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LISTEN: James X. Boyd – ‘Paul K & The Downtown Specials’

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It was a sad day for Brisbane when James X. Boyd moved to Edinburgh earlier in the year, so it’s super exciting to hear new stuff from him coming over the seas.

‘Paul K & The Downtown Specials’ is a low-key slice of the kind of deeply lovely jangle stuff that we expect from Boyd. It makes you feel good but in a sad kind of way that you don’t quite get but you definitely like. The lyrics are simple but striking (‘true romantics always sleep alone’), and you hear another great line every time you listen to the song, which you’ll want to do a lot.

You can download the track for free on James’ Bandcamp. While we’re there, check out this very sweet and weird home-movie style video.

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INTRODUCING: San Mei

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San Mei is the bedroom project for Gold Coast based Emily Hamilton. Sunshine, skateboarding and shiny melodies sung over drum-rolls and synth treats, layered with fresh production skills all sounding breezy yet dramatic. What an opening 15 seconds. The hope of youth. The love of helpless naivety. Such longing. And then heart on sleeve melody. This is why I dig on pop music and if our ed. Mel wasn’t so edgy; she would too. San Mei lifts the pop tones on brighter to um, ahem… a brighter place?

‘Brighter’ is San Mei’s first official release following on from some earlier web posts. Recorded at home and then fine tuned at Little Pink studios to hone the vocal production. London label Tidal Wave will pimp the digital single on September 16th so get on it. hashtag Brighter.

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LISTEN: Abstract Mutation – ‘Expert Loner’

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Abstract Mutation is James Grant, proprietor of CD-R imprint Vinyl Only Tapes and yet another emigre in the horde of Kiwis presently residing in Melbourne. Grant makes retro-futurist techno that critiques the banality of a hyper-administered, technocratic world at the same time as it indulges in anachronistic tropes from the time of MS DOS, NetScape, 80s corporate chic and clunky computer graphics.

Single ‘Expert Loner’ is composed of garbled rhythms and slightly off-beat tones that sound as though they were generated by an early PC. Like most Abstract Mutation songs, ‘Expert Loner’ is about the interplay between process and improvisation. It’s laid out over a regimented house beat but engaged in a kind of devolution, as some parts fizz out and new elements are scattered in their place. Maybe I’m overplaying my hand here a little, but the EP (titled, fittingly, Fake Keygen) seems to reflect – and kind of joke about – the disorienting and two-dimensional nature of life in a post-internet age. #orly

Despite being picked up by a bunch of very hip international blogs, Abstract Mutation currently has a criminal 85 ‘likes’ on his Facebook page. I guess music like this isn’t exactly going for the heartstrings, but something that manages to be both this cerebral and this light surely deserves attention.

Fake Keygen is out on cassette label 1080P, which is run by Rose Quartz’s Richard MacFarlane. Grant also released the excellent Serenely Skeptical EP as Spelunks just last month, which you can pick up here.

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EXPAT: Lower Spectrum – ‘Little Appeal’

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Moving from one place to another inspires something much more than ordinary. For Ned Beckley (Lower Spectrum), it was an opportunity to document everything. Beckley booked an around the world ticket, packed his gear and a laptop and spent six months collecting ‘field recordings’. The end result is his latest release, Little Appeal.

It’s very much a concept recording; a reflection of place and sound. Each track is beset with rich atmospherics and muted conversations in foreign tongues. This album stands out for it’s subtlety – transient both in subject matter and it’s depth of sound. The album begins in a dimly lit cellar in a French village, and ends sprawled across the horizon line of the American dream.

Read Ned’s photo diary and have a track-by-track wander of the album in full below.

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FRANCE

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Track 1: ‘Invocation’

We did a lot of WWOOFing. Wine is a big part of my family so hunting down the best wineries was our aim. We stayed with a beautiful couple who lived in a tiny village called Caux, in the Launguedoc region. Peter, the wine maker was a closet saxophone player obsessed with jazz and Chet Baker. At night he would sneak down into the cellar and play his sax. The acoustics sounded beautiful. He traded in his corporate lifestyle as an accountant to work on the land and I truly respected this.

