MATT’S FAV ALBUMS

1. Seekae – +Dome

Track: ‘Gnor’

I probably don’t need to spend too many unlimited digital column inches professing my love for Seekae. These guys are the best band in Australia. Possibly the whole world. +Dome took all of its predecessors strong points and input them into a more mature, cohesive and ambitious album. A truly stunning achievement.

2. Guerre – Darker My Love

Track: ‘Millenium Blues’

The hardest working bro in Australian music averaging 4.6 gigs per week, Guerre has burst onto the scene in a big way. Last year I was posting the tunes that this faceless dude was dripfeeding to the blogging world, and now he’s put out a truly amazing album (EP?) and has a swelling local profile. Knowing how prolific he is, I’m sure there’ll be more Guerre to look forward to in 2012 – which is great news for everyone who likes any music ever.

3. Ernest Ellis – Kings Canyon

Track: ‘New Blood’

Ernest Ellis always seemed like an odd fit for Dew Process. I liked his last album, but it didn’t sound like Ernie was being himself. The question, “who is Ernest Ellis” has been resoundingly answered with Kings Canyon and the formation of his tight new band. 10 killer ambitious tunes that have also greatly improved his live show – EE was definitely one of my fav local shows of the year as well.

4. Lawrence English – The Peregrine

[The tracks are too massive to add here in any decent quality, so please accept this Soundcloud promo instead and just got and buy the thing]

Lawrence English – The Peregrine (album preview) by experimedia

I love almost everything Lawrence English puts out. A Colour For Autumn is one of my favourite albums of all time, and the The Peregrine finds him mining territory that mixes the loose “song-ness” of that album with the dense textures of his other work. Stunning, haunting, totally engrossing. It’s not for everyone, but that doesn’t take anything away from this work of art.

5t. Jack Ladder & The Dreamlanders – Hurtsville

Track: ‘Position Vacant’

I have a photo of Nick Cave in my wallet. In front my licence. I don’t understand Nick Cave fans who don’t like Jack Ladder – but there’s plenty of them. Yes, he sounds pretty damn similar, but seriously… These songs are really special – atmospheric, moving, at times haunting. Despite opening with a comparison to Mr Cave, I’m also for considering this album on its own merits – but even in the shadow of NC it still holds its own. I don’t know anyone else who could make the line “I wanna make like a tree” sound cool. Maybe Britt Daniel, but that’s it.

5t. Royal Headache – Royal Headache

Track: ‘Down The Lane’

I’d heard great things about this album before I’d even heard the album itself, but the weight of expectations didn’t do it any harm. I was late on the Royal Headache bandwagon, but I’m on it in a big way now. A lot of lo-fi rock has come out of this country lately, but none have done it as well as Royal Headache IMO. It never relies on the aesthetic to give it cred, and the way Shogun makes some fairly plain lyrics sound so emotive is the mark of a standout frontman. Possibly the best frontman in Aus?

Honorable Mentions: Oliver Tank, Thrupence (for these amazing mixtapes), Twerps, Nakagin, Cut Copy, Total Control, Oscar + Martin, Lost Animal, Collarbones

Bonus International List

1. Real Estate – Days
2. Tim Hecker – Ravedeath, 1972
3. Bon Iver – Bon Iver
4. Action Bronson – Dr Lecter
5. Smith Westerns – Dye It Blonde

Honorable Mentions: Jurgen Muller, James Blake, Tycho, Blanck Mass, Clams Casino, Lil B, Coppice Halifax, The Antlers, Panda Bear, Lykke Li, Nicholas Jaar, Gauntlet Hair, Rangers

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MEL’S FAV ALBUMS

1. Jack Ladder & The Dreamlanders – ‘Hurtsville’

Track: ‘Beautiful Sound’

Tall, brooding, baritone kinda guy comes out and themes his third record about the shitfalls of love. People were just going to take jibes at this, but you have to get past the superficial Nick Cave comparisons (music never came out of a vacuum ya know). Sure, it’s lesser a chirpy follow up to ‘Love Is Gone’, but this was never intended to be a charismatic record. From the first swell of ‘Beautiful Sound’, to the Triffids tinged ‘Cold Feet’, there’s so many reasons why this is a brilliant record.

