New Music

MAP: February

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AMERICAI Guess I’m Floating
Here We Go MagicTunnelvision

Brooklyn’s Here We Go Magic is the bedroom folk-pop project of Luke Temple, who is releasing his self-titled debut this year. He has been praised by Sufjan Stevens and Ben Gibbard for his uniquely gorgeous vocals and meticulous lo-fi production aesthetic. Tunnelvision is the first single – one part Shakespearean sonnet and one part circus music, swirling in a beautiful mess of poetic acrobatics.

ARGENTINAZonaindie
Pablo Dacal Y La Orquesta De SalónElla Ya Está En La Playa

Pablo Dacal is a musician, singer and songwriter from Buenos Aires. His first songs circulated in tapes and between 2000 and 2002 he published a series of EPs that caught the attention of the media. The Orquesta De Salón was founded to collate this loose collection onto his first proper album, 13 Grandes Éxitos (2005). His next record was La Era Del Sonido (2008) and Ella Ya Está En La Playa is one of the finest songs from it.

AUSTRALIAWho The Bloody Hell Are They?
The Crooked Fiddle BandThe Rom Rebellion

More furious fiddling from The Crooked Fiddle Band, who have a new EP called Rise which they are currently touring. I’ve been getting into bands like Balkan Beat Box and while these guys are different, I like the punk element in the songs. It just sounds like it would be a whole lot of fun to watch.


BRAZILMeio Desligado

João BrasilOrgasmadance

Like a tropical version of Girl Talk, João Brasil’s music is a mashup of beats and artists from different styles and backgrounds. With a strong influence of Brazilian funk carioca, a style derived from Miami bass and famous because of its explicit lyrics about sex, João Brasil released his first mashup album last year, Big Forbidden Dance. Orgasmadance is one of the best samples of his work. It starts with pieces from Orgasmatron and Brazilian heavy metal band Sepultura, before suddenly meeting Justice’s D.A.N.C.E. and other songs from Justin Timberlake, Nirvana, Snoop Dogg, CSS and Michael Jackson.


CANADA
I(Heart)Music
The Rural Alberta Advantage Four Night Rider

The Rural Alberta Advantage, who are actually from Toronto, with frontman Nils Edenloff’s birthplace being Alberta, are one of Canada’s best-kept secrets. They specialize in Neutral Milk Hotel-esque pop with a slight twang and, as Four Night Rider demonstrates, the results are simply, passionately amazing.

CHILESuper 45
CongeladorAbrigo

For more than 10 years, Congelador have been a cornerstone of the Chilean independent rock scene. After four record releases and two years in a hiatus, the band came back with the Abrigo EP – six songs that gracefully move around post-rock, noise, pop and electronic music.

ENGLANDThe Daily Growl
Let’s WrestleLet’s Wrestle

I could continue to bring you songs from London’s fertile folk-pop scene but it’s time for something a bit different. This month we have a singalong theme song from the self-professed ‘most miserable and hateful band in London’.


GERMANYBlogpartei

BratzeJean Claude

Bratze is a Hamburg-based duo consisting of Der Tante Renate and ClickClickDecker. They make beautifully simple electroclash and indietronic music accompanied by sophisticated lyrics, all mixed with a DIY mindset. The featured song, Jean Claude, was their breakthrough as a newcomer in 2006.

ICELANDI Love Icelandic Music
HjaltalínGoodbye July/Margt Ad Ugga

Hjaltalín is a nine-piece collective, so almost an orchestra, which uses an eclectic selection of instruments, from bassoon to bass, accordion to clarinet. With these instruments and two singers they create a wall of sound for their folky indie-pop songs. This song features the beautiful voice of singer Högni Egilsson, a catchy chorus, broken up with an Icelandic hymn sung by Sigga Thorlacius.

IRELANDNialler9
TenakaAlaskan

Tenaka is Ronan Carroll, a one-man band who creates melodic and sinewy slices of electronic pop from his bedroom but which suggest an imagination far beyond the physical. Alaskan is the soundtrack to dipping your toes into a lake before dive-bombing into its  sunshine-infested yet chilly waters. The song features on EPonymously Titled, a free EP available from his MySpace. No excuses, download it now.

ITALYPolaroid
Wax Anatomical ModelsRecollections Of Our Times

Wax Anatomical Models may just have formed but they already have plenty of skills. Their sound mixes post-punk, hardcore, shoegaze and electronic influences, but the results in their first demo stand on a different level. Emotional and driving, they are a band to keep an eye on.

