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LISTEN: Shag Planet – ‘Too Many Babes, Too Little Time’

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Shag Planet Press Shot 2Too many babes is a great problem to have. A great problem until you become physically overwhelmed at the site of beautiful people you want to sex so much that it hospitalises you. Then it’s definitely a problem. Jess and Em descended from Shag Planet not a moment too soon, chucking a synth and a wood block under that sentiment to regale us with the tale of a young woman’s truly explosive sexual awakening in their debut single ‘Too many babes, too little time’. The Melbourne (Victoria, Australia, Earth) duo describe their intergalactic pop as “cosmic bangers”. I don’t disagree.

There’s a crunchy guitar hook, lo-fi synth with some astral sounding effects and howling backing vocals in a slightly less developed synth punk of their LISTEN labelmates Stina Tester & Cinta Masters. The star of the dish here is really the narrative that hooks you from the beginning, you simply must find out how this woman escapes the clutches of monogamy. Without spoiling the ending I sincerely hope no one is currently so sexually repressed they meet the same fate as Shag Planet’s hero. Or that they have to leave this planet to feel comfortable with their sexuality.

Basically this track is fun as hell and 200% going to be stuck in your head for the next few hours (days, if you’re lucky). Prepare a response for when you accidentally begin to sing “toooooo many baaaabes, too little time” at random intervals in public, so far no one has been convinced that really I’m just singing an incredibly catchy song, no it’s really good, please, don’t tell my boss.
Shag Planet will be attempting to woo as many of you as humanly possible at the Old Bar in Melbourne on June 25th when they launch the single. Scott the paramedic will be on hand should babe-frenzy related medical assistance be required. 

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PREMIERE: Cool Sounds – ‘In Blue Skies’

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Cool SoundsIs it a crime to not like guitar pop yet? It should be. I’d fight that fight. However I also think ‘is this the genre that I’ll look back on a decade from now and be like “but why?”‘ Whatever, sad guitar pop is just very listenable, is what I’m trying to say. Two releases deep, Cool Sounds (featuring members of probably every other band in Melbourne) have presented us with ‘In Blue Skies’, the first offering off what they’re calling their debut album (they could be three in already depending on which way you cut it), ‘Dance Moves’.

When you name your band something as disarming as Cool Sounds you immediately position yourself on that fine line between banal and banal but in a low key, acceptably ironic way. CS edge into the latter category by writing songs that are emotionally invested in the former; shit that happens to everyone with a frequency that makes it mundane, but still makes you feel feelings that you’re positive no one has ever felt before when they happen to you.

On ‘In Blue Skies’, Dainis Lacey turns his attention to a relationship reluctantly withering away. It’s a sad song with sprinkles of flamenco-esque guitar and Sara Retallick’s vocals echoing Lacey’s longing through the chorus. It’s the kind of track I’d sing into an empty bar 16 G&T’s deep after a crumbly breakup. That’s never happened, but I kind of want it to because then I’d be able to say something about life imitating art. ‘In Blue Skies’ almost takes me there, a place where I’m down but not entirely out, one foot ready to make the next move while the other is stubbornly planted in the past.

If Foals’ Yannis Philippakis was a more mellow human he’d sound exactly like Lacey, and if Lacey wanted to take Cool Sounds in a more extreme direction I’m sure he’d sound like Philippakis yelping into a stadium. For now though, CS are making some consistently…cool…sounds. And I always have room for that in my life.

Dance Moves is due out via Deaf Ambitions late 2016. 

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PREMIERE: Naked – ‘Critical Half-Arsed’ video

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Tasmanian experimental punk malcontents, Naked, are on the cusp of having a very big month. The three-piece made some waves in late 2015 with ‘Sprinters of the World Unite’, a ramshackle but intriguing piece of outsider noise. Around the same time it was announced that Naked would be releasing a full-length record through Brisbane label, Tenth Court, who released some stellar LP’s last year from the likes of Wireheads and Mope City. Pink Quartz is the name of the record, which is set to drop into our hot little hands on Friday, 5 February. To make sure we don’t forget, Naked is offering up a new single and video, ‘Critical Half-Arsed’.