2. Twerps – ‘Twerps’

Track: ‘Dreamin’

Couldn’t put Real Estate’s ‘Days’ in here for the purposes of sticking to Aus bands, but the Twerps album is probably the next best thing. Lyrics like “we’ll get drunk, we’ll get stoned, we’ll get high, we’ll get drunk” reek of surburban precociousness on paper, but the Twerps subtle delivery makes this an earnest album at best. Matt Frawley’s vocals tend to lazily saunter off track but that’s all part of the appeal. Droney surf track ‘Dreaming’ and the gorgeous treble hooks in ‘Who Are You’ are my faves. Would make friends with this record if I could.

3. Kins – ‘Dancing Back and Forth In Whipped Cream’

Track: ‘Mockasins’

A great release from one of my favourite Melbourne bands, who’ve recently relocated to the UK. The album is apparently about a guy who ‘spent $2000 at a brothel and was baffled by his wife’s lack of understanding’. Thom Savage’s fragile refrain is hard to shirk away from and Simon Lam drums like a machine. Enjoyed all the tracks on this, but ‘Lake Troposphere’ is a fave.

4. King Gizzard – ‘Willoughby’s Beach’

Track: ‘Lunch Meat’

Name a song ‘Dustbin Fletcher’ and you’ll probably wind up in this list too. An enthusiastic first LP for the 7 piece who’ve only been jamming since the start of the year. Good things happened when these kids discovered reverb. ‘Willoughby’s Beach’ packs in at a punchy 20 minutes, and with lyrics that don’t span more than a few words for most songs, this revels more in hummability than anything else. Watching these dudes fight over stage space, eat several mics, hump theremins and swing off the roof of the Tote with plenty of reptilian finesse also put them in my gig highlights this year. ‘Lunch Meat’ is my pick. Awesome cover art is also another reason to get this record.

5. Middle East – ‘I Want That You Are Always Happy”

Track: ‘Months’

On surface listen, this album simmers on the slow burner – but what it lacks for in cohesiveness of ideas, it makes up for as a wonderful collection of separate tracks. There were high expectations for this record, and I’m not sure if those people who were disappointed by this album were looking for more hooks or to be lulled into another emotional malaise like ‘Recordings of The Middle East’ did. Moments of cacophonic jams (‘Mount Morgan End’) against more orchestral flourishes (‘Sydney To Newcastle’) might fight against consistency, but ‘Land of the Bloody Unknown’ and ‘Dan’s Silverleaf’ offer more ground. Narrated by delicate songwriting, the album captures a great sense of warmth and open space present in that distinct ‘Australian’ sound I love. If anything, ‘Months’ is the best song that sums up this record. A fitting send off for The Middle East, this is definitely an album I’ll continue to return to in years to come.

Bonus 6-10 list!

6. Tim Fitz – Beforetime EP
7. Abbe May – Design Desire
8. Big Scary – Vacation
9. Witch Hats – Pleasure Syndrome
10. Snowman – Absence
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DAVE’S FAV SONGS

Catcall – ‘Satellites’

This is taken from Catcall’s debut album which I understand is arriving very soon. The joy I felt pumping Miami Horror’s ‘Sometimes’ the year before has been replaced by the sparkle of this fantastic dance bump. I’ve seen Catcall play a couple of times and her shows are amongst the most fun, emotionally charged and uplifting experiences I’ve ever had at live gigs.

Harmony – ‘Cacophonous Vibes’

If you don’t feel something deep inside your guts when listening to this track you must be fucking dead. Great idea to join such gorgeous backing vocals with the gravel of Tom Lyngcoln’s dark vocals. Try singing this chorus out loud and not feel peace afterwards.