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JORDAN

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Track 2: ‘Erasing Form’

Jordan was the ultimate. People would stop us in the street and say “Welcome to Jordan!”. Probably because no one goes there. 5 times a day from different mosques that surround Amman, you can hear the ‘call to prayer’. The felafels and hummus were the best I have ever eaten and the desert landscape was endless.

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GERMANY

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Track 3: ‘Isometric’

I found a lot of inspiration in Berlin, like most people do. My BPM kept creeping up.  I managed to find a room in an old nunnery right in the heart of Kreuzberg. It rained a lot so I set up studio and managed to get mighty productive.

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INDIA

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Track 4 : ‘Hollow’

India was intense. It burnt itself into my memory, in a good way. Every day was a blur of car horns, street faeces and mind-altering curries. Rickshaw rides were always the best because the drivers would play killer obscure Bollywood songs from the 70’s that have the most epic string arrangements. I love that.

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SLOVENIA

 

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Track 5: ‘Sanctity’

Ljubljana boasts medieval castles, snow tipped mountains and retrograde farming.  Experiencing the pristine countryside was always preferred over the hustle of big cities. Slovenia was all humble countryside and I found it a nice relief to explore.

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ITALY

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Track 6: ‘Estuary’

Tuscany was by far the highlight. We managed to hook up a 2 week stint of WWOOFing in a castle that dated back to 1042. It was incredible. We worked liked peasants, drank and ate like kings and slept like babies. The mother of the owner lived there also and was slightly losing her mind. She would often hide the key to the main entrance and we couldn’t get back in. Every morning she would ask us who we were and where we were from. They had a beautiful baby grand piano that I recorded that features in ‘Estuary’.

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TURKEY

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Track 7: ‘Heedless’

 

Istanbul is an amazing mix of colours and cultures. Full of cats, antiques and secret side streets. We stayed with a friend who is working as a journalist there. He had the low-down on all things good. He showed us an island 20 minutes ferry ride away that reveals views of Istanbul and it’s 16 million inhabitants.

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THAILAND

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Track 8: ‘Field of Glass’

Everywhere I went I took a Zoom mic with me. The field recording at the end of the track ‘Field Of Glass’ was a really peculiar experience and will be most likely misunderstood as the sound of rain. Walking through a small part of the jungle on an island in Koh Samed I kept hearing what sounded like the crackling of sherbet when it’s in your mouth. Taking a closer look at the ground under the trees you could see millions of earwigs crawling over and eating leaves and foliage. I put the mic on the ground and let them crawl all over it.

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AMERICA

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Track 9: ‘Vapours’

My bag got really heavy in America. Digging at record stores the size of supermarkets is overwhelming. I managed to find a lot of killer samples that found their way onto the album. I also saw a lot of incredible live music that inspired me. Particularly Nils Frahm in New York and Jon Hopkins in Williamsburg.

 

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More of Ned’s full travel photos can be viewed at his blog. Help fund more of Ned’s ventures and purchase Little Appeal on a name-your-price basis here.

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LISTEN: Bushwalking – ‘High Hogs’

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Bushwalking is yet another local supergroup, this time a Sydney-Melbourne cross-border operation. They originally got together to record some tracks for the solo project of Songs‘ Ela Stiles, but the combination of Stiles, Karl Scullin from Kes Trio and Fabulous Diamonds‘ Nisa Venerosa worked so well that they decided to just get it over with and form a band already.

At first they called themselves Zsa Zsa, after the serial monogamist (she had nine husbands) and one-time Miss Hungary Zsa Zsa Gabor, but I guess that didn’t quite sum it up, because they quickly switched to the more true blue Bushwalking. Their first album came out on US label Army of Bad Luck, which is run by none other than former Deerhunter bassist Josh Fauver. It featured a bunch of engrossing psych jams that were heavy on the innuendo, with names like ‘Natural Vagina’, ‘Bath Sex’ and ‘First Time’.