MEXICOClub Fonograma
Natalia LafourcadeAzul

The expectancy for Natalia Lafourcade’s upcoming album Hu Hu Hu is building up quick, her redefined lyricism and instrumental complexity showing true signs of an potential masterwork. She’s naturally cute and affecting, and previous material indicated talent, but her sharp new musical vision has finally reached widescreen. Azul is ornamentally sublime. In Mexico, it’s rare to find such a beautiful delicacy.


NEW ZEALANDCounting The Beat

The Enright HouseScattering The Sun Like Gunshot

The Enright House is the musical project of Mark Roberts from Christchurch. Despite being predominantly a solo affair, his 2007 album A Maze And Amazement was filled with songs that had a real sense of grandeur. Some of these have recently been re-released in acoustic form on the Six Acoustic Renditions EP and, as demonstrated in Scattering The Sun Like Gunshot, they lose none of their epic qualities in the translation.

NORWAYEardrums
Richard HolmsenGreat Speed

Richard Holmsen is the singer of the band Delaware but his main focus these days seems to be his solo project. His music is fragile and simple, with few elements other than his guitar and tender vocals. This is quite the opposite of Delaware’s grand, melancholic indie-rock sound. In recent years Holmsen has also made music for film and been involved in an electronica project called Sea. Great Speed is a Music Alliance Pact exclusive, written and recorded only a week ago.


PERUSoTB

CatervasCovida

After 10 years in the local scene, Catervas – formed by brothers Pedro, Raul and Javier Reyes – swapped their previous shoegaze sound for melodic rock on 2008 album Hoy Más Que Ayer. With its optimistic, convincing pop songs, Hoy Más Que Ayer is pure passion made into music. Covida is the second single from it and easily the band’s best song to date.

PORTUGALPosso Ouvir Um Disco?
PressPlayPlay Hot (extended mix)

PressPlay are Playgirl and Lisa (aka The Party Queen). Playgirl does vocals and guitars, while Lisa does vocals and electronica. Their influences are PJ Harvey, Peaches, Electrocute, Cobra Killer and Miss Kittin but they sound much better than some of their heroes – and they’re definitely cuter. The extended version of Play Hot, which is the debut single for their upcoming debut album, was mixed by Woman In Panic, who is actually a guy called Pedro Lourenço.

ROMANIABabylon Noise
The Amsterdams Suffering And Surfing

The Amsterdams are a post-punk, indie power-pop band based in Bucharest. Inspired by the famous Dutch city, their name symbolises the freedom of spirit in every sense. Suffering And Surfing is featured on their forthcoming album, a blend of reckless vocals with freewheeling, volatile riffs and rhythms.


SCOTLANDThe Pop Cop

Broken RecordsNearly Home

Edinburgh seven-piece Broken Records have just signed to renowned label 4AD, the just reward for over two years of personal sacrifice and preaching to the soon-to-be converted with their relentless touring schedule. Devoted followers like myself have already amassed as many as 18 of Broken Records’ epic, swooning, orchestral songs in one form or another – enough to predict that their debut album, scheduled for release this summer, will probably be 2009’s best.


SINGAPOREI’m Waking Up To…

NuanceFear Strikes Mankind I

Nuance is a four-piece rock band, with a recently self-released eponymous EP. At the heart of the record is the two-part epic Fear Strikes Mankind, an ambitious and intense journey that invokes the rock sensibilities of 90s Radiohead and contemporary post-rock experimentation. In the first part of the song (provided here), the biblical narrative of Abraham’s willing sacrifice of his son, Isaac, is related through the perspectives of both father and son. It’s a troubling journey, but the band does well to face the challenges head-on, both existentially and emotionally.

SOUTH KOREAIndieful ROK
SeokjuneDok

Seokjune released his first EP, Dok, at the start of 2009. Equipped with an acoustic guitar and a voice that conjures Elliott Smith, he performs one delicate tune after another while singing in Korean or English.


SPAINEl Blog De La Nadadora

Nouvelle Cuisine – La Comunicación No Verbal

Nouvelle Cuisine are a band with a French name but Spanish nationality. They come from Galicia and have self-produced their new album, De Memoria, which is reminiscent of indie bands in the 90s. They develop their essence in personal lyrics and the soft melodies of their songs.
http://www.fileden.com/files/2008/12/5/2212489/03%20comunicaci%C3%B3n%20no%20verbal.mp3

SWEDENSwedesplease
Love LindblomTill Min Syster

I’m a real sucker for catchy music like this which builds and builds into a frenetic climax. I love when the horns kick in. I love the DIY nature of the video – you just know he asked all his friends to help out. In short, I think I Love Lindblom.