The Jezabels – ‘Endless Summer’

If you listen to JJJ I’d forgive you for being sick of hearing about The Jezabels but thankfully I have community radio so I’m actually sick of the sweet DIY loop pedal hoopla. This band plays a thundering set live and the ‘Endless Summer’ video actually had a narrative which considering all the pointless fluff flooding our blogs is quite refreshing.

Ernest Ellis & The Panamas – ‘Great Sky’

Ernest Ellis & The Panamas played the Toff earlier this year and it was probably my fav local show of the year. I was lost in their sound, transfixed by the presence Ellis has on stage and took some of my better photos of the year.

International: James Blake – ‘Lindisfarne’

The international bump for the year comes from the remarkable self-titled record by James Blake. The only thing better then this record was seeing him perform it live. An achingly beautiful sound and genius movement of experimental beats and vocal distortion.

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Sures – ‘The Sun’

(mp3)

SWEET BRIAN WILSON, IS THAT YOU?

This tune has just sent me to a very happy place.

The Sydney duo are playing with The Rubens on Dec 22nd at OAF + supporting Best Coast’s Sydney sideshow at Manning Bar on the 25th of Jan.

www.sures.bandcamp.com

Sures FB

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(photo: Kristy Milliken)

Last weekend marked the 21st anniversary of Meredith Music Festival and the start of another summer festival run. Headliner Total Lunar Eclipse did a no-show due to a cloud cover, but the cosmos aligned in other ways; Barbarion threw some flames, Grinderman bid us adieu and Big Freedia… brought the ass (everywhere). Meredith organisers have been good to the people for over two decades and the weekend delivered.

Good on yr Aunty M.

DAY 1.

With Mike Larkin’s grim prediction of torrential rain forecasted for the weekend, Aussie Disposals survived a mass pillage on Thursday as punters prepared for a rerun of Meredith Mudbath ’08. Contrary to the shitty forecast, Friday was all sun. Apart from having our windscreen smeared with some 40+ orange butterflies we hit somewhere past Geelong, it was a cruisy traipse down the Princes Hwy until we poked the line. A large mass of punters seem to have bypassed the ‘no dickhead policy’. Fools who overtook the long line of fair queuers, got bad karma and runs from the Hare Krishna tent on the weekend. Eco tyrants who also scampered past the queue on fixie bikes also provided comedic entertainment, after said fixies encountered punctured wheels on gravelly terrain.

Meredith minions parading around with yellow tees were strategically placed around our welcome path as ushers, but all were useless at giving directions. One of my mates wrangled a free ticket for three hours of handing out ‘snakes and redbull’. Order seems unnecessary when you have vibemen.

On the topic of vibemen, the main stage was packed to see King Gizzard and The Wizard Lizard open the proceedings. Perched on the edge of the stage, the rowdy 7 piece wasted no time on introductions. The driving beat of ‘Lunch Meat’, anthemic ‘Willoughby’s Beach’ and the rest of those whooops, theremin and fezzy swamp stuff caused a minor dust storm in the front left of stage. A cover of the (more…)

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I spent most of this year living away from Brisbane, but my end of year list is dominated by Brisbane bands.
There’s amazing stuff happening there at the moment and it’s a real credit to the musicians and the people that support them – no thanks to a certain arts funding body.

I’m sure you’re all over end of year lists already, but bear with me. You might learn something.
Also have a read of Pop Matters’ worst albums of 2011. It’s a hoot.

Ball Park Music – Happiness and Other Suburbs

Track: ‘All I Wanted Was You’ (mp3)

These guys have received plenty of attention and accolades this year, all of them deserved. Their debut album does not have a bad or weak song on it, and the production is polished but not overbearing.
The fact that Boy and Bear won an ARIA and BPM didn’t is a bit of a shame, but hopefully these Brisbanites will conquer the second-album shakes and get more trophies for the pool room.

