Next up in our mixtape series, featuring artists playing Paradise Music Festival on 28-30 November, are Melbourne post-punkers ESC, who have sent in their ideal soundtrack for the drive to the festival site at Lake Mountain. It’s a wonderfully eclectic mix, featuring everything from vapourwave to future beats – plus a cheeky little nod to the folks at Paradise tucked away at the end.
ESC are working up a new album as we speak, so keep your eyes peeled.
01. ‘Wind On Water’ – Fripp & Eno
02. ‘Don’t Let Me Be Misunderstood’ – Nina Simone
03. ‘Cartoon Jungle’ – Andras Fox
04. ‘Flying’ – Death In Vegas
05. ‘Donovan’ – Happy Mondays
06. ‘地理‘ – Macintosh Plus
07. ‘Industrial Resort’ – Standish/Carlyon
08. ‘SexSlaveShip’ – Flying Lotus (mixed with ‘Chamber of Reflection’ – Mac Demarco + ‘Baby Phat ft De La Soul’ – Devin The Dude)
09. ‘This Could Be Beautiful (It is)’ – Metronomy
10. ‘Vessels’ – Phillip Glass
11. ‘The Nights’ – Lee Hazelwood
12. ‘Vacuum Boogie’ – Floating Points
13. ‘Never Been To Me’ – Charlene
14. ‘Wind On Wind’ – Fripp & Eno
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It’s here – the first taste from Sydney shoegazing wunderlords Cull’s debut album. They’ve been floating into our earholes with streamlined Deeerhunter-via-interdimension-travel-through-the-cosmos since early 2013, when their track ‘Good People Disappear’ first surfaced on the WTH waves. Since then, they’ve dropped their gorgeous Ba Noi EP, and a fantastically ethereal cover of Pavement’s ‘Shady Lane’.
But not simply content with ruling our hearts with mere singles, Cull have decided upon an album release for early 2015, simply titled Aloft. The name rings surely with their sound, simple pop music that’s held mightily high upon swirling masses of pedal effects and distortion.
‘Nasty Drought’ is the first taste of the album, and it indicates the record will be a colourful and engaging one indeed. Sticky vocals ensue, before unfurling into the kind of unfurling shimmer that we all <3 Cull for.
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If you slapped awake an early 2000s ‘indie’ band at 3am and forced them to play under duress, you may end up with something sounding like New Gum Sarn. Beautifully untidy but never sloppy, their track ‘Bad Soy’ is like a pop-song turned hazy comedown.
Split in two right down the middle, the catchy low key vocals of the first half are countered by a second half where the band’s guitarists are set free to jam to their heart’s content. The accompanying video features disembodied hands caressing faces, half-hearted acrobatics and a healthy dose of general weird.
‘Bad Soy’ is one of two tracks released from the band’s album, which so far remains detailed only as forthcoming. Hear more at New Gum Sarn’s Bandcamp.
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Dictaphone Blues is the bedroom project turned full band project of Edward Castellow, Auckland’s favourite southern adoptee. A new release is a reason to get excited, as Ed has managed to put out some of the most consistently righteous fuzzed-out guitar pop you’d be likely to find this side of your cool uncle’s record collection. Two albums on, Dictaphone Blues’ next album Mufti Day looks like it’ll go bigger and more ambitious than its predecessors.
Following on from lead single ‘Her Heart Breaks Like a Wave‘, heralding the release of Mufti Day is ‘365’, a catchy duet featuring guest vocals from Emily Edrosa (who also recently released an excellent EP). Under the guise of an upbeat summer jam the track escalates rapidly from themes of obsession to imaginary intrusion before a final meltdown.
Mufti Day is out on the 5th of December. The band will embark on national tour of New Zealand next month.
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Our feature act for November’s instalment of our monthly MAP series are pop stalwarts Open Swimmer. The band features members of The Harpoons, Seagull and Melbourne via Glasgow singer Ben TD. You can listen to all the other good stuff our pals from blogs around the world are featuring this month in the list below.
Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the full 22-track compilation through Dropbox here.
Tomás Ferrero – Cuando Te Hablo
In March 2013, a mixed group of musicians gathered together in Cordoba and Buenos Aires to play some songs and sound pieces composed with lyrics taken from the work of a federal collective of artists called Esta Vida No Otra. Some of them recorded the results several months later, and those tracks were then released as a compilation titled 15 Artistas Cantan Esta Vida No Otra. The song we have selected from this album, also available for free at Bandcamp, is Cuando Te Hablo by Tomás Ferrero from the band Rayos Láser.
AUSTRALIA: Who The Bloody Hell Are They?
Open Swimmer – Sugar Bowl
Open Swimmer’s version of pop is jarring, even discordant at first, but it’s this blatantly simple approach that has us hooked. (Dirty Projectors fans, pay attention now.) Sugar Bowl is a brilliant introduction to the band; playful yodelling is cut and pasted along a steady 4/4 drum beat, while witty banter takes the fore. Songwriter Ben TD was based in Glasgow for seven years, touring extensively and landing multiple sessions on BBC Radio One and a stint at T in the Park before settling in Melbourne. The band comprises some of Melbourne’s most admired independent music alumni (The Harpoons, Seagull). Expect to hear a lot more from this group.
BRAZIL: Meio Desligado
Alessandra Leão – Mofo
Alessandra Leão shows off her experimental side with Mofo, taken from her new EP, Pedra De Sal. Avoiding the world music sound from other works, this song has dark music and some weird programming that fits the angst of the lyrics.
CANADA: Ride The Tempo
Beach Season – Midnights
There’s not actually much out there on Beach Season besides the fact the project is from Calgary. The smooth vocals of Midnights complements the hip-hop influenced rhythms. This is a duo that won’t be much of a mystery for long.
Listen to more below:
In the lead up to boutique Aus music festival Paradise, which takes place on the final weekend of November, we’re running a series of mixes from artists featured on the bill. Kicking things off is Melbourne producer Dion Tartaglione, aka Planète, who’s sent us a pristine and expertly mixed selection of minimal techno jams.
Planète’s gorgeous two-track EP, Snow Sketch/Visions, is out now through Brisbane/NYC label Silo Arts. You can also download his blissful, Jon Hopkins referencing remix of Tincture‘s ‘Similar Circles’ via XLR8R.
01. Vermont – Übersprung
02. David August – Epikur
03. Terence Fixmer – When The Sun
04. Petter – Untight
05. Lake People – Point of Time
06. Daso & Pawas – Det
07. The Sight Below – At First Touch X Nils Frahm – Familiar
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Everybody loves a good local hero. Austria’s got Arnie Schwarznegger, Canada have Nickelback, and even bloody Belgium can hold up Gotye as their own. However, that’s not to say that Australia is lacking in the talent department. We’ve got a plethora of folks on the Legends Board on the RSL, from Damo who skulled 12 beers before passing out, and Jimmy, who ran into Oprah and managed to cop a sneaky snap for the pool room. But Melbourne comic pub-rockers Charging Stallion, they know exactly who their idols are, and even breathing the name can cause shivers down the spine of even Buddy Franklin. The one, the only: Eddie. Fucking. McGuire.
Charging Stallion, they need the world to know about the bloody legend, nay myth, of Eddie McGuire. With a sound that slots alongside mates like Drunk Mums, The Living Eyes and WOD very nicely, Charging Stallion pay their dues via a Collingwood ‘n’ mullet adorned clip. And why not? This is a bloke who is “more Melbourne than a scarf out of a window” and “drinks tomato sauce right out of the bottle”. Although Charging Stallion probably won’t meet their idol any time soon, the least they’ve done is create one hell of an anthem around it. This is an anthemic riot worth even Mr McGuire’s ears.
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