Monthly Archives For July 2015

MAP – July 2015

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Our monthly roundup of the best new tracks from around the world is here again for July, thanks to the Pop Cop and our blog pals from over yonder.
The track we’ve picked for July is a gregarious party tune from Sydney trio, Australia. If you hoard mp3s, then swing a right-click on the song title to download an mp3. Alternatively, you can grab a zip file of the full 16-track compilation through Dropbox here.

ARGENTINA: Zonaindie
Blito y Los Intermitentes – A Donde Vas

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Blito y Los Intermitentes released their debut album, Nada, independently this year. Led by singer-songwriter Blito Dojtman, the band’s sound usually starts in acoustic form and then takes different paths through rock, pop and even tango. If you like A Donde Vas, you can download the whole album from Bandcamp.

AUSTRALIA: Who The Bloody Hell Are They?
Australia – Who R U?

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Contrary to popular belief, winter exists in Australia. Escaping from the cold is easy – we turn to home brewing and gregarious electro-pop. Australia (the band) are striding in the same disco patriotism line of outfits like Total Giovanni and Client Liaison. Cue the energetic side-strut – it’s all anthemic beats and Roxy Music guitar frills in view here. Unless you’re allergic to having a good time, it’s hard not to like this track. The Sydney trio’s debut album, Portraits Of People, Places And Movies, is out in August.

CANADA: Ride The Tempo
Men I Trust – Again (feat. Ghostly Kisses)

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Montreal electronic collective Men I Trust collaborated with Ghostly Kisses in a beautiful electronic-infused ballad called Again. Local collaborations are huge here in Canada and this one is just so perfect.

CHILE: Super 45
Alejandro Zahler – Waltz Número 7

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Full playlist below…

(more…)

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LISTEN: Donny Love – ‘Carnivorous Man’

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Gold Coast beach blues quartet Donny Love are sad for your heartbroken arse, ladies. They get it, you’re sick of serial sleazebags but that’s probably just because you live on the Gold Coast. In fact, their grasp of your feels are SO FIRM they slip into your head and sing about your issues in first person towards the end of their latest track ‘Carnivorous Man’.

The track works with the band’s knack for time signature breaks and fast-paced vocal lines. ‘Carnivorous Man’ could be the female rebuttal of an earlier track, which uses a similar structure to deplore the age old ‘good guy needs sex too’ dilemma. Andrew Hodges’s lyricism is a standout, and I’m pretty happy to accept “true love constipation” as the only metaphor for emotional unavailability I will need ever again. His quick-witted snipes are sped along by snappy guitar licks that would give The Growlers a run for their money, in fact I think the room would have reached peak beach goth when Donny Love supported the California ~*dreamboats*~ on a handful of their east-coast dates earlier this year.

The ‘Carnivorous Man’ tour continues at The Bearded Lady in Brisbane this Friday in their finest “comfy sandals”, with shows in Melbourne and the GC to follow.

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LISTEN: Beko Disques – ‘Oz Do it Better – Volume 2’ Compilation

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There’s an innate irony in admiring a French label that’s put together a mixtape of some of the best Australian bands. Like, why is someone on the other side of the world doing this? Shouldn’t WE be doing this? Why aren’t WE doing this? Is this whiny tone harming your ability to focus?

French label Beko Disques have been massive supporters of all things Australian, releasing tapes and records from a variety of Australia’s finest unrewarded music makers, from Parading to Day Ravies, through to TEES and Cool Sounds. Although these bands might be cruelly underrated in their own nation, Beko have taken it upon themselves to sing their praises and publish their recordings from across the globe. Legends? Uh, yeah.

In what is now the second compilation of its nature, (the first can be found here) Beko Disques have brought together a smorgasbord of fine talents from all over this great continent. Moving from well-known Melbourne staples like Chook Race, through to exciting up and comers Hideous Towns, DEAFCULT and The S-Bends, the Oz Do It Better compilation is a thought out and concise encapsulation of a lot of the music that makes this fair country so great to live within.

Not only is this a great discovery tool to find your new favourite band amongst some more established names, but this foreign compilation serves as a reminder of how great we have it. Yes! We do music really well here. We’re awesome. Yes! WE ARE AWESOME.

Grab the compilation here.

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INTRODUCING: Lucola Bang

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Luke Benge is a man of many lives. Astute readers may remember the New Zealand-born musician from his synth-pop swoonings as Rohypnotise or for his infamous exit from Beat Magazine in 2012. After spending the past few years in New York, Benge has returned to Australia to work on new music as Lucola Bang.