Epithets – Year of Glad

Track: ‘The Reveal’ (mp3)

I’ve wanked on about Epithets before, so I shan’t bore you again but let me just say this:
I had a very confronting weekend in Brissy and was feeling particularly fragile on the train from Brisbane to Rockhampton.
Despite the title, Year of Glad was a fantastic soundtrack to my emotional turmoil and sobbing my guts out on a long train ride through the shitty suburbs north of Brisbane.
SO – if you too feel the need to chuck a huge sad on public transport, this is the album for you.

Fires of Waco – Old Ghosts Never Sleep

Track: ‘Fractured Faith’ (mp3)

Fires of Waco are one of those bands that manages to be prolific AND good. They’ve released an EP, an album and a 7″ single over the last 18 months, and Old Ghosts is right up there with recent releases from Defeater and Touche Amore in terms of quality and vision.

Fires manage to juggle three vocalists and some pretty heavy lyrical content (child sexual abuse in the Catholic church, the gap between blue and white collar in society, suicide) without getting bogged down or too pretentious. This first album of theirs is ambitious and a success.

Jen Buxton – Don’t Change Your Plans

Track: ‘Don’t Change Your Plans’ (mp3)

Another album for the sad sacks, Jen Buxton’s songwriting makes Missy Higgins look like Lady Gaga.
Don’t Change Your Plans is raw and an emotional punch to the face, carried along by not much more than an acoustic guitar and Buxton’s fantastic voice.

She’s been ensconced in domestic bliss for most of this year so she hasn’t really “pushed” or “promoted” or “serviced” the album, which is a bit of a shame. That said, I wish more singer-songwriters would follow her lead and live life instead of jumping through “industry” hoops.

Nuclear Summer

Track: ‘Uncle Frankie’s Funny Hats’ (mp3)

These guys formed from the wreckage of half a dozen excellent but obscure Brisbane bands. I wasn’t particularly keen on their early demos, but a good 18 months of writing and bonding has really paid off. Well, that and forking out money to get it mixed and mastered properly. These guys are currently on tour, suss them out and see them if you can.

Streamer Bendy – Sugar Rush

Track: ‘Sleep Me Off’ (mp3)

Ok, so maybe this is cheating because this album hasn’t technically been released yet but DAMN is it good.
Pop music about sex is nothing new, but Sugar Rush has to be one of the most sexually frustrated pop albums I’ve ever heard.
There’s no unrequited love or sleazy pickups here, but there are plenty of allusions to the frustrations of a boring sex life. That’s not a bad thing though – I’m a big fan of the lyrical pun on Bryan Adams’ “Summer of ’69”:
I had my first real sex dream/perfect build-up, I directed the perfect scene/then I wake up with you sleeping next to me/take a Valium, back to reality.
Written in Brisbane and put together in Sweden, lets hope these guys actually put out next year.

HIGHLY COMMENDED: Harmony’s self titled debut.
BIGGEST DISAPPOINTMENT: Gotye – Making Mirrors.

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Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a .zip file of the whole 36-track compilation via MediaFire.

ARGENTINA: Zonaindie
The Empire Of The Moon – Transition
The Empire Of The Moon is the new project of Juan Sábato, a former member of Brian Storming, a band that was featured in the first edition of MAP (and, by the way, the grandson of writer Ernesto Sábato). Transition is the first single from The Empire Of The Moon’s just-released debut EP, Saturday Children, for which he wrote all the music, lyrics and beautiful pop arrangements.

AUSTRALIA: Who The Bloody Hell Are They?
Tim Fitz – The Line
Tim Fitz is a 21-year-old producer/instrumentalist/singer from Sydney. He put out his first EP, Infinite Space, in March but his latest release, Beforetime, is definitely a rich picking. Some might hear genre spanning and others will hear indecisiveness, but there’s a great feel to this collection of tracks. The Line is a good example of Fitz’s kaleido-instrumentals. Just as the flouncy percussion gets into the proper swing of things, we get bombarded by drive-high fuzz around the one-minute mark. Fitz’s sound is original, but the way he has put his sounds together is still familiar enough to catch on to.