‘Critical Half-Arsed’ is one minute and twenty seconds of buzzing and strained noise punk. Taken at face value, you might think the title accurately describes the offering, but in eighty seconds the band manages to fit a large amount of urgency and tension into the mix. Toothy guitar slashes and quick pummelling of the drums keep you on edge, as lead singer Kieran Sullivan offers a halted recollection of a deadly accident.

The clip sees the members of Naked rinsing off in showers and bathtubs fully clothed. It’s as if they are trying to wash themselves of some distasteful experience – a cleansing of something unshakable, something that can’t be unseen. Quick cuts build on the tense nature of the song, and it makes for a suitably unnerving accompaniment.

You can preorder Pink Quartz on digital or limited edition vinyl via Tenth Court now. Once the album drops, catch Naked on their extensive east coast tour:

Fri 5th – The Grand Poobah, Hobart w/ Native Cats, Orlando Furious (Melb) and Henry Savery

Sat 13th (arvo) – 4ZZZ Carpark, Brisbane w/ Thigh Master, Clever, The Mosaics and Hexmere

Sat 13th (eve) – Trainspotters, Brisbane w/ Cannon, Pillow Pro (Melb) and Rebel Yell

Sun 14th – Seespace, Lismore w/ Dracopede, Skinpin and Poetaster

Tues 16th – The Croatian Club, Newcastle w/ Nailhouse and Polyfox

Wed 17th – Rad Bar, Wollongong w/ Julia Why? (Syd), Orphans (Syd) and White Blanks

Thurs 18th – Marly Bar, Sydney w/ Julia Why? and Lenin Lennon (Facebook)

Fri 19th – The Union, Sydney w/ Mope City (LP launch), Point Being and Pillow Pro (Melb) (Facebook)

Sat 20th – The Phoenix, Canberra w/ Wives and California Girls (Facebook)

Sun 21st – Grace Darling, Melbourne w/ Faye Soft, Orlando Furious and Sweet Whirl

Mon 22nd – Northcote Social Club w/ Taipan Tiger Girls, The Bunyip Moon and Secret Valley

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SEQUENCE: Sampa The Great

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Sampa The Great-26

photos by Pat O’ Hara

We recently spent a cruisy Sunday with Sydney via Zambia songwriter Sampa The Great & her producer Dave Godriguez.

Sampa really hit her stride last year – rousing our attention with her expressive spoken-word prose, flanked by Dave’s progressive funk & jazz tones.

Pat shot series at Dave’s house in Newtown, before rolling onto their show on the rooftop of the Museum of Contemporary Art (how about that sunset, hey).

Get your free download of Sampa’s debut The Great Mixtape, then head along to one of her upcoming dates at Golden Plains, WOmadelaide or supporting Guilty Simpson. More information right here.

 

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(View full photo set below) 

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PREMIERE: S M Jenkins – ‘Mikrowave’

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SM Jenkins B+W

Forget cohabiting and childbirth. When all the records you once revelled in start reaching their milestone second and third reissues, that’s when it’s appropriate to start mourning your age. In just a few months, it’ll be almost 21 years since Pavement released their third record, Wowee Zowee –  an opus full of stoner oddities, and songs about castration, brazil nuts and other stuff only Stephen Malkmus could apply his half-baked, poetic genius to.

It’s a decent milestone to reference – as Steve Bourke has done. S M Jenkins (Malkmus’ alias on Wowee Zowee) is the new name of the Step-Panther frontman’s solo project. ‘Mikrowave’ is the first track off his upcoming EP, Out There In The Zone.

Bourke wrote and recorded the EP when he was living in “relative isolation” in Mittagong, in the NSW Highlands located 110KM out of Sydney. Bourke is on his lonesome here, so Step-Panther fans shouldn’t be expect the Superchunk anthems (cc: ‘User Friendly’, ‘Zombie Summer’) the band stirred up on Strange But Nice.

