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Dappled Cities Fly - ‘Within Hours’ (mp3)

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A new cut from the upcoming album Granddance, produced by Peter Walker and Jim Fairchild (ex-Grandaddy) and mixed by Jaquire King (Kings of Leon, Modest Mouse). Heard this song played live a couple times and they were of course brilliant. I was half expecting Tim Derricourt to go his usual high pitched ‘Ow!‘ in the chorus of the song, but I suppose that’s only for live shows. This is not the leading single from album, my guess is that would be ‘The Birds’ - which you can have a listen to the demo version on their MySpace. Since finishing the recording Dappled Cities Fly has been signed onto US based Dangerbird Records while in Australia the fine boys at Speak n Spell will be putting out their album. They’re on tour with Crayon Fields at the moment, and will later on in the year play at Pianos in New York as part of the CMJ Music Marathon - something like the college version of SXSW - with a lineup like a music blogger’s dream gig.

Previous post: Dappled Cities Fly: Live

dappledcitiesfly.com
www.myspace.com/dappledcitiesfly

From the archives, and as an addition to the Retrospective #1 post, here’s the filmclip for ‘Champion’ from my personal faves The Grand Silent System from their last release Everyone Lies Alone.

Previous posts: Retrospective #1

Sarah Blasko - ‘don’t u eva’

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During university I went through a phase of audio engineering and did some work experience in the Roundhouse, a venue at the University of New South Wales. One night I was helping out the house sound tech doing the university band competition and I saw band called Acquiesce belting out folk rock tunes, complete with a violin. They were the most professional out of the usually crappy entrants, but what set them apart was the female singer’s voice. It was just so beautiful I stopped and watched the entire set. They won that competition of course, I got the EP and set out to see them again. But I never did. The band broke up and the vocalist Sarah Semmens disappeared from the music scene entirely. I couldn’t believe it. I asked around and scanned the papers for her name to appear solo or in another band but it never happened. It was very disappointing to think that such a talent had just given up on the music scene.

A few years later I had forgotten about the whole thing when I heard the same voice coming out of Triple J, this time much more mature and confident. It was Sarah Blasko and right at that moment I just knew it was the same Sarah from Acquiesce. Her voice was so unique it couldn’t be anyone else. I went to one of her solo shows and talked to her. She never did explain why she changed her name, but I was just glad she was back singing. That was before she released her EP Prelusive. Two years ago she went to LA and recorded The Overture and The Underscore – it’s one of my favourite Australian albums of all time. I think a lot of people dismissed it as another sooky solo singer songwriter record, but this record had such incredible melodies that only Sarah can pull off.

The good news is she has a new album coming out called What The Sea Wants, The Sea Will Have. The track ‘Explain’ has been on high rotation on Triple J and it is just fantastic, backed by piano and sweeping string arrangements. I couldn’t get an mp3 from her label, so this video will have to do for now. Directed by Lucy Dyson & Isobel Knowles.

www.sarahblasko.com
www.myspace.com/sarahblasko

Welcome to the first in what may be (depending on how we feel) the first of many retrospective posts for Who The Bloody Hell Are They. Basically, the premise behind these posts are to highlight amazing Aussie acts that have now split up but didn’t reach the heights they should have. The idea is that if these bands were still together today, we’d have blogged about them.

Courtesy of FasterLouder.com.au

The Grand Silent System - ‘Seems’ (mp3)

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Hands down, The Grand Silent System were, and still are, my favourite Aussie band. Though they only came to NSW on three occasions while I was of the legal gig-watching age, I managed to see them seven times.. or maybe it was more? Their music appeals to everything I like about music - variety, experimentation, complexity, melody and rhythm. Live they were phenominal; they possessed a massive wall of sound courtesy of their six-piece lineup. Vocalist Sean ‘Jova’ Albers also doubled as a percussionist, and he would play live surrounded by a mammoth percussive setup. Couresty of a huge internet buzz, many American sites would often lauder TGSS.

The band released two EPs - the difficult to find One and the amazing They Who Built. Their debut LP Gift or a Weapon is one of the best albums I own, and the follow up Everyone Lies Alone was solid but didn’t live up to its predecessor.

http://www.myspace.com/thegrandsilentsystem

Clann Zú - ‘Five Thousand More’ (mp3)

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Like The Grand Silent System, Clann Zú is another brillant Melbourne act who sadly aren’t around anymore. I never got to see these guys live, which I’m still kicking myself about. They were an odd group who found a lot of success overseas, especially in Europe and I think Canada as well. Their music was predominantely rock, but it had a strong Irish influence, thanks to the background of vocalist Declan de Barra and the instruments used. They were another band who rebelled against the commercial standards of music and created their own unique art.

