Monthly Archives For October 2013

INTRODUCING: Early Woman

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early-woman-2

Early Woman is a collaboration between writer and documentary maker Hannah Brooks (St Helens, Spider Vomit, Young Professionals) and artist/cartoonist Ben Montero (Treetops, the Brutals, Montero). The group started popping up on bills around Melbourne about a year ago, performing nicotine-stained love songs in the style established on first demo, ‘Brothers’.

 

Early Woman’s sound is the perfect meeting point between the decadent, knowing schmaltz of Montero and St Helens’ gritty heroin chic, with Brooks’ serrated vocal and guitar tone complementing Ben Montero’s breathy croon and organ figures. They somehow manage to seem both earnest and sleazy at once, regularly rolling out lines like ‘I love my brothers like a real lover should’.

 

The band’s first official release, ‘I’m a Peach’ b/w ‘Feathers’, came out on vinyl and digital just over a week ago. As with the earlier ‘Brothers’, the tracks’ pop structure is straight to the point – there’s a bridge for every chorus, and both pack a punch. The best moment here has to be the billowing first hook of ‘Feathers’, Montero’s lyrics an exercise in surrealist romance: ‘Feathers flying all around / when she opens up her gown / I can hardly feel the world around me’.

 

When you see Early Woman play live – a terrific, tinsel and tie-dye affair – Bobby Brave’s ornate bass playing really comes to the fore, providing much of the songs’ melodic backbone. That element is oddly low in the mix on these recordings, but it can still be enjoyed with a pair of headphones.

‘I’m a Peach’ b/w ‘Feathers’ is out through Mistletone and Inertia. You can purchase it on iTunes or order the vinyl here. The band is at work on a debut album right now and will play a Mess + Noise Lunchbox show on 22 November as part of Melbourne Music Week.

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WTH PRESENTS: Fifth Floor Warehouse Party #2

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wolf & cub

 

We presented Fifth Floor’s first warehouse party back in early August. The Murlocs and a host of other bands played to a packed warehouse, while Thom Russell from Astral Projection and a selection of other local visual artists had their work projected onto the roof. 

We’re stoked to reveal that we’re presenting the next Fifth Floor event on the 23rd of November. Wolf & Cub and WTH faves Damn Terran, Hollow Everdaze & ESC are headlining a huge 12 band bill over two stages. The party’s taking place before the Fifth Floor troupe heads overseas to host Fifth Floor #3 in an arts warehouse in Berlin on the 30th of November.

Footage from the last party filmed on 16mm was released over the weekend, check it out below.

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PS. No-one told us about the go-go dancer (necessary but unnecessary) someone hired to flay about during The Murlocs set at the last party. Since it’s 2013 and there’s no room for gender/motor skill bias stuck in the 60’s – if you’re a slightly overweight male willing to shake some action during Damn Terran’s set, we are volunteering you.

Looks like this lineup is going to be EXCELLENT. Ticket details below!

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Who The Hell, Tonedeaf, Beat & Faint Magazine present:
FIFTH FLOOR #2

Wolf & Cub
Damn Terran
Hollow Everdaze
I, a Man
ESC
Warmth Crashes In
Meth Leopard
The New Pollution
Sooky La la
Mangelwurzel
Lands
Jack Barclay
Visuals by Astral Projection

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Buy tickets via Oztix.
Attend on Facebook HERE.

 

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LISTEN: Popolice – ‘Would You Believe’

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oppo

I picked up the first two Popolice EPs on my brother’s recommendation back in about 2006, and I was glad that I did. I loved Marc Regueiro-McKelvie’s angsty, angular indie pop and those dynamic progressions – there are no overwrought two-chord dirges here. I’ve still got a copy of Middle Ground in my glovebox (the only place for CDs these days), which I spin from time to time on my way to the shops.

Although he’s been making music since around 1997, Regueiro-McKelvie doesn’t seem to have had a strong PR machine behind him (or maybe he’s just been flat out playing with Teeth and Tongue, Enclosures and New Estate) because he ought to be a local sensation. That’s all changing now: this new track has been popping up all over the place, and a debut album (!) is due out soon.

Though he was citing crossover bands like Gerling way back at the turn of the millennium, ‘Would You Believe’ has got to be the most danceable Popolice track yet. The song’s catchy, stop-start rhythm matches Regueiro-McKelvie’s scratchy delivery perfectly, and it’s got a chorus that just keeps on getting bigger.

