Monthly Archives For January 2014

LISTEN: Mangelwurzel – Dead Pets EP

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mangelwurzel dead pets

I was a couple of glasses of wine down on a packed Friday at the Evelyn, when Mangelwurzel, hit the stage dressed in costume. There were flowers, disco-balls, smiley-faced bras – everything a tipsy twenty-something could want. Mangelwurzel even brought an actual mangelwurzel*, celebrating in style for the release of their debut EP, Dead Pets.

The EP clocks in at just under ten minutes and wastes no time getting things done. Each track seems to subvert itself half-way through, careening off in different directions before finding its way back to the opening phrases. There’s a sporadic, almost bi-polar feel to the songs and the EP as a whole, where the seven-piece will swing from surf rock to hip hop, from smooth jazzy pop to heavy cymbals and distortion. Yet, there’s a complete coherence in the tracks as well. It’s like when someone walks into a messy room, cries “HOW CAN YOU FIND ANYTHING IN THIS DUMP?”, and you reply  “Shit, mum. I’ve got this”.

While each of the tracks are great in their own little right, the actual recording of the songs is a little underdone. It’s short of bedroom-style production, or rather (and in the nicest possible sense) there isn’t any production. During their set, the band revealed they recorded on an eight-track straight into Vegas. It’s a shame really, as there are points in the EP where the dense layering or dynamic shifts in the tracks could really have been strengthened by some extra production pointers. However, Dead Pets is indicative of Mangelwurzel’s potential and ability – a band that will still manage to sound great on a live recording when most others wouldn’t stand a chance.

If you have an opportunity to see Mangelwurzel live, drop everything, bring some friends, and do just that.

*Did you know these things even existed?!

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INTRODUCING: Twin Caverns

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twin caverns

Too bad I love easy/sleazy listening. I cultivated this when Portishead was apparently a thing, when torrenting Ministry of Sound’s ‘Chillout Sessions’ catalogue was a thing and more recently when someone ousted me for listening to Sade’s greatest hits after leaving my Spotify on public.

Anyway, new Sydney duo Twin Caverns (Louise Millar and Michael Macias) recently did nice things to my ears and feelings. The pair draw similar parallels to other beat/vocal heavy duos like Alta and Audego – and more recently, every internet person’s rework of that Japanese Wallpaper x Wafia tune. Millar isn’t related to fellow Sydney vocal cameo star Nicole Millar, although the two do share an affinity for making a soundtrack for pool days and vanilla coated vocals.

Twin Caverns recently released their second single ‘Undiscover’. Similar to previous track ‘Swell’, the duo lean towards a more simple equation. That incandescent treble guitar line that starts the track off leaves Millar’s vocal refrain hanging from the ceiling. Thankful that this is probably one of the few decent duos that aren’t milking the drop vocal effect or the Flume formula which makes every downbeat sound like it’s being wrung through the ass end of a Microsoft vocoder. Twin Caverns need to give themselves a big midi hi-five here. Slick composition x thoughtful chords work perfectly together. This needs to happen IRL.

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LISTEN: Peking Tapes – Summer Lovin’ 2013

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peking tapes bc copy

Last year Sam ‘Rusty’ Crockett and Richie Shilton of cassette label Peking Tapes decided to collect a stash of their friends’ unreleased material for the Summer Lovin’ 2013 compilation. Coincidentally, Rusty and Richie’s friends play in just about every band in Melbourne, so they had loads of stuff to trawl through. The result is a fascinating document of the workings of this thriving little scene from Brunswick, and hopefully a sign for the future.

Summer Lovin’ features old mates Lachlan Denton from The Ocean Party, Curtis Wakeling of Velcro and Zone Out’s Ashley Bundang, who, as usual, has the reverb turned up to ‘desert mirage’. There’s also Wizard Oz’s excellent chillwave cover of TV Colours’ ‘Bad Dreams’ that had the kids frothing at the mouth in 2013.

But there are a number of revelations in here, too. Most exciting is the work coming from the sub-constellation of musicians around the band Big Tobacco, which features Peking Tapes honchos Crockett and Shilton alongside Tom Bradbury and Cam Hassard. Hassard’s contribution, ‘New York’, is far and away the highlight of the compilation. Channelling Bruce Springsteen without a care, Hassard belts out a tale of American wanderlust replete with bangin’ 80s-style sax solo, which is performed by Cam himself. As far as I’m aware, no other solo material by Hassard has yet been released, but here’s hoping.

Big Tobacco also do the 80s just the way it should be. They sound like the Jesus and Mary Chain meets the Church on their track ‘Broken Telephone’, with vocals from Bradbury that have just the right amount of ache to make the song feel anthemic.