BRAZIL: Meio Desligado
Nana Rizinni – Nice Figure, Dangerous Heart
It’s almost 2012, but listening to this song from singer/drummer Nana Rizinni can take you back to the 90s with an awesome “sounds like The Breeders feeling”. Nice Figure, Dangerous Heart is from her first album, I Said, which is available to download from her website.

CANADA: I(Heart)Music
Fevers – Passion Is Dead (Long Live Fashion)
Fevers’ debut full-length (which is currently free via Bandcamp) is a wonderful blend of disco-pop and ambient Stars/Young Galaxy-style space-rock. This song, the title track from the album, falls firmly into the former category. It’s five and a half minutes of a glorious, life-affirming, wave-your-arms-in-the-air anthem, and it sets the stage for one of the best albums of the year.

CHILE: Super 45
Tio Lucho – Ilusión Rebelde
Even though Tio Lucho had an aggressive, non-conformist punk sound when they started, it has developed into a more danceable and, clearly, more passive format. Produced by Chalo González, their new album Innombrable, released through Cazador, has a strong new wave influence. Ilusión Rebelde is its first single.

CHINA: Wooozy
Mini Train Heart – Just This Feeling
Formed in 2009, Mini Train Heart is a peculiar band based in Wuhan. The band is noted for their unpredictable drumbeats and manic vocals. Also, you can’t easily tell who their influences are. We recommend you just drown in the lo-fi atmosphere and enjoy their uniquely dry humor in how they see this generation.

DENMARK: All Scandinavian
Anchorless – A Step Too Steep
Comprising members of bands such as Lack, The River Phoenix and The Fashion, indie-rock six-piece Anchorless are currently finishing their debut album, which I assume will be released early-ish next year. Until then dive in, dig and download A Step Too Steep from their six-song eponymous 2010 debut EP, which you can in fact download in full through this link.

ENGLAND: The Guardian Music Blog
Citizens! – True Romance (Populette remix)
This is an exclusive remix of the debut single, True Romance, by a London-based five-piece who have just signed to French electronic/indie label Kitsuné. Their debut album, due early next year, has been produced by Alex Kapranos of Franz Ferdinand. The video to the single was directed by LA’s High5Collective, the team behind shorts for The Weeknd and Odd Future. And they believe that “pop is not a dirty word. It’s a holy one”. For Citizens!, pop is something David Bowie did in the 70s – they conflate glam-era Bowie and Bowie in Berlin with some of the tart arrogance of Suede and louche energy of Franz.

ESTONIA: Popop
Shelton San – Well-Behaved
Noise-rock band Shelton San started rocking the small Estonian indie scene in 2002 and, almost 10 years later, they are stronger than ever, creating massive, raw, hypnotic atmospheres, always polished, but never sterile. In 2006, they received the Estonian Music Award for the best punk/metal artist. Shelton San’s second LP was released on December 12.

FINLAND: Glue
Zebra And Snake – Burden
Matti and Tapio, best known as Zebra And Snake, positioned themselves as the next big thing in Finnish electro-pop in 2010 and since then, the duo has been carefully crafting their debut album while playing anywhere from Iceland to Indonesia. Burden, the first single off Healing Music (out in spring 2012), is an epic pop song with a Blood On The Dance Floor beat, analogue electronic hooks and powerful Bowie-esque vocals.

FRANCE: Yet You’re Fired
Marauders – Galley-Slave
Marauders formed in the late 80s in Strasbourg, and have been making garage rock ever since, before it was cool and re-popularized by The Black Keys. The quartet, who have released two LPs and appeared in various compilations, play short, edgy songs and are pretty awesome live. Galley-Slave is a sweet, soft-rock ballad that deserves some attention.

GERMANY: Blogpartei
Kraków Loves Adana – Silver Screen
The Black Forest, a myth. Since Kraków Loves Adana come from Freiburg, we can all speculate whether the forest has its influence or not. Hence, the sound of this duo is outstanding. The voice of Deniz Cicek is remarkably dark and complex, the use of the instruments is deliberate, creating deep and slightly ominous songs. Silver Screen is a MAP exclusive from their upcoming second album, which will be released in early 2012.

