Posts By Melissa Tan

LISTEN: Zone Out

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Putting your old folks on your cover, what a salute. If I had a dad who looked this stoked to be standing in a scrub patch and a mum who should have considered running for parliament (one inspirational t-shirt at a time), I probably would too. Anyone who grew up in Australia with ethnic Asian parents will probably empathize with a long withstanding history of long-shot scenic panorama snaps, ill-fitting bucket hats and dad trying to assimilate by wearing Australian beer merch out in public. Mum worked for Fosters Group in the 80’s, so I know what it was like to be the dinkum ethnic in prep class with a pencilcase full of lager branded corporate stationery.

Anyway, the offspring of the chummy couple on the cover is Zone Out – the bedroom project of Melb based Ashley Bundang. She’s previously released some other more textural, electronic based stuff under White Australians, but Zone Out is a lot janglier and pared back. While the simple, repetitive harmonies and crunchy treble guitar shelves this track against the slacker manifesto coming out of Melb, Zone Out’s got a cool tone to her voice…which makes humming about everyday stuff much more sweet.

You can grab the EP over here. (I think the EP was mixed by the dude wearing the ‘Slim Dusty’ tshirt at this Mining Boom gig, so all the more reasons to do so). Zone Out is playing her first show Thurs 18th of October at the Gasometer Hotel w/ Autoportraits, Mining Boom and André.

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Zone OutEveryday’

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LISTEN: GUM

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Jay Watson used to drum in Tame Impala. He’s shifted to key/vox duties, but also spends rest of his time donning copious amounts of denim and manning the wah-pedal for Pond. His side project GUM has been kicking around for a while, but ‘Delorean Highway’ is the first track to be released. It’s a given for beatmakers to go solo, but GUM is just another venture to sprout forth from the promiscuous psych-punchbowl of Perth bros playing in bands for bros (Tame Impala / Pond /Allbrook & Avery / Mink Mussel Creek / Dee Dee Drums / Space Lime Peacock/ Shiny Joe Ryan… yeah yeah).

There’s going to still be a large handful of people who are going to dig on GUM just out of curiosity or perhaps fan-referred value. However, I did hope that any sort of Tame Impala side project from drummer guy here would have opted out of Kevin Parker’s slow-burning cosmic whaff in exchange for something a bit different (ie. Jono Boulet‘s ‘powerviolence’ band, Snakeface). Watson’s vocals are more gruff here, and while it does still sound like a slowed down chunk of Tame, I’m still digging this. ‘Delorean Highway’ reminds me a little of this cover Tame Impala did a few years ago.

That percussion plucked straight out of Psychocandy lends it the spaciousness it vies for…but besides that, it’s a little flat until the cosmic juggernaut reels out later on. Anything past the two minute flag does well for an ascent in the Tardis. Gum’s record is going to be released early next year. All ears.

 

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WATCH: Cogel – ‘Felusine’

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Cogel first came to our attention a few months back with their track ‘Felusine’.

The Sydney band have teamed up with director Tim Gibbs for their new video, and it’s pretty impressive stuff (apart from reinstating my trivial fear of 3D head moulds). Gibbs’ idea does well at wringing out every ounce of melodrama possible – and there are definitely some beautiful moments which capture the brunt of all the emotive dynamo going on here. It all starts off reasonably mild, but there’s no short supply of frames past the 1:58 mark which makes this one go down with other slightly creepy/arresting, but surely memorable clips (this +definitely this).

The band’s EP Nowhere Near will be released next month, with the launch happening Nov 2nd at the Beresford with the Bell Weather Department.

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LISTEN: Sunny – ‘Explain’

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Glad all these lo-fi larks are getting out of their bedrooms and projecting their multi-instrumental talents above and beyond into the great outdoors. Velcro (Curtis Wakeling) is chaperoning himself around Brooklyn as I write this, while today’s music news says Bored Nothing (Fergus Miller) is gearing up for his ‘best of’ (four editions of home recordings..plus a few), AKA his first proper release through Spunk in early November.

Sean Anthony is another guy who’s up in the league. The Perth native has released stuff under his own name, plays in Braves and in this side project Sunny.

‘Explain’ is everything you’d expect from the low saturation kaleido-art on the cover. Says Sunny: ‘seems like there’s always someone on my mind, when I lose interest I’ll go back to you…’. And it sure is the light, un-committal ode it promises to be.  The tune flags a novelty chorus, xylo for twee-cred and a memorable melody once you’re done wading through knee deep reverb – not a bad thing if you dig your pre-summertime beach jams. This is a keeper.

