity to Bryan Ferry’s — the band includes Chapter Music honcho Guy Blackman on piano and WTH favourite /longtime purveyor of adult contemporary sleaze Geoffrey O’Connor on guitar.

Together they make lush, 70’s indebted soft rock with kitsch orchestral flourishes. They’ve got a 7″ out already, and a two-track digital release celebrating the life and times of Wheel of Fortune co-host Adriana Xenides. The latest single opens with a 60’s futurist synth tone and Ben Montero’s creepy invocation, “Nobody does it to you like baby does”. At one point he manages to rhyme “random cruelty” with “ambiguity”, and the band throws in a baroque, psychedelic breakdown at the end for good measure. For what’s essentially a pastiche, Montero makes it so damn fine. 

The Loving Gaze is due out on 16 August via Mistletone.

 

Montero will be launching ‘Passions’ on these dates:

Thursday, 20 June – Goodgod Small Club, Sydney (+ Early Woman, Drown Under, DJ Marcel Whyler and Circle Pit DJs)

Friday, 28 June – LuWow, Melbourne (+ The Ancients and Swim Between The Shags)

 

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