To download all 22 songs in one file click here:
http://www.zshare.net/download/55582845ae7a1284/

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Seagull

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seagull1

Seagull – ‘Trucks Are Sheep’

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Seagull is the stage name of Melbourne singer-songwriter Chris Bolton who produces simple but affecting indie folk music. The broad sonic palette of the album’s production adds depth to his songs and elevates their aesthetic above the usual acoustic affair. ‘Trucks Are Sheep’ mixes stereo acoustic guitars and intimate vocals with minimal, ringing keys, a cymbal that occasionally crashes in the distance and subtle injections of guitar squall punctuation.

Seagull recently performed at Falls Festival as winner of the Triple J Unearthed competition. His debut album, Goodbye Weather, is out now and features the outstanding song that won him that festival slot, ‘Dust Storm.’ Definitely a destination for those interested to hear folk music with such diverse arrangements and interesting production.

www.myspace.com/seagullmusic

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Nikko

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nikko

Nikko – ‘Fists’

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The prefix “post” is a fairly dangerous tag in music – it’s fairly hit and miss and not every genre needs to be reconstructed or extended into more avant-garde territory. Increasingly, it seems to me that “post” has come to signal the substitution of proper song-writing with reverb and IDM beats. My reductive view and cynical stance is the result of many years of listening to “post-(insert genre)” music and, as a result, having been over-exposed to the dregs of that musical terrain. Luckily, there are always songs out there like ‘Fists’ that remind you why you liked this stuff in the first place.

Like many other post-rock songs, ‘Fists’ is built around the tension and release of impending instrumental crescendos, but these louder moments aren’t included to offset the pedestrian slower/qiueter moments. Rather, the surging dynamics seems like the logical conclusion to the crawling anxiety of the verses. The fact that Nikko also manage to include a spoken-word sample without it seeming gratuitous or overly pretentious is further credit to their abilities within the genre.

They’ve only a couple of EPs to their name but they seem to pop up on stage every fortnight or so.

www.myspace.com/nikkoband

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Calling all Melbourne music lovers:

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Do you live in Melbourne? Do you have a passion for finding new Aussie music? Are you able to write engagingly, articulately and intelligently?

The Who The Hell team is looking for a Melbourne-based gig goer/music lover to contribute to the blog. If you can contribute at least once a week and find your own MP3s for said posts, email music@whothehell.net with some examples of your work.

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Tara Simmons

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tarasimmons

Tara Simmons –  ‘Domino’

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Forgive me for making  a broad statement, but it seems to me that most  piano-based female singer-songwriters in the 21st Century come from one of three strains:
The Tori Amos strain;
The Missy Higgins strain or
The Imogen Heap strain.

Brisbane singer-songwriter and multi-instrumentalist Tara Simmons shows the influence of all of the above (strings from Amos, jazzy phrasing from Higgins, glitchy beats and impressive self-production skills from Heap) but creates music far beyond the sum of her influences.
‘Domino’  is incredibly well-written and arranged, from opening lyrical couplet “So we like a reason so we don’t forget our place/if you lie a little, you might just be getting brave” over lush strings to the killer saxophone solo towards the end of the track.
Just quietly, Simmons is a major talent who is just getting started.

‘Domino’ is from Tara Simmons’ debut album Spilt Milk, which she is launching at Brisbane’s Judith Wright Centre  on the 14th of February.

http://www.myspace.com/tarasimmonsmusic

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Villians of Wilhelm

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wilhelm

Villians of Wilhelm – ‘Angelina’

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Villians of Wilhelm are a  four piece indie rock band from Brisbane with a punk sensbility and style that belies the pop undertones of their songs.

‘Angelina’ – and I use this comparison as a point of reference and not to sound reductive or critical – sounds a lot like Franz Ferdinand with Australian accents. From the punchy guitars, bouncing rhythm section and the “Ba ba ba da ba” refrain, Villians of Wilhelm manage to convey the same sense of sexual angst through danceable guitar songs as their Scottish contemporaries have done for a while now. The chorus, however,  is more power-chordy, syncopated and shouted than anything Franz would include but this only helps delineate the band from their influences and exhibits a talent for arrangements beyond dependable but going-stale four-on-the-floor routines.

This is a great single that’s being launched around the country over the next month.

www.myspace.com/villainsofwilhelm

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