GREECE: Mouxlaloulouda
2L8 – Let It Go
A collective led by K the Clown and comprised of talented Greek musicians, 2L8 is a bold and electrifying project that has come to be categorized by their radical stylistic shifts between albums. New Battles, Without Honor And Humanity is packed with feverous instrumental intensity and florid arrangements based on bursting guitars, pounding drums, subtle and luminous climaxes, dramatic strings and brass, hypnotically simple melodies, inner monologues and trembling, frantically passionate vocals, desperate and bleak lyrics about resistance, equity, freedom, love and equality coupled with a sense of hope.

ICELAND: Rjóminn
Low Roar – Friends Make Garbage, Good Friends Take It Out
Low Roar is the personal project of Ryan Karazija who, almost two years ago, moved from San Francisco to Reykjavík to follow the love of his life. His self-titled debut chronicles the challenges of starting anew in a foreign land and the struggles to acclimatize, find work and support his family in the Icelandic winter. Friends Make Garbage, Good Friends Take It Out, one of the highlights of the album, is a haunting, emotive and slightly melancholic song with a melody that will undoubtedly keep playing in your head long after the song is over.

INDONESIA: Deathrockstar
Stars And Rabbit – Worth It
Stars And Rabbit are probably one of this country’s most promising indie acts. The duo mix some soul from Joan Baez, the cuteness of Lisa Mitchell and the playful touch of Björk to produce catchy, beautiful pop songs.

IRELAND: Nialler9
Come On Live Long – Elephants And Time
Formed last year, Come On Live Long have picked up a steady pace in no time as evident on the release of their latest EP entitled Mender. They make far-reaching alternative songs with considerable melodies, synths and a strong singular sound. Production by Nouveaunoise electronic maestro Conor Gaffney helps too. Ones to watch.

ITALY: Polaroid
Distanti – Astronomie
Distanti sing in Italian, but even if you don’t speak our old and praiseworthy language, I’m sure you’ll understand – in fact, you will totally feel the way Distanti tear up their post-punk sound. Visceral. Urgent. Clever. They just released a new EP, Mamba Nero, which you can get at To Lose La Track. And try to catch Distanti live, they’re amazing.

JAPAN: Make Believe Melodies
Love And Hates – Party Trash
Love And Hates is a collaboration between Yuppa and Moe, two of the best indie artists in Japan today, from HNC and Miila And The Geeks respectively. Love And Hates finds them teaming up to make rap music with indie-pop touches, or kindergarten hip-hop as they dubbed it. Party Trash, with its cutesy chopped-and-screwed intro and solid structure, is not a lame dorm-room joke but rather a fun, appreciative stab at the genre. UGK they are not, but they still feel like a blast.

MALTA: Stagedive Malta
nosnow/noalps – Far Into The Night (Without You)
nosnow/noalps began its journey over mountainous terrain in early 2007 with their poppy indie-rock seasoned with punk, reggae and ska. Soon after, the quartet hit the live circuit with an energy and force comparable to an avalanche at a Swiss ski resort. The band’s first EP, Just Rock, came out in 2008 and they released their debut album, Romantikpolitik, this August.

MEXICO: Red Bull Panamérika
3Ball MTY – Ritmo Alterado
The city of Monterrey, in northern Mexico, is struggling in a war against drug-mafias: despite the violent context, a new musical genre is rising thanks to 3Ball MTY. Led by veteran electro-cumbia DJ Toy Selectah and a crew of skillful producers in their early 20s, the collective have created a new sound by merging polka, reggaeton and acid-tribal-techno. But the most peculiar thing about this trend is the style of dancing – like dodging bullets – while wearing ultra-long pointy boots. Curious? Just google ‘Pointy Mexican Boots’.