‘Mikrowave’ rolls on at a steady pace with the kind of breakfast positivity Kurt Vile rallied when he brought out ‘Walkin’ on A Pretty Day’. Try as you may – it’s hard to hate this song. Bourke’s nuances are affected with that self-effacing slacker drawl, here ironically singing about “saving time” instead of wasting it. Bourke notes that the track was about “trying to make the best out of whatever you’ve got going on”. And he does – as he murmurs some perspective over ‘Mikrowave’s melodic mid-tempo guitar line, assuring us that it’s alright to be just where you are. 

 

Out There In The Zone is set for release in late February.

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LISTEN: Good Morning – ‘To Be Won’

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good morning glory

‘To Be Won’, the latest single from Melbourne two-piece Good Morning, is largely a song of pauses and sighs. It’s like looking out the window of a train when you forgot where you’re going for a second. Or sitting at home watching nothing happen. It’s kinda like thinking about stuff but not doing a thing.

Previous single ‘Cab Deg’ had that same insistent guitar thing (maybe borrowing a little more than necessary from Deerhunter? Who could say.), pushing it into territory where words like ‘catchy’ and ‘immediate’ are called for. ‘To Be Won’ makes you want to listen by just sounding really nice, with plenty of warm room noise, the rise and fall of the guitar melody breathing steadily. The line ‘I tried, but it’s yours to be won’ has the same sweet relief that comes from cancelling plans, giving yourself a break and giving up on something you didn’t care much about anyway.

I like how it ends loose too – if they’d put one big finishing note in there it might have ruined everything, but they pull back before reaching outright sentimentality. Even when that old piano sound (used so often to beat you into nostalgia) appears, the song remains restrained, nudging towards a kinda wistful end. They know they might have to try again in the future, but right now chilling out is pretty chill.

Good Morning’s second EP, Glory, is out Thursday, 28 January.

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MAP – January 2016

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Here’s another round of new tunes from our blog friends around the globe. White Lodge is our Australian submission this month, serving up some loose vibes with their track ‘Bleach Coma’.

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the full 15-track compilation through Dropbox here.

 

ARGENTINA: Zonaindie
Sebasti·n KramerAbsolutos Principiantes

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2016 started with sad news about the passing of rock legend David Bowie, so we thought it would be a good time to share this cover of Absolute Beginners. It was recorded 10 years ago by Sebasti·n Kramer, former member of Jaime Sin Tierra, for a Bowie tribute album by independent netlabel Licor de Mono. Long live the Thin White Duke!

AUSTRALIA: Who The Bloody Hell Are They?
White LodgeBleach Coma

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Brisbane four-piece White Lodge have been busy the last few years, touring Taiwan with acclaimed Taipei-based band Forests, and supporting the likes of The Growlers and Thee Oh Sees on tour. Their latest single, Bleach Coma, serves up equal parts Brylcreem, surf scuzz and a dose of relentless psych-garage peddling. When artful balladry or an experimental noise opus just doesn’t cut it, White Lodge proves you don’t need to reinvent the wheel to have a good time.

BRAZIL: Meio Desligado
Elza SoaresMaria Da Vila Matilde

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Maria Da Vila Matilde is one of the strongest tracks on A Mulher Do Fim Do Mundo, the acclaimed album released by Elza Soares in 2015. At 78 years old, this is her 34th album. This song has an experimental approach of samba, rock and jazz, and lyrics about a woman rising against domestic violence.

CANADA: Ride The Tempo
MerivalA Better Deal

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First Rate People’s Anna Horvath is releasing solo music under the moniker Merival. You may recognize her voice from Swim Good’s song Since U Asked, which was featured in Ryan Hemsworth’s label Secret Songs and remixed by Star Slinger a while back. Now swing back with the gorgeous folk tune A Better Deal.

CHILE: Super 45
Oso El RotoOrdenacion

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To define Oso El Roto in a musical genre may be problematic. At the same time, it’s one of the best indications that we have something interesting on our hands. In Ekeko, his most recent record, Oso El Roto aka David Loayza is loyal to his own lo-fi style, developed during the 90s, which is characterized by absurdity, madness and childishness, and all amplified in his bizarre live shows. Ordenacion (featuring Dadal˙) is brand new for 2016.

(Listen to the full playlist below). 

 

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