Tagged By brisbane

INTRODUCING: Babaganouj

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Babaganouj

Yet another band to have risen from the ashes of the dearly departed Yves Klein Blue, Babaganouj was formed by guitarist Charles Sale in 2011 – just months after YKB split due to ‘creative differences’. Named after a ridiculous 12-second song by Sydney legends Smudge (not to mention a delicious eggplant dip) Babaganouj has something of a Brisbane all-stars line up. Originally featuring Jack Gleeson of Inland Sea on drums and Harriette Pilbeam from Go Violets on bass, they’ve recently added a second Violet, Ruby, who’s also part of lollypop behemoth Johnny and the Fembots.

Babaganouj draw on bands that represent the rougher side of twee pop: the Lemonheads, the Pastels, the Vaselines. In fact, they’d just about pass as a Lemonheads tribute band, with their boy-girl harmonies, 90s hairdos and derpy sense of humour (the line ‘I fell for you and I hurt my knee’ could rival any of Evan Dando’s silly puns) – if it weren’t for Sale’s genuine knack for writing power pop hooks.

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INTRODUCING: Blonde Tongues

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blonde-tonuges

Oh, you’re bored of shoegaze are you? Well suck it up for five minutes because Brisbane’s Blonde Tongues have released a couple of tracks that might just bring you back round to the dark, reverby side.The two singles, ‘Wedding Bells’ and ‘Kisses’ work well as teasers for a forthcoming album. Sure, they’re a bit rough, but both tracks are a clear indication of a band with strong ideas and the guts to back it up (if that seriously wacky lead guitar in ‘Kisses’ is anything to go by.)

Lead single ‘Wedding Bells’ is dense and strangely uplifting – building and then crumbling, with melancholy vocals buried under the rubble.The band have also adopted the genre ‘twee-gaze’, which is definitely one of the more fun arbitrary labels I’ve seen recently. A cool and worthwhile addition to a maybe-not-just-yet saturated scene.

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INTRODUCING: Curlew

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curlew

Curlew is a brand new project from Brisbane musician Sam George-Allen, who’s previously turned heads from behind synths with space hippies Mega Ogre and hardcore punks Low Season (who also perform this song live, though very differently).

Curlew is not much like either of those bands. ‘Blood Disease’ is built around George-Allen’s vocals, with low synth that growls and pulses while the beats stay upfront. It’s not until the vocal loops come in that you get the true impact of this track, with aching harmonies where George-Allen shows effortless control over her subtly interesting voice.

There’s something here that reminds me a little of Kid A. Or maybe in what seems like a sacrilege to say, what I refer to as the ‘pling plong’ synth. This is an excellent debut from an artist who’s sure to keep impressing.

‘Blood Disease’ is available as a pay-what-you-want download from Curlew’s Bandcamp, where you can also check out a very pretty cover of The Drones‘ ‘They’ll Kill You’ too.

Bandcamp

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LISTEN: Tenth Court – ‘Black Light’/’Goon Punch’ split cassette

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tenthcourt-e2

There are definitely hints of Joh Bjelke-Petersen in the style of Queensland’s stodgy new overland, Campbell Newman.  As self-appointed censor, he’s certainly been doing what he can to thwart development of the arts up in the sunshine state, but it seems he has not, as yet, deployed the storm troopers against Brisbane’s music underground. In fact, the damn thing’s thriving – as evinced by this little gem from brand new label Tenth Court, which features two tracks each from local upstarts Martyr Privates and Thigh Master.

Three-piece Martyr Privates formed in 2011 in the then flood-ravaged suburb of Milton. Their contribution to the cassette consists of loud, repetitive sludge rock, not unlike the swampy dirges of Kim Salmon’s the Scientists or Sydney newcomers Ruined Fortune. ‘Black Light’ and ‘Pale Lunch’ have been mixed with greater clarity than the songs from the band’s 2012 7”,  with punchy riffs carrying along these otherwise heavily distorted drones. (Martyr Privates, by the way, have an album coming out on Bedroom Suck and the UK-based Fire Records in March – check out the lead single here.)

Thigh Master’s offerings, meanwhile, are urgent and unkempt, band members flailing through ‘Goon Punch’ and ‘GAB CAB’ as quickly as they can while guitar strings bend and a bratty wail sails overhead. But, as a look at their tight live set demonstrates, Thigh Master’s approach is more focused than it may seem upon first listen. The tracks are melodic and to the point, and never overstay their welcome.

Tenth Court is hosting a shindig across three Brisbane venues from 21-23 February. Martyr Privates and Thigh Master will both make an appearance on a terrific bill that includes Cobwebbs, Keep on Dancin’s, Multiple Man, Orlando Furious and Per Purpose, plus label signees Barbiturates, Dag, Shrapnel, Screaming Match, Yoghurt Blood and heaps more. Weekend passes are available here, or you can get tickets on the door.

tenth court festival2

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INTRODUCING: No Sister

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no sister

No Sister are a Brisbane four-piece who’ve been around for less than a year. They haven’t played many shows, and have only released two songs. Those two songs though? Pretty cool.

The first half of ‘Portrait In A Rearview Mirror’ is the kind of the almost-shoegaze, downer alt-rock that’s showing up more and more in Brisbane lately. The track really steps up halfway through and becomes way more excitingly punk, buoyed by Tiarney Miekus’s youthful but direct and icy cool vocal, speak-singing disaffected lyrics about ‘watching people watch themselves’. There’s also something of The Eternal era Sonic Youth in the guitar too. This track is dripping with attitude and spite, in a way that not a lot of young bands can pull off.

You can download this track, as well as ‘Muscle Beach’ on the band’s Unearthed page.

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LISTEN: Roku Music – ‘Collider’

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Roku Music

 

Impressively spearheaded by Donovan Miller of No Anchor and Innez Tulloch from Tiny Spiders, Roku Music are a Brisbane four piece who make heavy shoegaze music that feels drawn-out, but always bloody tough.

After a few lineup changes, the band now feature bassist Jody Gleeson of Brisbane throwback girl-group The Madison and Thomas Roche of The Rational Academy on drums. Late 2013, the band entered the studio (Miller and Tulloch’s own) to record their first album. ‘Collider’, the name of the band’s forthcoming album and first single is the most solid statement of intent we’ve seen from this band yet.

Miller and Tulloch are both formidable guitarists. Both get an incredible amount of power out of their instruments; layers of distortion turn to whirlpools under a sweetly expansive vocal. The production here is epic and tense without ever being cluttered – and the track still weighs down around your shoulders, but in way that’s more comforting that claustrophobic.

Roku Music’s debut album Collider will be released through Sonic Masala Records in March.

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LOOK: Major Leagues

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Major Leagues 1

 

I ran out of lazy adjectives and miscellaneous blogger labels to describe Brisbane bands a long time ago (see also ‘tweewave,’ ‘summertime pop’ etc.). Here are some awesome studio photos Major Leagues sent us recently. All the usual studio behaviour here; drop tuning, fondling pets and gazing dreamily into the camera while hanging off a wooden slat from the roof.

The band are capping off a big year touring with Jeremy Neale, The Preatures, landing the Australian support slots for Beach Fossils & Wild Nothing – and releasing their excellent debut EP Weird Season a few weeks ago. Not to mention, putting together the most appeasing video clip you’ll ever watch of a bunch of young people slobbering over tacos. A national tour has just been announced for early next year and Wagga via Osborne St pals The Ocean Party are tagging along for the ride. Contrary to the smug faces that appear in all of their press shots.. this looks like fun! Tour dates below.

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Major Leagues 2 IMG_4030   IMG_4071

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