NETHERLANDS: Unfold Amsterdam
Spoelstra – Pallets
An alternative to the schmaltz of typical Christmas sounds, enjoy a dose of Spoelstra. He’s a collaborator with Dutch experimental label Narrominded, which specialises in all sorts of fantastic non-profitable sounds, from full-on noise rock to electronic warbles. And Spoelstra is a perfect fit, as he’s proven capable of both. His latest album Pallets was released earlier in the year. Packaged as a cassette and a book about everything you can imagine about pallets, it showcases a full rack of effects and a wonky mind. Part chip tune, part drunken country improv, part toy noise, this uneasiness is how Santa feels come Boxing Day.

NEW ZEALAND: Einstein Music Journal
The Eversons – I’m A Conservative
Fronted by Mark Turner (ex-Little Pictures) and with Chris Young (Insurgents, No Aloha), Tim Shann and Blair Everson, The Eversons have a crisp, clear garage-rock vibe that strongly recalls Art Brut and American college rock with its undeniable catchiness and the immediate satisfaction this brings. With classic guitar riffs and day-in-the-life-style lyrics, their debut five-song EP is instantly likeable. This is one of those bands that doesn’t muck around, delivering a top-class release very early in their career, which makes us excited about future things to come from them.

NORWAY: Birds Sometimes Dance
Sunturns – Hallelujah (Christmas Is Here!)
Sunturns can perhaps be labeled an indie supergroup – or not just an indie super group, but a Christmas indie supergroup. It’s something as rare as a full-time Christmas band and is comprised of some of the best musicians from the Oslo indie scene, with members from bands such as mylittlepony, Monzano and The Little Hands of Asphalt. They sing about both the nice and the more melancholic sides of Christmas. Their debut album, cleverly titled Christmas, is out now.

PERU: SoTB
Gris Volta – You Go Behind The Truth
Formed at the beginning of 2008, Gris Volta have too many influences to place the band into one genre – you can find anything from indie-rock to jazz themes and experimental music in their songs. Their debut record Monochrome is without doubt one of the best Peruvian albums released this year.

PORTUGAL: Posso Ouvir Um Disco?
Julie & The Carjackers – Mr Williams
One year ago, Julie & The Carjackers released their debut EP. Now the first album by João Correia (vocals, guitar, percussion) and Bruno Pernadas (guitar), with the help of some friends (none of them called Julie), is available. Parasol has been warmly welcomed by Portuguese press and blogs as a surprising and refreshing debut in the local indie scene.

ROMANIA: Babylon Noise
Absurdcus – Puppy Slippers
Absurdcus is the solo project of Transylvanian bass player/multi-instrumentalist Laszlo Demeter. His music has been a continuous work in progress since 2003, when he first started recording bits and pieces under this pseudonym. His music stylistically ranges from alternative rock and funk to electronica and even metal. You can download his debut album here.

RUSSIA: Big Echo
Arktor – Pier ft. Didjelirium
Just like the original story by Philip K. Dick, Arktor’s album Retreat Syndrome recreates the atmosphere of madness and insanity, combining truth and despair with the skills of his mate, jazz pianist Ilz. Pier is recorded with a special guest, Shanghai rapper Didjelirium.

SCOTLAND: The Pop Cop
Café Disco – Terra Nova
I’ll never forget the first time I heard Terra Nova by Glasgow-based newcomers Café Disco. It was on a shaky YouTube clip filmed in June 2011 during one of the band’s earliest gigs. “Contains the peachiest guitar riff I’ve heard in ages” is how I described the song on my blog back then – and that verdict hasn’t changed with this studio recording, which was funded by The Pop Cop for the sole purpose of giving it away through the Music Alliance Pact, together with this rather fun promo video.

SINGAPORE: I’m Waking Up To…
Sonicbrat – Bed Of Forty Winks
Sonicbrat is the enduring moniker of sound artist Darren Ng, whose work is characterised by an intricate tapestry of field recordings and found sounds, strung together by subtly processed acoustic instrumentation with a classical bent. Gentle, stirring and complex, Ng’s music is the sort that invites itself into and comfortably inhabits one’s imagination. His latest release, Hana, is his musing on the life of a flowering plant and is available as a free download on the Totokoko label.