They released a couple of albums, the best being Rua which was their debut. They also released a fantastic self-titled EP, and Black Coats and Bandages, the follow-up LP to Rua, was a solid effort but I never quite got into it. Maybe I need to listen to it more… Anyway, two members of this amazing band have formed a post-rock three piece called My Disco and Declan de Barra is now performing as a solo artist.

http://www.clannzu.com/
http://www.myspace.com/clannzu

Courtesy of FasterLouder.com.au

Switchkicker - ‘A Kiss Becomes A Coma’

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Switchkicker is the pseudonym for Many Machines on Nine frontman Dan Sutherland and his solo project. Started before joining MM9, Switchkicker had a couple of radio hits on Triple J including ‘Drown’ and ‘We’re Not Apart’ off the album 17102. The songs were catchy but not in the commerical pop sense - they had a dark industrial feel to them, but they weren’t heavy nor alienating. 17102 was heavily influenced by Trent Reznor and Nine Inch Nails, but it was really Switchkicker’s second release, Method 2, that showcased Sutherland’s abilities as a songwriter and as a vocalist. The album was a far more mature effort, taking in influence from the 80s new-wave movement but still maintaining an industrial feel, garnishing the album with strong rhymths behind a layer of melody.

Despite having a massive amount of potential and being signed to an independent label, Switchkicker was never pushed as much as Many Machines on Nine and as such the project has sadly fallen by the way-side. There are rumours of a final show at Sydney venue The Basement, so one can only hope we get to see this fine music performed live for one last time.

http://www.switchkicker.com
http://www.myspace.com/switchkicker

Vendettas - ‘Running’ (mp3)

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Vendettas combines the very hip talents of Peter Mayes of PNAU and John Hardy of Soundworks Studios, who recently produced the new records by Van She, The Valentinos and Children Collide. I’m very selective when it comes to listening tunes from the so called ‘new rave’ movement, this song though makes the cut. Singer Larissa’s voice reminds me of a lot of mid 80s pseudo-club/rock tunes which I’m not a particularly big fan of but the chorus is just too catchy to ignore. Played at full club volume this song can be easily dropped to most hipster DJs setlist. Rumours are they already had a deal with a major label in Australia. They’ve got a few gigs coming up in Sydney but I’ve yet to meet someone who’s seen them live, though they will play a lot more support slots in the next few months.

http://www.myspace.com/vendettasrock

Josh Pyke - ‘Middle Of The Hill’

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There was a time when you couldn’t turn on a non-commerical radio station and not hear ‘Middle Of The Hill’ by Josh Pyke. But it’s not like you cared, because the song was so gorgeous in all its simplicity; the honesty of the lyrics combined with Josh’s great vocals made the song an instant winner and it ended up at number 19 on Triple J’s Hottest 100 of 2005 (a listener-voted countdown of the 100 favourite tracks of that year).

Seemingly Josh Pyke apparaited onto radio waves, but in fact he had been kicking around for a numer of years under the Night Hour moniker. Once he dropped the pseudonym and assumed his real name, Josh catipulted onto radio playlists and into the hearts of many Sydney-siders, and it wasn’t long until his name spread around the country. I caught him live for the first time on tour with WA’s Bob Evans and both performers were fantastic - I really hope they tour together again because they compliment each other so well. They performed a bunch of songs together and it was amazing how well their vocals suited each other.

Josh released the EP Feeding The Wolves this year which was produced by renowned producer Wayne Connolly (You Am I, Youth Group), and that’s where ‘Middle of the Hill’ came from. There’s a new album Memories & Dust in the works…

For those in the UK, these are the final tour dates for Josh’s UK tour, but hurry because they’re this week:

September 25 - Cardiff Point, Cardiff, 8pm (w/ The Walkmen & Soundteam)
September 26 - Enterprise, London, 8pm (w/ The Mike Rosenburg Band)
September 27 - Koko, London, 8pm (w/ The Walkmen & Soundteam)

http://www.joshpyke.com
http://www.myspace.com/joshpyke

Mercy Arms – ‘Half Right’

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Completely unrelated to Melbourne’s Damn Arms, this Sydney four piece is one of the biggest buzz band around at the moment and I thought I better jump on the wagon before they get their record out. Much of Mercy Arms’ music is centered around Guitarist Kirin J Calinnan’s amazing guitar work, often hovering around early U2 sounding riffs, partnered with vocalist Thom’s thin Smiths-influenced vocals. It’s hard to describe how good Kirin is on the guitar, when he’s on the melody the whole room seem to be transfixed on his craft, the audience is just sailing through each song on his lead.

Kirin was once member of the Valentinos before leaving to form his own group. He hooked up with some producers based out of Big Jesus Burger Studios to record the now well known demos on their myspace. Manager Todd Wagstaff of Engine Room fame (The Vines, Holly Valance, Veronicas) then picked up the band and put the big wheels in motion. They went on expenses paid showcases for major labels to the US and London and had a few big music industry names flying in for some local gigs, often filled with journalists, agents and A&R reps slipping in to have a look. Rumours of the band signing multi million dollar deals with Capitol, Universal and Modular soon floated around industry circles. We’ll never know if any of them were true, but I have heard recently from reliable sources that the band has signed an international deal so there should be an announcement pretty soon.