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Sunny – ‘Explain’

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WIN POND TIX

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Dave’s first post on Pond in May 2010, received some of the best trolling I’ve seen on this blog.

Since then, the ‘fairy floating about with the ribbon’ and his bandit of merrymakers have released an excellent album + taken their psych pastiche all over the world.

We’re giving away two double passes to Pond’s Sydney show this Thursday (20th September) at The Metro, and their Melbourne show at the Corner on September 23rd.

To win:  impress us/show us/troll at us  – a) ‘HOW YOU WIG OUT‘ or b) HOW POND BREAK YOUR COOL.

Send your answer or photo, contact details and show of choice to rsvp@whothehell.net by Wednesday, 19th September and we’ll dub you with a pan flute + a good time.

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MAP September 2012

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Another monthly installment of the listening party where 38 of our blog pals from around the globe drop by to let us in on the best new tunes. Apart from our pick for September (Bad Dreems), definitely also recommend checking out the offerings from Iceland, Russia and Turkey.

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the whole 38-track compilation through Ge.tt here.


ARGENTINA: Zonaindie
Sobrenadar1859
Born in Chaco, Paula García relocated to Buenos Aires for the first time in 2006 to study music production. Since then, coming and going between Chaco and the capital, she adopted the Sobrenadar identity, developing it through two LPs and three EPs, self-released digitally. 1859 is her latest album, and the highest point of that constant evolution. Released through Bandcamp during the first half of this year, it has already obtained several reviews that name her as one of the most promising new local electronica artists. The song 1859 is a bonus track from a special reissue by Mamushka Dogs Records.

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AUSTRALIA: Who The Bloody Hell Are They?
Bad DreemsToo Old
Any of our overseas friends who are fans of The Twerps, do tune in. Adelaide four-piece Bad Dreems are one of the best Australian bands at the moment (in our humble opinion). Too Old is about a fizzling relationship, with a nod to the humdrum routine somewhere in between. Its delivery is anything but boring, though. Loose treble riffs, vocalist Ben Marwe’s casual drone and arguably the catchiest hook being passed around all make this track so great. If only everyone else took a cue from these guys and stopped trying so hard to sound good. Downer-pop at its best.

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AUSTRIA: Walzerkönig
Dust Covered CarpetFragile Soul / Heavy Heart
“A rooftop above concrete or a cliff above the shore or an accident on the street.” The first lines of Fragile Soul / Heavy Heart set the tone for the rest of this strangely calm, reduced and peaceful song that is, after all, about suicide. It is no surprise, then, that Dust Covered Carpet are based in a city with a well-known affinity for all things morbid: Vienna.

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BRAZIL: Meio Desligado
DibigodeMariposa (A Lagartixa E O Urubu)
Dibigode is a creative band formed by five young multi-instrumentists who make post-rock music full of melodic lines and dynamic sounds. This version of Mariposa (A Lagartixa E O Urubu) is part of the new remastered version of their debut album, Naturais E Idênticos Ao Natural De Pimentas Da Jamaica E Preta, available for free download at the band’s website.

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CANADA: Quick Before It Melts
Evening HymnsArrows
On his second album as Evening Hymns, Jonas Bonnetta has made public his very private and personal response to his father’s passing. There are moments of sentimentality and sweetness, and there are times when raw nerves are exposed, stinging with pain and heartache. Arrows is a touching, haunting song about the ghosts that linger long after a loved one has passed away.

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CHILE: Super 45
Ases FalsosLa Sinceridad Del Cosmos
Ases Falsos present their debut album Juventud Americana (Arca Discos), a collection of songs that refer to the Latin American ideology yet manage to sound contemporary at the same time. The classy use of synthesizers, the meticulous vocal harmonies and the melodic wrapping are, along with irony-filled lyrics but with a strong political and social meaning, the highlights of this work. Our pick is La Sinceridad Del Cosmos (“The sincerity of the cosmos”), a song that questions police brutality… from an animal’s point of view.

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CHINA: Wooozy
Baby FormulaWarm Song
Baby Formula, currently the only shoegaze band in Beijing who plays dream pop live, are formed by an artist who dedicates himself to being a loser, a senior who doesn’t know where to get a master’s degree and a writer who hasn’t sold any piece of work yet. Their music is influenced by a wide range of bands from Slowdive to The Radio Dept.

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COLOMBIA: El Parlante Amarillo
Bomba EstéreoPa’ Respirar
After four years of waiting, electro-cumbia group Bomba Estéreo returns with a more reflective album in which they explore their essence, but without forgetting their Caribbean power. Pa’ Respirar means “to breathe”, a theme that reflects the band’s new vibe, where you can feel the world they inhabit.

