Monthly Archives For October 2006

Sia: 'Sunday'

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Sia

Sia – ‘Sunday’

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I know I just posted on her but I couldn’t resist this song. Much more upbeat this song will definitely make it into a lot of hangover/come down compilations. I was just talking to Sophie and we were surprised at her relatively low profile locally, considering her popularity elsewhere in the world and the calibre of talent she’s worked with. Usually Australia would be quick in claiming such an artist in the name of national pride. Perhaps she has not done enough tours here? Maybe Australians don’t dig the post trip-hop songs that she linger on. Whatever the reason, her story is yet another example of how moving out of such a small and restrictive town as Adelaide could be the best move any musician can make. As musically diverse as Australia wants to be the small population and isolated location restricts any ambitious artist. Sia is currently on tour all over UK and the US, check her site for details. She’s got a pretty cool video too.

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The Inches

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The Inches

The Inches – ‘Dress Like Gods’

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Hot young things out of Melbourne, The Inches are living proof that the Aussie music industry does work in weird and wonderful ways. Signed before they had even played a single show, these boys are now part of the Red Label roster, an underground subdivision of the behemoth that is SonyBMG. With an average age of about twenty-one, the group posses a proficiency which far outstrips their years, as they rip through their modern take on 70s glam in the vein of T-Rex, Bowie, and perennial favourites, Deep Purple.

But it would be wrong to label The Inches as yet another ‘scene’ band who wear their influences like a second skin. For they also meld punk-funk, disco and most importantly (for this author) extended psychedelic jams into their numbers, which makes for a highly unique sound. There’s alot of buzz surrounding these guys, and it’s pretty easy to see why. As drummer Manny Bourakis explains “Melbourne is a city with a good rock community, but lots and lots of shit bands.” Good to see that this outfit managed to inch their way to the top of the heap. Who needs the metric system anyway?

http://www.theinches.com.au
http://www.myspace.com/theinches

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Laura Jean

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Laura Jean

Laura Jean – ‘I’m a Rabbit, I’m a Fox’

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If that song title doesn’t make sense to you, don’t worry neither does it to me. Everytime I hear this it on the radio I think to myself how silly it was, spend 10 seconds trying to figure out what it means before giving up. But it keeps getting played and I have grown to like the melody of the chorus. It’s weirdly catchy.

Laura Jean has performed alongside M.Ward, Ben Lee, Augie March, Claire Bowditch, Jen Cloher and Sarah Blasko. Pretty much the cream of the crop of Australia’s singer songwriter scene. She released The Hunter’s Ode EP in 2003, and then won a recording grant from the Victorian government Arts Council which enabled her to get a chamber orchestra for her next recording, results of which you are listening to right now. The Swan Song LP was released in May this year on one of my favorite named label, Unstable Ape Records which has released Love of Diagrams, No Through Road and Snap! Crakk!

Laura retells her dreams. Maybe daydreams even. They rarely make sense and that’s ok. That’s what this song means to me now, her fantasy-like imagination brought to life through melody.

www.laura-jean.com
www.myspace.com/edenland

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I Heart Hiroshima

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I Heart Hiroshima

I Heart Hiroshima – ‘Candy Cut’

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Right from the name, you can tell that these kids are going to be scruffy “scribble-our-name-on-your-schoolbooks” indie-pop darlings. Like every good lo-fi outfit, I Heart Hiroshima met at a house party last year, did some jamming, decided to ignore bass guitar (who plays bass these days anyway? That’s so 1990s..) and record a cute little EP. The result is A 3 Letter Word for Candy, a debut which, rather impressively, manages to encapsulate the spirit and fervour of some of the best indie acts of the recent years.

Equal parts Pavement, Sonic Youth and Tapes ‘n Tapes, the trio all share vocal duties, making for some interesting Subways-esque texture changes as boys and girls constantly swap from lead to backing. Needless to say, the girl’s a lot better, with a sexed-up yet eerily detached voice that would probably give Interpol’s Paul Banks nightmares. The production is, naturally, mediocre (as was probably intended), but the songs are tight – and the twin-pronged guitar attack actually works, rather than simply sounding contrived. When a grassroots label pumps some serious money into their studio time, these guys will be huge.

http://www.ihearthiroshima.com
http://www.myspace.com/ihearthiroshima

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Sia

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Sia

Sia – ‘Breathe Me’

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Born in Adelaide to musician parents Sia Furler had to relocate to London before finding deserved worldwide success. With background in the South Australian jazz circuit her worldwide travels took her to the UK where she scored a gig as backup singer for Jamiroquai. This in turn led her to collaborations with Massive Attack, William Orbit, Beck  and the current band she’s touring with, Zero 7. With a smooth, fragile voice that balances itself right in between jazz and soul stylings Sia gained more attention after ‘Breathe Me’ was featured in a scene of the TV series Six Feet Under.

The story was that she had some resistance from her old label in the UK about releasing an album overseas. So she wrote a pop album – Colour The Small One, and they responded by dropping her from the roster altogether! Luckily a music supervisor at HBO heard ‘Breathe Me’ and included the song in the series. Immediately after it was aired labels came calling – including the one that dropped her. That song saved her music career. It’s got a pretty cool video too.

http://www.spike.com/video/2752288

www.myspace.com/siamusic
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