So will this band be next big thing? They have all the industry on their side and the songs and live skills to back it up. Recent tours saw them opening huge shows for The Strokes and now they’re on another national tour with Wolf & Cub. The fans are flooding in on myspace and everything else look sweet for these guys. I am very keen to hear the debut album, here’s hoping it’ll stand up to expectations.

www.myspace.com/mercyarms

This duo from the Sydney Northern Beaches are recent signings to the UK label Independiente, home to Gomez, Travis and Martina Topley-Bird (ex-vocalist for Tricky).

Previous post: Angus and Julia Stone

Witch Hats - ‘Jock The Untold’

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About ten years ago, I reckon I would have absolutely hated this band. But I guess that just goes to show how much your taste in music can change… Recently signing with In-Fidelity, Melbourne band Witch Hats have finally found a label to unleash their blood-curdling and at times, really quite scary, music on the world. Or at least Australia for the time being anyway. With evident Birthday Party and Pixies influences, the band have an EP coming out soon, including great tracks such as Jock The Untold and Pepperman. I can’t imagine Kris Buscombe’s vocals appealing to everyone, but even so, there’s so much else going on with the rest of the band to keep you more than satisfied. And apparently their live shows are a spectacular riot worth witnessing.

witchhats.com.au
www.myspace.com/witchhats

Quarter Acre - ‘Casual vs Fulltimer’ (mp3)

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That promo photo should tell you everything - Quarter Acre are an odd three-piece. Try to find info on them and it can prove an arduous task. Here’s what I know: the band formed back in 2000 and realised their first EP Live From The Traffic Islands in 2003, which you can actually download from the Wash Records website. They then released their debut full-length album this year which is called Bored So I… Kicked The Shit Out Of Him (though the cute cover with coloured pencils has it listed only as Bored So I…) Singer/drummer Andrew Burgess is/was a member of a band called The Drugs who, to be completely honest, I know pretty much nothing about.

Bored So I… is an album that I loved the first time I heard it, and basically haven’t listened to it since. Which is odd. I think I loved it so much the first time that I’m scared I’m not going to love it as much the second time. It’s a short record that clocks in at just over 36 minutes, but has such a fantastic musical diversity. It’s constantly shifting, always keeping you interested. It ranges from Pixies-esque rock numbers to alt-country and cute pop numbers. It’s a rough record, with Andrew’s vocals being slightly lower in the mix compared with many other albums - plus he doesn’t have a great voice, but it has a vulnerability to it that makes it endearing. His lyrics are of the same nature - his tales of suburbia are innocent and honest. I’ve never seen these guys live, and they seem to run under the radar of most music media outlets in Australia, which is a surprise because I would of thought that there’d be a lot of fans of Bored So I…

http://www.quarteracre.info
http://www.myspace.com/quarteracrekids

‘Test Pattern’ clip - Directed by Buzzard Mountain Ranch

Previous post: Damn Arms

Damn Arms - ‘Test Pattern’

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Three out of four members of Damn Arms were in a previous band called Snap! Crakk!, before they replaced some members and picked up the pace of their songs upon the name change. Much of their sound lingers on that electro tinged new-rave sound, though that’s probably not a fair description because they were there before NME decided to push this new sub genre revival. The name came from the Matt Groening animated series Futurama, when the main character Fry exclaimed ‘I could fit [into the drain] if I didn’t have these damn arms!’ You probably have to be a fan of the series to get it. The band have had a few tours through Europe, and even got on the road with the now imploded Test-Icicles. I believe they are heading out to the UK soon early next year after they recorded their new album with producer Lindsay Gravina of Birdland Studios in Melbourne.

damnarms.com
www.myspace.com/damnarms

Gotye - ‘Coming Back (Faux Pas remix)’ (mp3)

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Two of whothehell.net’s favourites has been doing some remixing. This one is available off Faux Pas’s site.

Previous posts: Gotye, Faux Pas

Smoke & Mirros video clip shot by Steve Mcallum in Perth.

Blue King Brown – ‘Come and check your head’ (mp3)

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I’m not a big fan of the roots music scene – I can’t tell much difference between the songs. They all seem to revolve around politics, anti war creed or legalising weed. The message is usually about getting along with one another by way of discouraging racism, sexism, classism, materialism, or any other (insert here)-isms. Don’t get me wrong I’m not an ignorant bigot – I’ve had my share of discrimination. It’s just that I get tired of listening to acts who are hell bent in getting their ‘message’ out there that they don’t work hard enough on the melody or the actual music of the song.

So I was quite surprised to be cruising along in my car when this song came on and I really enjoyed it. Blue King Brown has managed to put the rhythm, melody and beat so far in front in this song that they are the highlight, not the message. And that’s the way it should be. Two members of the band are originally from Byron Bay but they packed up and drove down to Melbourne to find the right crew to eventually form the current line up. They play all the usual rootsy festivals like The Great Escape, Blues and Roots Festival and Woodford Festival, and this month are the main support for Michael Franti’s Spearhead national tour of Australia. As suspected, they are active in the political field, and they have important messages in all their songs, but it seems that aspect of songwriting isn’t so full on as Spearhead. The female voice makes it a much easier listening.

http://www.bluekingbrown.com
http://www.myspace.com/bluekingbrown