The accompanying video was made by Matthew Cribb, who recently filmed clips for WTH favourites Teeth & Tongue and The Ocean Party. It features Popolice striding along a Melbourne boardwalk as though caught up in a private rock stadium fantasy, Stratocaster hooked up to headphones and elegant legs encased in a sweet pair of tights. Meanwhile he’s being trailed by some sort of entropic VHS vortex…

 

‘Would You Believe’ is available now as a free download on Bandcamp.

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WATCH: I Know Leopard – ‘She’

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she

“A few years ago, the members of I Know Leopard left behind their picturesque one-pub town in the Adelaide hills. Upon arriving in Sydney, they were confronted not only with the prospect of broader horizons but also with the unmistakable feeling of displacement. With this as a central trope, ‘She’ was born”. And so goes the presser.

My first watch of this video was with bleary eyes at 6 in the morning and for just one sec I thought I tripping. It’s been shot really… dreamy. Damn, I swore I wouldn’t use that word. But how can you help it. It’s so god damn dreamy. Shot by Hari Jago featuring a very nice tune that opens with a throwback to animal collective but moves into a thunderous mind melting breakdown with catchy drum rolls and layered vocals.

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Touring the new single ‘She’ on below dates:

Thurs, 7th Nov – MELBOURNE Prince Public Bar w/ special guests

Fri, 8th Nov – WERRIBBEE @ Mynt Lounge w/ special guests

Sat, 9th Nov – MELBOURNE @ The Workers Club w/ special guests

Fri, 15th Nov – SYDNEY @ OAF Gallery Bar w/ special guests

Sat, 16th Nov – BRISBANE @ Trainspotters, Grand Central Station w/ special guests

Fri, 22nd Nov – ADELAIDE @ Ed Castle w/ special guests

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INTRODUCING: Little May

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Little May

I love Australian folk music. I’m in Canada right now, and being away from home has made me appreciate the distinct sound of our local singer/songwriters on a whole new level. Right now, it’s Sydney outfit Little May who are helping with the queasy feeling of homesickness.

Little May’s debut single ‘Boardwalks’ is such a wonderful package of everything you love about folk music: soft, weathered vocals, a driving rhythmic section and lyrics that offer something a bit more. It’s difficult not to fall in love with the trio as they send you down a pensive spiral with their words and sounds. Taking inspiration from Fleetwood Mac and Local Natives, the trio features Liz Drummond, Hannah Field and Annie Hamilton. While the trio are relatively new, having formed only last year. They may be a folk outfit, but they are also undoubtedly resonating.

The three piece have handpicked certain elements to create their own fusion of percussion-heavy, guitar-driven folk. Coupled together with some intriguing storytelling, they’re doing it right.

 

‘Hide’ is the second taste of Little May’s upcoming EP, due in November.

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PREMIERE: Unity Floors – ‘Day Release’

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unity-floors

 

Here’s the first listen of ‘Day Release’ from Sydney duo Unity Floors. Words that could be used to describe this track are ‘shabby’, ‘friendly’ and ‘pleasurable’ (especially the former). Those descriptors sound like real estate copy for a fancy smack-den, but mouldy suburban lounge rooms do plenty of good for the imagination. Following ‘Nice Fit’, ‘Day Release’ is the next excellent track off the band’s upcoming debut LP Exotic Goldfish Blues (which I’m assuming is the shitfaced, slightly more humorous cousin of ‘Sharkfin Blues’).

‘Day Release’ is an exemplary snippet of ‘polite’ garage. The band have a mutual affinity for bands like The Clean and Dinosaur Jr, as much as they like digging on lost love, petty theft and women’s golf. The new track is a fun cut-and paste project with Henry Gosling’s nod-along drumming at the wheel and Gus Hunt’s choppy riffs chugging away back and forth on all ends of the good-time spectrum. All I can hear when I listen to this is Gerling’s 4 record – eternally chuffed. I’m so glad Sydney bands are bringing back some optimism, because the sad majority of what I’m wringing out of Melbourne at the moment are skinny things wanting to 2 B THA FUTURE, trying to fart out appropriations of R&B in drop-crotch pants and double-mounted hair buns (prove me wrong).

Unity Floors have been quick to dismiss their jams as ‘scrappy rock music’, but the whole two-piece setup lends Unity Floors a weird connectedness that’s both slapdash and completely engaging. I’ve been nodding along to this one for the last hour. You’d be hard-pressed not to as well.

‘Day Release’ will be available on Unity Floors’ debut LP Exotic Goldfish Blues, available on November 15th via Popfrenzy.
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