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DENMARK: All Scandinavian
Indianna DawnI Always Miss You
There’s been a new wave of Americana and country music sweeping Denmark in the past few years (I say ‘new’ – I don’t really think there ever was one before) and one representative of this is the quintet Indianna Dawn, centered around singer and songwriter Dianna Dønns. MAP exclusive download I Always Miss You is from their great debut album Somebody’s Dead.

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DOMINICAN REPUBLIC: La Casetera
DulucLa Mano Partía
From the depths of rural laments, La Casetera’s first MAP submission is all about Dominican folklore. José Duluc is part of our musical history, playing alongside iconic rock star Luis “Terror” Días for many years. His nostalgic approach to peasant work on his latest song, La Mano Partía, makes us contemplate the aspirations of the less fortunate and their longing to be generously rewarded someday.

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ENGLAND: The Guardian Music Blog
Woodpecker WooliamsCrow
Woodpecker Wooliams aka Brighton girl Gemma Williams is a 27-year-old singer-songwriter and multi-instrumentalist, and for once that term is true: the former midwife plays harp, kora, omnichord, keyboard, harmonium, electric organ, accordion, penny whistle, clarinet, bells, glockenspiel, electric shruti box, recorder and drums. She’s also more Björk than Beyoncé, a kookstress with a high chirrup of a voice and a back-story involving a bird obsession and a bee fetish. Don’t expect wall-to-wall cute, though. On Crow, one of several avian-related titles on her The Bird School Of Being Human album, she sings about building “a great funeral pyre” as the music becomes increasingly clanging and industrial. Prepare to be haunted long after it ends.

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FINLAND: Glue
Skip ZoneLeaving Planet Boredom
Skip Zone is a six-piece folk-rock band from Helsinki that performs mid-tempo cosmic Americana songs with some outstanding vocal harmonies and catchy pop melodies. A little bit early Wilco here and a little bit Ryan Adams there create well-crafted songs. Skip Zone’s debut EP can be heard on SoundCloud in its entirety.

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FRANCE: Yet You’re Fired
AudViolets
Aud is a folk-pop duet hailing from Nancy, heavily influenced by Patrick Watson, Sufjan Stevens, Beirut and other indie acts. Their first EP, Origami, released in 2010, brought them much success and Violets is taken from their second one, The Death Of The Stag God, released on September 14. Not only are they brilliant lyricists, but also exceptional multi-instrumentists who use guitars, drums, pianos, glockenspiel and harmonica to create a diverse spectrum of sounds and feelings.

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GERMANY: Blogpartei
Stabil EliteHydravion
Let’s conclude our series on new Kraut with this fine trio from Duesseldorf, whose debut Douze Pouze had quite an impact on German music scene. They combine the charm of monotony and repetitive patterns with distinctive lyrics reminiscent of Neue Deutsche Welle. But Stabil Elite is not just one of those retro bands – it’s mature, handmade music with a great range of originality.

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ICELAND: Rjóminn
MonotownCan Deny
Monotown just finished their debut album in a collaboration with four-time Grammy-winning mixing engineer Michael Brauer. While the album’s narrative may have roots in their motherland, its sound will be equal parts American western film score and Beatles psychedelia, flavored with haunting textures reminiscent of contemporary indie-rock bands.

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LISTEN: Mansion, Alaska – ‘Steps’

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If I made a ‘Best Of’ compilation of the top American ‘indie’ tunes circulating around the last four years or so, this track by Mansion, Alaska would probably sound sum them all up. Not going to waste time musically referencing the obvious. I mean, thes guys have the word ‘Alaska’ in their name <insert sensitive, self-aware man of the modern age! Retreats to log cabin in woods, takes July-Oct to perfect his beard, makes sparse, atmospheric psalms to lull the masses!>.

Okaay. No more pigeonholing. ‘Steps’…..WHAT AN IMPRESSIVE TRACK. I’ve actually held off posting this for a while because every time I put this on, I end up napping at my computer or brain-wandering off into the same malaise that happens when I crank the Thom Yorke.

Almost everything about this track is seamless. There’s a flowing piano arpeggio thing going on and some dreamy guitar work gravitating somewhere around stratosphere level that sets this single on the up from the intro. Beautiful vocals and seriously great drumming too. The percussion here has that I’lls feel to it, but low and behold –  wonderdudes Simon Lam (I’lls/Kins/Ocean Party/Nearly Oratorio) and Hamish Mitchell (I’lls) were on mixing duties on the band’s self titled EP.

‘Steps’ is tune of the month from me. JJJ start fapping. Other worldly bloggers, get onto this. And the rest of you, go forth and hear the rest of their stellar debut here.

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