SOUTH AFRICA: Musical Mover & Shaker!
The Frown – The National (Yesterday’s Pupil remix)
The Frown makes a curious mixture of folk and electronica. With their song The National, Yesterday’s Pupil’s remix adds a special touch to it, with a heady mix of soaring strings and orchestration, low tempo colliding beats, dark and menacing basslines and the fragile yet commanding vocals of Eve Rakow. Ethereal and enigmatic, it’s one of the year’s most exciting songs.

SOUTH KOREA: Indieful ROK
Kim Mok In – Scene
Kim Mok In started out as the guitarist of playful lo-fi folk quartet Cabinet Singalongs over a decade ago. This month he released his first solo album, Song Of Musician’s-self, with an updated sound and better production that still shouldn’t leave any old fan disappointed. Scene is a song about the Korean music scene which finds Kim Mok In’s voice and guitar accompanied by a sturdy piano.

SPAIN: Musikorner
Doble Pletina – Cruzo Los Dedos
Doble Pletina, a five-piece from Barcelona, were born from the ashes of Abrevadero (a one-of-a-kind cover band that would play songs of almost any genre). Thanks to their simple yet carefully crafted melodies and everyday life-inspired emotional lyrics – as in their latest single Cruzo Los Dedos – they have broken into the city’s local independent scene. They are, basically, what we would expect from a good indie-pop band.

SWEDEN: Swedesplease
Let’s Say We Did – Galaxies
If your idea of Swedish music is something exotic like Lykki Li, First Aid Kit, Little Dragon and/or Jens Lekman, the music of Let’s Say We Did might surprise you. On the whole, the new record hews closer to Big Star meets Wilco dad-rock than the drum and bass electronica music coming out of Sweden of late. Sebastian Fors is one of the main men behind the band. He has been contributing to the Swedish music scene for a few years in multiple projects. Let’s Say We Did’s new self-titled album, though, is some of the best stuff I’ve heard from him.

SWITZERLAND: 78s
Alejandro Jiménez – Die Fragestellung In Frage Stellen
Alejandro Jiménez is actually more poetry slam than singer-songwriting. He also had the honour of playing in the most famous theater in Switzerland for cabaret artists. On his second record, Nabelschau, he recorded 11 songs which have one thing in common: they’re raw and personal.

TURKEY: WEARTBEAT
Toz Ve Toz – Kara Mamba
Founded in November 2007, Toz Ve Toz make experimental songs that combine elements of jazz, surf, punk and Turkish classical music. The trio use guitar, synthesizer, drums, harmonica and bağlama – a Turkish instrument with three double strings. They have released two albums – the first featured music for a theatre play called Sahici İnsanlar Plastik Ölümler (“Real People Plastic Deaths”) in 2009; the second is a home recording called Ev/Home. Their third album will be released from their own record label soon.

UNITED STATES: I Guess I’m Floating
Gracie – Sisters
Philadelphia’s Gracie is an intriguing project to say the least. There is bedroom pop and garage rock, but the vibes coming from Gracie match more of a bomb shelter banger sound. Haunting, effervescent, glitchy, mesmerizing echoes, and driving beats that propel your ears forward straight through tangles of sonic cobwebs. Can’t wait to snag this unique release via Small Plates soon.

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‘Ice Cream Suxx’

(mp3)

Bleeding Knees Club’s Alex Wall has a Sunday jam and it turns into this. 12 minute EP, lots of dumb fuzz + school taunts made low-fi (see ‘Gay Batman’).

Grab the EP for free at WW’s bandcamp.

waxwitches.bandcamp.com

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‘Step & Stagger’

(mp3)
The Murlocs are a 5 piece out of Melb (not to be confused with WoW mascots of the same name). Lead guy Ambrose Kenny-Smith also does harmonica duties for King Gizzard. Loose, jangly riffs, bluesy drawls…probs a Geelong band. Always dig a slacker soundtrack, good stuff.

The guys are are supporting Harry Howard & the NDE this Friday, swing by here for details.

Murlocs Soundcloud

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