Now they’re back, with second album No Enter coming out on 6 September (this Friday!) through Chapter. ‘High Hogs’ is the lead single, and it’s off the flipping chain. Driven in equal measure by Stiles’ grubby bass line, Scullin’s angular, twisting guitar and the girls’ meditative harmonising, it’s got a wild, almost primitive feel – which is very much enhanced by Venerosa’s pensive drumming and the animal ‘whoop’ that punctuates the verses. ‘Verse’ isn’t really the right word though; ‘High Hogs’ unfolds in the spiralling structure of a drone, closer to the experiments of Fabulous Diamonds and Kes Trio than to any traditional rock song. But it’s still tight as hell – for all its proggy impulses, this track is visceral, direct and very loud.

 

You can catch Bushwalking in their respective home towns on these dates:

Friday, 11 Oct – Red Rattler, Sydney (tickets via Moshtix)

Saturday, 12 Oct – John Curtin Hotel, Melbourne (tickets available through the John Curtin website)

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LISTEN: Smile – ‘Sunni Hart’ / ‘Born Again’

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Melbourne band Smile formed in 2012, when two members dropped out of the unwieldy seven-piece Red Berry Plum, leaving the rest to go it alone. The present line up is led by singer/guitarist Pete Baxter and features Josh Delaney of Rat & Co. and Chet Faker and Max Turner, who also plays in Mouth Tooth.

Smile’s debut album, Life Choices, came out just over a week ago. It’s full of warm, reflective pop songs that fall somewhere between slowcore and slacker rock. Their sound reminds me of Spain‘s mellow hooks – and there’s an appropriate nod to the Velvets in opening track ‘Still Waiting For My Man’.  There are some nice Melbourne references on the album, with songs called ‘Pascoe Vale’ and ‘Amess St’, but for some reason it always makes me think of summers in Sydney’s eastern suburbs and the afterglow in your skin when you’ve spent the day in a hot dusty car between beaches.

Smile recently put out a video for ‘Born Again’ – a title which, along with B-side ‘Jesus Song’, hints at some childhood experiences with religion that Baxter’s alluded to in interviews. The single has been neatly prologued with naive love song ‘Sunni Hart’, a short-and-sweet, Lemonheads-style number about a girlfriend with a wonderful name who’s almost too good to be true.

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Smile are launching Life Choices on 19 October at new Melbourne venue Boney. For now, you can get the album here and here.

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WATCH: Jae Laffer – ‘Leave A Light On’

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It’s always nerve wracking when the singer of one of your favourite bands goes solo. When Jae Laffer from The Panics announced his solo record, my immediate reaction was – that’s great… Jae (I saw him on the bus once, we’re on a first name basis). Please don’t break up the band.

So far it seems my fears were unfounded, and this first single from Laffer’s record is certainly pretty enough to be worth the worry. The track, ‘Leave A Light On’ is on the poppier side of Laffer’s output, though still with those gorgeous strings that lend a slight sense of weight to the track without ever being overwrought shine best here. Laffer’s vocals and lyrics are still thankfully a focal point, because the guy can sure can turn a any old phrase into something laconic, smart, and poetic.

A video released to co-inside with the single has recently been released, featuring historical footage mixed with images of Laffer wondering around the bush, looking at junk. It’s familiar stuff if you’ve seen any of The Panics’ film clips. Also note, at 2:20 Laffer does the greatest Nana dancing ever committed to tape.

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Jae is releasing his new album When The Iron Glows Red on Sep 27th via Dew Process/Universal. He’ll also be playing a string of dates around the country, details below.

‘WHEN THE IRON GLOWS RED’ TOUR

Saturday Oct 12 – The Toff, Melbourne, VIC

Friday Oct 18 – Alhambra Lounge Brisbane, QLD

Saturday Oct 19 – The Loft Gold Coast QLD

Thursday Oct 24 – Mojo’s, Fremantle WA

Friday Oct 25 – Astor Upstairs, Perth WA

Saturday Oct 26– Jive Bar Bar, Adelaide SA

Friaday Nov 08 – Oxford Art Factory, Sydney NSW

 

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