‘Snakes and Ladders’ is the first offering from his debut EP What Of It? and finds the multi-instrumentalist refining the wistful charm of his early work into a rolling heat-wave of warm synths and sticky-sweet bass lines. Fans of Kiwi contemporaries Boy Crush and Leno Lovecraft will find a lot to love in the new single as Benge’s hushed vocals permeate clouds of reverb-laden strings and bells.

With a new music video by avant-garde director Rhys Mitchell on the way and the EP out in full in September, we’re excited to have Benge back on this side of the planet.

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INTRODUCING: Shiny Coin

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Hands down, the best part of my childhood involved stumbling upon a coin in the street. The glimmer of a $2 coin was like a lighthouse beacon shimmering across a windy storm for me. I was a sailor, barely surviving in the storm that was kindergarten and early bedtimes, and this coin was my safety, my portal to dry land and a cheeky can of Coke. Screw you 6pm bedtime, you will never take me alive.

Melbourne’s Shiny Coin remind me of those days – their gorgeous lo-fi tunes are the right mixture of slacker and power pop that throw back to both the happiness of stumbling across a rare coin, as well as the shock-effect that soft drinks have on a child, and which garage bands have on a man-child.

Two EPs in, and not a single track that these guys have written breaks the three minute barrier. Isn’t that such a beautiful sentiment? The track names are pretty fantastic as well – ‘Mr Tofu’, ‘My Friends’ and the sharp ‘C*nt’ are all fantastic jams that insist on being played as loud as possible.

For people that have been craving some of that Speedy Ortiz/Joanna Gruesome action in Aus, well, here’s your opportunity. Shiny Coin kick tremendous amounts of ass, and are an essential addition to any lover of fuzz pedal.

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PREMIERE: Jamil Zacharia – ‘Magic Snuff Box’

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I’ve always associated the word ‘snuff’ with some mobster sending someone to their aquatic death. You know, setting someone’s feet in cement and throwing them off a boat.

Jamil Zacharia‘s ‘Magic Snuff Box’ I imagine is something far less sadistic. I mean, if he was ever to ‘snuff’ you out, his magic box would probably chuck you an LSD-infused rainbow beforehand. And this should come as no surprise, given his guitar work’s found on tracks from Silentjay, Kirkis and Clever Austin—all musos who seem to write in time signatures straight out of a psychedelic Willy Wonka tunnel ride.

Zacharia’s track is a lot gentler though. You’d be excused for missing out on the multitudes of micro-beats he packs into this, given that you’ll be required to listen to this a fair few times to really take this all in. It’s reminiscent of the aesthetic that Bjork’s Vespertine adopted, a world where a string of intimate samples were used to pursue a wintry sound. This track coming out in the thick of the Australian winter is merely serendipitous, though ‘Magic Snuff Box’ could certainly add a similar cinematic pathos to yours.

Writing on his Facebook page earlier this week, he said writing the song was about “letting go of one’s crapness”, but I’d be curious to hear him explain why. He’s been sought after by influential Melbourne musos precisely because of his talent. And sure, all creatively-minded individuals are bound to go through another existential crisis by sunset, ‘Magic Snuff Box’ certainly says a lot about another Melburnian musician who shouldn’t be worrying about that just yet.

‘Magic Snuff Box’ is the first track off Zacharia’s debut EP, The Soft Tread That Inspires, set for release later this year on his own label, Wabi Sabi. 

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INTRODUCING: Uncle Bobby

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Uncle Bobby

Uncle Bobby is the project of 18 year old Melbourne guy Robbie Downie and he’s about to steal you away down his glitch-psych rabbit hole of wonder and WTF. Besides a clear proficiency in psych rock, Downie is adept at constructing melody from a seemingly random assortment of sound, and his latest track is a bloody treat for any Cream Collective fans in the crowd. ‘My Mind is Already Gone’ throws a sitar underneath the glitch and sparse house that crop up on his beaut debut EP, Flick My Switch, building on some of the sunnier efforts of his initial output.

Downie’s latest track floats, ducks, weaves and warps before restructuring itself at the end of this glorious weird trip. For one guy to be able to process this many layers in his head and arrange them in a somewhat-cluttered but still accessible way is pretty impressive. It’s not the first sound you would imagine Downie turning to after his ten track debut, but in reality the breadth of sound on Flick My Switch is so expansive I realised I had no idea what the next logical step would be for this guy who must have to actively fight to keep good ideas inside his head.

Downie could probably squeeze a melody out of a rock, and this self-produced track is an extravagant feather in his cap. The fact that he has already shown such a diverse sound is exciting in this era of psych-wash – he’s original and talented and going places.

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