‘Happy’, Bradbury’s own track, comes from his 2011 EP, Dream About a Girl. Its buoyant melody is underscored by a churning acoustic riff, with some low-key strings to round the edges.

As for the remaining contributors, Jordan Thompson of the Ocean Party offers a synth-interpolated alt country ballad which is the other clear standout here. Romantic but not a love song, ‘The Carnal Embrace’ seems to be about the disappointment of sex for its own sake; a track in the tradition of ‘The Wrong Girl’ (but better), with Thompson singing, ‘I don’t wanna know what he said/don’t wanna know what she said/don’t wanna meet a girl like that’.

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LISTEN: Roku Music – ‘Collider’

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Roku Music

 

Impressively spearheaded by Donovan Miller of No Anchor and Innez Tulloch from Tiny Spiders, Roku Music are a Brisbane four piece who make heavy shoegaze music that feels drawn-out, but always bloody tough.

After a few lineup changes, the band now feature bassist Jody Gleeson of Brisbane throwback girl-group The Madison and Thomas Roche of The Rational Academy on drums. Late 2013, the band entered the studio (Miller and Tulloch’s own) to record their first album. ‘Collider’, the name of the band’s forthcoming album and first single is the most solid statement of intent we’ve seen from this band yet.

Miller and Tulloch are both formidable guitarists. Both get an incredible amount of power out of their instruments; layers of distortion turn to whirlpools under a sweetly expansive vocal. The production here is epic and tense without ever being cluttered – and the track still weighs down around your shoulders, but in way that’s more comforting that claustrophobic.

Roku Music’s debut album Collider will be released through Sonic Masala Records in March.

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INTRODUCING: Rabble Rouser

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Rabble Rouser

When a band emails you claiming they sound like Grinderman and Television, you take everything at a half-truth really. Melbourne’s Rabble Rouser aren’t quite crude, doom-slaying middle agers just yet (truly, no is quite as frightening as Warren Ellis in my mind anyway). On their split double A side featuring ‘I’m a Human Blues’, So Damn Tired’ and the blunt, 43 second ‘Wicked Chair’, the band sway from grovelling noise punk to tender, square-eyed pop like some kind of bipolar Tom Verlaine.

Rabble Rouser aren’t just a bunch of surf chumps fiddling around the psych-punk circuit though. As soon as that speckled treble guitar emerges from catacomb of an intro in ‘I’m A Human Blues’, Nick Allbrook’s soul takes flight with the wind – and in a moment of tenderness and absolute chaos, all seems all and right with the world. The guys are currently recording a five track EP in Blairgowrie to be released in the coming months. For now, catch I’m a Human Blues // So Damn Tired as a free download at Rabble Rouser’s bandcamp.

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LISTEN: Batpiss – ‘Burn Below’

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batpiss

There are plenty of punk bands out there with revolting names; Saliva, Cumstain, Begging For Incest. But hey, those bands kinda suck. Breaking the vile name, shit band category are Melbourne locals Batpiss. Kicking around in Collingwood since around 2011, Batpiss have honed their craft of sluggish oblivion into something that would make Buzz Osborne from the Melvins blush. Although the band released a self-titled cassette in 2012 via Popular Favourites Records, the true gnash of their sound is most apparent on last year’s debut LP, Nuclear Winter.

Starting with a gyrating riff accompanied by a close imitation of Black Flag’s ‘My War’, Batpiss’ ‘Burn Below’ is a punch to the face. It starts with gnashing guitar and buckling bass/drum combinations all come to a halt halfway through the track. It’s only a brief moment of respite though. The band are intent on ploughing through with the incendiary goal to blow out your brain cells – and they’re close.

Batpiss will turn heads, rip off those same heads, stamp them into a bloody mess all over the stage. More please.

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WATCH: Fractures – ‘Embers’

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fractures

Mark Zito aka. Fractures has had an interesting ride since releasing his track ‘Twisted’ at the end of 2012. Apparently, irony spares no expense – Fractures actually fractured his neck (SRSLY) after a fainting incident at the breakfast table last year. While this sounds like the foundations of some beguiling press story, cracking vertebrae is no laughing matter. Zito was forced to cancel his upcoming tour and spent most of last year harmonizing in an Orthotic halo. Zito’s now made a full recovery, with Fractures selling out a headline show at the Workers Club back in November. Champ.

This recent acoustic video of Fractures’ track ‘Embers’ was filmed at the Queen Vic Markets in West Melbourne. It’s a mile different from the recording, Fracture’s vocal and sparse arrangement is worth your ears.

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Catch Fractures at one of the dates below:

25th Jan – The Toff, Melbourne w/ Yeo

1st Feb – Brighton Up Bar w/Goldsmith

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